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	<title>NEWS archivos - ANIFF - Active Nonviolence International Film Festival</title>
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	<description>FICNOVA - ANIFF; International Film Festival of Active Nonviolence; Humanist space of encounter in the culture of nonviolence. A festival that works to overcome violence and discrimination. A biennial, voluntary and free film festival.</description>
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	<title>NEWS archivos - ANIFF - Active Nonviolence International Film Festival</title>
	<link>https://festivalcinenoviolencia.org/en/category/news-en/</link>
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	<item>
		<title>AWARDED Films of 8th FICNOVA 2026</title>
		<link>https://festivalcinenoviolencia.org/en/awarded-films-of-8th-ficnova-2026/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Thu, 01 Oct 2026 22:01:00 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[Cine; noviolencia]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=13429</guid>

					<description><![CDATA[<p>The international FICNOVA jury, comprising non-violence activists from various cities in Argentina, Chile, Spain and Mexico, has awarded prizes at this 8th edition to four films from Germany, Spain and Guatemala</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-of-8th-ficnova-2026/">AWARDED Films of 8th FICNOVA 2026</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Galardonados-8-FICNOVA-2026-n.png" class="attachment-colormag-elementor-grid-large-thumbnail size-colormag-elementor-grid-large-thumbnail wp-image-13418" alt="Galardonados 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Galardonados-8-FICNOVA-2026-n.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Galardonados-8-FICNOVA-2026-n-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Galardonados-8-FICNOVA-2026-n-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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									<p>The international jury, comprising non-violence activists from various cities in Argentina, Chile, Ecuador, Spain and Mexico, has awarded prizes in this year’s edition to four films from Germany, Spain and Guatemala in the following four categories:</p>
<ul>
<li>Educational Centres Section:
<ul>
<li>Primary – Secondary</li>
</ul>
</li>
<li>General section:
<ul>
<li>Short films</li>
<li>Medium-length films</li>
<li>Feature-length films</li>
</ul>
</li>
</ul>
<p>In all these works, we recognise not only a condemnation of various forms of violence and discrimination, but also that each one offers different ways forward or means of overcoming or positively transforming such situations, steering the future towards a non-violent path, from the isolated position of ‘Me’ to one connected with  ‘Us’.</p>								</div>
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									<h3>EDUCATIONAL CENTRES: PRIMARY AND SECONDARY SCHOOLS</h3>								</div>
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							<img loading="lazy" decoding="async" width="453" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-CE-Galardonado-8FICNOVA2026-b.png" class="attachment-large size-large wp-image-13420" alt="Corto CE Galardonado 8FICNOVA2026 b" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-CE-Galardonado-8FICNOVA2026-b.png 453w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-CE-Galardonado-8FICNOVA2026-b-300x159.png 300w" sizes="(max-width: 453px) 100vw, 453px" />								</a>
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												<figure class="wp-caption">
											<a href="https://festivalcinenoviolencia.org/en/the-wheelchair/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/LA-SILLA-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12314" alt="Cartel LA SILLA" />								</a>
											<figcaption class="widget-image-caption wp-caption-text">Ver FICHA COMPLETA</figcaption>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-wheelchair/"><strong>THE WHEELCHAIR</strong></a></h5>
<p>Directors &#8211;<strong> Clara García, Mariano Reinaldos.</strong> IES Ramón Arcas Meca (Lorca)<br />6 min. España. 2024</p>
<p>Synopsis: <br />Don’t just sit there.<br />Empathy: The ability to identify with someone and share their feelings.</p>								</div>
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									<h3>GENERAL SECTION: SHORT FILMS</h3>								</div>
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							<img loading="lazy" decoding="async" width="454" height="242" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-Galardonado-8FICNOVA2026-n.png" class="attachment-large size-large wp-image-13421" alt="Corto Galardonado 8FICNOVA2026 n" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-Galardonado-8FICNOVA2026-n.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-Galardonado-8FICNOVA2026-n-300x160.png 300w" sizes="(max-width: 454px) 100vw, 454px" />								</a>
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							<img loading="lazy" decoding="async" width="320" height="179" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-Galardonado-8FICNOVA2026-b.png" class="attachment-large size-large wp-image-13422" alt="Corto Galardonado 8FICNOVA2026 b" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-Galardonado-8FICNOVA2026-b.png 320w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/10/Corto-Galardonado-8FICNOVA2026-b-300x168.png 300w" sizes="(max-width: 320px) 100vw, 320px" />								</a>
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											<a href="https://festivalcinenoviolencia.org/en/tapestries-of-light-life-and-community-in-guatemala/">
							<img loading="lazy" decoding="async" width="240" height="300" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Tapices-poster-240x300.jpg" class="attachment-medium size-medium wp-image-12341" alt="Cartel tejidos de luz" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Tapices-poster-240x300.jpg 240w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Tapices-poster.jpg 640w" sizes="(max-width: 240px) 100vw, 240px" />								</a>
											<figcaption class="widget-image-caption wp-caption-text">Ver FICHA COMPLETA</figcaption>
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									<h5><a href="https://festivalcinenoviolencia.org/en/tapestries-of-light-life-and-community-in-guatemala/"><strong>TAPESTRY OF LIGHT, LIFE AND COMMUNITY IN GUATEMALA </strong></a></h5>
<p>Guatemala. 2025. 23 min.<br />Dir: <strong>Paula Recinos</strong></p>
<p>Milvia, Magda, Virginia, Jimena, Francis and Maya share a common dream: a future of hope for their communities. They are Guatemalan women – indigenous weavers, artists, public defenders and traditional midwives – who are fighting to defend democracy, human rights and cultural heritage at a time of historic political transformation.<br />The play weaves together the stories of women who have spearheaded legislative initiatives, shaped national policies, fought for human rights, built collective movements and created spaces for art and activism – all in the pursuit of peace, justice, freedom and a life free from fear. Their journeys reveal that the strength of their communities has been the key to their transformation.<br />This is a story of resilience, hope, struggle and activism, led by women who refuse to be silenced. Now more than ever, their stories must be brought to light.</p>								</div>
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									<h3>GENERAL SECTION: MID-LENGTH FILMS</h3>								</div>
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															<img loading="lazy" decoding="async" width="454" height="241" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-n-1.png" class="attachment-large size-large wp-image-12531" alt="Laurel Medio Finalista 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-n-1.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-n-1-300x159.png 300w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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															<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b.png" class="attachment-large size-large wp-image-12329" alt="Laurel Medio Finalista 8 FICNOVA b" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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												<figure class="wp-caption">
											<a href="https://festivalcinenoviolencia.org/en/women-of-resilence_en/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Women-of-resilence-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12379" alt="Cartel de Women of resilence" />								</a>
											<figcaption class="widget-image-caption wp-caption-text">Ver FICHA COMPLETA</figcaption>
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									<h5><a href="https://festivalcinenoviolencia.org/en/women-of-resilence_en/"><strong>WOMEN OF RESILIENCE</strong></a></h5>
<p>Germany. 2025. 54 min.<br />Dir. <strong>Andreas Rochholl, Sebastian Leitner</strong></p>
<p>Stories of Kurdish identity: Two former Kurdish female guerrilla fighters reconnect over their shared history and their decision to leave the movement in order to fight for Kurdish freedom in a different, non-violent way. A story of resistance against the suppression of one’s own voice and culture. It is also the story of an irreversible and personal decision to give up everything, and of the courage of women who, like thousands of other young women, went ‘to the mountains’… only to leave it all behind years later, swapping weapons for art and activism.</p>								</div>
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									<h3>GENERAL SECTION: FEATURE FILMS</h3>								</div>
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															<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-n.png" class="attachment-large size-large wp-image-12330" alt="Laurel Largo Finalista 8 FICNOVA n" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-n.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-n-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-n-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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															<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-b.png" class="attachment-large size-large wp-image-12331" alt="Laurel Largo Finalista 8 FICNOVA b" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-b.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-b-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Largo-Finalista-8FICNOVA2026-b-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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												<figure class="wp-caption">
											<a href="https://festivalcinenoviolencia.org/en/the-eyes-of-the-future/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Los-Ojos-del-Futuro-300x400.jpg" class="attachment-tileview size-tileview wp-image-12367" alt="Cartel Los ojos del futuro" />								</a>
											<figcaption class="widget-image-caption wp-caption-text">Ver FICHA COMPLETA</figcaption>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-eyes-of-the-future/"><strong>THE EYES OF THE FUTURE</strong></a></h5>
<p>Spain. 2025. 66 min<br />Dir: <strong>José María Borrell Balsells</strong></p>
<p>The Eyes of the Future explores the impact of African immigration on Europe, analysing the roots of this phenomenon, the reasons behind these migratory flows and, above all, the experiences of those who arrive in search of a new beginning. From cultural and linguistic barriers to opportunities for integration through education and local support, the documentary examines the challenges of adapting to a society that they often find complex and hostile, offering a reflection on how our society treats African immigrants arriving in our country and on the future that this holds for us.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-of-8th-ficnova-2026/">AWARDED Films of 8th FICNOVA 2026</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></content:encoded>
					
		
		
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		<item>
		<title>Film screenings at 8 FICNOVA 2026</title>
		<link>https://festivalcinenoviolencia.org/en/film-screenings-at-8-ficnova-2026/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Wed, 09 Sep 2026 08:10:37 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=12920</guid>

					<description><![CDATA[<p>FICNOVA is a non-commercial festival run entirely by volunteers. Screenings take place in theaters and other spaces provided by the various host cities.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/film-screenings-at-8-ficnova-2026/">Film screenings at 8 FICNOVA 2026</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="12920" class="elementor elementor-12920">
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										<img loading="lazy" decoding="async" width="800" height="600" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/IMG_6898-1024x768.jpg" class="attachment-large size-large wp-image-10558" alt="Proyección de galardonados en el 7 FICNOVA 2024 en Madrid" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/IMG_6898-1024x768.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/IMG_6898-300x225.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/IMG_6898-768x576.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/IMG_6898-1536x1152.jpg 1536w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/IMG_6898-2048x1536.jpg 2048w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Proyección de galardonados en el 7 FICNOVA 2024 en Madrid</figcaption>
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										<img loading="lazy" decoding="async" width="800" height="450" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/01/2026-01-28-at-11.52.492-1024x576.jpeg" class="attachment-large size-large wp-image-12026" alt="Proyección taller en Open Tibet House de Praga con FICNOVA" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/01/2026-01-28-at-11.52.492-1024x576.jpeg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/01/2026-01-28-at-11.52.492-300x169.jpeg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/01/2026-01-28-at-11.52.492-768x432.jpeg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/01/2026-01-28-at-11.52.492-1536x864.jpeg 1536w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/01/2026-01-28-at-11.52.492.jpeg 2016w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Proyección FICNOVA Praga</figcaption>
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										<img loading="lazy" decoding="async" width="800" height="600" src="https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile10-1024x768.jpeg" class="attachment-large size-large wp-image-1691" alt="Proyecciones Sede Santiago Chile" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile10-1024x768.jpeg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile10-300x225.jpeg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile10-768x576.jpeg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile10.jpeg 1040w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Santiago de Chile - Sala Ñuñoa</figcaption>
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										<img loading="lazy" decoding="async" width="800" height="368" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/proyeccion-Sede-Vigo-FICNOVA-01-1024x471.jpg" class="attachment-large size-large wp-image-5300" alt="Proyección Sede FICNOVA Vigo" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/proyeccion-Sede-Vigo-FICNOVA-01-1024x471.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/proyeccion-Sede-Vigo-FICNOVA-01-300x138.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/proyeccion-Sede-Vigo-FICNOVA-01-768x353.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/proyeccion-Sede-Vigo-FICNOVA-01-1536x707.jpg 1536w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/proyeccion-Sede-Vigo-FICNOVA-01.jpg 1600w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Proyección Sede FICNOVA Vigo</figcaption>
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										<img loading="lazy" decoding="async" width="800" height="450" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Proyeccion-Biblioteca-Ravadavia-de-Tandil-1024x576.jpeg" class="attachment-large size-large wp-image-12926" alt="Proyección Biblioteca Rivadavia de Tandil" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Proyeccion-Biblioteca-Ravadavia-de-Tandil-1024x576.jpeg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Proyeccion-Biblioteca-Ravadavia-de-Tandil-300x169.jpeg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Proyeccion-Biblioteca-Ravadavia-de-Tandil-768x432.jpeg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Proyeccion-Biblioteca-Ravadavia-de-Tandil.jpeg 1280w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Proyección Biblioteca Rivadavia de Tandil</figcaption>
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									<p><strong>FICNOVA is a non-commercial festival run entirely by volunteers, without sponsors or its own resources.</strong> Screenings take place in theaters and other venues provided by the various host cities, depending on the capacity of each location.<br /><strong>Therefore, during the festival week, we cannot screen all the finalist films of this edition</strong> (35 works) in a single venue, <strong>much less all the selected films</strong> (818 works). Similarly, we lack the resources to facilitate the travel and accommodation of the recognized filmmakers.<br />The festival presents the awards and diplomas for each competition category to those recognized filmmakers who are able to travel to the nearest host city, after prior notification of their attendance, or sends them by courier to those who are unable to travel.</p>								</div>
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									<h4>FICNOVA 2026 SCREENING VENUES by city:</h4><p><strong>MADRID. Galapagar. NONVIOLENCE MONTH:</strong><br />&#8211; Biblioteca Municipal Ricardo León &#8211; October 2, 9 &amp; 30<br />&#8211; Centro Social Autogestionado ÍTACA. : October 23</p><p><strong>VIGO. España:<br /></strong>&#8211; CEE Panxon y CPI Arquitecto Palacios. September. 21<br />&#8211; Antiguos Cines de Ramallosa. Nigrán. September 24<br />&#8211; Auditorio Municipal Concello de Vigo. October 26 </p><p><strong>SANTIAGO DE CHILE:  </strong> <br />&#8211; Parques de Estudio y Reflexión, Manantiales – October 3<br />&#8211; Centro Cultural Matucana 100 &#8211; October 15, 16 &amp; 17<br />&#8211; Cine de Nuñoa &#8211; October 23 &amp; 24</p><p><strong>TANDIL. Argentina.<br /></strong>&#8211; Biblioteca Rivadavia Tandil. October 24. 18hs.</p><p><strong>MÉXICO CF.<br /></strong>&#8211; Ateneo Español en Mexico. October 3</p><p><strong>PRAGA. Rep. Checa: <br /></strong>&#8211; Tibet Open House . Praha &#8211; October 2</p>								</div>
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									<p>But the goal of FICNOVA is the development of a culture of active nonviolence, therefore, with the collaboration of the authors, throughout the year the screening of films can be programmed, which serve to illustrate or document activities of dissemination of nonviolence, always free of charge, non-commercial.</p>								</div>
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									<h4>SPACES INTERESTED IN HOLDING FUTURE SCREENINGS IN COLLABORATION WITH FICNOVA</h4>								</div>
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									<p>For cultural or social venues interested in screening films from the FICNOVA Video Library, please provide your contact information and indicate your interest using this form. We will contact you as soon as possible. Thank you.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/film-screenings-at-8-ficnova-2026/">Film screenings at 8 FICNOVA 2026</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>FINALIST works from 8 FICNOVA 2026</title>
		<link>https://festivalcinenoviolencia.org/en/finalist-works-from-8-ficnova-2026/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Wed, 02 Sep 2026 10:20:18 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[Cine; noviolencia]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=12337</guid>

					<description><![CDATA[<p>The FICNOVA international jury—comprising nonviolence activists from various cities in Argentina, Chile, Spain, and Mexico—has selected 34 films from 11 countries as finalists competing for awards in this 8th edition, across four categories.<br />
In all these works, we recognize not only a denunciation of various forms of violence and discrimination but also—in each instance—different paths or ways to overcome or positively transform those situations, opening up the future in a nonviolent direction.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/finalist-works-from-8-ficnova-2026/">FINALIST works from 8 FICNOVA 2026</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="finalistas 8 FICNOVA" data-elementor-lightbox-description="Imagen Finalistas 8 FICNOVA 2026" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTIyOTgsInVybCI6Imh0dHBzOlwvXC9mZXN0aXZhbGNpbmVub3Zpb2xlbmNpYS5vcmdcL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjZcLzA4XC9maW5hbGlzdGFzLTgtRklDTk9WQS5qcGcifQ%3D%3D">
							<img loading="lazy" decoding="async" width="800" height="534" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA-1024x683.jpg" class="attachment-large size-large wp-image-12298" alt="Imagen Finalistas 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA-1024x683.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA-300x200.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA-768x512.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA-391x260.jpg 391w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/08/finalistas-8-FICNOVA.jpg 1536w" sizes="(max-width: 800px) 100vw, 800px" />								</a>
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															<img loading="lazy" decoding="async" width="453" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/finalistas-8-FICNOVA-2026.jpg" class="attachment-colormag-elementor-grid-large-thumbnail size-colormag-elementor-grid-large-thumbnail wp-image-12313" alt="Laurel Finalistas 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/finalistas-8-FICNOVA-2026.jpg 453w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/finalistas-8-FICNOVA-2026-300x159.jpg 300w" sizes="(max-width: 453px) 100vw, 453px" />															</div>
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									<p>The international jury, comprising non-violence activists from various cities in Argentina, Chile, Spain and Mexico, has selected 34 films from 11 countries as finalists for this year’s awards, across five categories:</p><p>Educational Institutions Section:<br />Primary – Secondary (4)<br />General Section:<br />Short films (18)<br />Medium-length films (4)<br />Feature-length films (8)</p><p>We recognise in all these works not only the condemnation of different forms of violence and discrimination, but also that each one offers different solutions or ways of overcoming or positively transforming these situations, steering the future towards a non-violent path.</p>								</div>
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									<h3>EDUCATIONAL INSTITUTIONS: PRIMARY AND SECONDARY SCHOOLS</h3>								</div>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/the-wheelchair/">THE WHEELCHAIR</a></strong></h5><p>Directors – Clara García, Mariano Reinaldos. IES Ramón Arcas Meca (Lorca)<br />6 mins. Spain. 2024</p><p>Synopsis: <br />Don’t just sit there.<br />Empathy: The ability to identify with someone and share their feelings.</p>								</div>
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									<h5><a href="https://festivalcinenoviolencia.org/en/lauras-hour/"><strong>LAURA´S HOUR</strong></a></h5><p>Dir: <strong>Pablo García Soria.</strong> IES Grupo Cántico. (Córdoba)<br />5 min. España. 2025</p><p>Laura is a school nurse who visits our secondary school once a week, for just one hour. During that time, she works with pupils on various health-related topics. But today, her visit goes beyond routine prevention and advice.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/film-club/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/CineClub-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12317" alt="Cartel CINECLUB" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/CineClub-poster-300x400.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/CineClub-poster-225x300.jpg 225w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/CineClub-poster.jpg 599w" sizes="(max-width: 300px) 100vw, 300px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/film-club/"><strong>CINECLUB</strong></a></h5><p>Dir. <strong>Estudiantes 10 y 11 años de C.E.I.P. Escuela Pública Serrería</strong> en Valencia<br />5 min. España. 2024</p><p>Synopsis: <br />CINECLUB: An association dedicated to promoting film culture, which organises screenings and discussions of selected films.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/foreigners/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Extranjeros-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12316" alt="Cartel EXTRANJEROS" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/foreigners/"><strong>FOREIGNERS</strong></a></h5><p><strong>Vittorio Caratozzolo y Clase 2 A (2022-23) (Trento) </strong><br />7 min. Italia. 2023</p><p>Synopsis:</p><p>Encounter, Condition, Mastery: three perspectives on the ‘Foreigner’..</p>								</div>
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									<h3>GENERAL SECTION: SHORT FILMS</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-n.png" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="Corto Finalista 8FICNOVA2026 n" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTIzMjMsInVybCI6Imh0dHBzOlwvXC9mZXN0aXZhbGNpbmVub3Zpb2xlbmNpYS5vcmdcL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjZcLzA5XC9Db3J0by1GaW5hbGlzdGEtOEZJQ05PVkEyMDI2LW4ucG5nIn0%3D">
							<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-n.png" class="attachment-large size-large wp-image-12323" alt="Laurel Corto Finalista 8 FICNOVA n" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-n.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-n-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-n-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />								</a>
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-b.png" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="Corto Finalista 8FICNOVA2026 b" data-elementor-lightbox-description="Laurel Corto Finalista 8 FICNOVA b" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6MTIzMjQsInVybCI6Imh0dHBzOlwvXC9mZXN0aXZhbGNpbmVub3Zpb2xlbmNpYS5vcmdcL3dwLWNvbnRlbnRcL3VwbG9hZHNcLzIwMjZcLzA5XC9Db3J0by1GaW5hbGlzdGEtOEZJQ05PVkEyMDI2LWIucG5nIn0%3D">
							<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-b.png" class="attachment-large size-large wp-image-12324" alt="Laurel Corto Finalista 8 FICNOVA n" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-b.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-b-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Corto-Finalista-8FICNOVA2026-b-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />								</a>
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											<a href="https://festivalcinenoviolencia.org/en/the-carcova/">
							<img loading="lazy" decoding="async" width="285" height="450" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/La-Carcova-poster-285x450.jpg" class="attachment-colormag-elementor-grid-small-thumbnail size-colormag-elementor-grid-small-thumbnail wp-image-12332" alt="La Carcova cartel" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-carcova/"><strong>LA CARCOVA</strong></a></h5><p>Argentina. 2025. 19 mins<br />Director: <strong>Ludmila Ayelén López Pérez</strong></p><p>In the heart of José León Suárez (in the north of the Province of Buenos Aires), the La Carcova People’s Library stands as a pillar of identity and culture in a neighbourhood marked by inequality. Through the voices of its founders, workshop leaders and children, this documentary portrays the community’s resilience and the transformative power of education and art. A testament to the importance of communal spaces in the construction of memory and a sense of belonging</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/tapestries-of-light-life-and-community-in-guatemala/">
							<img loading="lazy" decoding="async" width="240" height="300" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Tapices-poster-240x300.jpg" class="attachment-medium size-medium wp-image-12341" alt="Cartel tejidos de luz" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Tapices-poster-240x300.jpg 240w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Tapices-poster.jpg 640w" sizes="(max-width: 240px) 100vw, 240px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/tapestries-of-light-life-and-community-in-guatemala/">TAPESTRIES OF LIGHT, LIFE AND COMMUNITY IN GUATEMALA</a></h5><p>Guatemala. 2025. 23 min.<br />Dir: <strong>Paula Recinos</strong></p><p>Milvia, Magda, Virginia, Jimena, Francis and Maya share a common dream: a future of hope for their communities. They are Guatemalan women – indigenous weavers, artists, public defenders and traditional midwives – who are fighting to defend democracy, human rights and cultural heritage at a time of historic political transformation.</p><p>The film weaves together the stories of women who have spearheaded legislative initiatives, shaped national policies, fought for human rights, built collective movements and created spaces for art and activism – all in the pursuit of peace, justice, freedom and a life without fear. Their journeys reveal that the strength of their communities has been the key to their transformation.<br />This is a story of resilience, hope, struggle and activism, led by women who refuse to be silenced. Now more than ever, their stories must be brought to light.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/the-force/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_LA-FUERZA-300x400.jpg" class="attachment-tileview size-tileview wp-image-12342" alt="Cartel La Fuerza" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-force/"><strong>LA FUERZA</strong></a></h5><p>España. 2025. 12 min.<br />Dir: <strong>Cristina Martín Barcelona &#8211; María José Martín Barcelona</strong></p><p>Arturo has just watched &#8220;Star Wars&#8221; with his class, and they are discussing the difference between good and evil. What begins as a discussion about a film will ultimately reveal the pupils’ personalities and their own stories, whilst Arturo tries to teach them a valuable lesson.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/collectives-in-feminine/">
							<img loading="lazy" decoding="async" width="285" height="450" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Colectivos-en-Femenino-imagen-285x450.png" class="attachment-colormag-elementor-grid-small-thumbnail size-colormag-elementor-grid-small-thumbnail wp-image-12346" alt="Cartel Colectivos en femenino" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/collectives-in-feminine/">COLLECTIVES IN FEMININE</a></h5><p>México. 2025. 11 min<br />Dir: <strong>Mariana Barreto del Rello</strong></p><p>In Toluca, Mexico, a vibrant feminist movement is transforming lives. &#8220;Collectives in Feminine&#8221; immerses us in the world of activists who work tirelessly for gender equality and the empowerment of women.<br />Through powerful testimonies, we will hear the stories of women who have come together to tackle the challenges they face on a daily basis. From the fight against gender-based violence to the pursuit of economic autonomy, these collectives are working on multiple fronts to build a fairer and more equitable future.<br />By shedding light on the work of these collectives, the documentary aims to inspire other women to join the feminist movement and build support networks. Furthermore, it invites society as a whole to reflect on the importance of gender equality and to take action to eradicate inequalities.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/collective-memory/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Memoria-Colectiva-300x400.jpg" class="attachment-tileview size-tileview wp-image-12347" alt="Cartel Memoria colectiva" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/collective-memory/"><strong>COLLECTIVE MEMORY</strong></a></h5><p>Perú. 2025. 15 min.<br />Dir. <strong>Cristina Colmenares</strong></p><p>In 1983, during the darkest days of the armed conflict in Peru, masked soldiers broke into Adelina’s home and took her husband away by force. She would never see him again.<br />After encountering silence and contempt from the police and the army, Adelina joins forces with the many other women who lost their husbands and sons at the hands of soldiers who were supposed to protect them. Together, they will unite to find them and demand justice.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/those-of-us-who-survived/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Las-que-sobrevivimos-300x400.jpg" class="attachment-tileview size-tileview wp-image-12348" alt="Cartel de Las que sobrevivimos" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/those-of-us-who-survived/">THOSE OF US WHO SURVIVED</a></h5><p>Spain. Kenia. Uganda. 2025. 25 min.<br />Dir. <strong>Itxaso Díaz</strong></p><p>‘Those of Us Who Survived’ is an ensemble story that reveals the experiences and consequences that sexual violence has on women’s lives.<br />Six intertwined life stories that exemplify the strength and determination of these survivors to defend their dignity, overcome their ordeal and rebuild their lives.<br />Six stories that challenge us to take strong and effective action to eradicate this violence, which women and girls systematically experience in contexts of war. Because of the impunity enjoyed by the perpetrators, brutality becomes entrenched in society and part of everyday life.<br />How much longer will we allow this to continue?</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/emilia-2/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Emilia-300x400.jpg" class="attachment-tileview size-tileview wp-image-12349" alt="Cartel de Emilia" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/emilia-2/"><strong>EMILIA</strong></a></h5><p>Spain. 2025. 20 min.<br />Dir: <strong>Rafa Arroyo</strong></p><p>Flaws in the Spanish state’s care system leave thousands of undocumented migrants on the streets every year when they reach the age of majority. Emilia Lozano, a tireless activist for human rights and the feminist movement, in her ongoing struggle for social justice, redefines the concept of family for many of them through love, empathy and solidarity.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/123-neem-seeds/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_-Semillas-de-Nim-300x400.jpg" class="attachment-tileview size-tileview wp-image-12350" alt="Cartel 123 semillas de nim" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/123-neem-seeds/">123 NEEM SEEDS</a><br /></strong></h5><p>España – Kenia. 2025. 29 min.<br />Dir: <strong>Adrián Buenaventura</strong></p><p>‘123 Neem Seeds’ is a documentary about the lives of 123 boys and girls living in a school for children with disabilities in Lamu, one of the poorest areas in Kenya. Through the eyes of Lourdes Méndez (Zaragoza), field coordinator for the Aragonese NGO “BeSocial”, and the key figures at the schools – such as James, Madame Farida, Shindo and Madame Priscah – the documentary delves into the everyday reality of the children with disabilities supported by the NGO. The support provided includes food, education, hospital care and physiotherapy. This is changing the lives of these children and also helping to free them from the stigma they have faced since birth. The documentary, directed and produced by Adrián Buenaventura, was filmed entirely in Kenya.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/alone-with-farid/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_A-solas-con-Farid-300x400.jpg" class="attachment-tileview size-tileview wp-image-12351" alt="Cartel A solas con Farid" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/alone-with-farid/"><strong>ALONE WITH FARID</strong></a></h5><p>España. 2025. 25 min.<br />Dir: Alberto Ortega</p><p>Farid, a young migrant in Spain, joins the Red Cross as a volunteer to combat loneliness. There he meets Rosalía, a retired journalist who gives him an old radio transmitter, sparking memories of his father and his love of storytelling. Inspired, Farid creates a community radio programme to bring his neighbourhood together. Although the launch is a bit of a let-down with an empty square, Rosalía encourages him and rallies the community. Little by little, the programme gains popularity and transforms the square into a meeting place, demonstrating the power of unity and the community impact of radio.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/aminata-2/">
							<img loading="lazy" decoding="async" width="212" height="300" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata-212x300.jpg" class="attachment-medium size-medium wp-image-12352" alt="Cartel de Aminata" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata-212x300.jpg 212w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata-724x1024.jpg 724w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata-768x1086.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata-1086x1536.jpg 1086w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata-1448x2048.jpg 1448w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Aminata.jpg 1587w" sizes="(max-width: 212px) 100vw, 212px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/aminata-2/">AMINATA</a></h5><p>España. 2024. 12 min.<br />Dir: <strong>Marta López Plaza</strong></p><p>Amina Souko set up her own organisation, Red Aminata, with the aim of helping and supporting African women living in Spain, to combat female genital mutilation, human trafficking and abuse against them. This is something she experienced herself, and through this network of women she is striving to ensure that other women and their daughters do not have to suffer the same fate. It is a small solidarity project through which she hopes to inspire others to follow in her footsteps, so that there will be more women more ‘Aminatas’ helping other African women.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/dissonance/">
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									<h5><a href="https://festivalcinenoviolencia.org/en/dissonance/">DISSONANCE</a></h5><p>Dir: <strong>Raquel Larrosa</strong><br />España. 2025. 25 min.</p><p>Fatimetu Bucharaya is a Sahrawi woman who, in 2019, founded SMAWT, a voluntary women’s organisation dedicated to detecting anti-personnel mines in the Sahrawi refugee camps in Tindouf (Algeria)</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/the-story-of-tilo/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/La-historia-de-Tilo-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12354" alt="Cartel La historia de Tilo" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-story-of-tilo/">THE STORY OF TILO</a></h5><p>Panamá. 2025. 4 min.<br />Dir: <strong>Roberto Villafane</strong></p><p>The Story of Tilo tackles the issue of child sexual abuse with sensitivity and symbolism. Through the eyes of a boy with a flowerpot for a head – whose plant reveals and expresses his inner world – the story immerses us in an environment where silence carries more weight than words. An unexpected friendship, an act of courage and a flower that blooms in the most unlikely of places open the door to a truth that has long been silenced and repressed. What happens when a child finally plucks up the courage to speak out?<br />Listening can save a life. Abuse can be overcome and, most importantly, it can be prevented.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/letters-to-aunt-marcelina/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Cartas-a-Tia-Marcelina-300x400.jpg" class="attachment-tileview size-tileview wp-image-12355" alt="Cartel Cartas a Tía Marcelina" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/letters-to-aunt-marcelina/">LETTERS TO AUNT MARCELINA</a></h5><p>Brasil. 2024. 25 min.<br />Dir: <strong>João Macena</strong></p><p>&#8220;Cartas a tía Marcelina&#8221;  explores the story of Aunt Marcelina, a victim of the iyalorixá during the Quebra de Xangô of 1912 (Xangô Revolt), one of the most violent episodes of religious intolerance in Brazil. Through testimonies from religious leaders, historians and cultural representatives, the documentary reflects on the consequences of this persecution of African religions and highlights the role of the Xango Rezado Alto event as a symbol of resistance and the struggle for religious freedom in Alagoas. With a sensitive and engaging narrative, the film weaves together artistic performances and interviews to offer an in-depth insight into the historical significance of Aunt Marcelina and her connection to the preservation of Afro-Brazilian cultural identity, inviting the audience to reflect on religious intolerance and the appreciation of diversity.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/nika-the-tropical-calderon/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Nika-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12356" alt="Cartel Nika el calderón tropical" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/nika-the-tropical-calderon/"><strong>NIKA, THE </strong><strong>TROPICAL </strong><strong>CALDERON</strong></a></h5><p>España. 2024. 30 min.<br />Dir: <strong>José Hernández</strong></p><p>“Nika, the tropical calderon”, It is a short documentary in which Felipe Ravina, a documentary-maker, scientist and graduate in Marine Sciences, forms a bond with a pilot whale named Nika on the island of Tenerife (Canary Islands).<br />This unusual bond with the animal is causing him growing concern about the current state of the island and its biodiversity. He makes a passionate plea for the protection, conservation and defence of the natural habitats and wildlife in this outermost region, home to the largest population of tropical pilot whales, unique in the world</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/water-antioquia/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Agua-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12357" alt="Cartel Agua. Antioquía" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/water-antioquia/"><strong>WATER. ANTIOQUÍA.</strong></a></h5><p>Colombia. 2024. 16 min.<br />Dir: <strong>Diego Morabello</strong></p><p>Progress is being made in the reintegration of the peace signatories in the region, who, through various initiatives, are effectively integrating into civil society. La Quiebra is an example of how the peace signatories are committed to ecotourism and peaceful coexistence, just as Memorias Comunes is doing with urban tourism. Furthermore, for the first time, efforts are being made to trace missing LGBTIQ+ people, highlighting all the challenges and difficulties involved.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/refugee-women-on-stage-exile-memory-peace/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Refugiadas-en-escena.-Exilio-memoria-paz-300x400.jpg" class="attachment-tileview size-tileview wp-image-12358" alt="Cartel Refugiadas en escena" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/refugee-women-on-stage-exile-memory-peace/">REFUGEE WOMEN ON STAGE. EXILE, MEMORY, PEACE</a></h5><p>España. 2024. 30 min.<br />Dir: <strong>Sergi Tarín Galán</strong></p><p>The Collective of Refugee, Exiled and Migrant Women, founded in 2004 in Alicante, has become a leading voice in raising awareness of the struggles of Colombian women human rights defenders in exile. Among the many tools they use to analyse their cross-border reality, theatre stands out, particularly through the play &#8220;Mujeres Eres&#8221;. Theatre as a healing art, which, following the principles and techniques of the Theatre of the Oppressed, seeks to bring to light their grief, their moments of hope and their reinventions as women, social leaders, exiles and, quite simply, survivors. A multifaceted perspective that serves to denounce the effects of war in their country of origin and the violation of their rights as women and migrants in their host countries. An impact felt on two levels which, nevertheless, does not halt the course of their struggles and their hopes. This is the story of some powerful women whom neither war nor exile can make bow their heads.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/sown-by-women/">
							<img loading="lazy" decoding="async" width="560" height="800" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Sembrada-por-mujeres-poster.jpg" class="attachment-large size-large wp-image-12359" alt="Cartel de Sembrada por mujeres" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Sembrada-por-mujeres-poster.jpg 560w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Sembrada-por-mujeres-poster-210x300.jpg 210w" sizes="(max-width: 560px) 100vw, 560px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/sown-by-women/"><strong>SOWN BY WOMEN</strong></a></h5><p>Colombia. 2025. 4 min.<br />Dir: <strong>Angie Osorio Cadena<br /></strong></p><p>Palestinian women have sown seeds of resistance, nurtured and healed throughout their history. They have built shelters, documented and recorded, organised and woven networks. Women whose very existence is an act of resistance.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/in-our-hands-2/">
							<img loading="lazy" decoding="async" width="566" height="800" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/In-our-hands-poster.jpg" class="attachment-large size-large wp-image-12360" alt="Cartel In our hands" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/In-our-hands-poster.jpg 566w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/In-our-hands-poster-212x300.jpg 212w" sizes="(max-width: 566px) 100vw, 566px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/in-our-hands-2/"><strong>IN OUR HANDS</strong></a></h5><p>Italia. 2024. 4 min.<br />Dir: <strong>Camillo Sancisi</strong></p><p>In 1983, a lieutenant in command of an early-warning base receives an alert from the satellite defence system. Five nuclear warheads are heading towards his territory. The attack is unexpected, but the data appears reliable. The protocol is clear: should he launch a deadly retaliatory strike? Based on a true story.</p>								</div>
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									<h3>GENERAL SECTION: MID-LENGTH FILMS</h3>								</div>
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															<img loading="lazy" decoding="async" width="454" height="241" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-n.png" class="attachment-large size-large wp-image-12328" alt="Laurel Medio Finalista 8 FICNOVA n" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-n.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-n-300x159.png 300w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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															<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b.png" class="attachment-large size-large wp-image-12329" alt="Laurel Medio Finalista 8 FICNOVA b" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Medio-Finalista-8FICNOVA2026-b-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />															</div>
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											<a href="https://festivalcinenoviolencia.org/en/what-words-hide/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Lo-que-esconden-las-palabras-300x400.jpg" class="attachment-tileview size-tileview wp-image-12374" alt="Cartel de Lo que esconden las palabras" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/what-words-hide/"><strong>WHAT WORDS HIDE</strong></a></h5><p>España. 2025. 66 min<br />Dir: <strong>José María Borrell Balsells</strong></p><p>This documentary explores micro-violence – or subtle forms of violence – that affect children, particularly in so-called welfare societies, where such behaviour often goes unnoticed. We are talking, for example, about situations where words cause hurt, even when we do not intend to. It also addresses issues such as academic and social pressure, unfiltered access to digital content and overexposure to violence in virtual environments – factors that can have a serious impact on children’s emotional and mental health.<br />Far from merely offering a diagnosis, the documentary proposes a transformative approach, with practical solutions and the active involvement of adults. Through inspiring examples of communities and institutions that create safe and respectful spaces, it seeks to motivate everyone, regardless of their role, to take action for a childhood that is better protected and valued.<br />The overarching aim is to promote a shift in mindset that translates into concrete actions towards a more aware, fair and committed society when it comes to children’s rights. Because true well-being is not measured solely in terms of material comforts: it also requires respect, understanding and genuine support.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/barca-barsak-the-atlantic-route/">
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									<h5><a href="https://festivalcinenoviolencia.org/en/barca-barsak-the-atlantic-route/">BARÇA BARSAK – La ruta Atlántica</a></h5><p>Alemania. 2025. 30 min.<br />Dir: <strong>Leon Scheffold</strong></p><p>The Atlantic migration route runs from the coast of West Africa to the Canary Islands. The crossing is one of the most dangerous migration routes in the world. According to non-governmental organisations, nearly 10,000 people may have lost their lives in 2024, whilst the official figure is ten times lower.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/your-adventure-yard-yay-_en/">
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									<h5><a href="https://festivalcinenoviolencia.org/en/your-adventure-yard-yay-_en/">Your Adventure Yard ( YAY )</a></h5><p><strong>Dir: Jale İncekol<br /></strong><br />45 min. Turquía. 2024</p><p>Following a powerful earthquake that struck the region on 6 February 2023, causing widespread destruction in Hatay and the surrounding areas, a construction worker, Nedim Buğral, together with a team of volunteers, set up several playgrounds across Hatay to provide children with safe spaces for recreation and recovery.<br />The project, called “Your Adventure Yard (YAY)”, was inspired by the “free-play” approach developed in Europe after&#8230;</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/women-of-resilence_en/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Women-of-resilence-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12379" alt="Cartel de Women of resilence" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/women-of-resilence_en/"><strong>WOMEN OF RESILIENCE</strong></a></h5><p>Alemania. 2025. 54 min.<br />Dir. <strong>Andreas Rochholl, Sebastian Leitner</strong></p><p>Stories of Kurdish identity: Two former Kurdish female guerrilla fighters reconnect over their shared history and their decision to leave the movement in order to fight for Kurdish freedom in a different, non-violent way. A story of resistance against the suppression of one’s own voice and culture. It is also the story of an irreversible and personal decision to give up everything, and of the courage of women who, like thousands of other young women, went ‘to the mountains’… only to leave it all behind years later, swapping weapons for art and activism.</p>								</div>
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									<h3>GENERAL SECTION: FEATURE FILMS</h3>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/the-eyes-of-the-future/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Los-Ojos-del-Futuro-300x400.jpg" class="attachment-tileview size-tileview wp-image-12367" alt="Cartel Los ojos del futuro" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-eyes-of-the-future/"><strong>THE EYES OF THE FUTURE</strong></a></h5><p>España. 2025. 66 min<br />Dir: <strong>José María Borrell Balsells</strong></p><p>&#8220;The Eyes of the Future&#8221; explores the impact of African immigration on Europe, analysing the roots of this phenomenon, the reasons behind these migratory flows and, above all, the experiences of those who arrive in search of a new beginning. From cultural and linguistic barriers to opportunities for integration through education and local support, the documentary examines the challenges of adapting to a society that they often find complex and hostile, offering a reflection on how our society treats African immigrants arriving in our country and on the future that this holds for us.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/running-on-candlelight/">
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									<h5><a href="https://festivalcinenoviolencia.org/en/running-on-candlelight/"><strong>RUNNING ON CANDLELIGHT</strong></a></h5><p>España. 2025. 61min.<br />Dir: <strong>Agustín Toranzo</strong></p><p>In the summer of 2021, the hottest of the century to date, the electricity company Endesa punished Seville’s working-class neighbourhoods with indiscriminate power cuts, accusing residents of stealing electricity.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/mohanas-resistance-memory-peace/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/poster_Mohanas.-Resistencias-memoria-paz-300x400.jpg" class="attachment-tileview size-tileview wp-image-12369" alt="Cartel Mohanas. Resistencias, memoria y paz" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/mohanas-resistance-memory-peace/">MOHANAS. RESISTANCE, MEMORY, PEACE</a></h5><p>España. 2024. 60 min<br />Dir: <strong>Sergi Tarín </strong></p><p>The Popular Women’s Organisation (OFP), now in its 52nd year, is one of Colombia’s oldest women’s associations. Through pacifism and grassroots feminism, it has confronted the war in one of the country’s most turbulent regions, the Magdalena Medio, a natural department of which the oil-producing city of Barrancabermeja is the capital. The OFP, in its work to defend human rights, has developed a wide range of strategies. Of particular note are the Women’s Centres in the various municipalities along the banks of the Magdalena River, where women are offered psychological and legal support, as well as assistance with housing and food sovereignty. Furthermore, between 2002 and 2006 – the height of the armed conflict – the programme *La Mohana* was broadcast; its historical archive enables a dialogue to be established between images of today’s social leaders and those of the past. And the radio station La Mohana, the successor to the long-running television programme and a voice for the feminist struggle in a region where the old warlords are once again rearming themselves in earnest.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/we-miss-sinar/">
							<img loading="lazy" decoding="async" width="210" height="300" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Sinar-poster-210x300.jpg" class="attachment-medium size-medium wp-image-12370" alt="Cartel de Nos hace falta Sinar" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Sinar-poster-210x300.jpg 210w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Sinar-poster.jpg 560w" sizes="(max-width: 210px) 100vw, 210px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/we-miss-sinar/"><strong>WE MISS SINAR</strong></a></h5><p>México. 2025. 65 min.<br />Dir: <strong>Andrés Alarcón Nandayapa</strong></p><p>Through the use of archive footage and testimonies, it aims to highlight the critical situation faced by human rights defenders in the country; and to commemorate the life and work of the social activist Sinar Corzo Esquinca, who was the first human rights defender to be murdered in Mexico in 2019.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/shrinking-space/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Espacios-menguantes-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12371" alt="Cartel Espacio menguante" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/shrinking-space/"><strong>SHRINKING SPACE</strong></a></h5>
<p>España. 2025. 79 min.<br />Dir: <strong>Cristina Mora, Norma Nebot</strong></p>
<p>Juana Ruiz, an aid worker from Madrid, was imprisoned by Israel between 2021 and 2022. Her story had a huge impact in Spain, where funds were raised and dozens of demonstrations were organised to secure her release. What did this mean? How did she manage to be released?<br />“The international impunity pains me,” Ruiz reflects in the documentary. “The Spanish government supported me, but they even told me they wouldn’t sever diplomatic relations over me.”<br />We now know that her case was not the only one. In recent years, Israel has outlawed and persecuted the main social and aid movements in Palestine.<br />A team of Catalan documentary-makers travelled to the region to gather previously unseen archive material and personal recordings, and to film in the West Bank just before the conflict escalated.<br />*Espacio menguante* examines the role of the United States and Europe, as well as the arbitrary imprisonment of Palestinian children.<br />The documentary combines analysis with an intimate portrait of Palestinian activists, who honestly share their doubts and contradictions with us… and help us to better understand one of the most significant conflicts of this century.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/neyen-mapu-lanins-call/">
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									<h5><a href="https://festivalcinenoviolencia.org/en/neyen-mapu-lanins-call/"><strong>NEYEN MAPU. THE CALL OF THE LANÍN</strong></a></h5><p>Argentina. 2025. 60min.<br />Dir: <strong>Mara Rocío Collinao</strong></p><p>A Mapuche documentary offering a deeply spiritual and political perspective on the importance of restoring the environmental balance around the Lanín volcano. It shares ancestral knowledge with society as a whole and challenges it to protect this territory in the face of the spread of extractive tourism.</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/fish-without-a-wing/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Peces-sin-un-ala-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12373" alt="Cartel de Peces sin un ala" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/fish-without-a-wing/"><strong>FISH WITHOUT A WING</strong></a></h5><p>España. 2024. 74 min.<br />Dir: <strong>Esperanza Jorge, Inmaculada Antolínez.</strong></p><p>Along the Honduran migration route, one hears the litany of the brief, precise stories told by those searching for their loved ones, recounting disappearances whilst carrying a photograph and reciting a date, a place and a name. The borders try to slow their momentum, but they struggle on and press forward. On the return journey, some bring back sand, others a coffin, and others a daughter (broken on the way and scarred long before, much earlier).</p>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/vieques-a-living-archive/">
							<img loading="lazy" decoding="async" width="300" height="400" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/09/Vieques-poster-300x400.jpg" class="attachment-tileview size-tileview wp-image-12380" alt="Cartel de Vieques" />								</a>
											<figcaption class="widget-image-caption wp-caption-text">Ver FICHA COMPLETA</figcaption>
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									<h5><a href="https://festivalcinenoviolencia.org/en/vieques-a-living-archive/"><strong>VIEQUES. A LIVING ARCHIVE</strong></a></h5><p>Estados Unidos. 2024. 88 min.<br />Dir: <strong>Juan Carlos Rodríguez</strong></p><p>In a gripping and unpredictable 20-year quest, Juan Carlos Rodríguez tells the moving story of Vieques. Through personal memories, community voices and archive footage, the film highlights the profound hardships endured by the people of Vieques both before and after the departure of the US Navy in 2003. It highlights the serious health crisis facing Vieques over the years.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/finalist-works-from-8-ficnova-2026/">FINALIST works from 8 FICNOVA 2026</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</title>
		<link>https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 20:48:44 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=12161</guid>

					<description><![CDATA[<p>List of works in the Official Competition Selection of the 8th FICNOVA 2026</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/">Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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							<img loading="lazy" decoding="async" width="454" height="240" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/SelecOfic-8FICNOVA2026-n.png" class="attachment-large size-large wp-image-12145" alt="SelecOfic 8FICNOVA2026 n" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/SelecOfic-8FICNOVA2026-n.png 454w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/SelecOfic-8FICNOVA2026-n-300x159.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/SelecOfic-8FICNOVA2026-n-390x205.png 390w" sizes="(max-width: 454px) 100vw, 454px" />								</a>
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									<h4 class="p1">We acknowledge the theme of this edition, “NON-VIOLENCE: FROM ME TO US”, as reflected in 818 films from 95 countries.</h4><p class="p1">In accordance with the rules of participation for the 8th International Festival of Active Non-Violence 2026, FICNOVA, today, 15 July 2026, we are publishing the Official Selection for this year’s competition.</p><p class="p1">The international organizing team has selected a total of 818 entries from 95 countries from among the 2,565 films received.</p><p class="p1">The Official Selection, broken down by sections, includes in the General Section: 620 short films, 34 medium-length films and 118 feature-length films. In the Educational Institutions section, we have selected 46 short films.</p><p class="p1">The international organizing team would like to remind you that our work is entirely voluntary, but we strive to be as rigorous as possible with the requirements for this edition to ensure that films adhere to the proposed theme and that works in their original languages provide the option of subtitles in Spanish and English. (Those that do not provide these subtitles will not be eligible for the subsequent stages of selection for finalists and award winners.)</p><p class="p1">We would like to thank all the filmmakers and producers for taking part in the 8th FICNOVA 2026, helping to promote the cause of non-violence through exemplary imagery.</p><p class="p1">On 2 September, we will announce the finalist films, and on 2 October, the award-winning films,</p><p class="p1">FICNOVA Organising Team</p><p>This is the full list of films in the Official Selection:</p>								</div>
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<tbody>
<tr>
<td bgcolor="#eeeeee"><strong>Título</strong></td>
<td bgcolor="#eeeeee"><strong>Dirección</strong></td>
<td bgcolor="#eeeeee"><strong>Minutos</strong></td>
<td bgcolor="#eeeeee"><strong>País de origen</strong></td>
<td bgcolor="#eeeeee"><strong>Lenguaje</strong></td>
<td bgcolor="#eeeeee"><strong>Categoria</strong></td>
</tr>
<tr>
<td><strong>ABURRAQUE</strong></td>
<td>Asha Villafane</td>
<td>5</td>
<td>Argentina, Panama</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Asystole</strong></td>
<td>Labros Dimitrelos</td>
<td>10</td>
<td>Greece</td>
<td>Modern Greek (1453-)</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Bepuwaveh</strong></td>
<td>Pojoaque Middle School Students</td>
<td>8</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Bhulyun Ghaar &#8211; A Forgotten Home</strong></td>
<td>Ashish Bisht</td>
<td>7</td>
<td>India</td>
<td>Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>BLAVA TERRA</strong></td>
<td>Marine&nbsp; Auclair March</td>
<td>19</td>
<td>España</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Boys can cry</strong></td>
<td>Cherly Dayanne Ramos Cedres</td>
<td>8</td>
<td>Puerto Rico</td>
<td>English, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Camino a Casa</strong></td>
<td>Emilia Alen Villanueva</td>
<td>3</td>
<td>Chile</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Campeones de la vida &#8211; CHAMPIONS OF LIFE</strong></td>
<td>STEPHANIE BATES, Andres posse</td>
<td>29</td>
<td>Colombia</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Cariz</strong></td>
<td>Jara Rodilla RojoValeria Zapata Cardoso</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>CINECLUB</strong></td>
<td>10 and 11-year-old students from &#8220;C.E.I.P. Serrería&#8221; Public School in València (Spain)</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Climate Solutions! Will Moffett</strong></td>
<td>Will Moffett</td>
<td>4</td>
<td>United States, United States</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>CLOWNS</strong></td>
<td>Salva Rodriguez Morales</td>
<td>7</td>
<td>Spain</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Como el caracol &#8211; Like the Snail</strong></td>
<td>Katalin Egely</td>
<td>5</td>
<td>Hungary</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>DESCENSO / DECLINE</strong></td>
<td>MAURO VINYAS</td>
<td>7</td>
<td>Spain</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>El guardián del Lago. Cuentos Nanay</strong></td>
<td>Elisa Eliash</td>
<td>6</td>
<td>Chile</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Evolution_Evolución</strong></td>
<td>Vittorio Caratozzolo &amp; Class 3 A (2023-24)</td>
<td>4</td>
<td>Italy</td>
<td>English, Italian, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Fishbones</strong></td>
<td>Amandine COPIN, Amandine ROLAND, Camille CHEUTIN, Gaëlle JARRIGE, Mona PANNECOCKE, Natacha JACKOWSKI</td>
<td>6</td>
<td>France</td>
<td>French</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Foreigners___sp</strong></td>
<td>Vittorio Caratozzolo &amp; Class 2 A (2022-23)</td>
<td>7</td>
<td>Italy</td>
<td>Italian, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Había una vez una guerra</strong></td>
<td>Emma Míguez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Haz</strong></td>
<td>Marcelino Díaz Acebal</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>I’m Here, Stay with Me!</strong></td>
<td>Balan Maria Brîndușa</td>
<td>10</td>
<td>Romania</td>
<td>English, Romanian</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>If Freedom Ever…</strong></td>
<td>Students aged between 17 and 19 E.B.</td>
<td>16</td>
<td>Portugal</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>KEMAL</strong></td>
<td>Esra DEMİR</td>
<td>7</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Kuppai muniswami</strong></td>
<td>Manooj Chanakya</td>
<td>4</td>
<td>India</td>
<td>Tamil</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La hora de Laura &#8211; Laura&#8217;s hour</strong></td>
<td>Pablo García Soria</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La isla de la basura &#8211; “THE GARBAGE ISLAND”</strong></td>
<td>Carolina Mariana Feity, Laura Fernandez, Hernan Pablo Suarez, Guillermo Palermo</td>
<td>2</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La silla &#8211; The wheelchair</strong></td>
<td>Clara García, Mariano Reinaldos</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Las Piedras</strong></td>
<td>María Sofía Borsini</td>
<td>20</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Línea de flotación</strong></td>
<td>Lucila De OtoGastón Bonalve</td>
<td>12</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Little Woman</strong></td>
<td>Héctor Osmar Alvarenga</td>
<td>20</td>
<td>Paraguay</td>
<td>&nbsp;Guaraní</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>LOLO</strong></td>
<td>Ana Gabriela Gutiérrez Salgado</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Mamour</strong></td>
<td>Christelle JEANNE</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Mosquito life</strong></td>
<td>Malik Al-Zuhairi</td>
<td>7</td>
<td>Iraq</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>NORMALESS</strong></td>
<td>Javier Celay</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>On Far-Off Places</strong></td>
<td>Leonardo Gabriel Chagas Saad</td>
<td>19</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Rejection Monster</strong></td>
<td>Antônio Carreira Alvim Macedo Soares</td>
<td>5</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>SIETECONSEIS</strong></td>
<td>Helena Ruiz Gómez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Straight and in a Circle</strong></td>
<td>Palina Ramashka</td>
<td>4</td>
<td>Belarus</td>
<td>English</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>THE FACE OF INDIA</strong></td>
<td>SAMAR JAIN</td>
<td>3</td>
<td>India</td>
<td>English, Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The Mirror &#8211; O Espelho</strong></td>
<td>Luiza Dalmás</td>
<td>4</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The Rise Of The Buddha!</strong></td>
<td>Makarand Prakash Purohit</td>
<td>1</td>
<td>India</td>
<td>English</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The World Needs You</strong></td>
<td>4.ºB Class Colégio do Marítimo</td>
<td>3</td>
<td>Portugal</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Toilet Ghost</strong></td>
<td>Asif Shaikh</td>
<td>8</td>
<td>India</td>
<td>Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Un germà</strong></td>
<td>Biel Morales Parra</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Vergüenzalandia</strong></td>
<td>Daniela Morales Guijarro</td>
<td>11</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Volber a la Tierra &#8211; Back to the Easrth</strong></td>
<td>Laura Hernández Barbosa</td>
<td>10</td>
<td>Colombia</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>50</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>7</td>
<td>Bulgaria</td>
<td>Bulgarian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>2401</strong></td>
<td>Javad Anizadeh</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian, Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>5/3/0</strong></td>
<td>Danilo Stanimirović</td>
<td>15</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>+ Alba</strong></td>
<td>Sebastian Huergo</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>#NoConsiento</strong></td>
<td>CONRADO&nbsp; ESCUDERO DONATE</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>&#8230;Esperanza</strong></td>
<td>Mayra Veliz</td>
<td>20</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>’’ TURGUT ONBASI ’’ 52 AÑOS DE ANHELO</strong></td>
<td>ONUR KOK</td>
<td>25</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>1 VIDA</strong></td>
<td>Virginia Rodriguez</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>123 Semillas de Nim</strong></td>
<td>Adrián&nbsp; Buenaventura</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>203O New World Order &#8211; Brain Voltage</strong></td>
<td>Rodrigo Torrijos</td>
<td>4</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>2054 Seele</strong></td>
<td>Edoardo Maione, Alice Gnech</td>
<td>12</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>29 DE FEBRERO</strong></td>
<td>Diego Fandos</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>36TH JULY</strong></td>
<td>Md Shahadat Hossain</td>
<td>1</td>
<td>Bangladesh, Poland</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>40 GRADOS</strong></td>
<td>Ignacio Clarà Planas</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>500 bucks</strong></td>
<td>Jorge Pablo Quiroz</td>
<td>14</td>
<td>Peru</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>60 anos depois</strong></td>
<td>Flávio&nbsp; Ferreira</td>
<td>20</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>60 años después</strong></td>
<td>Flávio Ferreira</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>79 Tombstones</strong></td>
<td>Rastko Šejić</td>
<td>17</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Death for Life</strong></td>
<td>Mohammadreza Setarehshenas</td>
<td>1</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A dress for Yaqui (Un vestido para Yaqui)</strong></td>
<td>Olivia Manrufo</td>
<td>21</td>
<td>Peru</td>
<td>Quechua</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Father’s Instinct</strong></td>
<td>ouazene fatima</td>
<td>12</td>
<td>Algeria</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A house to share</strong></td>
<td>pascale Hecquet</td>
<td>5</td>
<td>Belgium</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A local, born and bred</strong></td>
<td>Frederic Salvà</td>
<td>6</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Manuela</strong></td>
<td>Pia Bonilla</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A NAME</strong></td>
<td>Indraneel Nighojkar</td>
<td>14</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A New Macondo in the Valle del Cauca</strong></td>
<td>JAVIER ALONSO SANCHEZ</td>
<td>30</td>
<td>Colombia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A NOA</strong></td>
<td>Dani Fortuny</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A side to exit</strong></td>
<td>Ehsan Hemmati</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A solas con Farid</strong></td>
<td>Alberto&nbsp; Ortega</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A TAREA</strong></td>
<td>Alfonso O&#8217;Donnell</td>
<td>28</td>
<td>España</td>
<td>Gallego</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aban</strong></td>
<td>Mohammad Mahdi Mola Parast</td>
<td>5</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Abraham</strong></td>
<td>Francisco Saia</td>
<td>9</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ADIÓS.</strong></td>
<td>Álvaro G. CompanyMario Hernández</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Adriano</strong></td>
<td>Massimiliano Tedeschi</td>
<td>11</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Against the Impossible</strong></td>
<td>Julián Acosta Vera</td>
<td>5</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Agua &#8211; Antioquia</strong></td>
<td>Diego Morabello</td>
<td>16</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Agua que no limpia</strong></td>
<td>Natalia Marcela Lima</td>
<td>6</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Al pasar la barca</strong></td>
<td>Julia ReinaArturo&nbsp; Mombiedro</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Al Wadiaa</strong></td>
<td>Hedy Krissane</td>
<td>11</td>
<td>Italy, Tunisia</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Allegory</strong></td>
<td>Timothé AUVRAY</td>
<td>7</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ALOO AUNTY</strong></td>
<td>Asif Shaikh</td>
<td>28</td>
<td>India</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amida</strong></td>
<td>Majid Mirhashemi</td>
<td>25</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amiga, yo te escucho</strong></td>
<td>Angeles Carrasco</td>
<td>4</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aminata</strong></td>
<td>MARTA&nbsp; LÓPEZ PLAZA</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>AMOR CHIQUITO</strong></td>
<td>GORETTI LIPKIES, IVÁN LIPKIES</td>
<td>23</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amore Mortale (short movie)</strong></td>
<td>massimiliano Tedeschi</td>
<td>18</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>AMRA</strong></td>
<td>Vasil Hristov</td>
<td>9</td>
<td>North Macedonia</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANGIE</strong></td>
<td>Josep Varo</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Another Day</strong></td>
<td>Ivan Tsupka, Lera Fokina, Elena Sydorenko</td>
<td>4</td>
<td>Ukraine</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANOTHER WORLD</strong></td>
<td>sajjad rafiei</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>Azerbaijani</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Anteroom</strong></td>
<td>Enrique Daniel Fraquelli</td>
<td>14</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANTIM ARANYA</strong></td>
<td>AKASH SHIVAJI DARADE</td>
<td>20</td>
<td>India</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Antón</strong></td>
<td>Mikel&nbsp; González Beorlegui</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Apagada</strong></td>
<td>Guillermo&nbsp; Rojo</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aprendiz de xamã Mukunã</strong></td>
<td>Rodrigo Sena Sena</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Arabesque</strong></td>
<td>Armin Baharlooei</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ARCA</strong></td>
<td>Antonina Obrador</td>
<td>19</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Architecture of Hope &#8211; for the ruins of the present.</strong></td>
<td>Jan Lewandowski</td>
<td>10</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Arderéis en el infierno</strong></td>
<td>Iván López</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ARGOR</strong></td>
<td>GERARDO CASTAÑEDA</td>
<td>7</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Art is for everyone!</strong></td>
<td>Sergio Osvaldo Valdés</td>
<td>12</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>As I feel</strong></td>
<td>Mathieu Brassier</td>
<td>29</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>As Much As A Sky</strong></td>
<td>Ömer İnan</td>
<td>10</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ascent</strong></td>
<td>Milad Bahramipour</td>
<td>6</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Autopsía</strong></td>
<td>Philipp Kowalski</td>
<td>5</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Axe</strong></td>
<td>Esmail Jabbari</td>
<td>6</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ayni</strong></td>
<td>Tomás Ariel Marco</td>
<td>3</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bajau Laut &#8211; the sea is our home</strong></td>
<td>Joo Peter</td>
<td>5</td>
<td>Indonesia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Be one</strong></td>
<td>Ritwik Deepa, Ashwin Beena Sanjeev, Anandhu Rajaji</td>
<td>2</td>
<td>Canada, France, India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bebés Robados</strong></td>
<td>Mau&nbsp;&nbsp; Cardoso</td>
<td>21</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Before I, there&#8217;s us</strong></td>
<td>Marília de Medeiros Deliberador Diogo, Raquel de Medeiros Deliberador</td>
<td>8</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Behind The Wall</strong></td>
<td>Martín Guevara</td>
<td>15</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bellum</strong></td>
<td>Pablo&nbsp; Ferrando</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Benzô</strong></td>
<td>Letícia Andra</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Between Windows</strong></td>
<td>Guilherme Reis</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Beula</strong></td>
<td>B Suresh Kumar</td>
<td>3</td>
<td>India</td>
<td>Tamil</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Beyond the Gray</strong></td>
<td>Carolina Abreu</td>
<td>9</td>
<td>Brasil</td>
<td>Sin diálogos</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BHAGYA : The Road to Destiny</strong></td>
<td>Parag Pomal</td>
<td>13</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BHOOMI &#8211; MOTHER EARTH</strong></td>
<td>Khushnoor Shaikh</td>
<td>3</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BIAS</strong></td>
<td>Odysseas Johannes Hlepas</td>
<td>2</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bird Day</strong></td>
<td>Davood Haseli, Mohammad Naseri</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bird Drone</strong></td>
<td>Radheya Jegatheva</td>
<td>9</td>
<td>Australia</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Birthing Hands</strong></td>
<td>Juan Sebastian Arias Carvajal</td>
<td>15</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Black People&#8217;s Thing</strong></td>
<td>Pâmela Peregrino</td>
<td>7</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Black Scarf</strong></td>
<td>Ali Reza Shah Hosseini</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Blame it on Evren!</strong></td>
<td>Hıdır Murat Doğan</td>
<td>7</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BONITA</strong></td>
<td>Eva SantanaAlbert Carbó</td>
<td>15</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Border</strong></td>
<td>SAID MOHSEN HOSSAINI</td>
<td>6</td>
<td>Afghanistan</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Borromean A shot of Electra</strong></td>
<td>Masoud Salehi</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bounce</strong></td>
<td>Tristan Cloete</td>
<td>4</td>
<td>South Africa</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Breaking Language &#8211; Romper el Español</strong></td>
<td>Sofia Castro</td>
<td>17</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Breaking the Celluloid</strong></td>
<td>Mariana Isabel Huerta</td>
<td>25</td>
<td>Panama</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BREATHLESS</strong></td>
<td>Alejandro Giorlando</td>
<td>12</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bruise</strong></td>
<td>Arash Babaki</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Brujas</strong></td>
<td>Cesare Maglioni</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bruno</strong></td>
<td>Isotta Tomassini</td>
<td>6</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Búhos</strong></td>
<td>Xavi Cano</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BUMO, BUMA Y YO</strong></td>
<td>María González Peña</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Buried Memory</strong></td>
<td>Amanda Santos Silva</td>
<td>22</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>But the snowfall continued</strong></td>
<td>Ahura Najjar, Amirhossein Nazerian</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CABLES</strong></td>
<td>Ángela Obón</td>
<td>14</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Calcetines</strong></td>
<td>Miguel Ángel OlivaresAna BeyronAlejandra Beyron</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Calla</strong></td>
<td>Clara&nbsp; López Cantos Almudena&nbsp; Sánchez-Rey López</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Capacity</strong></td>
<td>Mohamad Vahabi</td>
<td>3</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CAPITANES</strong></td>
<td>Kevin CastellanoEdu Hirschfeld</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARILLÓN</strong></td>
<td>Diego Pérez González</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARMELA</strong></td>
<td>Vicente Mallols</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARMEN Y LA CUCHARA DE PALO</strong></td>
<td>Carlos Gómez-Mira Sagrado</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cartas à Tia Marcelina</strong></td>
<td>João Macena</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>cast away</strong></td>
<td>Ali Momeni</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Casting</strong></td>
<td>Víctor Devesa</td>
<td>7</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cautivas</strong></td>
<td>Itxaso&nbsp; Díaz</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CENIZAS</strong></td>
<td>Gabriela Alejandra Orlandi</td>
<td>5</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Chalk. Nature. Will. &#8211; A Story from the Duars</strong></td>
<td>Dipto Roy</td>
<td>26</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cheeni</strong></td>
<td>Amitabh Anil Bhawar</td>
<td>6</td>
<td>India</td>
<td>Marathi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cinthia Rched</strong></td>
<td>Rosa Lia Albistur</td>
<td>30</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CITY OF PIGS</strong></td>
<td>Juan Ángel Hernández</td>
<td>24</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CLOWN</strong></td>
<td>Shanshan Jiang</td>
<td>4</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CÓLERA</strong></td>
<td>Jose Luís Lázaro</td>
<td>9</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Collaterals</strong></td>
<td>José Brocco</td>
<td>17</td>
<td>Puerto Rico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Collectives in Feminine</strong></td>
<td>Mariana Barreto del Rello</td>
<td>11</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>COMO ANTES</strong></td>
<td>Alberto Gross Molo</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>conspiracy</strong></td>
<td>elia chapar</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Continuous Line</strong></td>
<td>Amin Mohammad rezaei</td>
<td>27</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Coração de Mar</strong></td>
<td>Neto BorgesLarissa Malty</td>
<td>14</td>
<td>Portugal</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Crops of solidarity</strong></td>
<td>Ferdoushi Akter Tenni, Mohammad Faisal, Samiur Rahman</td>
<td>11</td>
<td>Bangladesh</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CROSSING WOMEN -THE INVISIBLE SUPPORT OF THE BORDER</strong></td>
<td>Pablo Mardones Charlone, Javier Astudillo</td>
<td>30</td>
<td>Argentina, Chile, Germany</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Crumb Men</strong></td>
<td>Karim Carvallo</td>
<td>14</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cultivated by women</strong></td>
<td>Angie Osorio Cadena</td>
<td>4</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CURMÁN</strong></td>
<td>Alejandro Jato</td>
<td>24</td>
<td>España</td>
<td>Gallego</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>D’aquí, de tota la vida</strong></td>
<td>Frederic Salva</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Day by day</strong></td>
<td>Camilo Pérez Orozco</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Day by day</strong></td>
<td>Camilo Pérez Orozco</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DE BEGGAR &#8211; the rare one</strong></td>
<td>SARAVANA TR</td>
<td>10</td>
<td>India</td>
<td>Kannada</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>De plus belle</strong></td>
<td>Djoser NDAO, Alina TMENOVA</td>
<td>10</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dear Manuel</strong></td>
<td>David Escobar</td>
<td>24</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Death between life</strong></td>
<td>Rekar Barzan</td>
<td>24</td>
<td>Iraq</td>
<td>German, Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>debt</strong></td>
<td>Ali momeni</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dependent</strong></td>
<td>Odysseas Johannes Hlepas, CO-Director &#8211; Rabeah Rahimi</td>
<td>8</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Des mots sur des maux (The words on evils)</strong></td>
<td>MACHE LELE JESSICA MARIE TENOS</td>
<td>14</td>
<td>Cameroon</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DESOVA: a prayer to the sun</strong></td>
<td>Beatriz Nauali</td>
<td>27</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Después de Cristo 2024</strong></td>
<td>Irwin Lacröà (Lorenzo Carbonell Zaragozá)</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Después del reflejo</strong></td>
<td>Walter Monzón</td>
<td>13</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Digital Memories for weary hearts</strong></td>
<td>Luca Di Paolo</td>
<td>15</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DISONANCIA</strong></td>
<td>Raquel Larrosa</td>
<td>25</td>
<td>España</td>
<td>Arabe</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dombra Scream</strong></td>
<td>Ghiyam karami Shirazi</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dominus Videt</strong></td>
<td>Jose Vega</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DON BENJAMIN</strong></td>
<td>Iván Zahinos</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Don Pacho</strong></td>
<td>Óscar Gilberto Vesga Pérez</td>
<td>11</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DONDE SE QUEJAN LOS PINOS</strong></td>
<td>Ed Antoja</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Donkey</strong></td>
<td>Laura Yanela Fernández</td>
<td>18</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español, Wayuu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Don&#8217;t see, don&#8217;t hear, don&#8217;t speak. Faces of capitalism</strong></td>
<td>Stefano Pelleriti</td>
<td>5</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Doomsday radio</strong></td>
<td>Antanas Skučas, Julius Zubavičius</td>
<td>3</td>
<td>Lithuania, United Kingdom</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DUST TO DISCLOSURE</strong></td>
<td>Aakankshya GC Bhujel</td>
<td>14</td>
<td>Nepal</td>
<td>Nepali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El arte de gravitar</strong></td>
<td>Camila Estupiñan</td>
<td>5</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El café siempre en taza</strong></td>
<td>ANTONIO JOSE&nbsp; LOPEZ GOMEZ</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El gigante de los pies de barro</strong></td>
<td>Emilio Ortiz</td>
<td>7</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El goteo</strong></td>
<td>Nacho Baturone</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL LADO MÁS BESTIA DE LA VIDA</strong></td>
<td>José Antonio Campos Aguilera</td>
<td>14</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Lamento de los Girasoles</strong></td>
<td>Oscar Vega</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL MAL DONAT</strong></td>
<td>Alfons CasalHector Mas</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL NUEVO BARRIO</strong></td>
<td>Víctor Izquierdo Alcaraz</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL OTRO</strong></td>
<td>Eduard Fernández Serrano</td>
<td>18</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL POZO</strong></td>
<td>TATIANA BK OSBORNE</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Primer Día</strong></td>
<td>César Ríos Aguilar</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El puto amo</strong></td>
<td>Sergio&nbsp; Sánchez-PalenciaBruno Sánchez-Palencia</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL QUE NO VE</strong></td>
<td>Natxo Leuza</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SHOW</strong></td>
<td>Javier Balaguer Blasco</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SILENCI DE LA LLAR</strong></td>
<td>Adrià Llauró</td>
<td>13</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SUEÑO DE JUANITO</strong></td>
<td>MARIANA WENGER</td>
<td>14</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Tunel</strong></td>
<td>Laura Aranda Peña</td>
<td>0</td>
<td>Spain</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Elaroz</strong></td>
<td>Amir Shayan Ghazanfari, Mobin Ghazanfari</td>
<td>23</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Elegy of Blood؛ Mahmoud Darwish</strong></td>
<td>Ali Mohammadi Kharghani</td>
<td>19</td>
<td>Iran, Islamic Republic of, Palestine, State of</td>
<td>Arabic, Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Emilia</strong></td>
<td>Rafa Arroyo</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Empty Paper</strong></td>
<td>Matin &#8211; kafash</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>En la misma calle</strong></td>
<td>Francisco Javier Molina IbáñezMariano Rezzonico</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EN LÍNEA</strong></td>
<td>Ceres Machado</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Enough</strong></td>
<td>Daniel Jasiri Levergénois MAKASI MAHAMBA</td>
<td>15</td>
<td>Congo, the Democratic Republic of the</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Enraizados (Our Roots Remain)</strong></td>
<td>Ivonne Serna, Sélim Benzeghia</td>
<td>18</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Entre a Fé e a Tradição: Tenda de Senhor ogum</strong></td>
<td>Claudia&nbsp; Marreiros</td>
<td>17</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ES LA VIDA</strong></td>
<td>Alfonso O Donnell Gonzalez de CastejonAlfonso&nbsp; O&#8217;Donnell</td>
<td>28</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escaping the hustle and bustle</strong></td>
<td>Nina Zharova</td>
<td>11</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escribiendo&#8230;</strong></td>
<td>Pablo Olewski</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escrita ABC: Fasts</strong></td>
<td>Raoni F Moura</td>
<td>9</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ESTIGMA</strong></td>
<td>Pilar García Elegido</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ESTIMADA ÁNGELA</strong></td>
<td>José Luis QuirósPaco Sáez</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Euphorbia</strong></td>
<td>Karim Elsayed Gaafar</td>
<td>17</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fairytale</strong></td>
<td>Marcel Estellés</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fare free &#8211; City in Dispute</strong></td>
<td>Caroline Oliveira, Marcelo Cruz</td>
<td>29</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>FAUSTINO</strong></td>
<td>German Mairen</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Featherheads</strong></td>
<td>Dení Martha López</td>
<td>24</td>
<td>Mexico</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fermín</strong></td>
<td>Óscar Gilberto Vesga Pérez</td>
<td>14</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fighting HIV, changing minds</strong></td>
<td>Jan-Willem Bult</td>
<td>5</td>
<td>Netherlands</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fire and Infinity</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>5</td>
<td>Bulgaria</td>
<td>Bulgarian, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fleurs de Peau</strong></td>
<td>&nbsp;Lisa ChabbertPauline Lebellenger</td>
<td>19</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Float</strong></td>
<td>Farzaneh Salahshoor</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Flores</strong></td>
<td>José Cardoso</td>
<td>27</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Follow the Lemming</strong></td>
<td><p>&nbsp;</p>
<p><span>Sean Stroud</span></p>
</td>
<td>5</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Football Stuff</strong></td>
<td>Yuu Cortés, Alejandro Ara, Carla Muñoz, Layla Díaz, Marta Iglesias, Sara García, Matilde Chicharro</td>
<td>3</td>
<td>Not Specified</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>FOR SHEYDA</strong></td>
<td>meysam &#8230;.. shamsi</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fortunata (Eng2152)</strong></td>
<td>massimiliano oliva bartolozzi</td>
<td>21</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>From the closet to street; marching through history and the future.</strong></td>
<td>Diego Esteban Garcia Shoreque</td>
<td>8</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Furtiva</strong></td>
<td>Silvania C. Suárez</td>
<td>2</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GAZE.DE</strong></td>
<td>Saad Shahriar</td>
<td>20</td>
<td>Germany</td>
<td>English, German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Get Connected</strong></td>
<td>Sandheep Paravalappil</td>
<td>3</td>
<td>Canada</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ghost In The Silence</strong></td>
<td>Ahmad Arjmandi</td>
<td>12</td>
<td>Iran, Islamic Republic of, Turkey</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Gift</strong></td>
<td>Yuichiro Nakada</td>
<td>25</td>
<td>Japan</td>
<td>Arabic, English, Japanese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GIOJA22</strong></td>
<td>Stefano De Felici</td>
<td>10</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Gonika &#8211; tale of a whore</strong></td>
<td>Tanvir Ahmed</td>
<td>9</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GOODBYE KABUL</strong></td>
<td>Latifa Sakhizada, Alfredo Lobo</td>
<td>25</td>
<td>Spain</td>
<td>English, French, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Goodbye My Dove</strong></td>
<td>Félix (Hoang Phong) BACH</td>
<td>25</td>
<td>Belgium, Viet Nam</td>
<td>Vietnamese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Grey Slips Through</strong></td>
<td>Rhea Girish Gadiyar</td>
<td>5</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GUARDIAN ANGEL</strong></td>
<td>Vasilisa Belokon</td>
<td>5</td>
<td>Estados Unidos</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Guardians of Nature: Stories of a Resistance.</strong></td>
<td>Antonella Cardozo Casares</td>
<td>26</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hand of Wind</strong></td>
<td>Heydar Hojat</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HannaH</strong></td>
<td>Daniel Martins</td>
<td>27</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hariaren amaieran</strong></td>
<td>Aitor Molina</td>
<td>6</td>
<td>España</td>
<td>Vasco</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HASTA LA FUTURA</strong></td>
<td>Rodrigo Rodríguez</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>He didn&#8217;t do anything to me</strong></td>
<td>Ainhoa Alarcón García</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HE ROBADO TUS CENIZAS</strong></td>
<td>Felipe Olaya Meza</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HENRI SOLEIL</strong></td>
<td>VALERIE PIOLA CASELLI</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Historias Positivas</strong></td>
<td>Francisco Javier Jorquera Espinoza</td>
<td>27</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Homework</strong></td>
<td>Maruf Sharker Munna</td>
<td>9</td>
<td>Bangladesh, United Kingdom, United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HORDES</strong></td>
<td>Jourden Fenner</td>
<td>11</td>
<td>Germany</td>
<td>English, French, German, Swedish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Horizon</strong></td>
<td>Mateusz Tomczak</td>
<td>15</td>
<td>Poland</td>
<td>Polish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Horizonte En Llamas</strong></td>
<td>Rafael&nbsp; de Diego Arenas</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>House (Casa)</strong></td>
<td>Pablo Padovani</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hoy es diferente</strong></td>
<td>Abel Jurado</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HUGo</strong></td>
<td>Chico Cardoso, Carla Henze</td>
<td>9</td>
<td>Brasil</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Huma</strong></td>
<td>Valentina Essus GodoyMaëla Sanmartín RodríguezSofía RamisSanti Teijelo</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Human and human+1</strong></td>
<td>Zahra Shafiei dehaghani</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hymn to destroyed cities</strong></td>
<td>Stéphane Martineau</td>
<td>6</td>
<td>Germany</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I give you my voice</strong></td>
<td>Maria Karla Recio</td>
<td>5</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Have Been Here Before</strong></td>
<td>Luke Conroy</td>
<td>4</td>
<td>Australia, Malta, Netherlands</td>
<td>Maltese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I love you in 7 day war</strong></td>
<td>Surapong wetsuwanmanee</td>
<td>10</td>
<td>Thailand</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Remember My Mom</strong></td>
<td>Leandro Afonso</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese, Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Walked Alone</strong></td>
<td>Simon Matthew Valentine, Shokat Harjo</td>
<td>12</td>
<td>Greece, Norway</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Was Young</strong></td>
<td>Robert Bowen</td>
<td>14</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>If they see me crying.</strong></td>
<td>María Luz Zamora Abanades</td>
<td>23</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>If you had spoken</strong></td>
<td>Costanza Bigot</td>
<td>30</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Il Tonfa è Nostro Alleato</strong></td>
<td>Federico Ruggieri</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I&#8217;m Sorry</strong></td>
<td>Sesshy</td>
<td>7</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IMADE</strong></td>
<td>Ignacio Acconcia González</td>
<td>29</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Imagine Peace</strong></td>
<td>Chih Hao Shen</td>
<td>1</td>
<td>Taiwan</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Imagine Peace 1945</strong></td>
<td>Chih Hao Shen</td>
<td>4</td>
<td>Taiwan</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In captivity of a finger+2</strong></td>
<td>Zahra Shafiei dehaghani, Mohammadali Taheri, Ali akbar Ardeshir, Ismail Mokhtarian</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In front of your silence</strong></td>
<td>Martin Rodolphe Villeneuve</td>
<td>16</td>
<td>Canada</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In Our Hands</strong></td>
<td>Camillo Sancisi</td>
<td>5</td>
<td>Italy</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In un bel giorno di primavera</strong></td>
<td>Giorgia Biagioni, Salvatore D&#8217;Arco</td>
<td>5</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inappropriated</strong></td>
<td>Zlatko Cosic</td>
<td>6</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inconsequential plan</strong></td>
<td>Melquior Brito Morais</td>
<td>18</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>INFECTED</strong></td>
<td>Chih Hao Shen</td>
<td>3</td>
<td>Taiwan</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Injustice Anywhere</strong></td>
<td>Steven James Riddle</td>
<td>13</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Innocent until proven guilty: Prempal v. Commisioner of Police</strong></td>
<td>Arun Sripadam</td>
<td>4</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inshallah: Afganistán, el país donde Alá abandonó a las mujeres</strong></td>
<td>Luis AlmodóvarCarol&nbsp; Mundi</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>INSIDIA</strong></td>
<td>Sergio Parrón de la LlanaÁLVARO MADINA GONZÁLEZFÁTIMA FAOUZI LUDEÑA</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>insustentável: a realidade do petróleo na Amazônia</strong></td>
<td>Andrés BorgesFer Ligabue</td>
<td>17</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Interchange</strong></td>
<td>José&nbsp; Camargo</td>
<td>29</td>
<td>Austria</td>
<td>Alemán</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Invisible Roots</strong></td>
<td>Yesica Hernández Escobar, Julián Carreño</td>
<td>12</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IPSO FACTO</strong></td>
<td>Djoser Ndao</td>
<td>5</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IRRELEVANTE</strong></td>
<td>Joel Munu</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Isolated and Deprived</strong></td>
<td>Estela Imigo, Víctor Gutiérrez</td>
<td>27</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>It Happens</strong></td>
<td>Amirmahdi Nematzadeh</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>It&#8217;s not water under the bridge (ENG)</strong></td>
<td>Viviane Rodrigues Araujo</td>
<td>19</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IUS del tiempo</strong></td>
<td>Roberto F. CanutoXiaoxi Xu</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ixoq</strong></td>
<td>Sergio Ortiz Borbolla</td>
<td>9</td>
<td>United States, United States</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jai Singh</strong></td>
<td>Shrikant Patel</td>
<td>15</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jeanne</strong></td>
<td>Léo Holderbaum</td>
<td>30</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>JKR against everything</strong></td>
<td>Hamza Amro</td>
<td>5</td>
<td>Palestine, State of</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Josefina, the resentful snake</strong></td>
<td>Pablo Martin Latorre</td>
<td>6</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Journey to Senegal</strong></td>
<td>Shaina Danziger</td>
<td>8</td>
<td>United States, United States</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Juani</strong></td>
<td>Javier Pérez Hermoso</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jueves de Marzo</strong></td>
<td>Luis Murillo Arias</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jump for Victory</strong></td>
<td>Jovana Terzić, Irina Novaković, Ksenija Kusovac</td>
<td>13</td>
<td>Montenegro</td>
<td>Montenegrin</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Kandurwaan(The baker&#8217;s shop)</strong></td>
<td>Rakhshaan Shamoodah</td>
<td>16</td>
<td>India</td>
<td>English, Kashmiri</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Keep Laughing</strong></td>
<td>Hamza Amro</td>
<td>3</td>
<td>Palestine, State of</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Kim? / Who?</strong></td>
<td>Merve Yıldıran</td>
<td>5</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>KOKUHAKU</strong></td>
<td>Adrià Guxens</td>
<td>15</td>
<td>España</td>
<td>Japonés (日本語)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA BANDA</strong></td>
<td>Leonor JiménezDelia Márquez Sánchez</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Carcova</strong></td>
<td>Ludmila Ayelen López Pérez</td>
<td>19</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Carta de Irina</strong></td>
<td>ADRIANA DAVIDOVA</td>
<td>28</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA CASA DE ANA</strong></td>
<td>IKER&nbsp; OIZ ELGORRIAGA</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA COMPAÑÍA</strong></td>
<td>José María Flores</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La culpable</strong></td>
<td>María&nbsp; Guerra</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Espera</strong></td>
<td>Luis Garcia</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA FUERZA</strong></td>
<td>Cristina Martin BarcelonaMaria José Martin Barcelona</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La fuerza del silencio</strong></td>
<td>Samuel&nbsp; Vela Pérez</td>
<td>19</td>
<td>España</td>
<td>Tigrinia</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA HISTORIA DE TILO</strong></td>
<td>Roberto Villafane</td>
<td>4</td>
<td>Panama</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Lata ( the can)</strong></td>
<td>Maria Karla Recio</td>
<td>7</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA LUZ QUE NOS GUIA</strong></td>
<td>CRISTINA RODRIGUEZ PAZ</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA PELL MÉS SUAU</strong></td>
<td>Maite Guilera</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Pepa</strong></td>
<td>Claudio Cordero</td>
<td>20</td>
<td>Peru</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Persistencia de la Escena</strong></td>
<td>Gon Busquets</td>
<td>10</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA PISCINA</strong></td>
<td>Santiago Cardelús Ruiz-AlberdiPablo Manchado Cascón</td>
<td>22</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La poupée 9831</strong></td>
<td>Ali ZARE GHANATNOWI</td>
<td>11</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La ragazza col cerotto</strong></td>
<td>mena solipano</td>
<td>6</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA ROBA ESTESA</strong></td>
<td>Àlex Martín Fuste</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lagun</strong></td>
<td>Juan Larrañaga</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LAS CENIZAS ESTÁN QUEMANDO</strong></td>
<td>Lucas Leônidas</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LAS QUE FUERON A SERVIR</strong></td>
<td>Patricia Hernandez Guerrero</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Las que sobrevivimos</strong></td>
<td>Itxaso Díaz</td>
<td>25</td>
<td>España</td>
<td>Suahili</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Last Shooting</strong></td>
<td>Vyacheslav (Slavik) Bihun</td>
<td>10</td>
<td>Ukraine</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Law N°824</strong></td>
<td>Kamil Touil</td>
<td>15</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Le Jeune Sofiane</strong></td>
<td>Fabien Ara</td>
<td>29</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Le marchand de plutonium</strong></td>
<td>Stéphane Martineau</td>
<td>5</td>
<td>Germany</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Les Héritiers</strong></td>
<td>Zuhair Mousavi</td>
<td>16</td>
<td>Afghanistan, France, Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LES IMATGES ARRIBAREN A TEMPS</strong></td>
<td>Jaume Carrió</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Letter to Karen: Welcome to the Mercadita!</strong></td>
<td>juliette Henry</td>
<td>6</td>
<td>France</td>
<td>French, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Life after freedom</strong></td>
<td>Shamal Husen</td>
<td>21</td>
<td>Iraq</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Life happens still</strong></td>
<td>Aárar .Productions</td>
<td>10</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LILA</strong></td>
<td>Luisa Urbina</td>
<td>16</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Listen to me</strong></td>
<td>Mayar Abdelsattar Mohamed, Malak Ahmed Anwar</td>
<td>11</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Livid Mortis</strong></td>
<td>David Mzolo</td>
<td>5</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ljudski &#8211; Zbogom</strong></td>
<td>Rastko Šejić, Žaklina Crnobrnja</td>
<td>4</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LLEVÁMELO</strong></td>
<td>CARLOS VIDAURRE CARDOZO</td>
<td>20</td>
<td>Bolivia, Plurinational State of</td>
<td>Other, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LLUERNES</strong></td>
<td>Ferran Ureña</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LO QUE TE FALTA</strong></td>
<td>Sara Bermejo</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lo siento (cortometraje 2025)</strong></td>
<td>maida filippini</td>
<td>8</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Locked</strong></td>
<td>Aurora Guzmán</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>L&#8217;OLANDESA</strong></td>
<td>Juri Ferri</td>
<td>17</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Longarms (Uzunkol)</strong></td>
<td>Cemal Karaaslan</td>
<td>15</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los Cayucos de Kayar</strong></td>
<td>Alvaro Hernández Blanco</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los perdedores</strong></td>
<td>Jesús Melgares</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los Sueños &#8211; Videodanza &#8211;</strong></td>
<td>María Fernanda Vallejos</td>
<td>7</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lost &#8220;the third man&#8221;</strong></td>
<td>Erick Guadiana</td>
<td>13</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lost Happiness</strong></td>
<td>Andrii Shvydkyi</td>
<td>17</td>
<td>Ukraine</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Love Don&#8217;t Bully (Spanish and English subtitles)</strong></td>
<td>&nbsp;</td>
<td>7</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Love Like Ours</strong></td>
<td>Yan Paing Htun</td>
<td>18</td>
<td>Myanmar</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Luli</strong></td>
<td>Fede&nbsp; Jara</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MAIO</strong></td>
<td>Claudio Carbone</td>
<td>12</td>
<td>Italia</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mala Hierba</strong></td>
<td>Eduardo Delac</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Malevolent</strong></td>
<td>German L Ramos Briñez</td>
<td>13</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mama Bunga</strong></td>
<td>Ismail Pang, Kaling Ismail (Tokyo)</td>
<td>8</td>
<td>Kenya</td>
<td>Swahili</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mamíferas: El Hilo de Ariadna</strong></td>
<td>Sandra&nbsp; Díaz Siachoque</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Manadas Alfa</strong></td>
<td>Concha Alonso Valdivieso</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mandili</strong></td>
<td>Lile Gvinjilia</td>
<td>12</td>
<td>Georgia</td>
<td>Georgian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marcia Antonelli: Writing Against Erasure</strong></td>
<td>Mariellen Kuma</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marcus y Leonard</strong></td>
<td>Ángel Rodríguez Fernández</td>
<td>4</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mariem</strong></td>
<td>Javier Corcuera</td>
<td>15</td>
<td>Spain</td>
<td>Other</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marrano</strong></td>
<td>Sara SálamoAnna Saura</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Martha and Mary</strong></td>
<td>Verónica Ramírez</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Maten a las Ratas</strong></td>
<td>Natalia Cabello Stellino</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MEDUSAS</strong></td>
<td>Iñaki Sánchez Arrieta</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Meeting again</strong></td>
<td>Romy Quiroz</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MELCHOR (LA HISTORIA DE UNA BARBA)</strong></td>
<td>Ignacio Estaregui</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memoria Colectiva</strong></td>
<td>Cristina&nbsp; Colmenares</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memorias del Olvido</strong></td>
<td>Joaquín Nicolás Pérez Salvo, Diego Quintanilla</td>
<td>29</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MEMORİES</strong></td>
<td>Nephan Baykal</td>
<td>4</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memories, Forgotten</strong></td>
<td>Yuanting Tina Luo</td>
<td>7</td>
<td>United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Meyeti the girl</strong></td>
<td>Sreyan Sarkar</td>
<td>16</td>
<td>India</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mil vidas</strong></td>
<td>Antonio Blanca</td>
<td>15</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Milky Way</strong></td>
<td>Thomas CAPART, Eloise HEDOUX, Perrine HUGUENOT, Valentine LEVEUGLE, Dorothée CHERDOT</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mina&#8217;s Date</strong></td>
<td>Zahra Rezaei</td>
<td>12</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MINCRANIA</strong></td>
<td>Delia Postigo</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Misión Secreta</strong></td>
<td>Pedro Verdún</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mona Lisa’s Smile</strong></td>
<td>ALIREZA MONFARED ZAREI</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Monster*</strong></td>
<td>Asier Elgars</td>
<td>4</td>
<td>Spain</td>
<td>Catalan, English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Morî</strong></td>
<td>YAKUP TEKİNTANGAC</td>
<td>18</td>
<td>Turkey</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MOSHPIT</strong></td>
<td>Rafa Arroyo</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mother and Daughter</strong></td>
<td>Raito Nishizaka</td>
<td>11</td>
<td>Japan</td>
<td>Japanese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MOUNTAIN OF SILENCE Santa</strong></td>
<td>Sami Ali Kaka</td>
<td>3</td>
<td>Iraq</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MULHERES (EM) TRANS/E</strong></td>
<td>Milla Paz .</td>
<td>20</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>muñecas de porcelana (porcelain dolls)</strong></td>
<td>Antonio José López Gómez</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My girl</strong></td>
<td>Daniela Cortés Almonte</td>
<td>16</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Little Sentry</strong></td>
<td>Lucas Marques</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My love lives on the field</strong></td>
<td>&nbsp;</td>
<td>7</td>
<td>Kyrgyzstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Ray of Sunshine</strong></td>
<td>Laís Andrade</td>
<td>8</td>
<td>Brazil, Portugal</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Toy</strong></td>
<td>Mazen Haj Kassem</td>
<td>9</td>
<td>Denmark</td>
<td>Arabic, Danish, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nabi</strong></td>
<td>Hamed Golshahi</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nana</strong></td>
<td>Katia Crivellari</td>
<td>20</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Naranjas</strong></td>
<td>Gorka Martín-Curto</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NAZARA</strong></td>
<td>Cheyenne Oliveira Alencar, Alisson Pereira Flor</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NEGLECTED HOMELAND</strong></td>
<td>Hiva Naserian</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni Siempre</strong></td>
<td>Leandro Olimpio, Telmo Martins</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni un dia més</strong></td>
<td>Carlos Puig Mundó</td>
<td>25</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni una Carmen más!</strong></td>
<td>M. Gabriela&nbsp; Estrada</td>
<td>14</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nidelan</strong></td>
<td>Sara Mallan</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Night Rainbow</strong></td>
<td>Varvara Humenchuk</td>
<td>3</td>
<td>Ukraine</td>
<td>Ukrainian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nika, the pilot whale</strong></td>
<td>Jose Hernandez</td>
<td>29</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NINO</strong></td>
<td>Lilih Curi</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nino&#8217;</strong></td>
<td>Michele li volsi</td>
<td>11</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NO !</strong></td>
<td>Franck Llopis</td>
<td>2</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No a la guerra</strong></td>
<td>Jimmy Alejandro Castro Zambrano</td>
<td>1</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No es lo mismo</strong></td>
<td>Agustín Mollor Sánchez</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No Me Mires</strong></td>
<td>Miriam&nbsp; García Montero</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No More Carmens!</strong></td>
<td>Maria Gabriela Estrada</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nobody</strong></td>
<td>Msallam Hdaib</td>
<td>7</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nomad Girl</strong></td>
<td>Rouhollah Akbari</td>
<td>22</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nosotras</strong></td>
<td>Nacho V. Carrión Isabel Vega Zarzuela</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nosso panfleto seria assim</strong></td>
<td>Leandro Olimpio</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Not another day</strong></td>
<td>Carlos Puig Mundó</td>
<td>26</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Not even a 100 hadsfuls of Gold</strong></td>
<td>Diego Rodriguez Guzman</td>
<td>24</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NOTES FROM THE WEST</strong></td>
<td>Kazem Kehinde Balogun</td>
<td>3</td>
<td>United Kingdom</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Notification</strong></td>
<td>Tamer Akeil</td>
<td>11</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nuestro folleto se vería así</strong></td>
<td>Leandro Olimpio</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nutissimo</strong></td>
<td>Nicolas Bianco-Levrin, Julie Rembauville, Maxence Camelin</td>
<td>3</td>
<td>France</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>O Pranto de Poinkarah ou O Carom da Aldeia Ngojamroti</strong></td>
<td>Sandoval Amparo</td>
<td>20</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>On The Way to immigration</strong></td>
<td>hossein gholami</td>
<td>23</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>One shot of life</strong></td>
<td>Seyed Karim Ghasem Zadeh</td>
<td>16</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>one two there</strong></td>
<td>Amir Hossein keshmiri</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ophelia</strong></td>
<td>Moa Jara</td>
<td>4</td>
<td>Ecuador</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Orain zer?</strong></td>
<td>Ainhoa Urgoitia Santamaría</td>
<td>14</td>
<td>España</td>
<td>Euskera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Other World</strong></td>
<td>majid farzolahi</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ottawa</strong></td>
<td>Afshin Mansouri</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out</strong></td>
<td>Güliz Mutlu</td>
<td>5</td>
<td>Turkey</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out of the cocoon</strong></td>
<td>Maya Johanna Köbli</td>
<td>7</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out there</strong></td>
<td>Evgeniy Golovin, Alexander Afonasyev</td>
<td>14</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>O&#8217;yin Game</strong></td>
<td>Oyatillo Raxmatillo Axmadillayev</td>
<td>3</td>
<td>Uzbekistan</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pactos de silencio 3 “La realidad en la dependencia“</strong></td>
<td>Robert Martinez</td>
<td>24</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pactos de Silencio 3 La realidad en la Dependencia</strong></td>
<td>Robert Martinez</td>
<td>24</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paint Without Limits</strong></td>
<td>Vanessa Samper Díaz</td>
<td>9</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Painting Territories: Indigenous Voices in Dialogue.</strong></td>
<td>&nbsp;</td>
<td>13</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Papa said</strong></td>
<td>YUN-SYUAN LEE</td>
<td>9</td>
<td>Taiwan</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paper White noise</strong></td>
<td>Hamidreza Kord sichani</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PARA CUANDO DUELE</strong></td>
<td>Oriol Franco</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paradox</strong></td>
<td>Nardin Bashar AL-nazer</td>
<td>7</td>
<td>Jordan</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PENCIL</strong></td>
<td>Nephan Baykal</td>
<td>3</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pending Status</strong></td>
<td>Reza Heidari</td>
<td>21</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Perfectos perversos</strong></td>
<td>María José Caballero Alonso</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Perfectos Perversos</strong></td>
<td>Cuchi Caballero</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pesadumbre // Sorrowful Memory</strong></td>
<td>Jorge Enrique González Venegas</td>
<td>29</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PHARMAKON</strong></td>
<td>Kissel Hiram Bravo</td>
<td>8</td>
<td>Mexico</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Piel de terciopelo (velvet skin)</strong></td>
<td>ANTONIO JOSE LOPEZ GOMEZ</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PIETRA</strong></td>
<td>Cynthia Levitan</td>
<td>12</td>
<td>España</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PIPA or for me profane Arraia.</strong></td>
<td>Wally D. Menezes</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Planeta Fome</strong></td>
<td>Édier&nbsp; William</td>
<td>15</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Playmate</strong></td>
<td>Fuad Lotfi</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Plug Me In</strong></td>
<td>Peter Van Lengen</td>
<td>17</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POLITUNES</strong></td>
<td>Sergey Khismatov</td>
<td>21</td>
<td>Germany</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POR NOSOTROS</strong></td>
<td>Alberto Zorrilla</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>por que volvias cada verano</strong></td>
<td>Juli Suàrez</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POST MORTEM</strong></td>
<td>Jean-Philippe Henin-Tranvouez, Olivier Chevillard</td>
<td>10</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Prayer On The Border</strong></td>
<td>Young Man Kang</td>
<td>11</td>
<td>United States, United States</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Prescription For Life</strong></td>
<td>Chenxi Zhu</td>
<td>20</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pufferfish</strong></td>
<td>Mohammad Kamal Alavi</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Puzzleak</strong></td>
<td>Kote Camacho</td>
<td>15</td>
<td>España</td>
<td>Euskera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Puzzleak, The Rape Palace</strong></td>
<td>Kote Camacho, Anonymous</td>
<td>15</td>
<td>Spain</td>
<td>Eusquera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Quando as ondas do mar desligam (ES)</strong></td>
<td>Assaggi Piá, Yasoda Nanda</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>QUERIDO DIARIO</strong></td>
<td>Fátima Luzardo</td>
<td>2</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Refugiadas en escena. Exilio, memoria, paz</strong></td>
<td>Sergi Tarín Galán</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Regret</strong></td>
<td>Mostafa Shokouhi</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Relapse</strong></td>
<td>Avanti Pappu</td>
<td>7</td>
<td>India</td>
<td>Hindi, Marathi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>REMNANT</strong></td>
<td>KISSOR MEETEI</td>
<td>4</td>
<td>India</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Renacimiento</strong></td>
<td>Karel BarraAna Turbay</td>
<td>29</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>RESILIENCE</strong></td>
<td>Ramon Carpio Garcia</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Resorting to sleep</strong></td>
<td>Tawfiq Rashad al absee</td>
<td>3</td>
<td>Yemen</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rhapsody in Blue</strong></td>
<td>Marina Barancelli</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>RIHLA. EL VIAJE</strong></td>
<td>MIGUEL ÁNGEL MARTÍNEZ POZOISMAEL RODRIGO AGUILAR</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rock Shanty</strong></td>
<td>Ofentse MakhazaFlynn Bunyan</td>
<td>4</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rolly: A Story of My Father</strong></td>
<td>Kalfein Maikel Wuisan</td>
<td>15</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rulos</strong></td>
<td>Adrián Echedey Terán Rodríguez</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rupali Aansh</strong></td>
<td>Shopno Samudra</td>
<td>15</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Safe Space</strong></td>
<td>Nurcan Çoban</td>
<td>13</td>
<td>Turkey</td>
<td>English, Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Salud Mutante</strong></td>
<td>Daniel Rodríguez Gaitán</td>
<td>18</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sand Forest</strong></td>
<td>Nathalia Rangel, Keila Mora</td>
<td>4</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Saudade</strong></td>
<td>Richard Zubelzu, Magda Calabrese</td>
<td>15</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SAVE THE HIMALAYAS</strong></td>
<td>&nbsp;</td>
<td>2</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>scacco matto</strong></td>
<td>VALERIO FERRARI</td>
<td>10</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scan</strong></td>
<td>Ali Rezapour</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Pashto (Pushto)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Schizophrenia</strong></td>
<td>Yeganeh Sabzevari</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SCREAM</strong></td>
<td>SELMA MEÇO</td>
<td>17</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scrolling after Gaza is barbaric</strong></td>
<td>Martín Emiliano Díaz</td>
<td>4</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scusa</strong></td>
<td>Ignacio H Cuenca</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SEA OF HOPE</strong></td>
<td>JUBRAIL ABUBAKER RAHMAN</td>
<td>4</td>
<td>Iraq</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Secretos de familia</strong></td>
<td>Álvaro&nbsp; LassoJorge de la Cruz</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SEEING BEYOND SIGHT &#8211; The Journey of Ednilson Sacramento</strong></td>
<td>Nêio Mustafa</td>
<td>30</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Self</strong></td>
<td>Laura Mariana Sanchez, Perla Lizbeth Anaya</td>
<td>6</td>
<td>Mexico</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sezenler Olsun (Let There be Sezens)</strong></td>
<td>Adem Giliz</td>
<td>12</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SHEEPS CAN&#8217;T SWIM</strong></td>
<td>Matthieu Allart-Grzygierzek</td>
<td>22</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shelveh</strong></td>
<td>Sara Mallan</td>
<td>0</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shinzo</strong></td>
<td>José Fernández Ark</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shirin’s Bitter Tears</strong></td>
<td>Amin Fallah</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shooting Masks</strong></td>
<td>Sepas Mehrain</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shrapnel</strong></td>
<td>Víctor Rodolfo Jiménez</td>
<td>6</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Si me ven llorando</strong></td>
<td>María Luz Zamora Abanades</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SI NO FUERA POR MÍ</strong></td>
<td>Sergi&nbsp; González FernándezDiego Pérez González</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Signs that hurt</strong></td>
<td>Enzo SERRIPIERRI</td>
<td>23</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SILENCIOS</strong></td>
<td>Yago Casariego</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Silver Punch</strong></td>
<td>Isidora Valdés, Maurizio La Rocca</td>
<td>2</td>
<td>Chile</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SIREN</strong></td>
<td>Nephan Baykal</td>
<td>3</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sísifa</strong></td>
<td>Paco Alarcón Rojas</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sísifo (Sisyphus)</strong></td>
<td>Antonio L. Gómez, Ashton Blue</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Skin Color</strong></td>
<td>Fidel Alfonso Barboza Gómez, Sebastián Castaño</td>
<td>9</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Smoke or Family</strong></td>
<td>Jaswant Mintu</td>
<td>14</td>
<td>India</td>
<td>Panjabi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOBREVIVIENDO</strong></td>
<td>David Pintos</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLEDAD</strong></td>
<td>Ika de Mo</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLO KIM</strong></td>
<td>Javier Prieto de PaulaDiego Herrero</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLOMON&#8217;S HEGIRA</strong></td>
<td>Ehsan Soltani</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>somos, estamos</strong></td>
<td>Pablo Montes SánchezÁlvaro Montes Sánchez</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Son</strong></td>
<td>Saman Hosseinpuor</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish, Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Souls That Never Left</strong></td>
<td>Ghaith Eyad Alosh</td>
<td>8</td>
<td>Syrian Arab Republic</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>STAIR</strong></td>
<td>Herish Abdulwahab Haji</td>
<td>4</td>
<td>Iraq</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Stitches of Dreams</strong></td>
<td>Arish Akmal</td>
<td>7</td>
<td>Pakistan</td>
<td>English, Urdu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Stolen Babies</strong></td>
<td>Mau Cardoso</td>
<td>21</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Such a pretty face</strong></td>
<td>Ana Squilanti</td>
<td>18</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sunny-Man</strong></td>
<td>Sandeep Reddy Sama</td>
<td>7</td>
<td>India</td>
<td>Telugu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Super.</strong></td>
<td>Daniel Romero</td>
<td>3</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Supersensitive</strong></td>
<td>Samuel Zbynovsky</td>
<td>5</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survival Instinct</strong></td>
<td>Alex Rogger</td>
<td>30</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survivors</strong></td>
<td>Oliver Stiller</td>
<td>18</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survivors</strong></td>
<td>Oliver Stiller</td>
<td>20</td>
<td>Alemania</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Switched off</strong></td>
<td>Guillermo Rojo Diez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>symbolic action</strong></td>
<td>German Bartolomey</td>
<td>18</td>
<td>Georgia</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Taif</strong></td>
<td>Maytham Hashem</td>
<td>6</td>
<td>Iraq</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tapestries of Light, Life, and Community in Guatemala</strong></td>
<td>Paula Recinos</td>
<td>23</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Temps mort</strong></td>
<td>Albert Muns, Alex Pérez, David Piñol</td>
<td>5</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ten Girls</strong></td>
<td>Zoe Valentini</td>
<td>14</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>tener un hijo, sembrar un Árbol y escribir un libro. V.E</strong></td>
<td>ANA PALOMA MOLINA</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TENÍAMOS UN PLAN</strong></td>
<td>Jorge Pastor</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Testimony</strong></td>
<td>Leonardo Amaral, Roberto Cotta</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The adult life of ephemerals</strong></td>
<td>Rafael Arévalo</td>
<td>1</td>
<td>Peru</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Amendment</strong></td>
<td>Vyacheslav Mokin</td>
<td>22</td>
<td>Kazakhstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Black Bread of Çukurova</strong></td>
<td>Onur Sürek</td>
<td>15</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Closet</strong></td>
<td>Davood Rahmani, Reza Arabshahi</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The DOT</strong></td>
<td>Andrey Volkov</td>
<td>15</td>
<td>Kazakhstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Dream of Kamal / El sueño de Kamal</strong></td>
<td>Miguel J. Crespo</td>
<td>25</td>
<td>Mexico</td>
<td>Arabic, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Edge of Death</strong></td>
<td>Fahrettin Eren Dinler</td>
<td>10</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Ellipsis Figure</strong></td>
<td>saeed heshmati</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Embrace</strong></td>
<td>Zeinab Nejati</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Evolution of Utopia</strong></td>
<td>Zirui Wang</td>
<td>18</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Fear Monster</strong></td>
<td>Andrew Gledson, Eduardo Padrão</td>
<td>10</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Final Take</strong></td>
<td>Fatemeh Shams (Karimian)</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Hidden People Rise &#8211; Marching for Peace</strong></td>
<td>Ed Fitzgerald</td>
<td>3</td>
<td>Ireland</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The hostage</strong></td>
<td>Sarah. Nagazi. Nagazi.</td>
<td>15</td>
<td>France, Tunisia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The key</strong></td>
<td>Hussam Sharwany</td>
<td>9</td>
<td>Austria</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The last carousel of La Pampa</strong></td>
<td>Federico Bardini</td>
<td>13</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Last Day</strong></td>
<td>Farzad Samimi</td>
<td>12</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The last note</strong></td>
<td>Henrique Fiuza da Silva Oliveira Lopes</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Liberation Generation</strong></td>
<td>Emad Ghraybeh</td>
<td>12</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Little Stranger</strong></td>
<td>Shakila Moezi</td>
<td>9</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Loneliness Of The Moon</strong></td>
<td>pezhan ziaian</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Lucid Dream</strong></td>
<td>Arzhang Niavarani</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE MASK</strong></td>
<td>FAYSSAL KADA</td>
<td>5</td>
<td>Algeria</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Pale Shadow</strong></td>
<td>Omar Maged</td>
<td>30</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Picture</strong></td>
<td>Enrique Corrales Rodríguez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The plains, the indomitable spirit of the plains.</strong></td>
<td>Hector Puche</td>
<td>30</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Plastic Cup Metaphor</strong></td>
<td>Anthony Légal, Michael Marie</td>
<td>6</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE RISE</strong></td>
<td>Arnould Christophe</td>
<td>19</td>
<td>Suiza</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE SHELL</strong></td>
<td>Sema Güler</td>
<td>17</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Silence of Iron</strong></td>
<td>Mariana de Melo</td>
<td>15</td>
<td>Brasil</td>
<td>English, Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Stair to sky</strong></td>
<td>abdulkalk Jodt Omar</td>
<td>4</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Storm</strong></td>
<td>Angela Conigliaro</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Strange Case Of The Human Cannonball</strong></td>
<td>Roberto Valencia</td>
<td>10</td>
<td>Ecuador</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Sunset of Green Snails</strong></td>
<td>Mohammad Hasani</td>
<td>9</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Tide Grumbling</strong></td>
<td>Jesus F. Cruz</td>
<td>22</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Time permeates on the street</strong></td>
<td>soo min&nbsp; park</td>
<td>28</td>
<td>Corea del Sur</td>
<td>Coreano (한국어)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The tip of the iceberg</strong></td>
<td>Luca Costale</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Trauma</strong></td>
<td>Gabriel Andres Cid</td>
<td>7</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Truth: 2014</strong></td>
<td>Giancarlo Garcia Salazar, Cecilia Santiago</td>
<td>6</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Unsaid</strong></td>
<td>Kejdi Demneri</td>
<td>8</td>
<td>Albania, Kosovo</td>
<td>Albanian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>the waves to come</strong></td>
<td>Agustín Berro Madero</td>
<td>18</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Winners</strong></td>
<td>Mostafa BENKHLAFA</td>
<td>10</td>
<td>Morocco</td>
<td>Arabic, French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Woman Pastor</strong></td>
<td>Julien Kobersy</td>
<td>9</td>
<td>Lebanon</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Women of Two Cities</strong></td>
<td>Chee Yong LimYu Jia Chong</td>
<td>25</td>
<td>Singapur</td>
<td>Chino</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Yellow Wallpaper</strong></td>
<td>Alicja Pahl</td>
<td>8</td>
<td>Switzerland</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>they&#8217;re not just songs</strong></td>
<td>Hamza Amro</td>
<td>5</td>
<td>Palestine, State of</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>those</strong></td>
<td>Marco Migliozzi</td>
<td>15</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Through What&#8217;s Left</strong></td>
<td>Fazashan Hesafa Putra</td>
<td>11</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tienes sitio?</strong></td>
<td>ESTEFANIA SERRANO</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tilo´s story</strong></td>
<td>Roberto Villafane</td>
<td>4</td>
<td>Panama</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Time to Feed the Pigeons</strong></td>
<td>Sergey Shilykovsky</td>
<td>11</td>
<td>Russian Federation</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Timeless Wisdow</strong></td>
<td>Gustavo Zinder</td>
<td>15</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To Hawa</strong></td>
<td>Andi Imam Prakasa</td>
<td>9</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To Heal</strong></td>
<td>Kevin Lucero Less</td>
<td>1</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To land defenders (2023)</strong></td>
<td>Rubén Marin Ramos</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TODAY IS THE DAY</strong></td>
<td>Anil Cirakoglu</td>
<td>12</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Top Floor</strong></td>
<td>Chih Yu Liu</td>
<td>9</td>
<td>Taiwan</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Torn stockings</strong></td>
<td>Oliver Medina</td>
<td>6</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TOUR subt inglés, portugués, alemán, francés,más</strong></td>
<td>Fátima Luzardo</td>
<td>2</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TOYS</strong></td>
<td>Accursio Graffeo</td>
<td>2</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Traje y Tupper</strong></td>
<td>José Ocaña</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Transaction Official Short film</strong></td>
<td>CONSTANTINOS KIPRIANIDIS</td>
<td>8</td>
<td>Cyprus</td>
<td>Greek (Modern)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Transient</strong></td>
<td>Sharon Ordoñez</td>
<td>9</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TREIZE ANS</strong></td>
<td>Claire Salomé</td>
<td>3</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tristes Tigres</strong></td>
<td>Adán Pichardo</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TU NO.</strong></td>
<td>Marta Albert González</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Two Tickets</strong></td>
<td>mazen haj kassem</td>
<td>18</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ufo bandari</strong></td>
<td>karim forozan</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>UN DÍA PERFECTO</strong></td>
<td>Mariela Artiles Merino</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Una silla llamada Maura</strong></td>
<td>Valeria Azul</td>
<td>10</td>
<td>Honduras</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Under Occupation</strong></td>
<td>Anas Yahya</td>
<td>2</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Under the last breath</strong></td>
<td>Pedro Valencia</td>
<td>5</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Unfading</strong></td>
<td>David De Luca</td>
<td>11</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>UNWATCHED</strong></td>
<td>Cornelius Pitts</td>
<td>7</td>
<td>United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>URTAJO</strong></td>
<td>Miguel Ángel Marqués Bordoy</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VELIYEEDU</strong></td>
<td>Anthujan Selvaratnam</td>
<td>15</td>
<td>United Kingdom</td>
<td>Tamil</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ventura</strong></td>
<td>Juan Andrés Cermeño Salas</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VIBRATIONS FROM GAZA</strong></td>
<td>Rehab Nazzal</td>
<td>16</td>
<td>Canada, Palestine, State of</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Victim</strong></td>
<td>Mohammad Javad Belghadr</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Viola</strong></td>
<td>Marco Lorenzo Masante</td>
<td>12</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VIRGEN DE GUADALUPE</strong></td>
<td>Viridiana Moreno García</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>war</strong></td>
<td>Ali Momeni</td>
<td>3</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Waters of litigation</strong></td>
<td>Val Carbone, Paulo Gabriel</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>We, women</strong></td>
<td>Laura Gabay</td>
<td>11</td>
<td>Spain</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>We. Children of war</strong></td>
<td>Edward Nigmatullin</td>
<td>16</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whakapapa</strong></td>
<td>Matias Fabro</td>
<td>19</td>
<td>Argentina, Uruguay</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whakapapa</strong></td>
<td>Matias&nbsp; Fabro</td>
<td>19</td>
<td>Uruguay</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What Eyes Cannot See</strong></td>
<td>Camila Cohen</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What If They Bomb Here Tonight ?</strong></td>
<td>Samir Syriani</td>
<td>16</td>
<td>Lebanon</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What If We Were Happy?</strong></td>
<td>Julie-Yara Atz</td>
<td>30</td>
<td>Lebanon, Switzerland</td>
<td>Arabic, English, French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What is Sold, What is Eaten</strong></td>
<td>Rafael Mellim</td>
<td>28</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When Every Refuge Turns Hostile</strong></td>
<td>Cielo Iturralde Carrera</td>
<td>8</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When night falls</strong></td>
<td>Juan Antonio Martínez</td>
<td>16</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When The Guitar Falls Silent</strong></td>
<td>Roberto Janacua B.</td>
<td>8</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Where The Stars Rest</strong></td>
<td>VEDANGA NAG</td>
<td>5</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whisper Of The Ink</strong></td>
<td>Ishtiyak Ahmad Zihad</td>
<td>12</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>White Christmas (+only)</strong></td>
<td>Junghwi(중휘) Souk(석)</td>
<td>3</td>
<td>Korea, Republic of</td>
<td>Korean</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Why me?</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>7</td>
<td>Bulgaria</td>
<td>Bulgarian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Will Today Be A Happy Day ?</strong></td>
<td>M Kanz Daffa</td>
<td>15</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Wind</strong></td>
<td>Mayra Martínez</td>
<td>20</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Women Who Left to Serve</strong></td>
<td>Patricia Hernández Guerrero</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Xarpi</strong></td>
<td>&nbsp;</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Xarpi</strong></td>
<td>Rafael Lobo</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>y Rosa</strong></td>
<td>Alberto Alber</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>You are perfection</strong></td>
<td>Viktoriia Saifutdinova</td>
<td>2</td>
<td>Russian Federation</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>You Got Mail</strong></td>
<td>Saamridh Ramkelawan</td>
<td>4</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>YOU GOT TO SING</strong></td>
<td>María José Caballero Alonso</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Your Gaze</strong></td>
<td>Gustavo Stella</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>YOUR OWN BOSS</strong></td>
<td>Álvaro Guzmán Bastida</td>
<td>18</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ZONA WAO</strong></td>
<td>Nagore Eceiza Mujika</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Luta das Auras</strong></td>
<td>Marina Araújo</td>
<td>41</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>An Extraordinary Surgeon</strong></td>
<td>Orhan Tekeoglu</td>
<td>59</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>AR YEZH</strong></td>
<td>Philipp Bückle, Aurélie Scouarnec</td>
<td>43</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>BARÇA BARSAK &#8211; The Atlantic Route</strong></td>
<td>Leon Scheffold</td>
<td>31</td>
<td>Germany</td>
<td>English, French, Spanish, Wolof</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Beautiful</strong></td>
<td>Fariza Tanay</td>
<td>38</td>
<td>Kazakhstan</td>
<td>Kazakh, Russian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>CESSEFIRE</strong></td>
<td>ELHAM ADELI</td>
<td>45</td>
<td>Iran, Islamic Republic of</td>
<td>Arabic, Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Dheemi Aanch (The Weight of Silence)</strong></td>
<td>Baylon Fonseca</td>
<td>38</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Dust and Clay</strong></td>
<td>mfer7653 Adam Lee</td>
<td>39</td>
<td>Korea, Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>ECHOES OF YOU</strong></td>
<td>Roy Amabo Ntinwa</td>
<td>33</td>
<td>Cameroon</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>El arte de los analfabetos</strong></td>
<td>Kevin&nbsp; Castellano CastañoEduardo&nbsp; Hirshcfeld León</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>El Silenci d’un pati</strong></td>
<td>Mari&nbsp; Carmen Blanco</td>
<td>58</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Empower U</strong></td>
<td>Carly Isselmann</td>
<td>39</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>encontres d’exili III</strong></td>
<td>Jose&nbsp; Gaya</td>
<td>35</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Exile</strong></td>
<td>Yesmine Fersi, Lina Hamouda, Minyar Mrabti</td>
<td>45</td>
<td>Tunisia</td>
<td>Arabic, English, French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Guatapé is (not) dead</strong></td>
<td>Laurence Paciarelli</td>
<td>52</td>
<td>Belgium, Colombia</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Hulajpole</strong></td>
<td>Alex Libertad</td>
<td>43</td>
<td>Poland</td>
<td>Polish</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Joe Kardos, el último cowboy</strong></td>
<td>Kiko Prada</td>
<td>50</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Lo que esconden las palabras</strong></td>
<td>Daria ShubinaMariana Dueñas</td>
<td>41</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Manuel</strong></td>
<td>Marcelo Adrián Echaniz</td>
<td>43</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Montesacro</strong></td>
<td>Juan Pablo Vargas</td>
<td>40</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Mum &amp; Mohammed: Forces of Nature</strong></td>
<td>Ingrid Pernet Duparc</td>
<td>44</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>No Goodbye</strong></td>
<td>Sajad Rajab Boloukat</td>
<td>42</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Pactos de silencio 3 la realidad en la dependencia</strong></td>
<td>Robert Martinez</td>
<td>59</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Pirinha</strong></td>
<td>Natasha Craveiro</td>
<td>53</td>
<td>Cape Verde</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Save Gota de Leche</strong></td>
<td>ÁNGEL FREGOSI</td>
<td>50</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Shimmering Odyssey</strong></td>
<td>Prasun Goswami, Raunak Shivhare</td>
<td>42</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Adventures of Angosat</strong></td>
<td>Resem Verkron, Marc Serena</td>
<td>32</td>
<td>Angola, Spain</td>
<td>Other, Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Streets Know My Name</strong></td>
<td>Eghoghon Sarah Ifidon</td>
<td>40</td>
<td>United Kingdom</td>
<td>English, French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Undocumented</strong></td>
<td>Sampsa Huttunen, Ann-Mari Leinonen</td>
<td>50</td>
<td>Finland</td>
<td>Arabic, English, Finnish, Somali</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Village of Bastards</strong></td>
<td>Amritansh Shukla, Uday Thakur</td>
<td>51</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Warp and woof of suffering</strong></td>
<td>Farid Rahnama</td>
<td>38</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Women of Resilience</strong></td>
<td>Andreas Rochholl, Sebastian Leitner</td>
<td>54</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Your Adventure Yard ( YAY )</strong></td>
<td>Jale İncekol</td>
<td>46</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Zaratustra &#8211; A Film Made From Within</strong></td>
<td>Luiz Fernando F. Machado</td>
<td>51</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>@love</strong></td>
<td>Annabelle Mullen Pacheco</td>
<td>98</td>
<td>Puerto Rico</td>
<td>English, Galician, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>¿QUÉ PASA CON NOSOTRAS?</strong></td>
<td>David&nbsp; Pascual</td>
<td>89</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>《Where is the Pure Land》</strong></td>
<td>WEITAO WANG</td>
<td>80</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A Beginning For The End Songs Of The A River</strong></td>
<td>Meysam Oghbaei</td>
<td>70</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A mi padre</strong></td>
<td>Pablo DiconcaLeon Diconca</td>
<td>84</td>
<td>Canada</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A Shaman&#8217;s Tale</strong></td>
<td>Beata Bashkirova, Mikhail Bashkirov</td>
<td>76</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Alí Primera</strong></td>
<td>Daniel Yegres Richard</td>
<td>126</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Amanecer La Palabra</strong></td>
<td>Nestor Martinez</td>
<td>80</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Argumosa 11, Living in Emptiness</strong></td>
<td>Hugo Carmona, Sergio García Locatelli, Mauricio Franco</td>
<td>90</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>AYAHUASCA NOW, voices of a silent war</strong></td>
<td>Carlos Bruno Cejas</td>
<td>90</td>
<td>Argentina</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>BIRTHING WITHOUT FEAR</strong></td>
<td>Alba Pifarré</td>
<td>75</td>
<td>Spain</td>
<td>Catalán, Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Bread for tomorrow</strong></td>
<td>Carmelo Puglisi</td>
<td>88</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>BURNOUT</strong></td>
<td>Ander Duque</td>
<td>61</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Cages taking flight</strong></td>
<td>Sujith Kumar KV</td>
<td>74</td>
<td>India</td>
<td>English, Hindi, Telugu, Urdu</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>CONCHA ROBLES. EL PRECIO DE LA LIBERTAD.</strong></td>
<td>DAVID MIRALLES QUESADA</td>
<td>80</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>CONCHA ROBLES. EL PRECIO DE LA LIBERTAD.</strong></td>
<td>DAVID MIRALLES QUESADA</td>
<td>80</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Così x Caso-Dogma 95 (Director&#8217;s Cut – Dogma 95 Anniversary)</strong></td>
<td>Cristiano Ceriello</td>
<td>123</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Crime of the night: Brazilian Purge</strong></td>
<td>Marcelo N. Reis</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Dear Mother,</strong></td>
<td>Sk Shuvo Shadique</td>
<td>67</td>
<td>Bangladesh</td>
<td>Bengali, Other</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>desde fuera y tan adentro</strong></td>
<td>Fab llanos</td>
<td>94</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DESTINY</strong></td>
<td>yaser talebi</td>
<td>72</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Diario de un viaje</strong></td>
<td>Antonio&nbsp; Martin Alonso</td>
<td>69</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DIS concept (DES conceito)</strong></td>
<td>Ibere Pereira</td>
<td>103</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Disitango, a feminist embrace</strong></td>
<td>Valérie Loewensberg, Agustin Brun</td>
<td>82</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>D&#8217;Land am Schiet / The Land in the Shadows</strong></td>
<td>Lukas Grevis</td>
<td>73</td>
<td>Luxembourg</td>
<td>German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DULCE AMARGO</strong></td>
<td>John Agudelo</td>
<td>79</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DUVA</strong></td>
<td>Jonathan Álvarez Peña</td>
<td>80</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>El Mundialito (small world cup)</strong></td>
<td>Marcel Czombos</td>
<td>76</td>
<td>Argentina</td>
<td>English, Portuguese, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EMNA</strong></td>
<td>bouslama chamakh</td>
<td>71</td>
<td>Switzerland, Tunisia</td>
<td>Arabic, German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EMPODERÍO</strong></td>
<td>Lara Izagirre</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Enciso, las huellas de la memoria</strong></td>
<td>Jesús Hermida</td>
<td>95</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Entre Fronteras</strong></td>
<td>Jose FucaJuan José Cea Escobar</td>
<td>90</td>
<td>Canada</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Escenas dun consenso</strong></td>
<td>Carmen P.G. Granxeiro</td>
<td>74</td>
<td>España</td>
<td>French, Galician, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Eskawata Kayawai &#8211; The Spirit of Transformation</strong></td>
<td>Lara Jacoski, Patrick Dequech Belem</td>
<td>70</td>
<td>Brasil</td>
<td>English, Portuguese, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Espacio menguante</strong></td>
<td>Norma Nebot</td>
<td>79</td>
<td>Spain</td>
<td>Arabic, English, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Este fue nuestro castigo</strong></td>
<td>Luis Cintora</td>
<td>89</td>
<td>Peru</td>
<td>Quechua, Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EVROS- Α BLURRED LANDSCAPE</strong></td>
<td>GEORGIOS KERAMIDIOTIS</td>
<td>81</td>
<td>Greece</td>
<td>Modern Greek (1453-)</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Explotando el Edén, Île-à-Vache</strong></td>
<td>Raquel Gómez-Rosado</td>
<td>92</td>
<td>Spain</td>
<td>French, Haitian, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Extraordinary Common People</strong></td>
<td>Elena Bursztein, Axel Rosito</td>
<td>63</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Faltan vuestros nombres</strong></td>
<td>Pablo Gabaldón</td>
<td>85</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Father Mugica, the hour of light</strong></td>
<td>nicolas martin cuiñas, walter omar peña</td>
<td>69</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Fish without a wing</strong></td>
<td>Esperanza Jorge, Inmaculada Antolínez</td>
<td>72</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>FOOD FOR THOSE IN NEED</strong></td>
<td>Leonardo Brant</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Fragmentos</strong></td>
<td>Alejandro Rangel</td>
<td>110</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>GREEN LINE</strong></td>
<td>Sylvie Ballyot</td>
<td>90</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Havana Stories [La operación Payret]</strong></td>
<td>Eliecer Jimenez Almeida</td>
<td>80</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Hear O, Mahatma</strong></td>
<td>Ramchandra PN</td>
<td>101</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Impure</strong></td>
<td>Rico Herre</td>
<td>84</td>
<td>Germany, Kenya</td>
<td>Swahili</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Inche Machi</strong></td>
<td>Alison Ninoska</td>
<td>60</td>
<td>Chile</td>
<td>Other</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Intersex / The Violet Circle</strong></td>
<td>Teresa María María Martino</td>
<td>90</td>
<td>Argentina</td>
<td>English, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>JINETES DE ROCA</strong></td>
<td>Sebastian Diaz</td>
<td>71</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Jornaleros</strong></td>
<td>Sergio Rodrigo</td>
<td>88</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Juanito</strong></td>
<td>Renato Dennis</td>
<td>60</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Keys: A Palestine Film</strong></td>
<td>Ed Fitzgerald</td>
<td>88</td>
<td>Ireland</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lachatao</strong></td>
<td>Natalia Bruschtein Erenberg</td>
<td>87</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lago Escondido, soberanía en juego</strong></td>
<td>Camilo Gómez Montero</td>
<td>77</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lagoa do Nado &#8211; A festa de um parque</strong></td>
<td>Arthur B. Senra</td>
<td>77</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Life is beautiful</strong></td>
<td>Daler Said-Jafarovich Rahmatov, Gulandom Salohovna Muhabbatova</td>
<td>76</td>
<td>Tajikistan</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Los Ojos del Futuro</strong></td>
<td>José María Borrell Balsells</td>
<td>67</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Los que Enfrentan el Después</strong></td>
<td>RUSSEL ÁLVAREZ</td>
<td>66</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>MAAYO WONAA KEEROL -The River Is Not a Border</strong></td>
<td>Alassane Diago</td>
<td>100</td>
<td>France, Germany, Senegal</td>
<td>Afrikaans, English, French</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mahoor</strong></td>
<td>majid niamorad</td>
<td>84</td>
<td>Ukraine</td>
<td>Persian, Ukrainian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mátria Amada Kalunga</strong></td>
<td>Lak ShamraThassio Freire</td>
<td>70</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Maudite Aphrodite</strong></td>
<td>Karim Souaki</td>
<td>86</td>
<td>Tunisia</td>
<td>Arabic</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Migrants</strong></td>
<td>Masoud Ahmadi</td>
<td>85</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mohanas. Resistencias, memoria, paz</strong></td>
<td>Sergi Tarín</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mom&#8217;s dolls</strong></td>
<td>German L Ramos Briñez</td>
<td>70</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Moribund</strong></td>
<td>Hojat Taheri</td>
<td>62</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>NEYEN MAPU. The Call of Lanín</strong></td>
<td>Mara Rocío Collinao</td>
<td>60</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Night and Fog in Kurdistan</strong></td>
<td>Shilan Saadi</td>
<td>85</td>
<td>Belgium, Canada, Georgia, Iran, Islamic Republic of, Turkey</td>
<td>Kurdish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>No somos marionetas</strong></td>
<td>Julio Espinosa</td>
<td>70</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Nonkonform</strong></td>
<td>Arne Körner</td>
<td>117</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Nos hace falta Sinar</strong></td>
<td>Andrés Alarcón Nandayapa</td>
<td>65</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>ON REMEMBERING</strong></td>
<td>Laura Gabay</td>
<td>60</td>
<td>Switzerland</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Pirinha</strong></td>
<td>Natasha Craveiro</td>
<td>60</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Pizza Fritta</strong></td>
<td>Domingo De Luis</td>
<td>66</td>
<td>Italy, Spain</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>PRESENT PAST</strong></td>
<td>N. Salma Bynes</td>
<td>96</td>
<td>Uganda</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Qazhymuqan</strong></td>
<td>Kanagat Mustafin</td>
<td>86</td>
<td>Kazakhstan</td>
<td>Kazakh</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>RUNNING ON CANDLELIGHT</strong></td>
<td>AGUSTÍN TORANZO</td>
<td>61</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>SEBASTIAN MORO, THE WALKER</strong></td>
<td>María Laura Cali</td>
<td>90</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Senegal. Un sueño de ida y vuelta</strong></td>
<td>Marcos Gualda</td>
<td>88</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Shot the Voice of Freedom</strong></td>
<td>Zainab Entezar</td>
<td>71</td>
<td>Afghanistan, Germany</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Sinahal, Mayan Midwife</strong></td>
<td>Glenny Torres</td>
<td>77</td>
<td>Mexico</td>
<td>Other, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Sniper Alley &#8211; To My Brother</strong></td>
<td>Cristiana Lucia Grilli, Francesco Toscani</td>
<td>84</td>
<td>Italy</td>
<td>Bosnian, English, Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Spain is not different</strong></td>
<td>Samuel Sebastian</td>
<td>77</td>
<td>Spain, United Kingdom</td>
<td>Other, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Tal vez nos volvamos a encontrar</strong></td>
<td>Pablo Banchero</td>
<td>72</td>
<td>Uruguay</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Te protegerán mis alas</strong></td>
<td>Antonio Cuadri</td>
<td>107</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>TEAM TIBET</strong></td>
<td>Alison Pinkney</td>
<td>111</td>
<td>United Kingdom</td>
<td>English, Tibetan</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The agronomist</strong></td>
<td>Martín Turnes</td>
<td>72</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Architect</strong></td>
<td>weiping zhang</td>
<td>92</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Beetle´s Cave</strong></td>
<td>Wojciech Ganczarek</td>
<td>67</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Closures</strong></td>
<td>Lucia Arellano</td>
<td>73</td>
<td>Belgium, Chile, France, Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The color smile of death</strong></td>
<td>inaz javan</td>
<td>157</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Invisible</strong></td>
<td>Andrea Oliva Marcial</td>
<td>92</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THE OTHER MAN</strong></td>
<td>Edgar Rocca Marquez</td>
<td>108</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Painters of the Future</strong></td>
<td>Kurt Poeschl</td>
<td>87</td>
<td>Germany</td>
<td>English, German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Quantum Leap of The Termites</strong></td>
<td>Paula Otero</td>
<td>62</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Recent Unrest</strong></td>
<td>Ali Hadadi</td>
<td>89</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The stigma of silence</strong></td>
<td>Sergio Hernández Sanz</td>
<td>77</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Strong Man of Bureng</strong></td>
<td>Mauro Bucci</td>
<td>76</td>
<td>Italy</td>
<td>Afrikaans, English, Finnish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THE TALE OF A SAILOR</strong></td>
<td>José David Apel</td>
<td>70</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Values On The Way</strong></td>
<td>Raquel Freiría</td>
<td>88</td>
<td>España</td>
<td>English, Galician, German, Italian, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Volunteers &#8211; Las Brigadistas</strong></td>
<td>Juan Pablo Lepore</td>
<td>63</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THIS JUNGO LIFE</strong></td>
<td>David Fedele</td>
<td>78</td>
<td>Morocco</td>
<td>Arabic, English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Todos lo sabían</strong></td>
<td>Iratxe Pérez Barandalla</td>
<td>98</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Transformando Realidades</strong></td>
<td>Vanessa Gisell Pintos BideauMario Ayala Cabello</td>
<td>63</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Un Rincón sin Cielo</strong></td>
<td>Lisset Bohe</td>
<td>74</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>UNA FAMILIA OLIMPICA</strong></td>
<td>Carlos Conti</td>
<td>78</td>
<td>Uruguay</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Una Risata ci Salverà &#8211; A laugh will save us</strong></td>
<td>Michelangelo Gregori</td>
<td>60</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>UNDER MY SKIN</strong></td>
<td>Pascal Tessaud</td>
<td>99</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Unknown Worlds</strong></td>
<td>THU MONG DUONG</td>
<td>97</td>
<td>Viet Nam</td>
<td>Vietnamese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Vibrar: El Arte de Sentir</strong></td>
<td>Nathalia Montealegre Triana</td>
<td>71</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Vieques: A Living Archive</strong></td>
<td>Juan Carlos Rodríguez</td>
<td>89</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Waiting List</strong></td>
<td>Victoria De Michele, Mariela Di Naro</td>
<td>76</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>We’re Not the Same</strong></td>
<td>Sergio Nolasco Infante</td>
<td>76</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>What&#8217;s wrong with us?</strong></td>
<td>DAVID PASCUAL</td>
<td>90</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Where to go</strong></td>
<td>Nacho Sánchez Sánchez BRAVO</td>
<td>64</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>WHO IS SHE</strong></td>
<td>Mariana Jaspe</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Yo Soy el Bosque &#8211; I am the Forrest</strong></td>
<td>Ines Ruiz, Gonzalo Alvarado</td>
<td>80</td>
<td>Perú</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
</tbody>
</table>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/">Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Deadline for film submissions to FICNOVA 8 has closed</title>
		<link>https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Sat, 02 Aug 2025 12:03:01 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[FICNOVA Inscripción películas]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=11931</guid>

					<description><![CDATA[<p>The theme of this edition, ‘NONVIOLENCE: FROM ME TO US,’ resonates around the world As published in the rules for</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/">Deadline for film submissions to FICNOVA 8 has closed</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img loading="lazy" decoding="async" width="800" height="800" src="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243.png" class="attachment-large size-large wp-image-11902" alt="Cerrado plazo 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243.png 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-300x300.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-150x150.png 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-768x768.png 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-500x500.png 500w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<h4>The theme of this edition, ‘NONVIOLENCE: FROM ME TO US,’ resonates around the world</h4><p>As published in the rules for participation in the 8th International Film Festival of Active Nonviolence 2026, FICNOVA, on 1 August 2025 we closed the registration period for films competing in this edition.</p><p>A total of 2,565 films were submitted across the four categories: 99 medium-length films and 340 feature films in the 2023 General Section for Short Films, and 103 short films in the Educational Institutions section.</p><p>The films came to us from 121 countries, through the three festival platforms we use at FICNOVA (FilmFreeway, Festhome and Clickforfestival), thanks to which the proposal circulates across all continents.</p><p>The international organising team, bearing in mind that our work is entirely voluntary, despite being more demanding with the requirements for this edition so that the films comply with the theme proposed by the festival and with the requirement that the original languages offer the possibility of subtitles in Spanish and English, we see that we maintain a very high participation of works to be evaluated. For all these reasons, we are organising the festival on a biennial basis in 2026 and will not have the official selection for the competition until 15 July 2026, when we will publish the accepted works.</p><p>We would like to thank all the authors and producers for their participation in the 8th FICNOVA 2026, helping to spread the message of non-violence with their examples.</p><p>FICNOVA Organising Team</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/">Deadline for film submissions to FICNOVA 8 has closed</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Film registration for FICNOVA 8 is now open</title>
		<link>https://festivalcinenoviolencia.org/en/film-registration-for-ficnova-8-is-now-open/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sun, 04 May 2025 10:34:00 +0000</pubDate>
				<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[FICNOVA Inscripción películas]]></category>
		<category><![CDATA[Film registration for FICNOVA 8]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=11850</guid>

					<description><![CDATA[<p>NONVIOLENCE: FROM ME TO US With this motto we start the preparation of the 8th International Film Festival of Active</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/film-registration-for-ficnova-8-is-now-open/">Film registration for FICNOVA 8 is now open</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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									<h3><span style="color: #ff6600;"><strong>NONVIOLENCE: FROM ME TO US</strong></span></h3><p>With this motto we start the preparation of the 8th International Film Festival of Active Nonviolence 2026, FICNOVA.</p><p>We see two opposing directions in the world and in ourselves:</p><p>On the one hand, on a finally connected planet a sensibility of a ‘universal we’ is beginning to emerge in many people, a leap of consciousness that opens up a possible and hopeful future.</p><p>But on the other hand, the individual ‘I ’s and the ‘I ’s of the factions are fighting fiercely to impose themselves on each other by means of all kinds of violence.</p><p>One direction leads us to humanise, to recognise and acknowledge each other and to care for the world, while the other direction divides, disconnects and dehumanises us by focusing our interest only on personal desires.</p><p>In each new edition of this festival, we recognise valuable examples around the world of human beings who are mobilising to overcome pain and suffering in themselves and in others.</p><p>From all FICNOVA venues, we invite you to join us in this transformative sensibility.</p><p>Film registrations are open from 4 May to 1 August 2025.</p><p>You can find the rules and all the information <a href="https://festivalcinenoviolencia.org/en/registration-and-submission-of-films-8-ficnova-2026/">on this link.</a></p>								</div>
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		</section>
				</div>
		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/film-registration-for-ficnova-8-is-now-open/">Film registration for FICNOVA 8 is now open</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>NONVIOLENCE: FROM ME TO US</title>
		<link>https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sat, 01 Mar 2025 22:39:50 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[THE FESTIVAL]]></category>
		<category><![CDATA[8 FICNOVA 2026]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=12273</guid>

					<description><![CDATA[<p>With this motto we start the preparation of the 8th International Film Festival of Active Nonviolence 2026, FICNOVA.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/">NONVIOLENCE: FROM ME TO US</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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									<h5><span style="color: #000000;"><strong>NONVIOLENCE: FROM ME TO US</strong></span></h5><p><strong>With this motto, we are beginning preparations for the 8th International Active Nonviolence Film Festival (FICNOVA), which we will hold during the week of October 2, 2026.</strong></p><p>As in previous editions, we are sending out a signal of active nonviolence to seek out examples of this transformative sensibility around the world.</p><p>We are experiencing constant changes everywhere that create great instability in our lives. The loss of reference points can confuse us and lead us to move in an unintended direction, or it can prompt us to seek deeper internal points of reference that strengthen us. Perhaps, in that search, we arrive at nonviolence as a steadfast anchor to hold onto, preventing us from being swept away by the trends of the moment.</p><p>We find ourselves at a crossroads, observing two opposing directions—both in the world and within ourselves. On one hand, across a finally interconnected planet, a sense of a &#8220;universal &#8216;us'&#8221; is beginning to emerge in many people—a shift in consciousness that opens up a hopeful future. On the other hand, however, individual &#8220;selves&#8221; and group &#8220;selves&#8221; (factions) are engaged in a ruthless struggle to dominate one another through every form of violence. One path leads us toward humanization—recognizing ourselves and others, and caring for the world—while the other divides, disconnects, and dehumanizes us as we become blinded by personal desires.</p><p>In each new edition of FICNOVA, we recognize valuable examples from around the world of human beings mobilizing to overcome pain and suffering—both in themselves and in others—driven by a heartfelt, quiet emotional connection that extends from their immediate circles to the furthest reach of their capacity for transformation.</p><p>We also denounce the poor examples set by individuals and groups possessing economic power—indifferent to the suffering of others, disconnected, and callous—caught in a growing process of dehumanization and internal disintegration; people capable of viewing murder, blackmail, misappropriation, and the destruction of others&#8217; lives and possessions merely as &#8220;collateral damage&#8221; in the pursuit of their own &#8220;grand objectives.&#8221;</p><p>We sense an internal alarm—a warning of danger—regarding that dehumanizing trend, signaling that something vital is being lost when we cannot feel the pain and suffering of others.</p><p>From this small film festival dedicated to active nonviolence—inspired by Universalist Humanism—we call for a moment of silence. A moment to open ourselves to discovering new inner spaces that connect us with others.</p><p>Through the works gathered for this edition, we will once again invite an exchange of enriching experiences—one that enables us to build bridges and foster reconciliation among siblings who were separated by circumstances beyond their control, yet who are now reconnecting through a gentle affection and quiet joy.</p><p>Indeed, we believe that the human future lies in moving toward a sense of &#8220;us&#8221; through cooperation, as so many people are already working in that direction. Consequently, this new edition will surely keep us busy recognizing the many fine examples that will reach us from across the globe.</p><p>The film submission period for the 8th FICNOVA (2026) opens on May 4 and closes on August 1, 2025.</p><p>Full information and participation guidelines will be available at: <br /><a href="https://festivalcinenoviolencia.org">https://festivalcinenoviolencia.org</a></p><p>FICNOVA Organizing Team</p><p> </p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/">NONVIOLENCE: FROM ME TO US</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Awarded Films in the 7th FICNOVA 2024</title>
		<link>https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Wed, 02 Oct 2024 16:40:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9855</guid>

					<description><![CDATA[<p>These are the films AWARDED by the international selection team of the 7th International Film Festival of Active Nonviolence 2024 with the "Stelae" of this edition, in its five different sections.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/">Awarded Films in the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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															<img loading="lazy" decoding="async" width="800" height="457" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7.jpg" class="attachment-large size-large wp-image-8531" alt="Películas Galardonadas 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7.jpg 800w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7-300x171.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7-768x439.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<p><strong>Today, 2 October, amidst the noise of the bombs that continue to widen the disaster of violence between governments and destroy peoples, we send out a signal of NONVIOLENCE. A signal that can reach the hearts of simple people and help to create an outcry against barbarism.</strong></p><p><strong>These are the films AWARDED by the international selection team of the 7th International Film Festival of Active Nonviolence 2024, awarding them the &#8220;Stelae&#8221; of this edition, in its five different sections.</strong></p><p>The international organising team, from different cities and countries, following the criteria from a humanist approach of rescuing the best examples that fit the theme of the festival: &#8220;nonviolence transforming the world&#8221;, have made the following selection of award-winning films in its five competition sections (Short, Medium and Feature Films in the General Section and Short Films in the Primary and Secondary Schools and Higher Education Centres Section).</p><p>Our most sincere thanks to all the participants of the 2724 films registered from 126 countries and to the 921 films admitted as official selection in competition. It was very difficult to make such a small selection of finalists.</p><p>We recognise in this edition <strong>5 films awarded with the &#8220;Stela&#8221; of FICNOVA</strong>, among the <strong>41 finalist films from 13 countries</strong> as some good examples of the strength of nonviolence that is growing and transforming the world.</p><p><strong>Thank you very much to all and congratulations to the winners.</strong></p>								</div>
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															<img loading="lazy" decoding="async" width="396" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024.png" class="attachment-large size-large wp-image-9759" alt="Laurel Galardón 7 FICNOVA 2024 Centros Enseñanza Primaria Secundaria" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024.png 396w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024-300x146.png 300w" sizes="(max-width: 396px) 100vw, 396px" />															</div>
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									<h3 class="elementor-heading-title elementor-size-default">EDUCATIONAL CENTRES SECTION</h3>								</div>
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									<h3><a href="https://festivalcinenoviolencia.org/en/friends/"><strong>FRIENDS</strong></a></h3><p>5 min. Spain. 2022</p><p>Dir: <b>Diana Gimeno </b><br />(IES Ramón Arcas. Murcia)</p><p><strong>SYNOPSIS:</strong></p><p>You never know where you will find a true friend.</p><p><b>FICNOVA RECOGNISES THIS FILM FOR:<br /></b>To bring from the classrooms of the youngest children the importance of not losing our centre of gravity in empathy, which prevents us from being indifferent to the suffering of others, despite all the group pressures..</p><p><span style="color: #ff6600;"><b>NONVIOLENCE</b></span><b> AGAINST VIOLENCE:<br /><span style="color: #993300;">PSYCHOLOGICAL, MORAL, RACIAL</span></b></p>								</div>
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									<h2>EDUCATIONAL CENTRES SECTION<br />Higher Education</h2>								</div>
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									<h4><a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/"><strong>THE UNVEILED WOMAN</strong></a></h4><p>3 min. Italiy. 2022</p><p>Dir: <b>Gaia Pulliero </b><br />(Universidad de Padua)</p><p><strong>SYNOPSIS:</strong></p><p>During an interview, a young woman tells her interlocutor about the meanings she attributes to the concept of &#8220;freedom&#8221;. But what at first appear to be simple statements will turn out to be a desperate cry for help by the end of the film.</p><p><b>FICNOVA RECOGNISES THIS FILM FOR:<br /></b>To contribute from a close look, with a simple example, an imperative need of more than half of the human beings on the planet: to stop being discriminated against for being women. An unstoppable process that seeks to free itself from its bonds in any part of the world.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span> AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL</strong></span></p>								</div>
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															<img loading="lazy" decoding="async" width="395" height="192" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CORTOMETRAJES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9828" alt="Laurel Galardón 7 FICNOVA 2024 Cortometrajes" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CORTOMETRAJES-7FICNOVA2024.png 395w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CORTOMETRAJES-7FICNOVA2024-300x146.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CORTOMETRAJES-7FICNOVA2024-392x192.png 392w" sizes="(max-width: 395px) 100vw, 395px" />															</div>
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									<h2>GENERAL SECTION SHORT FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg" class="attachment-large size-large wp-image-10726" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><b><a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">HAHATAY. Gandiol´s Smiles</a><br /></b></h4><p>28 min. Spain-Senegal. 2021</p><p>Dir: <b>Irene Segalés Aguilar </b></p><p><strong>SYNOPSIS:</strong></p><p>&#8220;Hahatay, Sonrisas de Gandiol&#8221; is a non-profit association that works in development cooperation between Senegal and Spain.<br />From Hahatay they work every day to develop educational, health and cultural spaces that provide the necessary opportunities so that everyone in Gandiol has the ability to make decisions about their lives.</p><p><strong>FICNOVA RECOGNISES THIS FILM FOR :</strong><br />Providing a humanising view of global confluence, recognising the need for diversity in the face of established patterns. A look at the essence of the human being that cannot be stopped by any border and any barrier.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span> AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>MORAL, RACIAL, ECONOMICAL, PSYCHOLOGICAL<br /></strong></span></p>								</div>
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															<img loading="lazy" decoding="async" width="395" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9835" alt="Laurel Galardón 7 FICNOVA 2024 Mediometrajes" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024.png 395w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024-300x147.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024-392x193.png 392w" sizes="(max-width: 395px) 100vw, 395px" />															</div>
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									<h2>GENERAL SECTION MEDIUM-LENGTH FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/state-homophobia/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg" class="attachment-large size-large wp-image-10754" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><a href="https://festivalcinenoviolencia.org/en/state-homophobia/"><strong>STATE HOMOPHOBIA</strong></a></h4><p>51 min. Spain-Guinea E. 2022<br />Dir: <strong>Richard Zubelzu</strong></p><p><strong>SYNOPSIS:</strong></p><p>In this documentary we give voice to the Guinean LGTBI activists Án-gel and Gonzalo, who give testimony of the persecution suffered by women and LGTBI people in their country and the difficulty of &#8220;coming out of the closet&#8221; as it is a taboo within families. A violation of human rights by the country&#8217;s current regime, with police abuse, torture, discrimination, sexual violence, forced pregnancies, child sexual exploitation of minors and a high mortality rate.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span></strong> <strong>AGAINST VIOLENCE</strong><strong>:</strong><br /><span style="color: #993300;"><strong>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL<br /></strong></span></p>								</div>
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															<img loading="lazy" decoding="async" width="395" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9836" alt="Laurel Galardón 7 FICNOVA 2024 Largometrajes" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024.png 395w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024-300x147.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024-392x193.png 392w" sizes="(max-width: 395px) 100vw, 395px" />															</div>
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									<h2>GENERAL SECTION FEATURE FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg" class="attachment-large size-large wp-image-10762" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/"><strong>A JOURNEY TO OURSELVES</strong></a></h4><p>65 min. Spain. 2021<br />Dir: <strong>Luis Cintora</strong></p><p><strong>SYNOPSIS:</strong></p><p>Spanish comedian Pepe Viyuela guides us on a journey where past and present merge as one: a time and circumstances shared by the victims of each armed conflict. Un viaje hacia nosotros narrates a journey that begins with the family memory of actor Pepe Viyuela, as he undertakes an investigation following the trail of his grandfather Gervasio, a member of the Republican army during the Spanish Civil War. A journey that takes him back to his past, and a new perspective from which to re-evaluate his relationship with the present.</p><p><strong>FICNOVA RECOGNISES THIS FILM FOR:<br /></strong>Bringing us closer to the reality of refugees, showing the essential need to protect the life of every human being in the face of a threat. But at the same time it points to a hopeful global future that is beginning to be expressed among the youngest.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE </span>AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>MORAL, PHYSICAL, RACIAL, ECONOMICAL</strong></span></p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/">Awarded Films in the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>All FICNOVA Editions</title>
		<link>https://festivalcinenoviolencia.org/en/all-ficnova-editions/</link>
		
		<dc:creator><![CDATA[joselito]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:01:00 +0000</pubDate>
				<category><![CDATA[Editions]]></category>
		<category><![CDATA[Highlights]]></category>
		<guid isPermaLink="false">https://wp.festivalcinenoviolencia.org/?p=5467</guid>

					<description><![CDATA[<p>Summary of the different editions of FICNOVA.<br />
Access to the films selected and recognised with the festival's award,</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/all-ficnova-editions/">All FICNOVA Editions</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="5467" class="elementor elementor-5467">
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					<h2 class="elementor-heading-title elementor-size-default">Seven editions of FICNOVA since eleven years ago</h2>				</div>
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									<p>The International Film Festival of Active Nonviolence (FICNOVA) is a polycentric festival, organized through volunteer work, held simultaneously in different cities and countries to help raise global awareness of NV, awarding the best examples among the selected finalists.</p>								</div>
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										<img loading="lazy" decoding="async" width="708" height="436" src="https://festivalcinenoviolencia.org/wp-content/uploads/2021/06/FICNOVA-FilmFreeway.png" class="attachment-full size-full wp-image-864" alt="Mapa de envíos 6 FICNOVA 2022 FilmFreeway" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2021/06/FICNOVA-FilmFreeway.png 708w, https://festivalcinenoviolencia.org/wp-content/uploads/2021/06/FICNOVA-FilmFreeway-300x185.png 300w" sizes="(max-width: 708px) 100vw, 708px" />											<figcaption class="widget-image-caption wp-caption-text">Map of film submissions to 6 FICNOVA 2022 from FilmFreeway</figcaption>
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									<p>From the first edition in 2013 in which 24 films from 4 countries participated, to the seventh edition that we have celebrated in 2024 in which 2,724 works from 93 countries participated, we see how carefully sustained work allows us to expand our signal.</p>								</div>
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															<img loading="lazy" decoding="async" width="800" height="445" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/all-editions-800x445.png" class="attachment-colormag-featured-image size-colormag-featured-image wp-image-10332" alt="" />															</div>
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									<p>It has a general section for short, medium and long films and a special section for schools, trying to gather all the initiatives from professional cinema to the youngest ones.</p>								</div>
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															<img loading="lazy" decoding="async" width="1200" height="848" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web.jpg" class="attachment-full size-full wp-image-5590" alt="English poster VI FICNOVA" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web.jpg 1200w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web-300x212.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web-1024x724.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web-768x543.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" />															</div>
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															<img loading="lazy" decoding="async" width="640" height="480" src="https://festivalcinenoviolencia.org/wp-content/uploads/2014/01/RodajeCinemaland01.jpg" class="attachment-full size-full wp-image-425" alt="Rodaje Videospot FICNOVA con Cinemaland" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2014/01/RodajeCinemaland01.jpg 640w, https://festivalcinenoviolencia.org/wp-content/uploads/2014/01/RodajeCinemaland01-300x225.jpg 300w" sizes="(max-width: 640px) 100vw, 640px" />															</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-a6018b1 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="a6018b1" data-element_type="section" data-e-type="section">
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									<p>Images are a mobilizing force capable of transforming our lives.</p><p>We are accustomed to the misnamed &#8220;action cinema&#8221; in which only violence in its various forms is shown. This constant bombardment of aggressive relationship models creates a distorted awareness of reality, conditioning our way of seeing and feeling the world.</p>								</div>
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		</section>
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									<p>From FICNOVA we want to make visible real examples of how any conflict can be resolved through non-violent means.</p><p>These examples not only serve to show the best of human beings; they also serve to transform suffering situations.</p><p>We want to spread the need for nonviolence and we believe that one of the most powerful tools to do so is film.</p><p>We want to see <b>active nonviolence transforming the world</b></p><p> </p>								</div>
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		</section>
				<section class="elementor-section elementor-top-section elementor-element elementor-element-684f084d elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="684f084d" data-element_type="section" data-e-type="section">
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-vi-ficnova-2022/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA6</span>
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				<div class="elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-21e47893" data-id="21e47893" data-element_type="column" data-e-type="column">
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/peliculas-finalistas-5-ficnova-2020/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA5</span>
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				<div class="elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-34eac1e3" data-id="34eac1e3" data-element_type="column" data-e-type="column">
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/peliculas-seleccionadas-a-concurso-iv-ficnova-2018/">
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									<span class="elementor-button-text">FICNOVA4</span>
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-iii-ficnova-2016/">
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									<span class="elementor-button-text">FICNOVA3</span>
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									<div class="elementor-button-wrapper">
					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-ii-ficnova-2014/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA2</span>
					</span>
					</a>
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-i-ficnova-2013/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA1</span>
					</span>
					</a>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/all-ficnova-editions/">All FICNOVA Editions</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>FINALIST films of the 7th FICNOVA</title>
		<link>https://festivalcinenoviolencia.org/en/finalist-films-of-the-7th-ficnova/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Sun, 01 Sep 2024 22:10:05 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<category><![CDATA[Cine; noviolencia]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=8754</guid>

					<description><![CDATA[<p>The international jury of FICNOVA, composed of nonviolence activists in different cities of Argentina, Chile, Ecuador, Spain and Mexico, has recognised 41 films from 20 countries in five categories as finalists for the awards of this 7th edition:<br />
We recognise in all these works not only the denunciation of different forms of violence and discrimination, but also that each of them shows different ways out or ways to overcome or positively transfer these situations, opening the future in a nonviolent direction</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/finalist-films-of-the-7th-ficnova/">FINALIST films of the 7th FICNOVA</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="8754" class="elementor elementor-8754">
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="ComunicadoFinalistasF7" data-elementor-lightbox-description="Logo y cartel Finalistas 7 FICNOVA 2024" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6ODYwNywidXJsIjoiaHR0cHM6XC9cL2Zlc3RpdmFsY2luZW5vdmlvbGVuY2lhLm9yZ1wvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNFwvMDlcL0NvbXVuaWNhZG9GaW5hbGlzdGFzRjcuanBnIn0%3D">
							<img loading="lazy" decoding="async" width="652" height="1024" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-652x1024.jpg" class="attachment-large size-large wp-image-8607" alt="Logo y cartel Finalistas 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-652x1024.jpg 652w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-191x300.jpg 191w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-768x1207.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-977x1536.jpg 977w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7.jpg 1169w" sizes="(max-width: 652px) 100vw, 652px" />								</a>
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															<img loading="lazy" decoding="async" width="363" height="192" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALIST-7th-FICNOVA-2024.png" class="attachment-colormag-elementor-grid-large-thumbnail size-colormag-elementor-grid-large-thumbnail wp-image-8707" alt="laurel FINALIST 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALIST-7th-FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALIST-7th-FICNOVA-2024-300x159.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p>The international jury, composed of nonviolence activists in different cities in Argentina, Chile, Ecuador, Spain and Mexico, has recognised 41 films from 20 countries in five categories as finalists for this year&#8217;s awards:</p><p><strong>Educational centres</strong> section:<br />Primary &#8211; Secondary (4)<br />Higher education (4)<br /><strong>General Section</strong>:<br />Short films (17)<br />Medium-length films (6)<br />Feature Films (10)</p><p>We recognise in all these works not only the denunciation of different forms of violence and discrimination, but also that each of them shows different ways out or ways of overcoming or positively transferring these situations, opening the future in a non-violent direction.</p>								</div>
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									<h3>EDUCATIONAL CENTRES: PRIMARY AND SECONDARY</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/quienes-son-los-bichos-raros/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/quienes-son-los-bichos-raros_OK.jpg" class="attachment-tileview size-tileview wp-image-10746" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/quienes-son-los-bichos-raros_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/quienes-son-los-bichos-raros_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/quienes-son-los-bichos-raros/"><strong>¿Who are the &#8220;weirdos”?</strong></a></h5><p>Director &#8211;<strong> Hugo Sánchez</strong> (11 years old)<br />3min. Spain. 2023</p><p>Julia suffers bullying and confesses it to Ana, her best friend, who tries to help her, but it&#8217;s not that easy. Who will be able to put an end to her situation?</p>								</div>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Clara_OK.jpg" class="attachment-tileview size-tileview wp-image-10745" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Clara_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Clara_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<h5><a href="https://festivalcinenoviolencia.org/en/clara-2/"><strong>Clara</strong></a></h5><p>Dir: <strong>Turma 4ºB EB1Pe Ladeira/CENA</strong><br />3 min. Portugal. 2022</p><p>Clara was a cheerful and sweet child. At her school, she was teased all the time by a group of students, but she was not an unhappy child!</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/friends/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK.jpg" class="attachment-tileview size-tileview wp-image-10751" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/friends/"><strong>Friends</strong></a></h5><p>Dir. <strong>Diana Gimeno (IES Ramón Arcas. Murcia)</strong><br />5 min. Spain. 2022</p><p>You never know where you will find a true friend.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/they-saw-you/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ellos-te-vieron_OK.jpg" class="attachment-tileview size-tileview wp-image-10744" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ellos-te-vieron_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ellos-te-vieron_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/they-saw-you/">They saw you</a><br /></strong></h5><p><strong>Vittorio Caratozzolo Caratozzolo (Clase 1ºA &#8211; 21-22. Instituto Comprensivo Trento 5)</strong><br />4 min. Italy. 2022</p><p>They know who you are: you don&#8217;t know who they are. Be careful about sharing your details with strangers.</p>								</div>
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									<h3>EDUCATIONAL CENTRES: HIGHER EDUCATION</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/ties-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ties_OK.jpg" class="attachment-tileview size-tileview wp-image-10741" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ties_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ties_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/ties-2/"><strong>Ties</strong></a></h5><p>Dir: <strong>Mario García Viché</strong> (En 2022 I finished my studies in the Master&#8217;s Degree in Animation at the UPV).<br />6 min. Spain. 2022.</p><p>In a world where relationships of love and attraction are made visible through a magical tie that binds people together, two 13-year-olds, Maya and Fen, create their connection.<br />However, after some teenagers tease them, Maya runs away and her bond with Fen is broken. Maya will have to reflect on her feelings and decide if she is willing to lose her relationship with Fen.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK.jpg" class="attachment-tileview size-tileview wp-image-10750" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/"><strong>The unveiled woman</strong></a></h5><p>3 min. ItalY. 2022<br />Dir: <strong>Gaia Pulliero</strong> (University of Padua)</p><p>During an interview, a young woman tells her interlocutor about the meanings she attributes to the concept of &#8220;freedom&#8221;. But what at first appear to be simple statements turn out to be a desperate cry for help by the end of the film.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/merienda-de-negros-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Merienda-de-Negros_OK.jpg" class="attachment-tileview size-tileview wp-image-10742" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Merienda-de-Negros_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Merienda-de-Negros_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/merienda-de-negros-2/"><strong>Blacks&#8217; afernoon tea</strong></a></h5><p>20 min. Colombia. 2022<br /><strong>Andrés Felipe Villarreal Valencia</strong> (Corporación Universitaria UNITEC)</p><p>Kevin, María del Mar and Santiago, 3 young Afro-descendants living in the city of Bogota meet to talk about their relationship with the city.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/give-it-back-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Give-it-back_OK.jpg" class="attachment-tileview size-tileview wp-image-10743" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Give-it-back_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Give-it-back_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/give-it-back-2/">Give it back</a><br /></strong></h5><p><strong>Ruchama Ehrenhalt</strong> (Ma&#8217;aleh Film and Television School of Jerusalem)<br />14 min. Israel. 2019</p><p>Olivia has just moved to Israel from New York. During her first day of sixth grade, she tries to survive, making her way through the new country she has just arrived in, her new school and her new classmates, not knowing where she will end up at the end of the day.</p>								</div>
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									<h3>SECCIÓN GENERAL: CORTOMETRAJES</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/where-will-they-go/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/donde-iran_OK.jpg" class="attachment-tileview size-tileview wp-image-10739" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/donde-iran_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/donde-iran_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/where-will-they-go/"><strong>Where will they go</strong></a></h5><p><strong>Egoi Suso Rius</strong><br />29 min. Spain &#8211; Senegal</p><p>The idea for this documentary arose during the recording of the video clip &#8220;Where They will go&#8221;, the first single from the upcoming album &#8220;Under the Skin&#8221; by the Green Valley Group.</p><p>Two people who left their country risking their lives and leaving their families to receive training, who arrived at port, adapted despite the difficulties and have demonstrated their human qualities. Two impeccable stories of personal improvement that impressed us so much that we decided to embark on the adventure of producing this documentary&#8221;.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/el-atrato-es-la-vida/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-atrato_OK.jpg" class="attachment-tileview size-tileview wp-image-10734" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-atrato_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-atrato_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/el-atrato-es-la-vida/"><strong>The Atrato is Life</strong></a></h5><p><strong>Rodrigo Rogelis</strong><br />19 min. Colombia. 2020</p><p>&#8220;El Atrato es la vida&#8221; is a short documentary that tells the story of how the armed conflict impacted the Atrato River and how the Atrato people, faced with a destructive bloc of armed actors and extractive economies, resisted in order to preserve their way of life. Produced by the Foro Interétnico Solidaridad Chocó y Siembra, the documentary shows how the logic of war has mutated over time, moving from periods of intense disputes to periods of economic pragmatism, leaving enormous socio-environmental impacts in its wake. All of this led to the erosion of the ethnic communities&#8217; own systems of territorial administration, altering their economic, productive, cultural and governmental logics.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg" class="attachment-tileview size-tileview wp-image-10726" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/"><strong>Hahatay. Gandiol Smiles</strong></a></h5><p><strong>Irene Segalés Aguilar</strong><br />28 min. Spain &#8211; Senegal<br />&#8220;Hahatay, Sonrisas de Gandiol&#8221; is a non-profit association that works in development cooperation between Senegal and Spain.<br />From Hahatay they work every day to develop educational, health and cultural spaces that provide the necessary opportunities for everyone in Gandiol to have the ability to make decisions about their lives. Hahatay provides the tools to build the future of the community with their own resources.<br />In September 2019 I visited the NGO and this report comes out of that experience where it is the community members who tell us about the goals and achievements of a project that is as essential as it is exciting.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/la-verdad-en-la-sangre-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-Verdad-en-la-Sangre_OK.jpg" class="attachment-tileview size-tileview wp-image-10728" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-Verdad-en-la-Sangre_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-Verdad-en-la-Sangre_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/la-verdad-en-la-sangre-2/"><strong>The truth in the blood</strong></a></h5><p><strong>Magdalena Cernadas</strong><br />20 min. Argentina <br />Carried within the framework of the commemoration of 24 March, National Day of Memory for Truth and Justice, it narrates the heroic journey and the scientific revolution carried out and promoted by the Grandmothers of Plaza de Mayo that resulted in the discovery of the grandparents&#8217; index &#8211; a factor from which the daughters and sons of those who disappeared during the last civil-military dictatorship are identified &#8211; and in the creation of the National Bank of Genetic Data as the first institution in the world to carry out this specific type of filiation analysis.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/fuera-del-abismo-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Fuera-del-Absimo_OK.jpg" class="attachment-tileview size-tileview wp-image-10733" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Fuera-del-Absimo_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Fuera-del-Absimo_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/fuera-del-abismo-2/">Out of the abyss</a></h5><p>HOW A YOUNG METALHEAD DODGED VIOLENCE AND CREATED A MODEL FOR THE COMMUNITY</p><p><strong>Jordi Ruíz Cirera</strong><br />13 min. Honduras. 2023</p><p>When he was in his early twenties, Santiago Ávila had only one thing on his mind: music. As the lead singer of &#8216;Fuera del Abismo&#8217;, a heavy metal band, his life revolved around music, to such an extent that he ignored the harsh reality of his hometown, Tegucigalpa, the capital of Honduras, where the dominance of armed gangs has spread and where refusing their offers can be lethal.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/ezequiel-baraja-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ezequiel-Barajas_OK.jpg" class="attachment-tileview size-tileview wp-image-10730" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ezequiel-Barajas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ezequiel-Barajas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/ezequiel-baraja-2/"><strong>Ezekiel Baraja</strong></a></h5><p><strong>Juan Fernández Gebauer</strong><br />6 min. Argentina. 2021</p><p>Después de un robo a mano armada, Ezequiel fue arrestado y enviado a prisión. Durante su encarcelamiento, descubrió una oportunidad que nunca apareció en la vida antes cuando era libre. Esta es su historia.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/las-cumbres-fraternales-cherif-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LEs-Sommets-fra_OK.jpg" class="attachment-tileview size-tileview wp-image-10735" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LEs-Sommets-fra_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LEs-Sommets-fra_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/las-cumbres-fraternales-cherif-2/"><strong>The fraternal summit– Chérif</strong></a></h5><p><strong>Stanislas Giroux</strong><br />11 min. France. 2023</p><p>A suburban train pierces the heat. On the opposite platform, Chérif stands still and silent, as if trying to be invisible. Undocumented migrants would prefer to remain discreet. But in Chamonix, a black-skinned mountaineer does not go unnoticed. Chosen by the association 82 4000 Solidaires to guide a group of people in precarious situations to discover mountaineering, up there, crampons on his feet and rope in his hand, he is another man. Towards the summit, he hopes to trace a path of hope and equality for all.<br />This portrait is part of a series entitled &#8216;Altitudes&#8217; that explores the many facets of the relationship between man and mountain across the world and cultures.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/evas-y-marias-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Evas-y-Marias_OK.jpg" class="attachment-tileview size-tileview wp-image-10740" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Evas-y-Marias_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Evas-y-Marias_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/evas-y-marias-2/"><strong>Evas and Marías</strong></a></h5><p><strong>Nadir Cárdenas</strong><br />20 min. Austria – México. 2023<br />The members of the &#8220;Coordination of Women of the Diocese of San Cristobal&#8221; (CODIMUJ) in Chiapas, Mexico, are women who bring the Word of God to rural and indigenous communities. In an extremely patriarchal society, these women have to fight for their most basic rights, but even within the Church there is prejudice against these activists working for equality. Thirty years after its founding, the women of CODIMUJ remain determined to change the church from within until radical equality between men and women is achieved, with all the consequences that this entails.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/tiempo-de-insurreccion-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Time-of-Insurrection_OK.jpg" class="attachment-tileview size-tileview wp-image-10736" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Time-of-Insurrection_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Time-of-Insurrection_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/tiempo-de-insurreccion-2/"><strong>Time for insurrection</strong></a></h5><p><strong>Gabriel Fernández-Gil</strong><br />11min. Spain. 2023</p><p>In a modern take on Miguel de Unamuno&#8217;s 1930s novel &#8220;Saint Martin Good, Martyr&#8221;, where a priest loses faith in God, Times of Insurrection tells the story of the CEO of a global corporation who begins to lose faith in capitalism after mysterious external pressure forces him to change his company forever.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/from-trash-to-treasure-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/FromTrashtoTReasure_OK.jpg" class="attachment-tileview size-tileview wp-image-10729" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/FromTrashtoTReasure_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/FromTrashtoTReasure_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/from-trash-to-treasure-2/"><strong>From trash to treasure</strong></a></h5><p><strong>Iara Lee</strong><br />24min. USA. 2020<br />From erosion to overgrazing and enduring poverty, the people of Lesotho, a highland country surrounded by South Africa, face a variety of difficult challenges. However, the country&#8217;s grassroots communities also display enormous ingenuity and creativity. In particular, a large number of artists have mastered a talent for resurrection, developing the ability to creatively turn negatives into positives.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/catatumbo-nuestra-batalla-es-por-la-supervivencia-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Catatumbo_OK.jpg" class="attachment-large size-large wp-image-10732" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Catatumbo_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Catatumbo_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/catatumbo-nuestra-batalla-es-por-la-supervivencia-2/"><strong>Catatumbo, our battle is for survival</strong></a></h5><p><strong>Darinson Amaya</strong><br />19 min. Colombia. 2023</p><p>The Catatumbo region is told through the stories and anecdotes of those who live there. Three life stories that tell us how their life plan has been through community organisation, and their contribution to the construction of a dignified life.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/the-last-coffee/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-Ultimo-Cafe_OK.jpg" class="attachment-tileview size-tileview wp-image-10738" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-Ultimo-Cafe_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-Ultimo-Cafe_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/the-last-coffee/">The Last Coffee</a><br /></strong></h5><p><strong>Kevin Eisenberg</strong><br />10min. Argentina. 2023</p><p>Leandro, a novice and insecure waiter, discouraged by his own path, is about to redefine the value of life. One afternoon in the bad café where death works, Leandro attends to a depressed customer who reveals to him that that very night he is going to commit suicide and wants to say goodbye to life with a last latte. The waiter, on the verge of collapse, realises that he has in his hands the chance to make this man come to his senses. To do so, he has to deal with his worst enemies: the old-fashioned, hostile coffee machine, but also his own confidence. Will Leandro be able to reconcile the man with life, thanks to a saving coffee? When the earth doesn&#8217;t give you any more surprises, you can find them in the sky.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/otono-verde-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/OtonoVerde_OK.jpg" class="attachment-tileview size-tileview wp-image-10727" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/OtonoVerde_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/OtonoVerde_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/otono-verde-2/">Green Autumn</a><br /></strong></h5><p><strong>Sunya Itzia Madrigal Álvarez Ugena</strong><br />30 min. México. 2023</p><p>The recognition of the struggle of Michoacán women over the last decades for their sexual and reproductive rights is portrayed and told by the women themselves, Michoacán activists from different generations with the same objective: to achieve the recognition of the right that every woman has to decide freely about her body.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/sacrifice-zone/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ZonadeSacrificio_OK.jpg" class="attachment-tileview size-tileview wp-image-10724" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ZonadeSacrificio_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ZonadeSacrificio_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/sacrifice-zone/"><strong>Sacrifice zone</strong></a></h5><p><strong>Gastón Bejas</strong><br />24min. Argentina. 2023</p><p>In Argentina, despite the importance of agricultural activity and the fact that it is a leading country in the use of pesticides, there are no official epidemiological surveys on their impact on populations. Nor are regulations on their presence in drinking water updated. There are no official data on the quantities used or uniform provisions for spraying distances. On the contrary, the populations are obliged to provide proof of the causal link between their health damage and exposure to these substances, which is called the reversal of the burden of proof. This leads to every community going down the same long and costly legal path.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-201b0cd elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="201b0cd" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/we-are-the-earth-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/WeareTheEarth_OK.jpg" class="attachment-tileview size-tileview wp-image-10725" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/WeareTheEarth_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/WeareTheEarth_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/we-are-the-earth-2/"><strong>We are The Earth &#8211; Somos la Tierra</strong></a></h5><p><strong>Zoé Rose</strong><br />5 min. France. 2023</p><p>In a world crushed by pollution, conflict, ecological anxiety, alienation of the individual and fear of the future, a human being lies down, desperate and surrounded by shadows. However, the &#8220;anger&#8221; and refusal of the disaster to come will ignite in him &#8211; and in all of us &#8211; a flame of life, carrying the hope of a better tomorrow.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/mi-vecino-yuan-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Mi-vecino-Yuan_OK.jpg" class="attachment-tileview size-tileview wp-image-10737" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Mi-vecino-Yuan_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Mi-vecino-Yuan_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/mi-vecino-yuan-2/"><strong>My neighbour Yuan</strong></a></h5><p><strong>Alfredo Andreu Ríos</strong><br />15min. Spain. 2023</p><p>Lucia is an 8-year-old girl who misses her grandfather who is in hospital. According to her father, it&#8217;s because of the Chinese. But with the arrival of a boy of the same age in the neighbourhood, new worlds collide in Lucia&#8217;s life.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/dos-corazones-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/DOS-CORAZONES_OK.jpg" class="attachment-tileview size-tileview wp-image-10731" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/DOS-CORAZONES_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/DOS-CORAZONES_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/dos-corazones-2/">Two  Hearts</a><br /></strong></h5><p><strong>Cristina Herrero Laborda</strong><br />18min. Spain. 2022</p><p>Mari is an intersex person in permanent transit who embodies two perspectives. A fighter and courageous, her life has been a constant battle in an almost uninhabited rural area. From sincerity, she narrates her day to day life, her desires, her illusions and anxiety in an attempt to pave the way for those who come after her.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-2d25a54 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="2d25a54" data-element_type="section" data-e-type="section">
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									<h3>GENERAL SECTION: MEDIUM-LENGTH FILMS</h3>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-8eab122 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="8eab122" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/encontres-dexili-ii-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/EncontresdeExilii_OK.jpg" class="attachment-tileview size-tileview wp-image-10722" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/EncontresdeExilii_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/EncontresdeExilii_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/encontres-dexili-ii-2/"><strong>Encontres d&#8217;exili ii</strong></a></h5><p><strong>Jorge Ramos Jaume Dura</strong><br />34min. Spain. 2021</p><p>Econtres D&#8217;Exili II is a documentary to build bridges between our past as a society that suffered war, bombings, exile, dictatorship and repression; and the stories of refugees and immigrants arriving today.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-094753a elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="094753a" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/state-homophobia/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg" class="attachment-tileview size-tileview wp-image-10754" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/state-homophobia/"><strong>State homophobia</strong></a></h5><p><strong>Richard Zubelzu</strong><br />51min. Spain. 2023</p><p>In this documentary we give voice to the Guinean LGTBI activists Angel and Gonzalo, who give testimony of the persecution suffered by women and LGTBI people in their country and the difficulty of &#8220;coming out of the wardrobe&#8221; as it is a taboo within the families.<br />A violation of human rights by the country&#8217;s current regime, with police abuse, torture, discrimination, sexual violence, forced pregnancies, child sexual exploitation of minors, a high mortality rate of transsexual people due to causes that the state cannot solve, family and social repudiation, or the terrible text of a draft bill in progress, aimed at overthrowing the legal personality of homosexual people.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-0067e35 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="0067e35" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/the-returnees/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LosREtornados_OK.jpg" class="attachment-large size-large wp-image-10723" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LosREtornados_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LosREtornados_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-returnees/"><strong>Returnees</strong></a></h5><p><strong>Pieter De Vos</strong><br />35min. Belgium. 2021</p><p>In 1993, thousands of Guatemalan refugees returned from Mexico. They fled armed conflict and genocide against the indigenous Mayan population. Today, &#8216;Los Regresados&#8217; are defending their agricultural land and territory in the jungle of Alta Verapaz against the construction of a hydroelectric dam. They draw on their past experiences to mobilise new generations.<br />Los Retornados&#8217; is a film by Tessa Boeykens and Pieter De Vos, in collaboration with the Copal AA La Esperanza community.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-67bb7de elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="67bb7de" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/no-one-is-far-away/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Nadie-esta-lejos_OK.jpg" class="attachment-tileview size-tileview wp-image-10753" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Nadie-esta-lejos_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Nadie-esta-lejos_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/no-one-is-far-away/"><strong>No one is far away</strong></a></h5><p><strong>José Antonio Vitoria</strong><br />45min. Spain. 2023</p><p>Poverty or homelessness is not a characteristic of anyone, but a situation that can be brought about by many factors. There are many new forms of poverty, ranging from university students to people who have jobs but do not earn enough to afford housing or parents who suddenly find themselves unemployed. No one is safe from poverty or homelessness. All it takes is a series of adverse circumstances.<br />The documentary Nadie está lejos (No One is Far Away) is the experience of a group of people living in poverty, homelessness or economic vulnerability and, in particular, users of the PARIS 365 soup kitchen in Iruña, who participate with the company Ados Teatroa in the creative process of the show Aporofobia STOP.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-9d1682a elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="9d1682a" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/who-am-i/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/QuI-soc_OK.jpg" class="attachment-tileview size-tileview wp-image-10752" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/QuI-soc_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/QuI-soc_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/who-am-i/"><strong>Who Am I</strong></a></h5><p><strong>Pablo A. Zareceansky Montserrat</strong><br />31min. Spain. 2023</p><p>Judith is not called Judith. She changed her name for the better by fitting in with our country, but that is not the hardest thing she has done since she had to leave Nigeria when she was only 10 years old. Like her, Marouane and Youssef had to leave Morocco and everything they knew to escape extreme poverty when they were still minors.<br />Until that journey, the stories of the three young people had little in common. When they arrived in Spain, however, they found themselves part of the same group: Unaccompanied Foreign Minors (MENA).<br />El Qui soc explores the reality behind an acronym that the media has turned into a label linked to criminal acts, marginalisation and criminality.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-71e9197 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="71e9197" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/unit-for-bissau/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Unite-for-Bissau_OK.jpg" class="attachment-tileview size-tileview wp-image-10749" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Unite-for-Bissau_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Unite-for-Bissau_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/unit-for-bissau/"><strong>Unite for Bissau</strong></a></h5><p><strong>Iara Lee</strong><br />50 min. USA. 2023</p><p>In the West African nation of Guinea-Bissau, this thought-provoking film takes you on a journey that follows courageous local women who challenge patriarchy by building institutions that promote self-sufficiency through agro-ecology. They also challenge social norms by opposing female genital mutilation and rejecting forced marriage. Overtaking the legacy of Amilcar Cabral, the Bissau-Guinean independence leader who placed women&#8217;s rights at the centre of the liberation struggle, women of a rising generation are taking back their power.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-9aaf314 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="9aaf314" data-element_type="section" data-e-type="section">
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									<h3>GENERAL SECTION: FEATURE FILMS</h3>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-355a8f5 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="355a8f5" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/cirerers-images-of-a-construction/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Cirerers_OK.jpg" class="attachment-tileview size-tileview wp-image-10757" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Cirerers_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Cirerers_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/cirerers-images-of-a-construction/"><strong>Cirerers. Images of a construction</strong></a></h5><p><strong>Santiago González Pla, Valeria Ormaechea Otalora</strong><br />92min. Spain. 2023</p><p>The process of a cooperative housing community in Barcelona, the construction of a building and also of a community. A struggle for decent housing against urban extractivism and for human rights linked to habitat.<br />In 2016, Barcelona City Council allocated plots of land for cooperative housing projects. One of these plots is awarded in the transfer of use to Sostre Civic, 27 subsidised housing units in the Roquetes neighbourhood. The Cirerers driving group was constituted in September 2017. The documentary is the record of the experience.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/inclusive-education-to-want-it-is-to-create-it/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/educacion-inclusiva_OK.jpg" class="attachment-tileview size-tileview wp-image-10747" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/educacion-inclusiva_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/educacion-inclusiva_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/inclusive-education-to-want-it-is-to-create-it/"><strong>Inclusive education. To want it is to create it</strong></a></h5><p><strong>Cecilia Barriga</strong><br />83min. Spain. 2023</p><p>Building inclusive societies requires revising school systems, in which part of the student body does not fit in, is mistreated and segregated, while the rest learn to see discrimination as something correct and desirable.<br />Based on the story of Rubén Calleja, who was expelled from his primary school and forced to attend a special education centre, the documentary weaves together lives and struggles. After years of legal battle, Rubén obtains the backing of the UN against the Spanish state. But there are other gains to be made in transforming discriminatory school cultures, policies and practices. Inclusive education is a personal and collective task that enables the participation of all people in the world.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/until-the-sun-goes-out/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hasta-que-se-apague-el-Sol_OK.jpg" class="attachment-tileview size-tileview wp-image-10748" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hasta-que-se-apague-el-Sol_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hasta-que-se-apague-el-Sol_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/until-the-sun-goes-out/"><strong>Until the Sun Goes Out</strong></a></h5><p><strong>Jonas Brander</strong><br />90min. Colombia. 2023</p><p>&#8220;Hasta que se apagague el sol&#8221; invites us into the stories of those who have defied the clutches of violence by demonstrating that the human spirit can prevail, leaving a legacy of hope in the midst of the deepest darkness. The stories unfold in the simultaneity of the opposite: life born out of death, and death as a result of devotion to death.<br />o result of devotion to peace and justice. It is the story of Nobel Peace Prize nominee Luz Marina, a mother fighting for justice in the extrajudicial execution of her son, and that of Albeiro, an indigenous leader from south-western Colombia. The ancestral indigenous saying &#8220;Until the sun goes out&#8221; is reflected in the uncompromising struggle of both leaders for a world where life prevails over death, equality over inequality, and the voice of the people over imposed silence. But their stories also reflect a condition of humanity, in which the beauty of life and resistance collapse into death and destruction.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/mankewenuy-friend-of-the-condor/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amiga-del-Condor_OK.jpg" class="attachment-large size-large wp-image-10756" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amiga-del-Condor_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amiga-del-Condor_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/mankewenuy-friend-of-the-condor/">Mankewenüy / Friend of the Condor</a><br /></strong></h5><p><strong>María Manzanares</strong><br />63min. Argentina. 2022</p><p>On discovering the existence of a lonko (chief) called Mankewenüy (friend of the condor) who lived on the banks of the Nahuel Huapi in 1790, Anahí decides to make a journey through the Andes and retrace the paths taken by her ancestors. As a ñampulkafe and ülkantufe (traveller and singer) Anahí goes in search of sounds and stories that allow her to create songs that contain the newen of the manke (natural force of the condor).<br />During this journey she meets poets, singers, instrument makers, machis (spiritual leaders); to let us hear in them volcanoes that speak, mountains that sound and rivers that sing.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/mare-mediterraneum-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Maremediterraneum_OK.jpg" class="attachment-tileview size-tileview wp-image-10763" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Maremediterraneum_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Maremediterraneum_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/mare-mediterraneum-2/"><strong>Mare Mediterraneum</strong></a></h5><p><strong>María Chaquéss Serrano</strong><br />65min. Spain-Senegal. 2022</p><p>Through a choral documentary, several sub-Saharan migrants recall the odyssey of a journey full of dangers, where women are forced to pay not only with money, but also with their bodies. On the other hand, in Senegal, the mothers and families of migrants are still hoping for news of their loved ones. Meanwhile, on one side of the Mediterranean as on the other, initiatives are emerging that promote encounters between diverse people and seek to create well-being for the human community.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/the-dawsonians/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Las-Dawsonianas_OK.jpg" class="attachment-tileview size-tileview wp-image-10755" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Las-Dawsonianas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Las-Dawsonianas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-dawsonians/"><strong>The Dawsonians</strong></a></h5><p><strong>Roberto Riveros Jiménez</strong><br />63min. Chile. 2022</p><p>During the first days after the 1973 coup d&#8217;état, the political leadership of the Popular Unity government was arrested and taken to Dawson Island, the Magallanes region, at the southern tip of Chile and the mainland. The wives of the then political prisoners began a relentless effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they spontaneously got together and organised themselves into what they called the &#8220;Dawsonianas&#8221; group.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/tenderness-the-call-of-the-nuke-mapu/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/La-Ternura_OK.jpg" class="attachment-tileview size-tileview wp-image-10759" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/La-Ternura_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/La-Ternura_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/tenderness-the-call-of-the-nuke-mapu/"><strong>Tenderness the call of the Ñuke Mapu</strong></a></h5><p><strong>Ricardo Von Mühlenbrock</strong><br />120min. Chile. 2023</p><p>The story begins with volunteer work carried out in the winter of 1999 in the Mapuche community Choin Lafkenche in the southern part of Chile. Here we met Julio Huentekura Llancaleo, a young Mapuche from Santiago de Chile, and together we travelled through different communities of Malleko recording the voices of the moment. After 20 years we returned to Chile after the Social Outbreak and the COVID 19 pandemic to learn more about Julio who was treacherously murdered in a capital city prison. We travelled through the Wallmapu meeting and sharing with new Mapuche communities their struggle and their current demands in the process of territorial recovery.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Sarura_OK.jpg" class="attachment-tileview size-tileview wp-image-10761" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Sarura_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Sarura_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/"><strong>Sarura. The future is an unknown place</strong></a></h5><p><strong>Nicola Zambelli</strong><br />80 min. Italiy- Palestine. 2021</p><p>At the gates of the Negev desert, a group of young Palestinians fight against the Israeli military occupation. &#8220;Youth of Sumud &#8211; the youth of steadfast perseverance &#8211; seek to return to their people the land that was taken away from their families by restructuring the ancient cave village of Sarura.<br />They meet aggression with non-violent action, fending off rifles with their video cameras; they oppose desolation and death with hope and life.<br />Ten years after their first documentary about the non-violent struggle in the West Bank, the filmmakers return to the village of At-Tuwani and, using archival footage from over 15 years, tell how the children have grown up.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/a-refuge-in-the-stars/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/REfugioEstrellas_OK.jpg" class="attachment-tileview size-tileview wp-image-10760" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/REfugioEstrellas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/REfugioEstrellas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/a-refuge-in-the-stars/"><strong>A refuge in the stars</strong></a></h5><p><strong>Felipe Carrelli, Demetrio Rodrigues</strong><br />69min. Brasil. 2023</p><p>The Sahara desert occupies one third of the African continent and is one of the most inhospitable regions on the planet. The region is dry enough to mummify corpses and kill bacteria. For centuries, the Saharawis lived in these extreme desert conditions.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg" class="attachment-tileview size-tileview wp-image-10762" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/"><strong>A journey to ourselves</strong></a></h5><p><strong>Luis Cintora</strong><br />65min. Spain. 2021</p><p>Spanish comedian Pepe Viyuela guides us on a journey where past and present merge as one: a time and circumstances shared by the victims of each armed conflict.<br />Un viaje hacia nosotros narrates a journey that begins with the family memory of actor Pepe Viyuela, as he undertakes an investigation following the trail of his grandfather Gervasio, a member of the Republican army during the Spanish Civil War. A journey that takes him back to his past, and a new perspective from which to re-evaluate his relationship with the present.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/finalist-films-of-the-7th-ficnova/">FINALIST films of the 7th FICNOVA</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Announcement of the Official Competition Selection of the 7th FICNOVA 2024</title>
		<link>https://festivalcinenoviolencia.org/en/announcement-of-the-official-competition-selection-of-the-7th-ficnova-2024/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Mon, 15 Jul 2024 00:01:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=8475</guid>

					<description><![CDATA[<p>El equipo internacional organizador del Festival Internacional de Cine de la Noviolencia Activa (FICNOVA), de acuerdo con las bases del festival, hoy 15 de julio de 2024 comunica la Selección Oficial a Concurso para su Séptima Edición 2024.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-competition-selection-of-the-7th-ficnova-2024/">Announcement of the Official Competition Selection of the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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									<p>Monday 15th July 2024</p>								</div>
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															<img loading="lazy" decoding="async" width="618" height="377" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Mapa-envios-7FICNOVA2024-FFW.jpg" class="attachment-large size-large wp-image-8444" alt="Mapa de recepción de obras 7 FICNOVA 2024 - FilmFreeWay" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Mapa-envios-7FICNOVA2024-FFW.jpg 618w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Mapa-envios-7FICNOVA2024-FFW-300x183.jpg 300w" sizes="(max-width: 618px) 100vw, 618px" />															</div>
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									<p>The international organising team of the International Film Festival of Active Nonviolence (FICNOVA), in accordance with the festival&#8217;s rules and regulations, announces today 15th July 2024 the Official Competition Selection for its Seventh Edition 2024</p>								</div>
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									<p>Once again, thousands of filmmakers and collectives have turned their attention to this festival themed around nonviolence, presenting a multitude of films with their diverse proposals, from different cultures.</p><p>Of the 2,724 works received from 126 countries, 921 films from 93 countries will be officially selected for competition.</p><p>By sections of the festival, we recognise:</p>								</div>
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									<table><tbody><tr><td width="203"><p><strong>Section</strong></p></td><td width="130"><p><strong>Films received</strong></p></td><td width="156"><p><strong>Selected Works</strong></p></td></tr><tr><td width="203"><p>Educational Institutions (Short Films)</p></td><td width="130"><p>364</p></td><td width="156"><p>120</p></td></tr><tr><td width="203"><table><tbody><tr><td width="168"><p>General Section Short Films</p></td></tr></tbody></table></td><td width="130"><p>1889</p></td><td width="156"><p>629</p></td></tr><tr><td width="203"><p>General Section Medium-length films</p></td><td width="130"><p>109</p></td><td width="156"><p>41</p></td></tr><tr><td width="203"><table><tbody><tr><td width="168"><p>General Section Feature Films</p></td></tr></tbody></table></td><td width="130"><p>362</p></td><td width="156"><p>131</p></td></tr><tr><td width="203"><p>TOTAL</p></td><td width="130"><p>2724</p></td><td width="156"><p>921</p></td></tr></tbody></table>								</div>
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															<img loading="lazy" decoding="async" width="576" height="1024" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-576x1024.jpg" class="attachment-large size-large wp-image-8448" alt="Cartel 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-576x1024.jpg 576w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-169x300.jpg 169w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-768x1365.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-864x1536.jpg 864w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA.jpg 1080w" sizes="(max-width: 576px) 100vw, 576px" />															</div>
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									<p>The list of the 921 selected films <a href="https://festivalcinenoviolencia.org/Ficnova-2024/Seleccion-oficial-7-FICNOVA-2024-eng.html" target="_blank" rel="noopener">can be viewed from this link</a>.</p><p>All the films are admitted as they recognise significant elements of active nonviolence, such as the denunciation of some form of violence (physical, economic, racial, sexual, religious, psychological or moral) or discrimination.</p><p>But in many of them we can see a greater impulse than a simple denunciation, an effort to overcome the pain and suffering of people, looking for the roots of conflicts and proposing ways out to transfer and solve situations.</p><p>The films selected as finalists in each category will be announced on 2 September.</p><p>Until then, we urge you not to lose sight of this sign of nonviolence, which connects with the best aspirations of human beings.</p><p style="text-align: right;"><strong>FICNOVA organising team </strong></p>								</div>
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									<p>Download &#8220;Laurel&#8221; image <br />Official Competition Selection 7 FICNOVA 2024</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-competition-selection-of-the-7th-ficnova-2024/">Announcement of the Official Competition Selection of the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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