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	<title>NEWS archivos - ANIFF - Active Nonviolence International Film Festival</title>
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	<description>FICNOVA - ANIFF; International Film Festival of Active Nonviolence; Humanist space of encounter in the culture of nonviolence. A festival that works to overcome violence and discrimination. A biennial, voluntary and free film festival.</description>
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	<title>NEWS archivos - ANIFF - Active Nonviolence International Film Festival</title>
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		<title>Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</title>
		<link>https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 20:48:44 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
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					<description><![CDATA[<p>List of works in the Official Competition Selection of the 8th FICNOVA 2026</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/">Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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									<h4 class="p1">We acknowledge the theme of this edition, “NON-VIOLENCE: FROM ME TO US”, as reflected in 818 films from 95 countries.</h4><p class="p1">In accordance with the rules of participation for the 8th International Festival of Active Non-Violence 2026, FICNOVA, today, 15 July 2026, we are publishing the Official Selection for this year’s competition.</p><p class="p1">The international organizing team has selected a total of 818 entries from 95 countries from among the 2,565 films received.</p><p class="p1">The Official Selection, broken down by sections, includes in the General Section: 620 short films, 34 medium-length films and 118 feature-length films. In the Educational Institutions section, we have selected 46 short films.</p><p class="p1">The international organizing team would like to remind you that our work is entirely voluntary, but we strive to be as rigorous as possible with the requirements for this edition to ensure that films adhere to the proposed theme and that works in their original languages provide the option of subtitles in Spanish and English. (Those that do not provide these subtitles will not be eligible for the subsequent stages of selection for finalists and award winners.)</p><p class="p1">We would like to thank all the filmmakers and producers for taking part in the 8th FICNOVA 2026, helping to promote the cause of non-violence through exemplary imagery.</p><p class="p1">On 2 September, we will announce the finalist films, and on 2 October, the award-winning films,</p><p class="p1">FICNOVA Organising Team</p><p>This is the full list of films in the Official Selection:</p>								</div>
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<tbody>
<tr>
<td bgcolor="#eeeeee"><strong>Título</strong></td>
<td bgcolor="#eeeeee"><strong>Dirección</strong></td>
<td bgcolor="#eeeeee"><strong>Minutos</strong></td>
<td bgcolor="#eeeeee"><strong>País de origen</strong></td>
<td bgcolor="#eeeeee"><strong>Lenguaje</strong></td>
<td bgcolor="#eeeeee"><strong>Categoria</strong></td>
</tr>
<tr>
<td><strong>ABURRAQUE</strong></td>
<td>Asha Villafane</td>
<td>5</td>
<td>Argentina, Panama</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Asystole</strong></td>
<td>Labros Dimitrelos</td>
<td>10</td>
<td>Greece</td>
<td>Modern Greek (1453-)</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Bepuwaveh</strong></td>
<td>Pojoaque Middle School Students</td>
<td>8</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Bhulyun Ghaar &#8211; A Forgotten Home</strong></td>
<td>Ashish Bisht</td>
<td>7</td>
<td>India</td>
<td>Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>BLAVA TERRA</strong></td>
<td>Marine&nbsp; Auclair March</td>
<td>19</td>
<td>España</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Boys can cry</strong></td>
<td>Cherly Dayanne Ramos Cedres</td>
<td>8</td>
<td>Puerto Rico</td>
<td>English, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Camino a Casa</strong></td>
<td>Emilia Alen Villanueva</td>
<td>3</td>
<td>Chile</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Campeones de la vida &#8211; CHAMPIONS OF LIFE</strong></td>
<td>STEPHANIE BATES, Andres posse</td>
<td>29</td>
<td>Colombia</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Cariz</strong></td>
<td>Jara Rodilla RojoValeria Zapata Cardoso</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>CINECLUB</strong></td>
<td>10 and 11-year-old students from &#8220;C.E.I.P. Serrería&#8221; Public School in València (Spain)</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Climate Solutions! Will Moffett</strong></td>
<td>Will Moffett</td>
<td>4</td>
<td>United States, United States</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>CLOWNS</strong></td>
<td>Salva Rodriguez Morales</td>
<td>7</td>
<td>Spain</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Como el caracol &#8211; Like the Snail</strong></td>
<td>Katalin Egely</td>
<td>5</td>
<td>Hungary</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>DESCENSO / DECLINE</strong></td>
<td>MAURO VINYAS</td>
<td>7</td>
<td>Spain</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>El guardián del Lago. Cuentos Nanay</strong></td>
<td>Elisa Eliash</td>
<td>6</td>
<td>Chile</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Evolution_Evolución</strong></td>
<td>Vittorio Caratozzolo &amp; Class 3 A (2023-24)</td>
<td>4</td>
<td>Italy</td>
<td>English, Italian, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Fishbones</strong></td>
<td>Amandine COPIN, Amandine ROLAND, Camille CHEUTIN, Gaëlle JARRIGE, Mona PANNECOCKE, Natacha JACKOWSKI</td>
<td>6</td>
<td>France</td>
<td>French</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Foreigners___sp</strong></td>
<td>Vittorio Caratozzolo &amp; Class 2 A (2022-23)</td>
<td>7</td>
<td>Italy</td>
<td>Italian, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Había una vez una guerra</strong></td>
<td>Emma Míguez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Haz</strong></td>
<td>Marcelino Díaz Acebal</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>I’m Here, Stay with Me!</strong></td>
<td>Balan Maria Brîndușa</td>
<td>10</td>
<td>Romania</td>
<td>English, Romanian</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>If Freedom Ever…</strong></td>
<td>Students aged between 17 and 19 E.B.</td>
<td>16</td>
<td>Portugal</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>KEMAL</strong></td>
<td>Esra DEMİR</td>
<td>7</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Kuppai muniswami</strong></td>
<td>Manooj Chanakya</td>
<td>4</td>
<td>India</td>
<td>Tamil</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La hora de Laura &#8211; Laura&#8217;s hour</strong></td>
<td>Pablo García Soria</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La isla de la basura &#8211; “THE GARBAGE ISLAND”</strong></td>
<td>Carolina Mariana Feity, Laura Fernandez, Hernan Pablo Suarez, Guillermo Palermo</td>
<td>2</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La silla &#8211; The wheelchair</strong></td>
<td>Clara García, Mariano Reinaldos</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Las Piedras</strong></td>
<td>María Sofía Borsini</td>
<td>20</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Línea de flotación</strong></td>
<td>Lucila De OtoGastón Bonalve</td>
<td>12</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Little Woman</strong></td>
<td>Héctor Osmar Alvarenga</td>
<td>20</td>
<td>Paraguay</td>
<td>&nbsp;Guaraní</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>LOLO</strong></td>
<td>Ana Gabriela Gutiérrez Salgado</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Mamour</strong></td>
<td>Christelle JEANNE</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Mosquito life</strong></td>
<td>Malik Al-Zuhairi</td>
<td>7</td>
<td>Iraq</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>NORMALESS</strong></td>
<td>Javier Celay</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>On Far-Off Places</strong></td>
<td>Leonardo Gabriel Chagas Saad</td>
<td>19</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Rejection Monster</strong></td>
<td>Antônio Carreira Alvim Macedo Soares</td>
<td>5</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>SIETECONSEIS</strong></td>
<td>Helena Ruiz Gómez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Straight and in a Circle</strong></td>
<td>Palina Ramashka</td>
<td>4</td>
<td>Belarus</td>
<td>English</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>THE FACE OF INDIA</strong></td>
<td>SAMAR JAIN</td>
<td>3</td>
<td>India</td>
<td>English, Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The Mirror &#8211; O Espelho</strong></td>
<td>Luiza Dalmás</td>
<td>4</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The Rise Of The Buddha!</strong></td>
<td>Makarand Prakash Purohit</td>
<td>1</td>
<td>India</td>
<td>English</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The World Needs You</strong></td>
<td>4.ºB Class Colégio do Marítimo</td>
<td>3</td>
<td>Portugal</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Toilet Ghost</strong></td>
<td>Asif Shaikh</td>
<td>8</td>
<td>India</td>
<td>Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Un germà</strong></td>
<td>Biel Morales Parra</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Vergüenzalandia</strong></td>
<td>Daniela Morales Guijarro</td>
<td>11</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Volber a la Tierra &#8211; Back to the Easrth</strong></td>
<td>Laura Hernández Barbosa</td>
<td>10</td>
<td>Colombia</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>50</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>7</td>
<td>Bulgaria</td>
<td>Bulgarian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>2401</strong></td>
<td>Javad Anizadeh</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian, Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>5/3/0</strong></td>
<td>Danilo Stanimirović</td>
<td>15</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>+ Alba</strong></td>
<td>Sebastian Huergo</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>#NoConsiento</strong></td>
<td>CONRADO&nbsp; ESCUDERO DONATE</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>&#8230;Esperanza</strong></td>
<td>Mayra Veliz</td>
<td>20</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>’’ TURGUT ONBASI ’’ 52 AÑOS DE ANHELO</strong></td>
<td>ONUR KOK</td>
<td>25</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>1 VIDA</strong></td>
<td>Virginia Rodriguez</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>123 Semillas de Nim</strong></td>
<td>Adrián&nbsp; Buenaventura</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>203O New World Order &#8211; Brain Voltage</strong></td>
<td>Rodrigo Torrijos</td>
<td>4</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>2054 Seele</strong></td>
<td>Edoardo Maione, Alice Gnech</td>
<td>12</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>29 DE FEBRERO</strong></td>
<td>Diego Fandos</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>36TH JULY</strong></td>
<td>Md Shahadat Hossain</td>
<td>1</td>
<td>Bangladesh, Poland</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>40 GRADOS</strong></td>
<td>Ignacio Clarà Planas</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>500 bucks</strong></td>
<td>Jorge Pablo Quiroz</td>
<td>14</td>
<td>Peru</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>60 anos depois</strong></td>
<td>Flávio&nbsp; Ferreira</td>
<td>20</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>60 años después</strong></td>
<td>Flávio Ferreira</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>79 Tombstones</strong></td>
<td>Rastko Šejić</td>
<td>17</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Death for Life</strong></td>
<td>Mohammadreza Setarehshenas</td>
<td>1</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A dress for Yaqui (Un vestido para Yaqui)</strong></td>
<td>Olivia Manrufo</td>
<td>21</td>
<td>Peru</td>
<td>Quechua</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Father’s Instinct</strong></td>
<td>ouazene fatima</td>
<td>12</td>
<td>Algeria</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A house to share</strong></td>
<td>pascale Hecquet</td>
<td>5</td>
<td>Belgium</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A local, born and bred</strong></td>
<td>Frederic Salvà</td>
<td>6</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Manuela</strong></td>
<td>Pia Bonilla</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A NAME</strong></td>
<td>Indraneel Nighojkar</td>
<td>14</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A New Macondo in the Valle del Cauca</strong></td>
<td>JAVIER ALONSO SANCHEZ</td>
<td>30</td>
<td>Colombia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A NOA</strong></td>
<td>Dani Fortuny</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A side to exit</strong></td>
<td>Ehsan Hemmati</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A solas con Farid</strong></td>
<td>Alberto&nbsp; Ortega</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A TAREA</strong></td>
<td>Alfonso O&#8217;Donnell</td>
<td>28</td>
<td>España</td>
<td>Gallego</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aban</strong></td>
<td>Mohammad Mahdi Mola Parast</td>
<td>5</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Abraham</strong></td>
<td>Francisco Saia</td>
<td>9</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ADIÓS.</strong></td>
<td>Álvaro G. CompanyMario Hernández</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Adriano</strong></td>
<td>Massimiliano Tedeschi</td>
<td>11</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Against the Impossible</strong></td>
<td>Julián Acosta Vera</td>
<td>5</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Agua &#8211; Antioquia</strong></td>
<td>Diego Morabello</td>
<td>16</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Agua que no limpia</strong></td>
<td>Natalia Marcela Lima</td>
<td>6</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Al pasar la barca</strong></td>
<td>Julia ReinaArturo&nbsp; Mombiedro</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Al Wadiaa</strong></td>
<td>Hedy Krissane</td>
<td>11</td>
<td>Italy, Tunisia</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Allegory</strong></td>
<td>Timothé AUVRAY</td>
<td>7</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ALOO AUNTY</strong></td>
<td>Asif Shaikh</td>
<td>28</td>
<td>India</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amida</strong></td>
<td>Majid Mirhashemi</td>
<td>25</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amiga, yo te escucho</strong></td>
<td>Angeles Carrasco</td>
<td>4</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aminata</strong></td>
<td>MARTA&nbsp; LÓPEZ PLAZA</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>AMOR CHIQUITO</strong></td>
<td>GORETTI LIPKIES, IVÁN LIPKIES</td>
<td>23</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amore Mortale (short movie)</strong></td>
<td>massimiliano Tedeschi</td>
<td>18</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>AMRA</strong></td>
<td>Vasil Hristov</td>
<td>9</td>
<td>North Macedonia</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANGIE</strong></td>
<td>Josep Varo</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Another Day</strong></td>
<td>Ivan Tsupka, Lera Fokina, Elena Sydorenko</td>
<td>4</td>
<td>Ukraine</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANOTHER WORLD</strong></td>
<td>sajjad rafiei</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>Azerbaijani</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Anteroom</strong></td>
<td>Enrique Daniel Fraquelli</td>
<td>14</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANTIM ARANYA</strong></td>
<td>AKASH SHIVAJI DARADE</td>
<td>20</td>
<td>India</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Antón</strong></td>
<td>Mikel&nbsp; González Beorlegui</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Apagada</strong></td>
<td>Guillermo&nbsp; Rojo</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aprendiz de xamã Mukunã</strong></td>
<td>Rodrigo Sena Sena</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Arabesque</strong></td>
<td>Armin Baharlooei</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ARCA</strong></td>
<td>Antonina Obrador</td>
<td>19</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Architecture of Hope &#8211; for the ruins of the present.</strong></td>
<td>Jan Lewandowski</td>
<td>10</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Arderéis en el infierno</strong></td>
<td>Iván López</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ARGOR</strong></td>
<td>GERARDO CASTAÑEDA</td>
<td>7</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Art is for everyone!</strong></td>
<td>Sergio Osvaldo Valdés</td>
<td>12</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>As I feel</strong></td>
<td>Mathieu Brassier</td>
<td>29</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>As Much As A Sky</strong></td>
<td>Ömer İnan</td>
<td>10</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ascent</strong></td>
<td>Milad Bahramipour</td>
<td>6</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Autopsía</strong></td>
<td>Philipp Kowalski</td>
<td>5</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Axe</strong></td>
<td>Esmail Jabbari</td>
<td>6</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ayni</strong></td>
<td>Tomás Ariel Marco</td>
<td>3</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bajau Laut &#8211; the sea is our home</strong></td>
<td>Joo Peter</td>
<td>5</td>
<td>Indonesia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Be one</strong></td>
<td>Ritwik Deepa, Ashwin Beena Sanjeev, Anandhu Rajaji</td>
<td>2</td>
<td>Canada, France, India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bebés Robados</strong></td>
<td>Mau&nbsp;&nbsp; Cardoso</td>
<td>21</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Before I, there&#8217;s us</strong></td>
<td>Marília de Medeiros Deliberador Diogo, Raquel de Medeiros Deliberador</td>
<td>8</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Behind The Wall</strong></td>
<td>Martín Guevara</td>
<td>15</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bellum</strong></td>
<td>Pablo&nbsp; Ferrando</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Benzô</strong></td>
<td>Letícia Andra</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Between Windows</strong></td>
<td>Guilherme Reis</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Beula</strong></td>
<td>B Suresh Kumar</td>
<td>3</td>
<td>India</td>
<td>Tamil</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Beyond the Gray</strong></td>
<td>Carolina Abreu</td>
<td>9</td>
<td>Brasil</td>
<td>Sin diálogos</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BHAGYA : The Road to Destiny</strong></td>
<td>Parag Pomal</td>
<td>13</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BHOOMI &#8211; MOTHER EARTH</strong></td>
<td>Khushnoor Shaikh</td>
<td>3</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BIAS</strong></td>
<td>Odysseas Johannes Hlepas</td>
<td>2</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bird Day</strong></td>
<td>Davood Haseli, Mohammad Naseri</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bird Drone</strong></td>
<td>Radheya Jegatheva</td>
<td>9</td>
<td>Australia</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Birthing Hands</strong></td>
<td>Juan Sebastian Arias Carvajal</td>
<td>15</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Black People&#8217;s Thing</strong></td>
<td>Pâmela Peregrino</td>
<td>7</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Black Scarf</strong></td>
<td>Ali Reza Shah Hosseini</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Blame it on Evren!</strong></td>
<td>Hıdır Murat Doğan</td>
<td>7</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BONITA</strong></td>
<td>Eva SantanaAlbert Carbó</td>
<td>15</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Border</strong></td>
<td>SAID MOHSEN HOSSAINI</td>
<td>6</td>
<td>Afghanistan</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Borromean A shot of Electra</strong></td>
<td>Masoud Salehi</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bounce</strong></td>
<td>Tristan Cloete</td>
<td>4</td>
<td>South Africa</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Breaking Language &#8211; Romper el Español</strong></td>
<td>Sofia Castro</td>
<td>17</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Breaking the Celluloid</strong></td>
<td>Mariana Isabel Huerta</td>
<td>25</td>
<td>Panama</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BREATHLESS</strong></td>
<td>Alejandro Giorlando</td>
<td>12</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bruise</strong></td>
<td>Arash Babaki</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Brujas</strong></td>
<td>Cesare Maglioni</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bruno</strong></td>
<td>Isotta Tomassini</td>
<td>6</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Búhos</strong></td>
<td>Xavi Cano</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BUMO, BUMA Y YO</strong></td>
<td>María González Peña</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Buried Memory</strong></td>
<td>Amanda Santos Silva</td>
<td>22</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>But the snowfall continued</strong></td>
<td>Ahura Najjar, Amirhossein Nazerian</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CABLES</strong></td>
<td>Ángela Obón</td>
<td>14</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Calcetines</strong></td>
<td>Miguel Ángel OlivaresAna BeyronAlejandra Beyron</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Calla</strong></td>
<td>Clara&nbsp; López Cantos Almudena&nbsp; Sánchez-Rey López</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Capacity</strong></td>
<td>Mohamad Vahabi</td>
<td>3</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CAPITANES</strong></td>
<td>Kevin CastellanoEdu Hirschfeld</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARILLÓN</strong></td>
<td>Diego Pérez González</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARMELA</strong></td>
<td>Vicente Mallols</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARMEN Y LA CUCHARA DE PALO</strong></td>
<td>Carlos Gómez-Mira Sagrado</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cartas à Tia Marcelina</strong></td>
<td>João Macena</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>cast away</strong></td>
<td>Ali Momeni</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Casting</strong></td>
<td>Víctor Devesa</td>
<td>7</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cautivas</strong></td>
<td>Itxaso&nbsp; Díaz</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CENIZAS</strong></td>
<td>Gabriela Alejandra Orlandi</td>
<td>5</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Chalk. Nature. Will. &#8211; A Story from the Duars</strong></td>
<td>Dipto Roy</td>
<td>26</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cheeni</strong></td>
<td>Amitabh Anil Bhawar</td>
<td>6</td>
<td>India</td>
<td>Marathi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cinthia Rched</strong></td>
<td>Rosa Lia Albistur</td>
<td>30</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CITY OF PIGS</strong></td>
<td>Juan Ángel Hernández</td>
<td>24</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CLOWN</strong></td>
<td>Shanshan Jiang</td>
<td>4</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CÓLERA</strong></td>
<td>Jose Luís Lázaro</td>
<td>9</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Collaterals</strong></td>
<td>José Brocco</td>
<td>17</td>
<td>Puerto Rico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Collectives in Feminine</strong></td>
<td>Mariana Barreto del Rello</td>
<td>11</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>COMO ANTES</strong></td>
<td>Alberto Gross Molo</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>conspiracy</strong></td>
<td>elia chapar</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Continuous Line</strong></td>
<td>Amin Mohammad rezaei</td>
<td>27</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Coração de Mar</strong></td>
<td>Neto BorgesLarissa Malty</td>
<td>14</td>
<td>Portugal</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Crops of solidarity</strong></td>
<td>Ferdoushi Akter Tenni, Mohammad Faisal, Samiur Rahman</td>
<td>11</td>
<td>Bangladesh</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CROSSING WOMEN -THE INVISIBLE SUPPORT OF THE BORDER</strong></td>
<td>Pablo Mardones Charlone, Javier Astudillo</td>
<td>30</td>
<td>Argentina, Chile, Germany</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Crumb Men</strong></td>
<td>Karim Carvallo</td>
<td>14</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cultivated by women</strong></td>
<td>Angie Osorio Cadena</td>
<td>4</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CURMÁN</strong></td>
<td>Alejandro Jato</td>
<td>24</td>
<td>España</td>
<td>Gallego</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>D’aquí, de tota la vida</strong></td>
<td>Frederic Salva</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Day by day</strong></td>
<td>Camilo Pérez Orozco</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Day by day</strong></td>
<td>Camilo Pérez Orozco</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DE BEGGAR &#8211; the rare one</strong></td>
<td>SARAVANA TR</td>
<td>10</td>
<td>India</td>
<td>Kannada</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>De plus belle</strong></td>
<td>Djoser NDAO, Alina TMENOVA</td>
<td>10</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dear Manuel</strong></td>
<td>David Escobar</td>
<td>24</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Death between life</strong></td>
<td>Rekar Barzan</td>
<td>24</td>
<td>Iraq</td>
<td>German, Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>debt</strong></td>
<td>Ali momeni</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dependent</strong></td>
<td>Odysseas Johannes Hlepas, CO-Director &#8211; Rabeah Rahimi</td>
<td>8</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Des mots sur des maux (The words on evils)</strong></td>
<td>MACHE LELE JESSICA MARIE TENOS</td>
<td>14</td>
<td>Cameroon</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DESOVA: a prayer to the sun</strong></td>
<td>Beatriz Nauali</td>
<td>27</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Después de Cristo 2024</strong></td>
<td>Irwin Lacröà (Lorenzo Carbonell Zaragozá)</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Después del reflejo</strong></td>
<td>Walter Monzón</td>
<td>13</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Digital Memories for weary hearts</strong></td>
<td>Luca Di Paolo</td>
<td>15</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DISONANCIA</strong></td>
<td>Raquel Larrosa</td>
<td>25</td>
<td>España</td>
<td>Arabe</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dombra Scream</strong></td>
<td>Ghiyam karami Shirazi</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dominus Videt</strong></td>
<td>Jose Vega</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DON BENJAMIN</strong></td>
<td>Iván Zahinos</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Don Pacho</strong></td>
<td>Óscar Gilberto Vesga Pérez</td>
<td>11</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DONDE SE QUEJAN LOS PINOS</strong></td>
<td>Ed Antoja</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Donkey</strong></td>
<td>Laura Yanela Fernández</td>
<td>18</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español, Wayuu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Don&#8217;t see, don&#8217;t hear, don&#8217;t speak. Faces of capitalism</strong></td>
<td>Stefano Pelleriti</td>
<td>5</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Doomsday radio</strong></td>
<td>Antanas Skučas, Julius Zubavičius</td>
<td>3</td>
<td>Lithuania, United Kingdom</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DUST TO DISCLOSURE</strong></td>
<td>Aakankshya GC Bhujel</td>
<td>14</td>
<td>Nepal</td>
<td>Nepali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El arte de gravitar</strong></td>
<td>Camila Estupiñan</td>
<td>5</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El café siempre en taza</strong></td>
<td>ANTONIO JOSE&nbsp; LOPEZ GOMEZ</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El gigante de los pies de barro</strong></td>
<td>Emilio Ortiz</td>
<td>7</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El goteo</strong></td>
<td>Nacho Baturone</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL LADO MÁS BESTIA DE LA VIDA</strong></td>
<td>José Antonio Campos Aguilera</td>
<td>14</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Lamento de los Girasoles</strong></td>
<td>Oscar Vega</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL MAL DONAT</strong></td>
<td>Alfons CasalHector Mas</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL NUEVO BARRIO</strong></td>
<td>Víctor Izquierdo Alcaraz</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL OTRO</strong></td>
<td>Eduard Fernández Serrano</td>
<td>18</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL POZO</strong></td>
<td>TATIANA BK OSBORNE</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Primer Día</strong></td>
<td>César Ríos Aguilar</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El puto amo</strong></td>
<td>Sergio&nbsp; Sánchez-PalenciaBruno Sánchez-Palencia</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL QUE NO VE</strong></td>
<td>Natxo Leuza</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SHOW</strong></td>
<td>Javier Balaguer Blasco</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SILENCI DE LA LLAR</strong></td>
<td>Adrià Llauró</td>
<td>13</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SUEÑO DE JUANITO</strong></td>
<td>MARIANA WENGER</td>
<td>14</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Tunel</strong></td>
<td>Laura Aranda Peña</td>
<td>0</td>
<td>Spain</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Elaroz</strong></td>
<td>Amir Shayan Ghazanfari, Mobin Ghazanfari</td>
<td>23</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Elegy of Blood؛ Mahmoud Darwish</strong></td>
<td>Ali Mohammadi Kharghani</td>
<td>19</td>
<td>Iran, Islamic Republic of, Palestine, State of</td>
<td>Arabic, Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Emilia</strong></td>
<td>Rafa Arroyo</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Empty Paper</strong></td>
<td>Matin &#8211; kafash</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>En la misma calle</strong></td>
<td>Francisco Javier Molina IbáñezMariano Rezzonico</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EN LÍNEA</strong></td>
<td>Ceres Machado</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Enough</strong></td>
<td>Daniel Jasiri Levergénois MAKASI MAHAMBA</td>
<td>15</td>
<td>Congo, the Democratic Republic of the</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Enraizados (Our Roots Remain)</strong></td>
<td>Ivonne Serna, Sélim Benzeghia</td>
<td>18</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Entre a Fé e a Tradição: Tenda de Senhor ogum</strong></td>
<td>Claudia&nbsp; Marreiros</td>
<td>17</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ES LA VIDA</strong></td>
<td>Alfonso O Donnell Gonzalez de CastejonAlfonso&nbsp; O&#8217;Donnell</td>
<td>28</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escaping the hustle and bustle</strong></td>
<td>Nina Zharova</td>
<td>11</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escribiendo&#8230;</strong></td>
<td>Pablo Olewski</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escrita ABC: Fasts</strong></td>
<td>Raoni F Moura</td>
<td>9</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ESTIGMA</strong></td>
<td>Pilar García Elegido</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ESTIMADA ÁNGELA</strong></td>
<td>José Luis QuirósPaco Sáez</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Euphorbia</strong></td>
<td>Karim Elsayed Gaafar</td>
<td>17</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fairytale</strong></td>
<td>Marcel Estellés</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fare free &#8211; City in Dispute</strong></td>
<td>Caroline Oliveira, Marcelo Cruz</td>
<td>29</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>FAUSTINO</strong></td>
<td>German Mairen</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Featherheads</strong></td>
<td>Dení Martha López</td>
<td>24</td>
<td>Mexico</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fermín</strong></td>
<td>Óscar Gilberto Vesga Pérez</td>
<td>14</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fighting HIV, changing minds</strong></td>
<td>Jan-Willem Bult</td>
<td>5</td>
<td>Netherlands</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fire and Infinity</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>5</td>
<td>Bulgaria</td>
<td>Bulgarian, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fleurs de Peau</strong></td>
<td>&nbsp;Lisa ChabbertPauline Lebellenger</td>
<td>19</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Float</strong></td>
<td>Farzaneh Salahshoor</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Flores</strong></td>
<td>José Cardoso</td>
<td>27</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Follow the Lemming</strong></td>
<td><p>&nbsp;</p>
<p><span>Sean Stroud</span></p>
</td>
<td>5</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Football Stuff</strong></td>
<td>Yuu Cortés, Alejandro Ara, Carla Muñoz, Layla Díaz, Marta Iglesias, Sara García, Matilde Chicharro</td>
<td>3</td>
<td>Not Specified</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>FOR SHEYDA</strong></td>
<td>meysam &#8230;.. shamsi</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fortunata (Eng2152)</strong></td>
<td>massimiliano oliva bartolozzi</td>
<td>21</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>From the closet to street; marching through history and the future.</strong></td>
<td>Diego Esteban Garcia Shoreque</td>
<td>8</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Furtiva</strong></td>
<td>Silvania C. Suárez</td>
<td>2</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GAZE.DE</strong></td>
<td>Saad Shahriar</td>
<td>20</td>
<td>Germany</td>
<td>English, German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Get Connected</strong></td>
<td>Sandheep Paravalappil</td>
<td>3</td>
<td>Canada</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ghost In The Silence</strong></td>
<td>Ahmad Arjmandi</td>
<td>12</td>
<td>Iran, Islamic Republic of, Turkey</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Gift</strong></td>
<td>Yuichiro Nakada</td>
<td>25</td>
<td>Japan</td>
<td>Arabic, English, Japanese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GIOJA22</strong></td>
<td>Stefano De Felici</td>
<td>10</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Gonika &#8211; tale of a whore</strong></td>
<td>Tanvir Ahmed</td>
<td>9</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GOODBYE KABUL</strong></td>
<td>Latifa Sakhizada, Alfredo Lobo</td>
<td>25</td>
<td>Spain</td>
<td>English, French, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Goodbye My Dove</strong></td>
<td>Félix (Hoang Phong) BACH</td>
<td>25</td>
<td>Belgium, Viet Nam</td>
<td>Vietnamese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Grey Slips Through</strong></td>
<td>Rhea Girish Gadiyar</td>
<td>5</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GUARDIAN ANGEL</strong></td>
<td>Vasilisa Belokon</td>
<td>5</td>
<td>Estados Unidos</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Guardians of Nature: Stories of a Resistance.</strong></td>
<td>Antonella Cardozo Casares</td>
<td>26</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hand of Wind</strong></td>
<td>Heydar Hojat</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HannaH</strong></td>
<td>Daniel Martins</td>
<td>27</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hariaren amaieran</strong></td>
<td>Aitor Molina</td>
<td>6</td>
<td>España</td>
<td>Vasco</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HASTA LA FUTURA</strong></td>
<td>Rodrigo Rodríguez</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>He didn&#8217;t do anything to me</strong></td>
<td>Ainhoa Alarcón García</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HE ROBADO TUS CENIZAS</strong></td>
<td>Felipe Olaya Meza</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HENRI SOLEIL</strong></td>
<td>VALERIE PIOLA CASELLI</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Historias Positivas</strong></td>
<td>Francisco Javier Jorquera Espinoza</td>
<td>27</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Homework</strong></td>
<td>Maruf Sharker Munna</td>
<td>9</td>
<td>Bangladesh, United Kingdom, United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HORDES</strong></td>
<td>Jourden Fenner</td>
<td>11</td>
<td>Germany</td>
<td>English, French, German, Swedish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Horizon</strong></td>
<td>Mateusz Tomczak</td>
<td>15</td>
<td>Poland</td>
<td>Polish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Horizonte En Llamas</strong></td>
<td>Rafael&nbsp; de Diego Arenas</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>House (Casa)</strong></td>
<td>Pablo Padovani</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hoy es diferente</strong></td>
<td>Abel Jurado</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HUGo</strong></td>
<td>Chico Cardoso, Carla Henze</td>
<td>9</td>
<td>Brasil</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Huma</strong></td>
<td>Valentina Essus GodoyMaëla Sanmartín RodríguezSofía RamisSanti Teijelo</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Human and human+1</strong></td>
<td>Zahra Shafiei dehaghani</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hymn to destroyed cities</strong></td>
<td>Stéphane Martineau</td>
<td>6</td>
<td>Germany</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I give you my voice</strong></td>
<td>Maria Karla Recio</td>
<td>5</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Have Been Here Before</strong></td>
<td>Luke Conroy</td>
<td>4</td>
<td>Australia, Malta, Netherlands</td>
<td>Maltese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I love you in 7 day war</strong></td>
<td>Surapong wetsuwanmanee</td>
<td>10</td>
<td>Thailand</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Remember My Mom</strong></td>
<td>Leandro Afonso</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese, Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Walked Alone</strong></td>
<td>Simon Matthew Valentine, Shokat Harjo</td>
<td>12</td>
<td>Greece, Norway</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Was Young</strong></td>
<td>Robert Bowen</td>
<td>14</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>If they see me crying.</strong></td>
<td>María Luz Zamora Abanades</td>
<td>23</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>If you had spoken</strong></td>
<td>Costanza Bigot</td>
<td>30</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Il Tonfa è Nostro Alleato</strong></td>
<td>Federico Ruggieri</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I&#8217;m Sorry</strong></td>
<td>Sesshy</td>
<td>7</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IMADE</strong></td>
<td>Ignacio Acconcia González</td>
<td>29</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Imagine Peace</strong></td>
<td>Chih Hao Shen</td>
<td>1</td>
<td>Taiwan</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Imagine Peace 1945</strong></td>
<td>Chih Hao Shen</td>
<td>4</td>
<td>Taiwan</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In captivity of a finger+2</strong></td>
<td>Zahra Shafiei dehaghani, Mohammadali Taheri, Ali akbar Ardeshir, Ismail Mokhtarian</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In front of your silence</strong></td>
<td>Martin Rodolphe Villeneuve</td>
<td>16</td>
<td>Canada</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In Our Hands</strong></td>
<td>Camillo Sancisi</td>
<td>5</td>
<td>Italy</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In un bel giorno di primavera</strong></td>
<td>Giorgia Biagioni, Salvatore D&#8217;Arco</td>
<td>5</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inappropriated</strong></td>
<td>Zlatko Cosic</td>
<td>6</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inconsequential plan</strong></td>
<td>Melquior Brito Morais</td>
<td>18</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>INFECTED</strong></td>
<td>Chih Hao Shen</td>
<td>3</td>
<td>Taiwan</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Injustice Anywhere</strong></td>
<td>Steven James Riddle</td>
<td>13</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Innocent until proven guilty: Prempal v. Commisioner of Police</strong></td>
<td>Arun Sripadam</td>
<td>4</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inshallah: Afganistán, el país donde Alá abandonó a las mujeres</strong></td>
<td>Luis AlmodóvarCarol&nbsp; Mundi</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>INSIDIA</strong></td>
<td>Sergio Parrón de la LlanaÁLVARO MADINA GONZÁLEZFÁTIMA FAOUZI LUDEÑA</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>insustentável: a realidade do petróleo na Amazônia</strong></td>
<td>Andrés BorgesFer Ligabue</td>
<td>17</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Interchange</strong></td>
<td>José&nbsp; Camargo</td>
<td>29</td>
<td>Austria</td>
<td>Alemán</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Invisible Roots</strong></td>
<td>Yesica Hernández Escobar, Julián Carreño</td>
<td>12</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IPSO FACTO</strong></td>
<td>Djoser Ndao</td>
<td>5</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IRRELEVANTE</strong></td>
<td>Joel Munu</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Isolated and Deprived</strong></td>
<td>Estela Imigo, Víctor Gutiérrez</td>
<td>27</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>It Happens</strong></td>
<td>Amirmahdi Nematzadeh</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>It&#8217;s not water under the bridge (ENG)</strong></td>
<td>Viviane Rodrigues Araujo</td>
<td>19</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IUS del tiempo</strong></td>
<td>Roberto F. CanutoXiaoxi Xu</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ixoq</strong></td>
<td>Sergio Ortiz Borbolla</td>
<td>9</td>
<td>United States, United States</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jai Singh</strong></td>
<td>Shrikant Patel</td>
<td>15</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jeanne</strong></td>
<td>Léo Holderbaum</td>
<td>30</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>JKR against everything</strong></td>
<td>Hamza Amro</td>
<td>5</td>
<td>Palestine, State of</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Josefina, the resentful snake</strong></td>
<td>Pablo Martin Latorre</td>
<td>6</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Journey to Senegal</strong></td>
<td>Shaina Danziger</td>
<td>8</td>
<td>United States, United States</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Juani</strong></td>
<td>Javier Pérez Hermoso</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jueves de Marzo</strong></td>
<td>Luis Murillo Arias</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jump for Victory</strong></td>
<td>Jovana Terzić, Irina Novaković, Ksenija Kusovac</td>
<td>13</td>
<td>Montenegro</td>
<td>Montenegrin</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Kandurwaan(The baker&#8217;s shop)</strong></td>
<td>Rakhshaan Shamoodah</td>
<td>16</td>
<td>India</td>
<td>English, Kashmiri</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Keep Laughing</strong></td>
<td>Hamza Amro</td>
<td>3</td>
<td>Palestine, State of</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Kim? / Who?</strong></td>
<td>Merve Yıldıran</td>
<td>5</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>KOKUHAKU</strong></td>
<td>Adrià Guxens</td>
<td>15</td>
<td>España</td>
<td>Japonés (日本語)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA BANDA</strong></td>
<td>Leonor JiménezDelia Márquez Sánchez</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Carcova</strong></td>
<td>Ludmila Ayelen López Pérez</td>
<td>19</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Carta de Irina</strong></td>
<td>ADRIANA DAVIDOVA</td>
<td>28</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA CASA DE ANA</strong></td>
<td>IKER&nbsp; OIZ ELGORRIAGA</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA COMPAÑÍA</strong></td>
<td>José María Flores</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La culpable</strong></td>
<td>María&nbsp; Guerra</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Espera</strong></td>
<td>Luis Garcia</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA FUERZA</strong></td>
<td>Cristina Martin BarcelonaMaria José Martin Barcelona</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La fuerza del silencio</strong></td>
<td>Samuel&nbsp; Vela Pérez</td>
<td>19</td>
<td>España</td>
<td>Tigrinia</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA HISTORIA DE TILO</strong></td>
<td>Roberto Villafane</td>
<td>4</td>
<td>Panama</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Lata ( the can)</strong></td>
<td>Maria Karla Recio</td>
<td>7</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA LUZ QUE NOS GUIA</strong></td>
<td>CRISTINA RODRIGUEZ PAZ</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA PELL MÉS SUAU</strong></td>
<td>Maite Guilera</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Pepa</strong></td>
<td>Claudio Cordero</td>
<td>20</td>
<td>Peru</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Persistencia de la Escena</strong></td>
<td>Gon Busquets</td>
<td>10</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA PISCINA</strong></td>
<td>Santiago Cardelús Ruiz-AlberdiPablo Manchado Cascón</td>
<td>22</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La poupée 9831</strong></td>
<td>Ali ZARE GHANATNOWI</td>
<td>11</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La ragazza col cerotto</strong></td>
<td>mena solipano</td>
<td>6</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA ROBA ESTESA</strong></td>
<td>Àlex Martín Fuste</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lagun</strong></td>
<td>Juan Larrañaga</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LAS CENIZAS ESTÁN QUEMANDO</strong></td>
<td>Lucas Leônidas</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LAS QUE FUERON A SERVIR</strong></td>
<td>Patricia Hernandez Guerrero</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Las que sobrevivimos</strong></td>
<td>Itxaso Díaz</td>
<td>25</td>
<td>España</td>
<td>Suahili</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Last Shooting</strong></td>
<td>Vyacheslav (Slavik) Bihun</td>
<td>10</td>
<td>Ukraine</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Law N°824</strong></td>
<td>Kamil Touil</td>
<td>15</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Le Jeune Sofiane</strong></td>
<td>Fabien Ara</td>
<td>29</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Le marchand de plutonium</strong></td>
<td>Stéphane Martineau</td>
<td>5</td>
<td>Germany</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Les Héritiers</strong></td>
<td>Zuhair Mousavi</td>
<td>16</td>
<td>Afghanistan, France, Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LES IMATGES ARRIBAREN A TEMPS</strong></td>
<td>Jaume Carrió</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Letter to Karen: Welcome to the Mercadita!</strong></td>
<td>juliette Henry</td>
<td>6</td>
<td>France</td>
<td>French, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Life after freedom</strong></td>
<td>Shamal Husen</td>
<td>21</td>
<td>Iraq</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Life happens still</strong></td>
<td>Aárar .Productions</td>
<td>10</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LILA</strong></td>
<td>Luisa Urbina</td>
<td>16</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Listen to me</strong></td>
<td>Mayar Abdelsattar Mohamed, Malak Ahmed Anwar</td>
<td>11</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Livid Mortis</strong></td>
<td>David Mzolo</td>
<td>5</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ljudski &#8211; Zbogom</strong></td>
<td>Rastko Šejić, Žaklina Crnobrnja</td>
<td>4</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LLEVÁMELO</strong></td>
<td>CARLOS VIDAURRE CARDOZO</td>
<td>20</td>
<td>Bolivia, Plurinational State of</td>
<td>Other, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LLUERNES</strong></td>
<td>Ferran Ureña</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LO QUE TE FALTA</strong></td>
<td>Sara Bermejo</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lo siento (cortometraje 2025)</strong></td>
<td>maida filippini</td>
<td>8</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Locked</strong></td>
<td>Aurora Guzmán</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>L&#8217;OLANDESA</strong></td>
<td>Juri Ferri</td>
<td>17</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Longarms (Uzunkol)</strong></td>
<td>Cemal Karaaslan</td>
<td>15</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los Cayucos de Kayar</strong></td>
<td>Alvaro Hernández Blanco</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los perdedores</strong></td>
<td>Jesús Melgares</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los Sueños &#8211; Videodanza &#8211;</strong></td>
<td>María Fernanda Vallejos</td>
<td>7</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lost &#8220;the third man&#8221;</strong></td>
<td>Erick Guadiana</td>
<td>13</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lost Happiness</strong></td>
<td>Andrii Shvydkyi</td>
<td>17</td>
<td>Ukraine</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Love Don&#8217;t Bully (Spanish and English subtitles)</strong></td>
<td>&nbsp;</td>
<td>7</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Love Like Ours</strong></td>
<td>Yan Paing Htun</td>
<td>18</td>
<td>Myanmar</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Luli</strong></td>
<td>Fede&nbsp; Jara</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MAIO</strong></td>
<td>Claudio Carbone</td>
<td>12</td>
<td>Italia</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mala Hierba</strong></td>
<td>Eduardo Delac</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Malevolent</strong></td>
<td>German L Ramos Briñez</td>
<td>13</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mama Bunga</strong></td>
<td>Ismail Pang, Kaling Ismail (Tokyo)</td>
<td>8</td>
<td>Kenya</td>
<td>Swahili</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mamíferas: El Hilo de Ariadna</strong></td>
<td>Sandra&nbsp; Díaz Siachoque</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Manadas Alfa</strong></td>
<td>Concha Alonso Valdivieso</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mandili</strong></td>
<td>Lile Gvinjilia</td>
<td>12</td>
<td>Georgia</td>
<td>Georgian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marcia Antonelli: Writing Against Erasure</strong></td>
<td>Mariellen Kuma</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marcus y Leonard</strong></td>
<td>Ángel Rodríguez Fernández</td>
<td>4</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mariem</strong></td>
<td>Javier Corcuera</td>
<td>15</td>
<td>Spain</td>
<td>Other</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marrano</strong></td>
<td>Sara SálamoAnna Saura</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Martha and Mary</strong></td>
<td>Verónica Ramírez</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Maten a las Ratas</strong></td>
<td>Natalia Cabello Stellino</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MEDUSAS</strong></td>
<td>Iñaki Sánchez Arrieta</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Meeting again</strong></td>
<td>Romy Quiroz</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MELCHOR (LA HISTORIA DE UNA BARBA)</strong></td>
<td>Ignacio Estaregui</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memoria Colectiva</strong></td>
<td>Cristina&nbsp; Colmenares</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memorias del Olvido</strong></td>
<td>Joaquín Nicolás Pérez Salvo, Diego Quintanilla</td>
<td>29</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MEMORİES</strong></td>
<td>Nephan Baykal</td>
<td>4</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memories, Forgotten</strong></td>
<td>Yuanting Tina Luo</td>
<td>7</td>
<td>United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Meyeti the girl</strong></td>
<td>Sreyan Sarkar</td>
<td>16</td>
<td>India</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mil vidas</strong></td>
<td>Antonio Blanca</td>
<td>15</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Milky Way</strong></td>
<td>Thomas CAPART, Eloise HEDOUX, Perrine HUGUENOT, Valentine LEVEUGLE, Dorothée CHERDOT</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mina&#8217;s Date</strong></td>
<td>Zahra Rezaei</td>
<td>12</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MINCRANIA</strong></td>
<td>Delia Postigo</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Misión Secreta</strong></td>
<td>Pedro Verdún</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mona Lisa’s Smile</strong></td>
<td>ALIREZA MONFARED ZAREI</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Monster*</strong></td>
<td>Asier Elgars</td>
<td>4</td>
<td>Spain</td>
<td>Catalan, English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Morî</strong></td>
<td>YAKUP TEKİNTANGAC</td>
<td>18</td>
<td>Turkey</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MOSHPIT</strong></td>
<td>Rafa Arroyo</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mother and Daughter</strong></td>
<td>Raito Nishizaka</td>
<td>11</td>
<td>Japan</td>
<td>Japanese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MOUNTAIN OF SILENCE Santa</strong></td>
<td>Sami Ali Kaka</td>
<td>3</td>
<td>Iraq</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MULHERES (EM) TRANS/E</strong></td>
<td>Milla Paz .</td>
<td>20</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>muñecas de porcelana (porcelain dolls)</strong></td>
<td>Antonio José López Gómez</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My girl</strong></td>
<td>Daniela Cortés Almonte</td>
<td>16</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Little Sentry</strong></td>
<td>Lucas Marques</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My love lives on the field</strong></td>
<td>&nbsp;</td>
<td>7</td>
<td>Kyrgyzstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Ray of Sunshine</strong></td>
<td>Laís Andrade</td>
<td>8</td>
<td>Brazil, Portugal</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Toy</strong></td>
<td>Mazen Haj Kassem</td>
<td>9</td>
<td>Denmark</td>
<td>Arabic, Danish, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nabi</strong></td>
<td>Hamed Golshahi</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nana</strong></td>
<td>Katia Crivellari</td>
<td>20</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Naranjas</strong></td>
<td>Gorka Martín-Curto</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NAZARA</strong></td>
<td>Cheyenne Oliveira Alencar, Alisson Pereira Flor</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NEGLECTED HOMELAND</strong></td>
<td>Hiva Naserian</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni Siempre</strong></td>
<td>Leandro Olimpio, Telmo Martins</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni un dia més</strong></td>
<td>Carlos Puig Mundó</td>
<td>25</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni una Carmen más!</strong></td>
<td>M. Gabriela&nbsp; Estrada</td>
<td>14</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nidelan</strong></td>
<td>Sara Mallan</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Night Rainbow</strong></td>
<td>Varvara Humenchuk</td>
<td>3</td>
<td>Ukraine</td>
<td>Ukrainian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nika, the pilot whale</strong></td>
<td>Jose Hernandez</td>
<td>29</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NINO</strong></td>
<td>Lilih Curi</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nino&#8217;</strong></td>
<td>Michele li volsi</td>
<td>11</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NO !</strong></td>
<td>Franck Llopis</td>
<td>2</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No a la guerra</strong></td>
<td>Jimmy Alejandro Castro Zambrano</td>
<td>1</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No es lo mismo</strong></td>
<td>Agustín Mollor Sánchez</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No Me Mires</strong></td>
<td>Miriam&nbsp; García Montero</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No More Carmens!</strong></td>
<td>Maria Gabriela Estrada</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nobody</strong></td>
<td>Msallam Hdaib</td>
<td>7</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nomad Girl</strong></td>
<td>Rouhollah Akbari</td>
<td>22</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nosotras</strong></td>
<td>Nacho V. Carrión Isabel Vega Zarzuela</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nosso panfleto seria assim</strong></td>
<td>Leandro Olimpio</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Not another day</strong></td>
<td>Carlos Puig Mundó</td>
<td>26</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Not even a 100 hadsfuls of Gold</strong></td>
<td>Diego Rodriguez Guzman</td>
<td>24</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NOTES FROM THE WEST</strong></td>
<td>Kazem Kehinde Balogun</td>
<td>3</td>
<td>United Kingdom</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Notification</strong></td>
<td>Tamer Akeil</td>
<td>11</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nuestro folleto se vería así</strong></td>
<td>Leandro Olimpio</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nutissimo</strong></td>
<td>Nicolas Bianco-Levrin, Julie Rembauville, Maxence Camelin</td>
<td>3</td>
<td>France</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>O Pranto de Poinkarah ou O Carom da Aldeia Ngojamroti</strong></td>
<td>Sandoval Amparo</td>
<td>20</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>On The Way to immigration</strong></td>
<td>hossein gholami</td>
<td>23</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>One shot of life</strong></td>
<td>Seyed Karim Ghasem Zadeh</td>
<td>16</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>one two there</strong></td>
<td>Amir Hossein keshmiri</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ophelia</strong></td>
<td>Moa Jara</td>
<td>4</td>
<td>Ecuador</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Orain zer?</strong></td>
<td>Ainhoa Urgoitia Santamaría</td>
<td>14</td>
<td>España</td>
<td>Euskera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Other World</strong></td>
<td>majid farzolahi</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ottawa</strong></td>
<td>Afshin Mansouri</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out</strong></td>
<td>Güliz Mutlu</td>
<td>5</td>
<td>Turkey</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out of the cocoon</strong></td>
<td>Maya Johanna Köbli</td>
<td>7</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out there</strong></td>
<td>Evgeniy Golovin, Alexander Afonasyev</td>
<td>14</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>O&#8217;yin Game</strong></td>
<td>Oyatillo Raxmatillo Axmadillayev</td>
<td>3</td>
<td>Uzbekistan</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pactos de silencio 3 “La realidad en la dependencia“</strong></td>
<td>Robert Martinez</td>
<td>24</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pactos de Silencio 3 La realidad en la Dependencia</strong></td>
<td>Robert Martinez</td>
<td>24</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paint Without Limits</strong></td>
<td>Vanessa Samper Díaz</td>
<td>9</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Painting Territories: Indigenous Voices in Dialogue.</strong></td>
<td>&nbsp;</td>
<td>13</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Papa said</strong></td>
<td>YUN-SYUAN LEE</td>
<td>9</td>
<td>Taiwan</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paper White noise</strong></td>
<td>Hamidreza Kord sichani</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PARA CUANDO DUELE</strong></td>
<td>Oriol Franco</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paradox</strong></td>
<td>Nardin Bashar AL-nazer</td>
<td>7</td>
<td>Jordan</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PENCIL</strong></td>
<td>Nephan Baykal</td>
<td>3</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pending Status</strong></td>
<td>Reza Heidari</td>
<td>21</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Perfectos perversos</strong></td>
<td>María José Caballero Alonso</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Perfectos Perversos</strong></td>
<td>Cuchi Caballero</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pesadumbre // Sorrowful Memory</strong></td>
<td>Jorge Enrique González Venegas</td>
<td>29</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PHARMAKON</strong></td>
<td>Kissel Hiram Bravo</td>
<td>8</td>
<td>Mexico</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Piel de terciopelo (velvet skin)</strong></td>
<td>ANTONIO JOSE LOPEZ GOMEZ</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PIETRA</strong></td>
<td>Cynthia Levitan</td>
<td>12</td>
<td>España</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PIPA or for me profane Arraia.</strong></td>
<td>Wally D. Menezes</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Planeta Fome</strong></td>
<td>Édier&nbsp; William</td>
<td>15</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Playmate</strong></td>
<td>Fuad Lotfi</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Plug Me In</strong></td>
<td>Peter Van Lengen</td>
<td>17</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POLITUNES</strong></td>
<td>Sergey Khismatov</td>
<td>21</td>
<td>Germany</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POR NOSOTROS</strong></td>
<td>Alberto Zorrilla</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>por que volvias cada verano</strong></td>
<td>Juli Suàrez</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POST MORTEM</strong></td>
<td>Jean-Philippe Henin-Tranvouez, Olivier Chevillard</td>
<td>10</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Prayer On The Border</strong></td>
<td>Young Man Kang</td>
<td>11</td>
<td>United States, United States</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Prescription For Life</strong></td>
<td>Chenxi Zhu</td>
<td>20</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pufferfish</strong></td>
<td>Mohammad Kamal Alavi</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Puzzleak</strong></td>
<td>Kote Camacho</td>
<td>15</td>
<td>España</td>
<td>Euskera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Puzzleak, The Rape Palace</strong></td>
<td>Kote Camacho, Anonymous</td>
<td>15</td>
<td>Spain</td>
<td>Eusquera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Quando as ondas do mar desligam (ES)</strong></td>
<td>Assaggi Piá, Yasoda Nanda</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>QUERIDO DIARIO</strong></td>
<td>Fátima Luzardo</td>
<td>2</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Refugiadas en escena. Exilio, memoria, paz</strong></td>
<td>Sergi Tarín Galán</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Regret</strong></td>
<td>Mostafa Shokouhi</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Relapse</strong></td>
<td>Avanti Pappu</td>
<td>7</td>
<td>India</td>
<td>Hindi, Marathi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>REMNANT</strong></td>
<td>KISSOR MEETEI</td>
<td>4</td>
<td>India</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Renacimiento</strong></td>
<td>Karel BarraAna Turbay</td>
<td>29</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>RESILIENCE</strong></td>
<td>Ramon Carpio Garcia</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Resorting to sleep</strong></td>
<td>Tawfiq Rashad al absee</td>
<td>3</td>
<td>Yemen</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rhapsody in Blue</strong></td>
<td>Marina Barancelli</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>RIHLA. EL VIAJE</strong></td>
<td>MIGUEL ÁNGEL MARTÍNEZ POZOISMAEL RODRIGO AGUILAR</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rock Shanty</strong></td>
<td>Ofentse MakhazaFlynn Bunyan</td>
<td>4</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rolly: A Story of My Father</strong></td>
<td>Kalfein Maikel Wuisan</td>
<td>15</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rulos</strong></td>
<td>Adrián Echedey Terán Rodríguez</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rupali Aansh</strong></td>
<td>Shopno Samudra</td>
<td>15</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Safe Space</strong></td>
<td>Nurcan Çoban</td>
<td>13</td>
<td>Turkey</td>
<td>English, Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Salud Mutante</strong></td>
<td>Daniel Rodríguez Gaitán</td>
<td>18</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sand Forest</strong></td>
<td>Nathalia Rangel, Keila Mora</td>
<td>4</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Saudade</strong></td>
<td>Richard Zubelzu, Magda Calabrese</td>
<td>15</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SAVE THE HIMALAYAS</strong></td>
<td>&nbsp;</td>
<td>2</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>scacco matto</strong></td>
<td>VALERIO FERRARI</td>
<td>10</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scan</strong></td>
<td>Ali Rezapour</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Pashto (Pushto)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Schizophrenia</strong></td>
<td>Yeganeh Sabzevari</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SCREAM</strong></td>
<td>SELMA MEÇO</td>
<td>17</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scrolling after Gaza is barbaric</strong></td>
<td>Martín Emiliano Díaz</td>
<td>4</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scusa</strong></td>
<td>Ignacio H Cuenca</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SEA OF HOPE</strong></td>
<td>JUBRAIL ABUBAKER RAHMAN</td>
<td>4</td>
<td>Iraq</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Secretos de familia</strong></td>
<td>Álvaro&nbsp; LassoJorge de la Cruz</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SEEING BEYOND SIGHT &#8211; The Journey of Ednilson Sacramento</strong></td>
<td>Nêio Mustafa</td>
<td>30</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Self</strong></td>
<td>Laura Mariana Sanchez, Perla Lizbeth Anaya</td>
<td>6</td>
<td>Mexico</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sezenler Olsun (Let There be Sezens)</strong></td>
<td>Adem Giliz</td>
<td>12</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SHEEPS CAN&#8217;T SWIM</strong></td>
<td>Matthieu Allart-Grzygierzek</td>
<td>22</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shelveh</strong></td>
<td>Sara Mallan</td>
<td>0</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shinzo</strong></td>
<td>José Fernández Ark</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shirin’s Bitter Tears</strong></td>
<td>Amin Fallah</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shooting Masks</strong></td>
<td>Sepas Mehrain</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shrapnel</strong></td>
<td>Víctor Rodolfo Jiménez</td>
<td>6</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Si me ven llorando</strong></td>
<td>María Luz Zamora Abanades</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SI NO FUERA POR MÍ</strong></td>
<td>Sergi&nbsp; González FernándezDiego Pérez González</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Signs that hurt</strong></td>
<td>Enzo SERRIPIERRI</td>
<td>23</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SILENCIOS</strong></td>
<td>Yago Casariego</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Silver Punch</strong></td>
<td>Isidora Valdés, Maurizio La Rocca</td>
<td>2</td>
<td>Chile</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SIREN</strong></td>
<td>Nephan Baykal</td>
<td>3</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sísifa</strong></td>
<td>Paco Alarcón Rojas</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sísifo (Sisyphus)</strong></td>
<td>Antonio L. Gómez, Ashton Blue</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Skin Color</strong></td>
<td>Fidel Alfonso Barboza Gómez, Sebastián Castaño</td>
<td>9</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Smoke or Family</strong></td>
<td>Jaswant Mintu</td>
<td>14</td>
<td>India</td>
<td>Panjabi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOBREVIVIENDO</strong></td>
<td>David Pintos</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLEDAD</strong></td>
<td>Ika de Mo</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLO KIM</strong></td>
<td>Javier Prieto de PaulaDiego Herrero</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLOMON&#8217;S HEGIRA</strong></td>
<td>Ehsan Soltani</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>somos, estamos</strong></td>
<td>Pablo Montes SánchezÁlvaro Montes Sánchez</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Son</strong></td>
<td>Saman Hosseinpuor</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish, Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Souls That Never Left</strong></td>
<td>Ghaith Eyad Alosh</td>
<td>8</td>
<td>Syrian Arab Republic</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>STAIR</strong></td>
<td>Herish Abdulwahab Haji</td>
<td>4</td>
<td>Iraq</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Stitches of Dreams</strong></td>
<td>Arish Akmal</td>
<td>7</td>
<td>Pakistan</td>
<td>English, Urdu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Stolen Babies</strong></td>
<td>Mau Cardoso</td>
<td>21</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Such a pretty face</strong></td>
<td>Ana Squilanti</td>
<td>18</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sunny-Man</strong></td>
<td>Sandeep Reddy Sama</td>
<td>7</td>
<td>India</td>
<td>Telugu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Super.</strong></td>
<td>Daniel Romero</td>
<td>3</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Supersensitive</strong></td>
<td>Samuel Zbynovsky</td>
<td>5</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survival Instinct</strong></td>
<td>Alex Rogger</td>
<td>30</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survivors</strong></td>
<td>Oliver Stiller</td>
<td>18</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survivors</strong></td>
<td>Oliver Stiller</td>
<td>20</td>
<td>Alemania</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Switched off</strong></td>
<td>Guillermo Rojo Diez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>symbolic action</strong></td>
<td>German Bartolomey</td>
<td>18</td>
<td>Georgia</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Taif</strong></td>
<td>Maytham Hashem</td>
<td>6</td>
<td>Iraq</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tapestries of Light, Life, and Community in Guatemala</strong></td>
<td>Paula Recinos</td>
<td>23</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Temps mort</strong></td>
<td>Albert Muns, Alex Pérez, David Piñol</td>
<td>5</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ten Girls</strong></td>
<td>Zoe Valentini</td>
<td>14</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>tener un hijo, sembrar un Árbol y escribir un libro. V.E</strong></td>
<td>ANA PALOMA MOLINA</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TENÍAMOS UN PLAN</strong></td>
<td>Jorge Pastor</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Testimony</strong></td>
<td>Leonardo Amaral, Roberto Cotta</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The adult life of ephemerals</strong></td>
<td>Rafael Arévalo</td>
<td>1</td>
<td>Peru</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Amendment</strong></td>
<td>Vyacheslav Mokin</td>
<td>22</td>
<td>Kazakhstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Black Bread of Çukurova</strong></td>
<td>Onur Sürek</td>
<td>15</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Closet</strong></td>
<td>Davood Rahmani, Reza Arabshahi</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The DOT</strong></td>
<td>Andrey Volkov</td>
<td>15</td>
<td>Kazakhstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Dream of Kamal / El sueño de Kamal</strong></td>
<td>Miguel J. Crespo</td>
<td>25</td>
<td>Mexico</td>
<td>Arabic, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Edge of Death</strong></td>
<td>Fahrettin Eren Dinler</td>
<td>10</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Ellipsis Figure</strong></td>
<td>saeed heshmati</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Embrace</strong></td>
<td>Zeinab Nejati</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Evolution of Utopia</strong></td>
<td>Zirui Wang</td>
<td>18</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Fear Monster</strong></td>
<td>Andrew Gledson, Eduardo Padrão</td>
<td>10</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Final Take</strong></td>
<td>Fatemeh Shams (Karimian)</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Hidden People Rise &#8211; Marching for Peace</strong></td>
<td>Ed Fitzgerald</td>
<td>3</td>
<td>Ireland</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The hostage</strong></td>
<td>Sarah. Nagazi. Nagazi.</td>
<td>15</td>
<td>France, Tunisia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The key</strong></td>
<td>Hussam Sharwany</td>
<td>9</td>
<td>Austria</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The last carousel of La Pampa</strong></td>
<td>Federico Bardini</td>
<td>13</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Last Day</strong></td>
<td>Farzad Samimi</td>
<td>12</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The last note</strong></td>
<td>Henrique Fiuza da Silva Oliveira Lopes</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Liberation Generation</strong></td>
<td>Emad Ghraybeh</td>
<td>12</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Little Stranger</strong></td>
<td>Shakila Moezi</td>
<td>9</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Loneliness Of The Moon</strong></td>
<td>pezhan ziaian</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Lucid Dream</strong></td>
<td>Arzhang Niavarani</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE MASK</strong></td>
<td>FAYSSAL KADA</td>
<td>5</td>
<td>Algeria</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Pale Shadow</strong></td>
<td>Omar Maged</td>
<td>30</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Picture</strong></td>
<td>Enrique Corrales Rodríguez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The plains, the indomitable spirit of the plains.</strong></td>
<td>Hector Puche</td>
<td>30</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Plastic Cup Metaphor</strong></td>
<td>Anthony Légal, Michael Marie</td>
<td>6</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE RISE</strong></td>
<td>Arnould Christophe</td>
<td>19</td>
<td>Suiza</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE SHELL</strong></td>
<td>Sema Güler</td>
<td>17</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Silence of Iron</strong></td>
<td>Mariana de Melo</td>
<td>15</td>
<td>Brasil</td>
<td>English, Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Stair to sky</strong></td>
<td>abdulkalk Jodt Omar</td>
<td>4</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Storm</strong></td>
<td>Angela Conigliaro</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Strange Case Of The Human Cannonball</strong></td>
<td>Roberto Valencia</td>
<td>10</td>
<td>Ecuador</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Sunset of Green Snails</strong></td>
<td>Mohammad Hasani</td>
<td>9</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Tide Grumbling</strong></td>
<td>Jesus F. Cruz</td>
<td>22</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Time permeates on the street</strong></td>
<td>soo min&nbsp; park</td>
<td>28</td>
<td>Corea del Sur</td>
<td>Coreano (한국어)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The tip of the iceberg</strong></td>
<td>Luca Costale</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Trauma</strong></td>
<td>Gabriel Andres Cid</td>
<td>7</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Truth: 2014</strong></td>
<td>Giancarlo Garcia Salazar, Cecilia Santiago</td>
<td>6</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Unsaid</strong></td>
<td>Kejdi Demneri</td>
<td>8</td>
<td>Albania, Kosovo</td>
<td>Albanian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>the waves to come</strong></td>
<td>Agustín Berro Madero</td>
<td>18</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Winners</strong></td>
<td>Mostafa BENKHLAFA</td>
<td>10</td>
<td>Morocco</td>
<td>Arabic, French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Woman Pastor</strong></td>
<td>Julien Kobersy</td>
<td>9</td>
<td>Lebanon</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Women of Two Cities</strong></td>
<td>Chee Yong LimYu Jia Chong</td>
<td>25</td>
<td>Singapur</td>
<td>Chino</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Yellow Wallpaper</strong></td>
<td>Alicja Pahl</td>
<td>8</td>
<td>Switzerland</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>they&#8217;re not just songs</strong></td>
<td>Hamza Amro</td>
<td>5</td>
<td>Palestine, State of</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>those</strong></td>
<td>Marco Migliozzi</td>
<td>15</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Through What&#8217;s Left</strong></td>
<td>Fazashan Hesafa Putra</td>
<td>11</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tienes sitio?</strong></td>
<td>ESTEFANIA SERRANO</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tilo´s story</strong></td>
<td>Roberto Villafane</td>
<td>4</td>
<td>Panama</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Time to Feed the Pigeons</strong></td>
<td>Sergey Shilykovsky</td>
<td>11</td>
<td>Russian Federation</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Timeless Wisdow</strong></td>
<td>Gustavo Zinder</td>
<td>15</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To Hawa</strong></td>
<td>Andi Imam Prakasa</td>
<td>9</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To Heal</strong></td>
<td>Kevin Lucero Less</td>
<td>1</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To land defenders (2023)</strong></td>
<td>Rubén Marin Ramos</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TODAY IS THE DAY</strong></td>
<td>Anil Cirakoglu</td>
<td>12</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Top Floor</strong></td>
<td>Chih Yu Liu</td>
<td>9</td>
<td>Taiwan</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Torn stockings</strong></td>
<td>Oliver Medina</td>
<td>6</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TOUR subt inglés, portugués, alemán, francés,más</strong></td>
<td>Fátima Luzardo</td>
<td>2</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TOYS</strong></td>
<td>Accursio Graffeo</td>
<td>2</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Traje y Tupper</strong></td>
<td>José Ocaña</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Transaction Official Short film</strong></td>
<td>CONSTANTINOS KIPRIANIDIS</td>
<td>8</td>
<td>Cyprus</td>
<td>Greek (Modern)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Transient</strong></td>
<td>Sharon Ordoñez</td>
<td>9</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TREIZE ANS</strong></td>
<td>Claire Salomé</td>
<td>3</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tristes Tigres</strong></td>
<td>Adán Pichardo</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TU NO.</strong></td>
<td>Marta Albert González</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Two Tickets</strong></td>
<td>mazen haj kassem</td>
<td>18</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ufo bandari</strong></td>
<td>karim forozan</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>UN DÍA PERFECTO</strong></td>
<td>Mariela Artiles Merino</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Una silla llamada Maura</strong></td>
<td>Valeria Azul</td>
<td>10</td>
<td>Honduras</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Under Occupation</strong></td>
<td>Anas Yahya</td>
<td>2</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Under the last breath</strong></td>
<td>Pedro Valencia</td>
<td>5</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Unfading</strong></td>
<td>David De Luca</td>
<td>11</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>UNWATCHED</strong></td>
<td>Cornelius Pitts</td>
<td>7</td>
<td>United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>URTAJO</strong></td>
<td>Miguel Ángel Marqués Bordoy</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VELIYEEDU</strong></td>
<td>Anthujan Selvaratnam</td>
<td>15</td>
<td>United Kingdom</td>
<td>Tamil</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ventura</strong></td>
<td>Juan Andrés Cermeño Salas</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VIBRATIONS FROM GAZA</strong></td>
<td>Rehab Nazzal</td>
<td>16</td>
<td>Canada, Palestine, State of</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Victim</strong></td>
<td>Mohammad Javad Belghadr</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Viola</strong></td>
<td>Marco Lorenzo Masante</td>
<td>12</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VIRGEN DE GUADALUPE</strong></td>
<td>Viridiana Moreno García</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>war</strong></td>
<td>Ali Momeni</td>
<td>3</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Waters of litigation</strong></td>
<td>Val Carbone, Paulo Gabriel</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>We, women</strong></td>
<td>Laura Gabay</td>
<td>11</td>
<td>Spain</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>We. Children of war</strong></td>
<td>Edward Nigmatullin</td>
<td>16</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whakapapa</strong></td>
<td>Matias Fabro</td>
<td>19</td>
<td>Argentina, Uruguay</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whakapapa</strong></td>
<td>Matias&nbsp; Fabro</td>
<td>19</td>
<td>Uruguay</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What Eyes Cannot See</strong></td>
<td>Camila Cohen</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What If They Bomb Here Tonight ?</strong></td>
<td>Samir Syriani</td>
<td>16</td>
<td>Lebanon</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What If We Were Happy?</strong></td>
<td>Julie-Yara Atz</td>
<td>30</td>
<td>Lebanon, Switzerland</td>
<td>Arabic, English, French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What is Sold, What is Eaten</strong></td>
<td>Rafael Mellim</td>
<td>28</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When Every Refuge Turns Hostile</strong></td>
<td>Cielo Iturralde Carrera</td>
<td>8</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When night falls</strong></td>
<td>Juan Antonio Martínez</td>
<td>16</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When The Guitar Falls Silent</strong></td>
<td>Roberto Janacua B.</td>
<td>8</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Where The Stars Rest</strong></td>
<td>VEDANGA NAG</td>
<td>5</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whisper Of The Ink</strong></td>
<td>Ishtiyak Ahmad Zihad</td>
<td>12</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>White Christmas (+only)</strong></td>
<td>Junghwi(중휘) Souk(석)</td>
<td>3</td>
<td>Korea, Republic of</td>
<td>Korean</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Why me?</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>7</td>
<td>Bulgaria</td>
<td>Bulgarian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Will Today Be A Happy Day ?</strong></td>
<td>M Kanz Daffa</td>
<td>15</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Wind</strong></td>
<td>Mayra Martínez</td>
<td>20</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Women Who Left to Serve</strong></td>
<td>Patricia Hernández Guerrero</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Xarpi</strong></td>
<td>&nbsp;</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Xarpi</strong></td>
<td>Rafael Lobo</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>y Rosa</strong></td>
<td>Alberto Alber</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>You are perfection</strong></td>
<td>Viktoriia Saifutdinova</td>
<td>2</td>
<td>Russian Federation</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>You Got Mail</strong></td>
<td>Saamridh Ramkelawan</td>
<td>4</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>YOU GOT TO SING</strong></td>
<td>María José Caballero Alonso</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Your Gaze</strong></td>
<td>Gustavo Stella</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>YOUR OWN BOSS</strong></td>
<td>Álvaro Guzmán Bastida</td>
<td>18</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ZONA WAO</strong></td>
<td>Nagore Eceiza Mujika</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Luta das Auras</strong></td>
<td>Marina Araújo</td>
<td>41</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>An Extraordinary Surgeon</strong></td>
<td>Orhan Tekeoglu</td>
<td>59</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>AR YEZH</strong></td>
<td>Philipp Bückle, Aurélie Scouarnec</td>
<td>43</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>BARÇA BARSAK &#8211; The Atlantic Route</strong></td>
<td>Leon Scheffold</td>
<td>31</td>
<td>Germany</td>
<td>English, French, Spanish, Wolof</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Beautiful</strong></td>
<td>Fariza Tanay</td>
<td>38</td>
<td>Kazakhstan</td>
<td>Kazakh, Russian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>CESSEFIRE</strong></td>
<td>ELHAM ADELI</td>
<td>45</td>
<td>Iran, Islamic Republic of</td>
<td>Arabic, Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Dheemi Aanch (The Weight of Silence)</strong></td>
<td>Baylon Fonseca</td>
<td>38</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Dust and Clay</strong></td>
<td>mfer7653 Adam Lee</td>
<td>39</td>
<td>Korea, Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>ECHOES OF YOU</strong></td>
<td>Roy Amabo Ntinwa</td>
<td>33</td>
<td>Cameroon</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>El arte de los analfabetos</strong></td>
<td>Kevin&nbsp; Castellano CastañoEduardo&nbsp; Hirshcfeld León</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>El Silenci d’un pati</strong></td>
<td>Mari&nbsp; Carmen Blanco</td>
<td>58</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Empower U</strong></td>
<td>Carly Isselmann</td>
<td>39</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>encontres d’exili III</strong></td>
<td>Jose&nbsp; Gaya</td>
<td>35</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Exile</strong></td>
<td>Yesmine Fersi, Lina Hamouda, Minyar Mrabti</td>
<td>45</td>
<td>Tunisia</td>
<td>Arabic, English, French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Guatapé is (not) dead</strong></td>
<td>Laurence Paciarelli</td>
<td>52</td>
<td>Belgium, Colombia</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Hulajpole</strong></td>
<td>Alex Libertad</td>
<td>43</td>
<td>Poland</td>
<td>Polish</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Joe Kardos, el último cowboy</strong></td>
<td>Kiko Prada</td>
<td>50</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Lo que esconden las palabras</strong></td>
<td>Daria ShubinaMariana Dueñas</td>
<td>41</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Manuel</strong></td>
<td>Marcelo Adrián Echaniz</td>
<td>43</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Montesacro</strong></td>
<td>Juan Pablo Vargas</td>
<td>40</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Mum &amp; Mohammed: Forces of Nature</strong></td>
<td>Ingrid Pernet Duparc</td>
<td>44</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>No Goodbye</strong></td>
<td>Sajad Rajab Boloukat</td>
<td>42</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Pactos de silencio 3 la realidad en la dependencia</strong></td>
<td>Robert Martinez</td>
<td>59</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Pirinha</strong></td>
<td>Natasha Craveiro</td>
<td>53</td>
<td>Cape Verde</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Save Gota de Leche</strong></td>
<td>ÁNGEL FREGOSI</td>
<td>50</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Shimmering Odyssey</strong></td>
<td>Prasun Goswami, Raunak Shivhare</td>
<td>42</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Adventures of Angosat</strong></td>
<td>Resem Verkron, Marc Serena</td>
<td>32</td>
<td>Angola, Spain</td>
<td>Other, Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Streets Know My Name</strong></td>
<td>Eghoghon Sarah Ifidon</td>
<td>40</td>
<td>United Kingdom</td>
<td>English, French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Undocumented</strong></td>
<td>Sampsa Huttunen, Ann-Mari Leinonen</td>
<td>50</td>
<td>Finland</td>
<td>Arabic, English, Finnish, Somali</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Village of Bastards</strong></td>
<td>Amritansh Shukla, Uday Thakur</td>
<td>51</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Warp and woof of suffering</strong></td>
<td>Farid Rahnama</td>
<td>38</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Women of Resilience</strong></td>
<td>Andreas Rochholl, Sebastian Leitner</td>
<td>54</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Your Adventure Yard ( YAY )</strong></td>
<td>Jale İncekol</td>
<td>46</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Zaratustra &#8211; A Film Made From Within</strong></td>
<td>Luiz Fernando F. Machado</td>
<td>51</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>@love</strong></td>
<td>Annabelle Mullen Pacheco</td>
<td>98</td>
<td>Puerto Rico</td>
<td>English, Galician, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>¿QUÉ PASA CON NOSOTRAS?</strong></td>
<td>David&nbsp; Pascual</td>
<td>89</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>《Where is the Pure Land》</strong></td>
<td>WEITAO WANG</td>
<td>80</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A Beginning For The End Songs Of The A River</strong></td>
<td>Meysam Oghbaei</td>
<td>70</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A mi padre</strong></td>
<td>Pablo DiconcaLeon Diconca</td>
<td>84</td>
<td>Canada</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A Shaman&#8217;s Tale</strong></td>
<td>Beata Bashkirova, Mikhail Bashkirov</td>
<td>76</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Alí Primera</strong></td>
<td>Daniel Yegres Richard</td>
<td>126</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Amanecer La Palabra</strong></td>
<td>Nestor Martinez</td>
<td>80</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Argumosa 11, Living in Emptiness</strong></td>
<td>Hugo Carmona, Sergio García Locatelli, Mauricio Franco</td>
<td>90</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>AYAHUASCA NOW, voices of a silent war</strong></td>
<td>Carlos Bruno Cejas</td>
<td>90</td>
<td>Argentina</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>BIRTHING WITHOUT FEAR</strong></td>
<td>Alba Pifarré</td>
<td>75</td>
<td>Spain</td>
<td>Catalán, Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Bread for tomorrow</strong></td>
<td>Carmelo Puglisi</td>
<td>88</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>BURNOUT</strong></td>
<td>Ander Duque</td>
<td>61</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Cages taking flight</strong></td>
<td>Sujith Kumar KV</td>
<td>74</td>
<td>India</td>
<td>English, Hindi, Telugu, Urdu</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>CONCHA ROBLES. EL PRECIO DE LA LIBERTAD.</strong></td>
<td>DAVID MIRALLES QUESADA</td>
<td>80</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>CONCHA ROBLES. EL PRECIO DE LA LIBERTAD.</strong></td>
<td>DAVID MIRALLES QUESADA</td>
<td>80</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Così x Caso-Dogma 95 (Director&#8217;s Cut – Dogma 95 Anniversary)</strong></td>
<td>Cristiano Ceriello</td>
<td>123</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Crime of the night: Brazilian Purge</strong></td>
<td>Marcelo N. Reis</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Dear Mother,</strong></td>
<td>Sk Shuvo Shadique</td>
<td>67</td>
<td>Bangladesh</td>
<td>Bengali, Other</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>desde fuera y tan adentro</strong></td>
<td>Fab llanos</td>
<td>94</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DESTINY</strong></td>
<td>yaser talebi</td>
<td>72</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Diario de un viaje</strong></td>
<td>Antonio&nbsp; Martin Alonso</td>
<td>69</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DIS concept (DES conceito)</strong></td>
<td>Ibere Pereira</td>
<td>103</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Disitango, a feminist embrace</strong></td>
<td>Valérie Loewensberg, Agustin Brun</td>
<td>82</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>D&#8217;Land am Schiet / The Land in the Shadows</strong></td>
<td>Lukas Grevis</td>
<td>73</td>
<td>Luxembourg</td>
<td>German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DULCE AMARGO</strong></td>
<td>John Agudelo</td>
<td>79</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DUVA</strong></td>
<td>Jonathan Álvarez Peña</td>
<td>80</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>El Mundialito (small world cup)</strong></td>
<td>Marcel Czombos</td>
<td>76</td>
<td>Argentina</td>
<td>English, Portuguese, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EMNA</strong></td>
<td>bouslama chamakh</td>
<td>71</td>
<td>Switzerland, Tunisia</td>
<td>Arabic, German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EMPODERÍO</strong></td>
<td>Lara Izagirre</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Enciso, las huellas de la memoria</strong></td>
<td>Jesús Hermida</td>
<td>95</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Entre Fronteras</strong></td>
<td>Jose FucaJuan José Cea Escobar</td>
<td>90</td>
<td>Canada</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Escenas dun consenso</strong></td>
<td>Carmen P.G. Granxeiro</td>
<td>74</td>
<td>España</td>
<td>French, Galician, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Eskawata Kayawai &#8211; The Spirit of Transformation</strong></td>
<td>Lara Jacoski, Patrick Dequech Belem</td>
<td>70</td>
<td>Brasil</td>
<td>English, Portuguese, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Espacio menguante</strong></td>
<td>Norma Nebot</td>
<td>79</td>
<td>Spain</td>
<td>Arabic, English, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Este fue nuestro castigo</strong></td>
<td>Luis Cintora</td>
<td>89</td>
<td>Peru</td>
<td>Quechua, Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EVROS- Α BLURRED LANDSCAPE</strong></td>
<td>GEORGIOS KERAMIDIOTIS</td>
<td>81</td>
<td>Greece</td>
<td>Modern Greek (1453-)</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Explotando el Edén, Île-à-Vache</strong></td>
<td>Raquel Gómez-Rosado</td>
<td>92</td>
<td>Spain</td>
<td>French, Haitian, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Extraordinary Common People</strong></td>
<td>Elena Bursztein, Axel Rosito</td>
<td>63</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Faltan vuestros nombres</strong></td>
<td>Pablo Gabaldón</td>
<td>85</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Father Mugica, the hour of light</strong></td>
<td>nicolas martin cuiñas, walter omar peña</td>
<td>69</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Fish without a wing</strong></td>
<td>Esperanza Jorge, Inmaculada Antolínez</td>
<td>72</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>FOOD FOR THOSE IN NEED</strong></td>
<td>Leonardo Brant</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Fragmentos</strong></td>
<td>Alejandro Rangel</td>
<td>110</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>GREEN LINE</strong></td>
<td>Sylvie Ballyot</td>
<td>90</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Havana Stories [La operación Payret]</strong></td>
<td>Eliecer Jimenez Almeida</td>
<td>80</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Hear O, Mahatma</strong></td>
<td>Ramchandra PN</td>
<td>101</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Impure</strong></td>
<td>Rico Herre</td>
<td>84</td>
<td>Germany, Kenya</td>
<td>Swahili</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Inche Machi</strong></td>
<td>Alison Ninoska</td>
<td>60</td>
<td>Chile</td>
<td>Other</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Intersex / The Violet Circle</strong></td>
<td>Teresa María María Martino</td>
<td>90</td>
<td>Argentina</td>
<td>English, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>JINETES DE ROCA</strong></td>
<td>Sebastian Diaz</td>
<td>71</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Jornaleros</strong></td>
<td>Sergio Rodrigo</td>
<td>88</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Juanito</strong></td>
<td>Renato Dennis</td>
<td>60</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Keys: A Palestine Film</strong></td>
<td>Ed Fitzgerald</td>
<td>88</td>
<td>Ireland</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lachatao</strong></td>
<td>Natalia Bruschtein Erenberg</td>
<td>87</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lago Escondido, soberanía en juego</strong></td>
<td>Camilo Gómez Montero</td>
<td>77</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lagoa do Nado &#8211; A festa de um parque</strong></td>
<td>Arthur B. Senra</td>
<td>77</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Life is beautiful</strong></td>
<td>Daler Said-Jafarovich Rahmatov, Gulandom Salohovna Muhabbatova</td>
<td>76</td>
<td>Tajikistan</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Los Ojos del Futuro</strong></td>
<td>José María Borrell Balsells</td>
<td>67</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Los que Enfrentan el Después</strong></td>
<td>RUSSEL ÁLVAREZ</td>
<td>66</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>MAAYO WONAA KEEROL -The River Is Not a Border</strong></td>
<td>Alassane Diago</td>
<td>100</td>
<td>France, Germany, Senegal</td>
<td>Afrikaans, English, French</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mahoor</strong></td>
<td>majid niamorad</td>
<td>84</td>
<td>Ukraine</td>
<td>Persian, Ukrainian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mátria Amada Kalunga</strong></td>
<td>Lak ShamraThassio Freire</td>
<td>70</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Maudite Aphrodite</strong></td>
<td>Karim Souaki</td>
<td>86</td>
<td>Tunisia</td>
<td>Arabic</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Migrants</strong></td>
<td>Masoud Ahmadi</td>
<td>85</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mohanas. Resistencias, memoria, paz</strong></td>
<td>Sergi Tarín</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mom&#8217;s dolls</strong></td>
<td>German L Ramos Briñez</td>
<td>70</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Moribund</strong></td>
<td>Hojat Taheri</td>
<td>62</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>NEYEN MAPU. The Call of Lanín</strong></td>
<td>Mara Rocío Collinao</td>
<td>60</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Night and Fog in Kurdistan</strong></td>
<td>Shilan Saadi</td>
<td>85</td>
<td>Belgium, Canada, Georgia, Iran, Islamic Republic of, Turkey</td>
<td>Kurdish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>No somos marionetas</strong></td>
<td>Julio Espinosa</td>
<td>70</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Nonkonform</strong></td>
<td>Arne Körner</td>
<td>117</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Nos hace falta Sinar</strong></td>
<td>Andrés Alarcón Nandayapa</td>
<td>65</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>ON REMEMBERING</strong></td>
<td>Laura Gabay</td>
<td>60</td>
<td>Switzerland</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Pirinha</strong></td>
<td>Natasha Craveiro</td>
<td>60</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Pizza Fritta</strong></td>
<td>Domingo De Luis</td>
<td>66</td>
<td>Italy, Spain</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>PRESENT PAST</strong></td>
<td>N. Salma Bynes</td>
<td>96</td>
<td>Uganda</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Qazhymuqan</strong></td>
<td>Kanagat Mustafin</td>
<td>86</td>
<td>Kazakhstan</td>
<td>Kazakh</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>RUNNING ON CANDLELIGHT</strong></td>
<td>AGUSTÍN TORANZO</td>
<td>61</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>SEBASTIAN MORO, THE WALKER</strong></td>
<td>María Laura Cali</td>
<td>90</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Senegal. Un sueño de ida y vuelta</strong></td>
<td>Marcos Gualda</td>
<td>88</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Shot the Voice of Freedom</strong></td>
<td>Zainab Entezar</td>
<td>71</td>
<td>Afghanistan, Germany</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Sinahal, Mayan Midwife</strong></td>
<td>Glenny Torres</td>
<td>77</td>
<td>Mexico</td>
<td>Other, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Sniper Alley &#8211; To My Brother</strong></td>
<td>Cristiana Lucia Grilli, Francesco Toscani</td>
<td>84</td>
<td>Italy</td>
<td>Bosnian, English, Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Spain is not different</strong></td>
<td>Samuel Sebastian</td>
<td>77</td>
<td>Spain, United Kingdom</td>
<td>Other, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Tal vez nos volvamos a encontrar</strong></td>
<td>Pablo Banchero</td>
<td>72</td>
<td>Uruguay</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Te protegerán mis alas</strong></td>
<td>Antonio Cuadri</td>
<td>107</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>TEAM TIBET</strong></td>
<td>Alison Pinkney</td>
<td>111</td>
<td>United Kingdom</td>
<td>English, Tibetan</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The agronomist</strong></td>
<td>Martín Turnes</td>
<td>72</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Architect</strong></td>
<td>weiping zhang</td>
<td>92</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Beetle´s Cave</strong></td>
<td>Wojciech Ganczarek</td>
<td>67</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Closures</strong></td>
<td>Lucia Arellano</td>
<td>73</td>
<td>Belgium, Chile, France, Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The color smile of death</strong></td>
<td>inaz javan</td>
<td>157</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Invisible</strong></td>
<td>Andrea Oliva Marcial</td>
<td>92</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THE OTHER MAN</strong></td>
<td>Edgar Rocca Marquez</td>
<td>108</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Painters of the Future</strong></td>
<td>Kurt Poeschl</td>
<td>87</td>
<td>Germany</td>
<td>English, German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Quantum Leap of The Termites</strong></td>
<td>Paula Otero</td>
<td>62</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Recent Unrest</strong></td>
<td>Ali Hadadi</td>
<td>89</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The stigma of silence</strong></td>
<td>Sergio Hernández Sanz</td>
<td>77</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Strong Man of Bureng</strong></td>
<td>Mauro Bucci</td>
<td>76</td>
<td>Italy</td>
<td>Afrikaans, English, Finnish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THE TALE OF A SAILOR</strong></td>
<td>José David Apel</td>
<td>70</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Values On The Way</strong></td>
<td>Raquel Freiría</td>
<td>88</td>
<td>España</td>
<td>English, Galician, German, Italian, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Volunteers &#8211; Las Brigadistas</strong></td>
<td>Juan Pablo Lepore</td>
<td>63</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THIS JUNGO LIFE</strong></td>
<td>David Fedele</td>
<td>78</td>
<td>Morocco</td>
<td>Arabic, English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Todos lo sabían</strong></td>
<td>Iratxe Pérez Barandalla</td>
<td>98</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Transformando Realidades</strong></td>
<td>Vanessa Gisell Pintos BideauMario Ayala Cabello</td>
<td>63</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Un Rincón sin Cielo</strong></td>
<td>Lisset Bohe</td>
<td>74</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>UNA FAMILIA OLIMPICA</strong></td>
<td>Carlos Conti</td>
<td>78</td>
<td>Uruguay</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Una Risata ci Salverà &#8211; A laugh will save us</strong></td>
<td>Michelangelo Gregori</td>
<td>60</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>UNDER MY SKIN</strong></td>
<td>Pascal Tessaud</td>
<td>99</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Unknown Worlds</strong></td>
<td>THU MONG DUONG</td>
<td>97</td>
<td>Viet Nam</td>
<td>Vietnamese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Vibrar: El Arte de Sentir</strong></td>
<td>Nathalia Montealegre Triana</td>
<td>71</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Vieques: A Living Archive</strong></td>
<td>Juan Carlos Rodríguez</td>
<td>89</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Waiting List</strong></td>
<td>Victoria De Michele, Mariela Di Naro</td>
<td>76</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>We’re Not the Same</strong></td>
<td>Sergio Nolasco Infante</td>
<td>76</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>What&#8217;s wrong with us?</strong></td>
<td>DAVID PASCUAL</td>
<td>90</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Where to go</strong></td>
<td>Nacho Sánchez Sánchez BRAVO</td>
<td>64</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>WHO IS SHE</strong></td>
<td>Mariana Jaspe</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Yo Soy el Bosque &#8211; I am the Forrest</strong></td>
<td>Ines Ruiz, Gonzalo Alvarado</td>
<td>80</td>
<td>Perú</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
</tbody>
</table>								</div>
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		</section>
				</div>
		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/">Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Deadline for film submissions to FICNOVA 8 has closed</title>
		<link>https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Sat, 02 Aug 2025 12:03:01 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[FICNOVA Inscripción películas]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=11931</guid>

					<description><![CDATA[<p>The theme of this edition, ‘NONVIOLENCE: FROM ME TO US,’ resonates around the world As published in the rules for</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/">Deadline for film submissions to FICNOVA 8 has closed</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img loading="lazy" decoding="async" width="800" height="800" src="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243.png" class="attachment-large size-large wp-image-11902" alt="Cerrado plazo 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243.png 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-300x300.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-150x150.png 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-768x768.png 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-500x500.png 500w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<h4>The theme of this edition, ‘NONVIOLENCE: FROM ME TO US,’ resonates around the world</h4><p>As published in the rules for participation in the 8th International Film Festival of Active Nonviolence 2026, FICNOVA, on 1 August 2025 we closed the registration period for films competing in this edition.</p><p>A total of 2,565 films were submitted across the four categories: 99 medium-length films and 340 feature films in the 2023 General Section for Short Films, and 103 short films in the Educational Institutions section.</p><p>The films came to us from 121 countries, through the three festival platforms we use at FICNOVA (FilmFreeway, Festhome and Clickforfestival), thanks to which the proposal circulates across all continents.</p><p>The international organising team, bearing in mind that our work is entirely voluntary, despite being more demanding with the requirements for this edition so that the films comply with the theme proposed by the festival and with the requirement that the original languages offer the possibility of subtitles in Spanish and English, we see that we maintain a very high participation of works to be evaluated. For all these reasons, we are organising the festival on a biennial basis in 2026 and will not have the official selection for the competition until 15 July 2026, when we will publish the accepted works.</p><p>We would like to thank all the authors and producers for their participation in the 8th FICNOVA 2026, helping to spread the message of non-violence with their examples.</p><p>FICNOVA Organising Team</p>								</div>
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		</section>
				</div>
		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/">Deadline for film submissions to FICNOVA 8 has closed</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>NONVIOLENCE: FROM ME TO US</title>
		<link>https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sat, 01 Mar 2025 22:39:50 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[THE FESTIVAL]]></category>
		<category><![CDATA[8 FICNOVA 2026]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=12273</guid>

					<description><![CDATA[<p>With this motto we start the preparation of the 8th International Film Festival of Active Nonviolence 2026, FICNOVA.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/">NONVIOLENCE: FROM ME TO US</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img loading="lazy" decoding="async" width="800" height="817" src="https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/Poster-FICNOVA8-ENG-c.jpg" class="attachment-large size-large wp-image-12275" alt="Poster-FICNOVA8-ENG" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/Poster-FICNOVA8-ENG-c.jpg 995w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/Poster-FICNOVA8-ENG-c-294x300.jpg 294w, https://festivalcinenoviolencia.org/wp-content/uploads/2026/07/Poster-FICNOVA8-ENG-c-768x784.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<h5><span style="color: #000000;"><strong>NONVIOLENCE: FROM ME TO US</strong></span></h5><p><strong>With this motto, we are beginning preparations for the 8th International Active Nonviolence Film Festival (FICNOVA), which we will hold during the week of October 2, 2026.</strong></p><p>As in previous editions, we are sending out a signal of active nonviolence to seek out examples of this transformative sensibility around the world.</p><p>We are experiencing constant changes everywhere that create great instability in our lives. The loss of reference points can confuse us and lead us to move in an unintended direction, or it can prompt us to seek deeper internal points of reference that strengthen us. Perhaps, in that search, we arrive at nonviolence as a steadfast anchor to hold onto, preventing us from being swept away by the trends of the moment.</p><p>We find ourselves at a crossroads, observing two opposing directions—both in the world and within ourselves. On one hand, across a finally interconnected planet, a sense of a &#8220;universal &#8216;us'&#8221; is beginning to emerge in many people—a shift in consciousness that opens up a hopeful future. On the other hand, however, individual &#8220;selves&#8221; and group &#8220;selves&#8221; (factions) are engaged in a ruthless struggle to dominate one another through every form of violence. One path leads us toward humanization—recognizing ourselves and others, and caring for the world—while the other divides, disconnects, and dehumanizes us as we become blinded by personal desires.</p><p>In each new edition of FICNOVA, we recognize valuable examples from around the world of human beings mobilizing to overcome pain and suffering—both in themselves and in others—driven by a heartfelt, quiet emotional connection that extends from their immediate circles to the furthest reach of their capacity for transformation.</p><p>We also denounce the poor examples set by individuals and groups possessing economic power—indifferent to the suffering of others, disconnected, and callous—caught in a growing process of dehumanization and internal disintegration; people capable of viewing murder, blackmail, misappropriation, and the destruction of others&#8217; lives and possessions merely as &#8220;collateral damage&#8221; in the pursuit of their own &#8220;grand objectives.&#8221;</p><p>We sense an internal alarm—a warning of danger—regarding that dehumanizing trend, signaling that something vital is being lost when we cannot feel the pain and suffering of others.</p><p>From this small film festival dedicated to active nonviolence—inspired by Universalist Humanism—we call for a moment of silence. A moment to open ourselves to discovering new inner spaces that connect us with others.</p><p>Through the works gathered for this edition, we will once again invite an exchange of enriching experiences—one that enables us to build bridges and foster reconciliation among siblings who were separated by circumstances beyond their control, yet who are now reconnecting through a gentle affection and quiet joy.</p><p>Indeed, we believe that the human future lies in moving toward a sense of &#8220;us&#8221; through cooperation, as so many people are already working in that direction. Consequently, this new edition will surely keep us busy recognizing the many fine examples that will reach us from across the globe.</p><p>The film submission period for the 8th FICNOVA (2026) opens on May 4 and closes on August 1, 2025.</p><p>Full information and participation guidelines will be available at: <br /><a href="https://festivalcinenoviolencia.org">https://festivalcinenoviolencia.org</a></p><p>FICNOVA Organizing Team</p><p> </p>								</div>
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				</div>
		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/">NONVIOLENCE: FROM ME TO US</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Awarded Films in the 7th FICNOVA 2024</title>
		<link>https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:12:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9855</guid>

					<description><![CDATA[<p>These are the films AWARDED by the international selection team of the 7th International Film Festival of Active Nonviolence 2024 with the "Stelae" of this edition, in its five different sections.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/">Awarded Films in the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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															<img loading="lazy" decoding="async" width="800" height="457" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7.jpg" class="attachment-large size-large wp-image-8531" alt="Películas Galardonadas 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7.jpg 800w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7-300x171.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/galardonados-F7-768x439.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<p><strong>Today, 2 October, amidst the noise of the bombs that continue to widen the disaster of violence between governments and destroy peoples, we send out a signal of NONVIOLENCE. A signal that can reach the hearts of simple people and help to create an outcry against barbarism.</strong></p><p><strong>These are the films AWARDED by the international selection team of the 7th International Film Festival of Active Nonviolence 2024, awarding them the &#8220;Stelae&#8221; of this edition, in its five different sections.</strong></p><p>The international organising team, from different cities and countries, following the criteria from a humanist approach of rescuing the best examples that fit the theme of the festival: &#8220;nonviolence transforming the world&#8221;, have made the following selection of award-winning films in its five competition sections (Short, Medium and Feature Films in the General Section and Short Films in the Primary and Secondary Schools and Higher Education Centres Section).</p><p>Our most sincere thanks to all the participants of the 2724 films registered from 126 countries and to the 921 films admitted as official selection in competition. It was very difficult to make such a small selection of finalists.</p><p>We recognise in this edition <strong>5 films awarded with the &#8220;Stela&#8221; of FICNOVA</strong>, among the <strong>41 finalist films from 13 countries</strong> as some good examples of the strength of nonviolence that is growing and transforming the world.</p><p><strong>Thank you very much to all and congratulations to the winners.</strong></p>								</div>
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															<img loading="lazy" decoding="async" width="396" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024.png" class="attachment-large size-large wp-image-9759" alt="Laurel Galardón 7 FICNOVA 2024 Centros Enseñanza Primaria Secundaria" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024.png 396w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024-300x146.png 300w" sizes="(max-width: 396px) 100vw, 396px" />															</div>
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									<h3 class="elementor-heading-title elementor-size-default">EDUCATIONAL CENTRES SECTION</h3>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/friends/">
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									<h3><a href="https://festivalcinenoviolencia.org/en/friends/"><strong>FRIENDS</strong></a></h3><p>5 min. Spain. 2022</p><p>Dir: <b>Diana Gimeno </b><br />(IES Ramón Arcas. Murcia)</p><p><strong>SYNOPSIS:</strong></p><p>You never know where you will find a true friend.</p><p><b>FICNOVA RECOGNISES THIS FILM FOR:<br /></b>To bring from the classrooms of the youngest children the importance of not losing our centre of gravity in empathy, which prevents us from being indifferent to the suffering of others, despite all the group pressures..</p><p><span style="color: #ff6600;"><b>NONVIOLENCE</b></span><b> AGAINST VIOLENCE:<br /><span style="color: #993300;">PSYCHOLOGICAL, MORAL, RACIAL</span></b></p>								</div>
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															<img loading="lazy" decoding="async" width="396" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9808" alt="Laurel Galardone 7 FICNOVA 2024 Centros Enseñanza Estudios Superiores" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEES-7FICNOVA2024.png 396w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEES-7FICNOVA2024-300x146.png 300w" sizes="(max-width: 396px) 100vw, 396px" />															</div>
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									<h2>EDUCATIONAL CENTRES SECTION<br />Higher Education</h2>								</div>
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									<h4><a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/"><strong>THE UNVEILED WOMAN</strong></a></h4><p>3 min. Italiy. 2022</p><p>Dir: <b>Gaia Pulliero </b><br />(Universidad de Padua)</p><p><strong>SYNOPSIS:</strong></p><p>During an interview, a young woman tells her interlocutor about the meanings she attributes to the concept of &#8220;freedom&#8221;. But what at first appear to be simple statements will turn out to be a desperate cry for help by the end of the film.</p><p><b>FICNOVA RECOGNISES THIS FILM FOR:<br /></b>To contribute from a close look, with a simple example, an imperative need of more than half of the human beings on the planet: to stop being discriminated against for being women. An unstoppable process that seeks to free itself from its bonds in any part of the world.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span> AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL</strong></span></p>								</div>
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									<h2>GENERAL SECTION SHORT FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">
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									<h4><b><a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">HAHATAY. Gandiol´s Smiles</a><br /></b></h4><p>28 min. Spain-Senegal. 2021</p><p>Dir: <b>Irene Segalés Aguilar </b></p><p><strong>SYNOPSIS:</strong></p><p>&#8220;Hahatay, Sonrisas de Gandiol&#8221; is a non-profit association that works in development cooperation between Senegal and Spain.<br />From Hahatay they work every day to develop educational, health and cultural spaces that provide the necessary opportunities so that everyone in Gandiol has the ability to make decisions about their lives.</p><p><strong>FICNOVA RECOGNISES THIS FILM FOR :</strong><br />Providing a humanising view of global confluence, recognising the need for diversity in the face of established patterns. A look at the essence of the human being that cannot be stopped by any border and any barrier.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span> AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>MORAL, RACIAL, ECONOMICAL, PSYCHOLOGICAL<br /></strong></span></p>								</div>
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									<h2>GENERAL SECTION MEDIUM-LENGTH FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/state-homophobia/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg" class="attachment-large size-large wp-image-10754" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><a href="https://festivalcinenoviolencia.org/en/state-homophobia/"><strong>STATE HOMOPHOBIA</strong></a></h4><p>51 min. Spain-Guinea E. 2022<br />Dir: <strong>Richard Zubelzu</strong></p><p><strong>SYNOPSIS:</strong></p><p>In this documentary we give voice to the Guinean LGTBI activists Án-gel and Gonzalo, who give testimony of the persecution suffered by women and LGTBI people in their country and the difficulty of &#8220;coming out of the closet&#8221; as it is a taboo within families. A violation of human rights by the country&#8217;s current regime, with police abuse, torture, discrimination, sexual violence, forced pregnancies, child sexual exploitation of minors and a high mortality rate.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span></strong> <strong>AGAINST VIOLENCE</strong><strong>:</strong><br /><span style="color: #993300;"><strong>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL<br /></strong></span></p>								</div>
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															<img loading="lazy" decoding="async" width="395" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9836" alt="Laurel Galardón 7 FICNOVA 2024 Largometrajes" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024.png 395w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024-300x147.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024-392x193.png 392w" sizes="(max-width: 395px) 100vw, 395px" />															</div>
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									<h2>GENERAL SECTION FEATURE FILMS</h2>								</div>
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									<h4><a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/"><strong>A JOURNEY TO OURSELVES</strong></a></h4><p>65 min. Spain. 2021<br />Dir: <strong>Luis Cintora</strong></p><p><strong>SYNOPSIS:</strong></p><p>Spanish comedian Pepe Viyuela guides us on a journey where past and present merge as one: a time and circumstances shared by the victims of each armed conflict. Un viaje hacia nosotros narrates a journey that begins with the family memory of actor Pepe Viyuela, as he undertakes an investigation following the trail of his grandfather Gervasio, a member of the Republican army during the Spanish Civil War. A journey that takes him back to his past, and a new perspective from which to re-evaluate his relationship with the present.</p><p><strong>FICNOVA RECOGNISES THIS FILM FOR:<br /></strong>Bringing us closer to the reality of refugees, showing the essential need to protect the life of every human being in the face of a threat. But at the same time it points to a hopeful global future that is beginning to be expressed among the youngest.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE </span>AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>MORAL, PHYSICAL, RACIAL, ECONOMICAL</strong></span></p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/">Awarded Films in the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>All FICNOVA Editions</title>
		<link>https://festivalcinenoviolencia.org/en/all-ficnova-editions/</link>
		
		<dc:creator><![CDATA[joselito]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:01:00 +0000</pubDate>
				<category><![CDATA[Editions]]></category>
		<category><![CDATA[Highlights]]></category>
		<guid isPermaLink="false">https://wp.festivalcinenoviolencia.org/?p=5467</guid>

					<description><![CDATA[<p>Summary of the different editions of FICNOVA.<br />
Access to the films selected and recognised with the festival's award,</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/all-ficnova-editions/">All FICNOVA Editions</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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					<h2 class="elementor-heading-title elementor-size-default">Seven editions of FICNOVA since eleven years ago</h2>				</div>
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									<p>The International Film Festival of Active Nonviolence (FICNOVA) is a polycentric festival, organized through volunteer work, held simultaneously in different cities and countries to help raise global awareness of NV, awarding the best examples among the selected finalists.</p>								</div>
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										<img loading="lazy" decoding="async" width="708" height="436" src="https://festivalcinenoviolencia.org/wp-content/uploads/2021/06/FICNOVA-FilmFreeway.png" class="attachment-full size-full wp-image-864" alt="Mapa de envíos 6 FICNOVA 2022 FilmFreeway" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2021/06/FICNOVA-FilmFreeway.png 708w, https://festivalcinenoviolencia.org/wp-content/uploads/2021/06/FICNOVA-FilmFreeway-300x185.png 300w" sizes="(max-width: 708px) 100vw, 708px" />											<figcaption class="widget-image-caption wp-caption-text">Map of film submissions to 6 FICNOVA 2022 from FilmFreeway</figcaption>
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									<p>From the first edition in 2013 in which 24 films from 4 countries participated, to the seventh edition that we have celebrated in 2024 in which 2,724 works from 93 countries participated, we see how carefully sustained work allows us to expand our signal.</p>								</div>
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															<img loading="lazy" decoding="async" width="800" height="445" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/all-editions-800x445.png" class="attachment-colormag-featured-image size-colormag-featured-image wp-image-10332" alt="" />															</div>
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									<p>It has a general section for short, medium and long films and a special section for schools, trying to gather all the initiatives from professional cinema to the youngest ones.</p>								</div>
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															<img loading="lazy" decoding="async" width="1200" height="848" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web.jpg" class="attachment-full size-full wp-image-5590" alt="English poster VI FICNOVA" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web.jpg 1200w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web-300x212.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web-1024x724.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/EN_ficnova2022-horizontal-web-768x543.jpg 768w" sizes="(max-width: 1200px) 100vw, 1200px" />															</div>
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															<img loading="lazy" decoding="async" width="640" height="480" src="https://festivalcinenoviolencia.org/wp-content/uploads/2014/01/RodajeCinemaland01.jpg" class="attachment-full size-full wp-image-425" alt="Rodaje Videospot FICNOVA con Cinemaland" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2014/01/RodajeCinemaland01.jpg 640w, https://festivalcinenoviolencia.org/wp-content/uploads/2014/01/RodajeCinemaland01-300x225.jpg 300w" sizes="(max-width: 640px) 100vw, 640px" />															</div>
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									<p>Images are a mobilizing force capable of transforming our lives.</p><p>We are accustomed to the misnamed &#8220;action cinema&#8221; in which only violence in its various forms is shown. This constant bombardment of aggressive relationship models creates a distorted awareness of reality, conditioning our way of seeing and feeling the world.</p>								</div>
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									<p>From FICNOVA we want to make visible real examples of how any conflict can be resolved through non-violent means.</p><p>These examples not only serve to show the best of human beings; they also serve to transform suffering situations.</p><p>We want to spread the need for nonviolence and we believe that one of the most powerful tools to do so is film.</p><p>We want to see <b>active nonviolence transforming the world</b></p><p> </p>								</div>
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/peliculas-finalistas-5-ficnova-2020/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA5</span>
					</span>
					</a>
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								</div>
				</div>
					</div>
		</div>
				<div class="elementor-column elementor-col-16 elementor-top-column elementor-element elementor-element-34eac1e3" data-id="34eac1e3" data-element_type="column" data-e-type="column">
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/peliculas-seleccionadas-a-concurso-iv-ficnova-2018/">
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									<span class="elementor-button-text">FICNOVA4</span>
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-iii-ficnova-2016/">
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									<span class="elementor-button-text">FICNOVA3</span>
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-ii-ficnova-2014/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA2</span>
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					<a class="elementor-button elementor-button-link elementor-size-sm" href="https://festivalcinenoviolencia.org/edicion-i-ficnova-2013/">
						<span class="elementor-button-content-wrapper">
									<span class="elementor-button-text">FICNOVA1</span>
					</span>
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		</div>
					</div>
		</section>
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Parques de estudio y reflexión Toledo." /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="8 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2016/10/06_proyeccin_8oct_ParqueToledo-150x150.jpg" alt="Encuentro sore Noviolencia PT" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="9 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2016/10/IMG-20161008-WA0002p-150x150.jpg" alt="Encuentro sobre noviolencia Parque de Toledo" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="10 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2016/10/6_Entrega_Galardon_CE_Carnaval_Buen_Pastor_Barranquilla_Colombia-150x150.jpg" alt="entrega Galardón FICNOVA" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="11 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2016/10/4_Saludo_Alberto_Ammann-150x150.jpg" alt="Gala Madrid 2016 UNED" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="12 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/02/Gala-Ficnova-4-e1678109330354-150x150.jpg" alt="gala Ficnova" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="13 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/Brasil2018-150x150.jpg" alt="Participantes Sede Brasil FICNOVA" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="14 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/01/Tanger7-150x150.jpg" alt="Presentación FICNOVA Tánger 2018" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="15 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2018/07/FicnovaSAntiagoMM.jF4pg-150x150.jpg" alt="Ficnova 4 en Santiago de Chile" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="16 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2022/03/Cineteca_FICNOVA_Madrid_04-150x150.jpg" alt="Galardones en Cineteca Matadero Madrid 2018" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="17 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2018/05/IMG_0341-150x150.jpg" alt="Equipos de FICNOVA España" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="18 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile11-150x150.jpeg" alt="Sede Santiago Chile Museo de la memoria" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="19 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Galardon-largometraje-150x150.jpeg" alt="Argentina Largometraje Galardonado" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="20 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile10-150x150.jpeg" alt="Proyecciones Sede Santiago Chile" /></figure></div><div class="swiper-slide" role="group" aria-roledescription="slide" aria-label="21 of 26"><figure class="swiper-slide-inner"><img decoding="async" class="swiper-slide-image" src="https://festivalcinenoviolencia.org/wp-content/uploads/2022/07/Chile08-150x150.jpeg" alt="Chile - 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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/all-ficnova-editions/">All FICNOVA Editions</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<item>
		<title>FINALIST films of the 7th FICNOVA</title>
		<link>https://festivalcinenoviolencia.org/en/finalist-films-of-the-7th-ficnova/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Sun, 01 Sep 2024 22:10:05 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<category><![CDATA[Cine; noviolencia]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=8754</guid>

					<description><![CDATA[<p>The international jury of FICNOVA, composed of nonviolence activists in different cities of Argentina, Chile, Ecuador, Spain and Mexico, has recognised 41 films from 20 countries in five categories as finalists for the awards of this 7th edition:<br />
We recognise in all these works not only the denunciation of different forms of violence and discrimination, but also that each of them shows different ways out or ways to overcome or positively transfer these situations, opening the future in a nonviolent direction</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/finalist-films-of-the-7th-ficnova/">FINALIST films of the 7th FICNOVA</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="8754" class="elementor elementor-8754">
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="ComunicadoFinalistasF7" data-elementor-lightbox-description="Logo y cartel Finalistas 7 FICNOVA 2024" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6ODYwNywidXJsIjoiaHR0cHM6XC9cL2Zlc3RpdmFsY2luZW5vdmlvbGVuY2lhLm9yZ1wvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyNFwvMDlcL0NvbXVuaWNhZG9GaW5hbGlzdGFzRjcuanBnIn0%3D">
							<img loading="lazy" decoding="async" width="652" height="1024" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-652x1024.jpg" class="attachment-large size-large wp-image-8607" alt="Logo y cartel Finalistas 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-652x1024.jpg 652w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-191x300.jpg 191w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-768x1207.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7-977x1536.jpg 977w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/ComunicadoFinalistasF7.jpg 1169w" sizes="(max-width: 652px) 100vw, 652px" />								</a>
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															<img loading="lazy" decoding="async" width="363" height="192" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALIST-7th-FICNOVA-2024.png" class="attachment-colormag-elementor-grid-large-thumbnail size-colormag-elementor-grid-large-thumbnail wp-image-8707" alt="laurel FINALIST 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALIST-7th-FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALIST-7th-FICNOVA-2024-300x159.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p>The international jury, composed of nonviolence activists in different cities in Argentina, Chile, Ecuador, Spain and Mexico, has recognised 41 films from 20 countries in five categories as finalists for this year&#8217;s awards:</p><p><strong>Educational centres</strong> section:<br />Primary &#8211; Secondary (4)<br />Higher education (4)<br /><strong>General Section</strong>:<br />Short films (17)<br />Medium-length films (6)<br />Feature Films (10)</p><p>We recognise in all these works not only the denunciation of different forms of violence and discrimination, but also that each of them shows different ways out or ways of overcoming or positively transferring these situations, opening the future in a non-violent direction.</p>								</div>
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									<h3>EDUCATIONAL CENTRES: PRIMARY AND SECONDARY</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/quienes-son-los-bichos-raros/">
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									<h5><a href="https://festivalcinenoviolencia.org/en/quienes-son-los-bichos-raros/"><strong>¿Who are the &#8220;weirdos”?</strong></a></h5><p>Director &#8211;<strong> Hugo Sánchez</strong> (11 years old)<br />3min. Spain. 2023</p><p>Julia suffers bullying and confesses it to Ana, her best friend, who tries to help her, but it&#8217;s not that easy. Who will be able to put an end to her situation?</p>								</div>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Clara_OK.jpg" class="attachment-tileview size-tileview wp-image-10745" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Clara_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Clara_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<h5><a href="https://festivalcinenoviolencia.org/en/clara-2/"><strong>Clara</strong></a></h5><p>Dir: <strong>Turma 4ºB EB1Pe Ladeira/CENA</strong><br />3 min. Portugal. 2022</p><p>Clara was a cheerful and sweet child. At her school, she was teased all the time by a group of students, but she was not an unhappy child!</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/friends/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK.jpg" class="attachment-tileview size-tileview wp-image-10751" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/friends/"><strong>Friends</strong></a></h5><p>Dir. <strong>Diana Gimeno (IES Ramón Arcas. Murcia)</strong><br />5 min. Spain. 2022</p><p>You never know where you will find a true friend.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/they-saw-you/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ellos-te-vieron_OK.jpg" class="attachment-tileview size-tileview wp-image-10744" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ellos-te-vieron_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ellos-te-vieron_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/they-saw-you/">They saw you</a><br /></strong></h5><p><strong>Vittorio Caratozzolo Caratozzolo (Clase 1ºA &#8211; 21-22. Instituto Comprensivo Trento 5)</strong><br />4 min. Italy. 2022</p><p>They know who you are: you don&#8217;t know who they are. Be careful about sharing your details with strangers.</p>								</div>
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									<h3>EDUCATIONAL CENTRES: HIGHER EDUCATION</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/ties-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ties_OK.jpg" class="attachment-tileview size-tileview wp-image-10741" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ties_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ties_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/ties-2/"><strong>Ties</strong></a></h5><p>Dir: <strong>Mario García Viché</strong> (En 2022 I finished my studies in the Master&#8217;s Degree in Animation at the UPV).<br />6 min. Spain. 2022.</p><p>In a world where relationships of love and attraction are made visible through a magical tie that binds people together, two 13-year-olds, Maya and Fen, create their connection.<br />However, after some teenagers tease them, Maya runs away and her bond with Fen is broken. Maya will have to reflect on her feelings and decide if she is willing to lose her relationship with Fen.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK.jpg" class="attachment-tileview size-tileview wp-image-10750" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/"><strong>The unveiled woman</strong></a></h5><p>3 min. ItalY. 2022<br />Dir: <strong>Gaia Pulliero</strong> (University of Padua)</p><p>During an interview, a young woman tells her interlocutor about the meanings she attributes to the concept of &#8220;freedom&#8221;. But what at first appear to be simple statements turn out to be a desperate cry for help by the end of the film.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/merienda-de-negros-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Merienda-de-Negros_OK.jpg" class="attachment-tileview size-tileview wp-image-10742" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Merienda-de-Negros_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Merienda-de-Negros_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/merienda-de-negros-2/"><strong>Blacks&#8217; afernoon tea</strong></a></h5><p>20 min. Colombia. 2022<br /><strong>Andrés Felipe Villarreal Valencia</strong> (Corporación Universitaria UNITEC)</p><p>Kevin, María del Mar and Santiago, 3 young Afro-descendants living in the city of Bogota meet to talk about their relationship with the city.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/give-it-back-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Give-it-back_OK.jpg" class="attachment-tileview size-tileview wp-image-10743" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Give-it-back_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Give-it-back_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/give-it-back-2/">Give it back</a><br /></strong></h5><p><strong>Ruchama Ehrenhalt</strong> (Ma&#8217;aleh Film and Television School of Jerusalem)<br />14 min. Israel. 2019</p><p>Olivia has just moved to Israel from New York. During her first day of sixth grade, she tries to survive, making her way through the new country she has just arrived in, her new school and her new classmates, not knowing where she will end up at the end of the day.</p>								</div>
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									<h3>SECCIÓN GENERAL: CORTOMETRAJES</h3>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-8218929 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="8218929" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/where-will-they-go/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/donde-iran_OK.jpg" class="attachment-tileview size-tileview wp-image-10739" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/donde-iran_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/donde-iran_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/where-will-they-go/"><strong>Where will they go</strong></a></h5><p><strong>Egoi Suso Rius</strong><br />29 min. Spain &#8211; Senegal</p><p>The idea for this documentary arose during the recording of the video clip &#8220;Where They will go&#8221;, the first single from the upcoming album &#8220;Under the Skin&#8221; by the Green Valley Group.</p><p>Two people who left their country risking their lives and leaving their families to receive training, who arrived at port, adapted despite the difficulties and have demonstrated their human qualities. Two impeccable stories of personal improvement that impressed us so much that we decided to embark on the adventure of producing this documentary&#8221;.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/el-atrato-es-la-vida/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-atrato_OK.jpg" class="attachment-tileview size-tileview wp-image-10734" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-atrato_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-atrato_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/el-atrato-es-la-vida/"><strong>The Atrato is Life</strong></a></h5><p><strong>Rodrigo Rogelis</strong><br />19 min. Colombia. 2020</p><p>&#8220;El Atrato es la vida&#8221; is a short documentary that tells the story of how the armed conflict impacted the Atrato River and how the Atrato people, faced with a destructive bloc of armed actors and extractive economies, resisted in order to preserve their way of life. Produced by the Foro Interétnico Solidaridad Chocó y Siembra, the documentary shows how the logic of war has mutated over time, moving from periods of intense disputes to periods of economic pragmatism, leaving enormous socio-environmental impacts in its wake. All of this led to the erosion of the ethnic communities&#8217; own systems of territorial administration, altering their economic, productive, cultural and governmental logics.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg" class="attachment-tileview size-tileview wp-image-10726" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/"><strong>Hahatay. Gandiol Smiles</strong></a></h5><p><strong>Irene Segalés Aguilar</strong><br />28 min. Spain &#8211; Senegal<br />&#8220;Hahatay, Sonrisas de Gandiol&#8221; is a non-profit association that works in development cooperation between Senegal and Spain.<br />From Hahatay they work every day to develop educational, health and cultural spaces that provide the necessary opportunities for everyone in Gandiol to have the ability to make decisions about their lives. Hahatay provides the tools to build the future of the community with their own resources.<br />In September 2019 I visited the NGO and this report comes out of that experience where it is the community members who tell us about the goals and achievements of a project that is as essential as it is exciting.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/la-verdad-en-la-sangre-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-Verdad-en-la-Sangre_OK.jpg" class="attachment-tileview size-tileview wp-image-10728" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-Verdad-en-la-Sangre_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-Verdad-en-la-Sangre_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/la-verdad-en-la-sangre-2/"><strong>The truth in the blood</strong></a></h5><p><strong>Magdalena Cernadas</strong><br />20 min. Argentina <br />Carried within the framework of the commemoration of 24 March, National Day of Memory for Truth and Justice, it narrates the heroic journey and the scientific revolution carried out and promoted by the Grandmothers of Plaza de Mayo that resulted in the discovery of the grandparents&#8217; index &#8211; a factor from which the daughters and sons of those who disappeared during the last civil-military dictatorship are identified &#8211; and in the creation of the National Bank of Genetic Data as the first institution in the world to carry out this specific type of filiation analysis.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/fuera-del-abismo-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Fuera-del-Absimo_OK.jpg" class="attachment-tileview size-tileview wp-image-10733" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Fuera-del-Absimo_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Fuera-del-Absimo_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/fuera-del-abismo-2/">Out of the abyss</a></h5><p>HOW A YOUNG METALHEAD DODGED VIOLENCE AND CREATED A MODEL FOR THE COMMUNITY</p><p><strong>Jordi Ruíz Cirera</strong><br />13 min. Honduras. 2023</p><p>When he was in his early twenties, Santiago Ávila had only one thing on his mind: music. As the lead singer of &#8216;Fuera del Abismo&#8217;, a heavy metal band, his life revolved around music, to such an extent that he ignored the harsh reality of his hometown, Tegucigalpa, the capital of Honduras, where the dominance of armed gangs has spread and where refusing their offers can be lethal.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/ezequiel-baraja-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ezequiel-Barajas_OK.jpg" class="attachment-tileview size-tileview wp-image-10730" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ezequiel-Barajas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Ezequiel-Barajas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/ezequiel-baraja-2/"><strong>Ezekiel Baraja</strong></a></h5><p><strong>Juan Fernández Gebauer</strong><br />6 min. Argentina. 2021</p><p>Después de un robo a mano armada, Ezequiel fue arrestado y enviado a prisión. Durante su encarcelamiento, descubrió una oportunidad que nunca apareció en la vida antes cuando era libre. Esta es su historia.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/las-cumbres-fraternales-cherif-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LEs-Sommets-fra_OK.jpg" class="attachment-tileview size-tileview wp-image-10735" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LEs-Sommets-fra_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LEs-Sommets-fra_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/las-cumbres-fraternales-cherif-2/"><strong>The fraternal summit– Chérif</strong></a></h5><p><strong>Stanislas Giroux</strong><br />11 min. France. 2023</p><p>A suburban train pierces the heat. On the opposite platform, Chérif stands still and silent, as if trying to be invisible. Undocumented migrants would prefer to remain discreet. But in Chamonix, a black-skinned mountaineer does not go unnoticed. Chosen by the association 82 4000 Solidaires to guide a group of people in precarious situations to discover mountaineering, up there, crampons on his feet and rope in his hand, he is another man. Towards the summit, he hopes to trace a path of hope and equality for all.<br />This portrait is part of a series entitled &#8216;Altitudes&#8217; that explores the many facets of the relationship between man and mountain across the world and cultures.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/evas-y-marias-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Evas-y-Marias_OK.jpg" class="attachment-tileview size-tileview wp-image-10740" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Evas-y-Marias_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Evas-y-Marias_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/evas-y-marias-2/"><strong>Evas and Marías</strong></a></h5><p><strong>Nadir Cárdenas</strong><br />20 min. Austria – México. 2023<br />The members of the &#8220;Coordination of Women of the Diocese of San Cristobal&#8221; (CODIMUJ) in Chiapas, Mexico, are women who bring the Word of God to rural and indigenous communities. In an extremely patriarchal society, these women have to fight for their most basic rights, but even within the Church there is prejudice against these activists working for equality. Thirty years after its founding, the women of CODIMUJ remain determined to change the church from within until radical equality between men and women is achieved, with all the consequences that this entails.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/tiempo-de-insurreccion-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Time-of-Insurrection_OK.jpg" class="attachment-tileview size-tileview wp-image-10736" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Time-of-Insurrection_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Time-of-Insurrection_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/tiempo-de-insurreccion-2/"><strong>Time for insurrection</strong></a></h5><p><strong>Gabriel Fernández-Gil</strong><br />11min. Spain. 2023</p><p>In a modern take on Miguel de Unamuno&#8217;s 1930s novel &#8220;Saint Martin Good, Martyr&#8221;, where a priest loses faith in God, Times of Insurrection tells the story of the CEO of a global corporation who begins to lose faith in capitalism after mysterious external pressure forces him to change his company forever.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/from-trash-to-treasure-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/FromTrashtoTReasure_OK.jpg" class="attachment-tileview size-tileview wp-image-10729" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/FromTrashtoTReasure_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/FromTrashtoTReasure_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/from-trash-to-treasure-2/"><strong>From trash to treasure</strong></a></h5><p><strong>Iara Lee</strong><br />24min. USA. 2020<br />From erosion to overgrazing and enduring poverty, the people of Lesotho, a highland country surrounded by South Africa, face a variety of difficult challenges. However, the country&#8217;s grassroots communities also display enormous ingenuity and creativity. In particular, a large number of artists have mastered a talent for resurrection, developing the ability to creatively turn negatives into positives.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/catatumbo-nuestra-batalla-es-por-la-supervivencia-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Catatumbo_OK.jpg" class="attachment-large size-large wp-image-10732" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Catatumbo_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Catatumbo_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/catatumbo-nuestra-batalla-es-por-la-supervivencia-2/"><strong>Catatumbo, our battle is for survival</strong></a></h5><p><strong>Darinson Amaya</strong><br />19 min. Colombia. 2023</p><p>The Catatumbo region is told through the stories and anecdotes of those who live there. Three life stories that tell us how their life plan has been through community organisation, and their contribution to the construction of a dignified life.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-b2dabc1 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="b2dabc1" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/the-last-coffee/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-Ultimo-Cafe_OK.jpg" class="attachment-tileview size-tileview wp-image-10738" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-Ultimo-Cafe_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/El-Ultimo-Cafe_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/the-last-coffee/">The Last Coffee</a><br /></strong></h5><p><strong>Kevin Eisenberg</strong><br />10min. Argentina. 2023</p><p>Leandro, a novice and insecure waiter, discouraged by his own path, is about to redefine the value of life. One afternoon in the bad café where death works, Leandro attends to a depressed customer who reveals to him that that very night he is going to commit suicide and wants to say goodbye to life with a last latte. The waiter, on the verge of collapse, realises that he has in his hands the chance to make this man come to his senses. To do so, he has to deal with his worst enemies: the old-fashioned, hostile coffee machine, but also his own confidence. Will Leandro be able to reconcile the man with life, thanks to a saving coffee? When the earth doesn&#8217;t give you any more surprises, you can find them in the sky.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-2da160f elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="2da160f" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/otono-verde-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/OtonoVerde_OK.jpg" class="attachment-tileview size-tileview wp-image-10727" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/OtonoVerde_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/OtonoVerde_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/otono-verde-2/">Green Autumn</a><br /></strong></h5><p><strong>Sunya Itzia Madrigal Álvarez Ugena</strong><br />30 min. México. 2023</p><p>The recognition of the struggle of Michoacán women over the last decades for their sexual and reproductive rights is portrayed and told by the women themselves, Michoacán activists from different generations with the same objective: to achieve the recognition of the right that every woman has to decide freely about her body.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-a1d0ce6 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="a1d0ce6" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/sacrifice-zone/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ZonadeSacrificio_OK.jpg" class="attachment-tileview size-tileview wp-image-10724" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ZonadeSacrificio_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/ZonadeSacrificio_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/sacrifice-zone/"><strong>Sacrifice zone</strong></a></h5><p><strong>Gastón Bejas</strong><br />24min. Argentina. 2023</p><p>In Argentina, despite the importance of agricultural activity and the fact that it is a leading country in the use of pesticides, there are no official epidemiological surveys on their impact on populations. Nor are regulations on their presence in drinking water updated. There are no official data on the quantities used or uniform provisions for spraying distances. On the contrary, the populations are obliged to provide proof of the causal link between their health damage and exposure to these substances, which is called the reversal of the burden of proof. This leads to every community going down the same long and costly legal path.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-201b0cd elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="201b0cd" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/we-are-the-earth-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/WeareTheEarth_OK.jpg" class="attachment-tileview size-tileview wp-image-10725" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/WeareTheEarth_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/WeareTheEarth_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/we-are-the-earth-2/"><strong>We are The Earth &#8211; Somos la Tierra</strong></a></h5><p><strong>Zoé Rose</strong><br />5 min. France. 2023</p><p>In a world crushed by pollution, conflict, ecological anxiety, alienation of the individual and fear of the future, a human being lies down, desperate and surrounded by shadows. However, the &#8220;anger&#8221; and refusal of the disaster to come will ignite in him &#8211; and in all of us &#8211; a flame of life, carrying the hope of a better tomorrow.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/mi-vecino-yuan-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Mi-vecino-Yuan_OK.jpg" class="attachment-tileview size-tileview wp-image-10737" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Mi-vecino-Yuan_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Mi-vecino-Yuan_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/mi-vecino-yuan-2/"><strong>My neighbour Yuan</strong></a></h5><p><strong>Alfredo Andreu Ríos</strong><br />15min. Spain. 2023</p><p>Lucia is an 8-year-old girl who misses her grandfather who is in hospital. According to her father, it&#8217;s because of the Chinese. But with the arrival of a boy of the same age in the neighbourhood, new worlds collide in Lucia&#8217;s life.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/dos-corazones-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/DOS-CORAZONES_OK.jpg" class="attachment-tileview size-tileview wp-image-10731" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/DOS-CORAZONES_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/DOS-CORAZONES_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/dos-corazones-2/">Two  Hearts</a><br /></strong></h5><p><strong>Cristina Herrero Laborda</strong><br />18min. Spain. 2022</p><p>Mari is an intersex person in permanent transit who embodies two perspectives. A fighter and courageous, her life has been a constant battle in an almost uninhabited rural area. From sincerity, she narrates her day to day life, her desires, her illusions and anxiety in an attempt to pave the way for those who come after her.</p>								</div>
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									<h3>GENERAL SECTION: MEDIUM-LENGTH FILMS</h3>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-8eab122 elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="8eab122" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/encontres-dexili-ii-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/EncontresdeExilii_OK.jpg" class="attachment-tileview size-tileview wp-image-10722" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/EncontresdeExilii_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/EncontresdeExilii_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/encontres-dexili-ii-2/"><strong>Encontres d&#8217;exili ii</strong></a></h5><p><strong>Jorge Ramos Jaume Dura</strong><br />34min. Spain. 2021</p><p>Econtres D&#8217;Exili II is a documentary to build bridges between our past as a society that suffered war, bombings, exile, dictatorship and repression; and the stories of refugees and immigrants arriving today.</p>								</div>
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				<section class="elementor-section elementor-top-section elementor-element elementor-element-094753a elementor-section-boxed elementor-section-height-default elementor-section-height-default" data-id="094753a" data-element_type="section" data-e-type="section">
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																<a href="https://festivalcinenoviolencia.org/en/state-homophobia/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg" class="attachment-tileview size-tileview wp-image-10754" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/state-homophobia/"><strong>State homophobia</strong></a></h5><p><strong>Richard Zubelzu</strong><br />51min. Spain. 2023</p><p>In this documentary we give voice to the Guinean LGTBI activists Angel and Gonzalo, who give testimony of the persecution suffered by women and LGTBI people in their country and the difficulty of &#8220;coming out of the wardrobe&#8221; as it is a taboo within the families.<br />A violation of human rights by the country&#8217;s current regime, with police abuse, torture, discrimination, sexual violence, forced pregnancies, child sexual exploitation of minors, a high mortality rate of transsexual people due to causes that the state cannot solve, family and social repudiation, or the terrible text of a draft bill in progress, aimed at overthrowing the legal personality of homosexual people.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/the-returnees/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LosREtornados_OK.jpg" class="attachment-large size-large wp-image-10723" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LosREtornados_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LosREtornados_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-returnees/"><strong>Returnees</strong></a></h5><p><strong>Pieter De Vos</strong><br />35min. Belgium. 2021</p><p>In 1993, thousands of Guatemalan refugees returned from Mexico. They fled armed conflict and genocide against the indigenous Mayan population. Today, &#8216;Los Regresados&#8217; are defending their agricultural land and territory in the jungle of Alta Verapaz against the construction of a hydroelectric dam. They draw on their past experiences to mobilise new generations.<br />Los Retornados&#8217; is a film by Tessa Boeykens and Pieter De Vos, in collaboration with the Copal AA La Esperanza community.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/no-one-is-far-away/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Nadie-esta-lejos_OK.jpg" class="attachment-tileview size-tileview wp-image-10753" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Nadie-esta-lejos_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Nadie-esta-lejos_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/no-one-is-far-away/"><strong>No one is far away</strong></a></h5><p><strong>José Antonio Vitoria</strong><br />45min. Spain. 2023</p><p>Poverty or homelessness is not a characteristic of anyone, but a situation that can be brought about by many factors. There are many new forms of poverty, ranging from university students to people who have jobs but do not earn enough to afford housing or parents who suddenly find themselves unemployed. No one is safe from poverty or homelessness. All it takes is a series of adverse circumstances.<br />The documentary Nadie está lejos (No One is Far Away) is the experience of a group of people living in poverty, homelessness or economic vulnerability and, in particular, users of the PARIS 365 soup kitchen in Iruña, who participate with the company Ados Teatroa in the creative process of the show Aporofobia STOP.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/who-am-i/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/QuI-soc_OK.jpg" class="attachment-tileview size-tileview wp-image-10752" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/QuI-soc_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/QuI-soc_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/who-am-i/"><strong>Who Am I</strong></a></h5><p><strong>Pablo A. Zareceansky Montserrat</strong><br />31min. Spain. 2023</p><p>Judith is not called Judith. She changed her name for the better by fitting in with our country, but that is not the hardest thing she has done since she had to leave Nigeria when she was only 10 years old. Like her, Marouane and Youssef had to leave Morocco and everything they knew to escape extreme poverty when they were still minors.<br />Until that journey, the stories of the three young people had little in common. When they arrived in Spain, however, they found themselves part of the same group: Unaccompanied Foreign Minors (MENA).<br />El Qui soc explores the reality behind an acronym that the media has turned into a label linked to criminal acts, marginalisation and criminality.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/unit-for-bissau/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Unite-for-Bissau_OK.jpg" class="attachment-tileview size-tileview wp-image-10749" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Unite-for-Bissau_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Unite-for-Bissau_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/unit-for-bissau/"><strong>Unite for Bissau</strong></a></h5><p><strong>Iara Lee</strong><br />50 min. USA. 2023</p><p>In the West African nation of Guinea-Bissau, this thought-provoking film takes you on a journey that follows courageous local women who challenge patriarchy by building institutions that promote self-sufficiency through agro-ecology. They also challenge social norms by opposing female genital mutilation and rejecting forced marriage. Overtaking the legacy of Amilcar Cabral, the Bissau-Guinean independence leader who placed women&#8217;s rights at the centre of the liberation struggle, women of a rising generation are taking back their power.</p>								</div>
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									<h3>GENERAL SECTION: FEATURE FILMS</h3>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/cirerers-images-of-a-construction/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Cirerers_OK.jpg" class="attachment-tileview size-tileview wp-image-10757" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Cirerers_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Cirerers_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/cirerers-images-of-a-construction/"><strong>Cirerers. Images of a construction</strong></a></h5><p><strong>Santiago González Pla, Valeria Ormaechea Otalora</strong><br />92min. Spain. 2023</p><p>The process of a cooperative housing community in Barcelona, the construction of a building and also of a community. A struggle for decent housing against urban extractivism and for human rights linked to habitat.<br />In 2016, Barcelona City Council allocated plots of land for cooperative housing projects. One of these plots is awarded in the transfer of use to Sostre Civic, 27 subsidised housing units in the Roquetes neighbourhood. The Cirerers driving group was constituted in September 2017. The documentary is the record of the experience.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/inclusive-education-to-want-it-is-to-create-it/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/educacion-inclusiva_OK.jpg" class="attachment-tileview size-tileview wp-image-10747" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/educacion-inclusiva_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/educacion-inclusiva_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/inclusive-education-to-want-it-is-to-create-it/"><strong>Inclusive education. To want it is to create it</strong></a></h5><p><strong>Cecilia Barriga</strong><br />83min. Spain. 2023</p><p>Building inclusive societies requires revising school systems, in which part of the student body does not fit in, is mistreated and segregated, while the rest learn to see discrimination as something correct and desirable.<br />Based on the story of Rubén Calleja, who was expelled from his primary school and forced to attend a special education centre, the documentary weaves together lives and struggles. After years of legal battle, Rubén obtains the backing of the UN against the Spanish state. But there are other gains to be made in transforming discriminatory school cultures, policies and practices. Inclusive education is a personal and collective task that enables the participation of all people in the world.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/until-the-sun-goes-out/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hasta-que-se-apague-el-Sol_OK.jpg" class="attachment-tileview size-tileview wp-image-10748" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hasta-que-se-apague-el-Sol_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hasta-que-se-apague-el-Sol_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/until-the-sun-goes-out/"><strong>Until the Sun Goes Out</strong></a></h5><p><strong>Jonas Brander</strong><br />90min. Colombia. 2023</p><p>&#8220;Hasta que se apagague el sol&#8221; invites us into the stories of those who have defied the clutches of violence by demonstrating that the human spirit can prevail, leaving a legacy of hope in the midst of the deepest darkness. The stories unfold in the simultaneity of the opposite: life born out of death, and death as a result of devotion to death.<br />o result of devotion to peace and justice. It is the story of Nobel Peace Prize nominee Luz Marina, a mother fighting for justice in the extrajudicial execution of her son, and that of Albeiro, an indigenous leader from south-western Colombia. The ancestral indigenous saying &#8220;Until the sun goes out&#8221; is reflected in the uncompromising struggle of both leaders for a world where life prevails over death, equality over inequality, and the voice of the people over imposed silence. But their stories also reflect a condition of humanity, in which the beauty of life and resistance collapse into death and destruction.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/mankewenuy-friend-of-the-condor/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amiga-del-Condor_OK.jpg" class="attachment-large size-large wp-image-10756" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amiga-del-Condor_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amiga-del-Condor_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><strong><a href="https://festivalcinenoviolencia.org/en/mankewenuy-friend-of-the-condor/">Mankewenüy / Friend of the Condor</a><br /></strong></h5><p><strong>María Manzanares</strong><br />63min. Argentina. 2022</p><p>On discovering the existence of a lonko (chief) called Mankewenüy (friend of the condor) who lived on the banks of the Nahuel Huapi in 1790, Anahí decides to make a journey through the Andes and retrace the paths taken by her ancestors. As a ñampulkafe and ülkantufe (traveller and singer) Anahí goes in search of sounds and stories that allow her to create songs that contain the newen of the manke (natural force of the condor).<br />During this journey she meets poets, singers, instrument makers, machis (spiritual leaders); to let us hear in them volcanoes that speak, mountains that sound and rivers that sing.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/mare-mediterraneum-2/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Maremediterraneum_OK.jpg" class="attachment-tileview size-tileview wp-image-10763" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Maremediterraneum_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Maremediterraneum_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/mare-mediterraneum-2/"><strong>Mare Mediterraneum</strong></a></h5><p><strong>María Chaquéss Serrano</strong><br />65min. Spain-Senegal. 2022</p><p>Through a choral documentary, several sub-Saharan migrants recall the odyssey of a journey full of dangers, where women are forced to pay not only with money, but also with their bodies. On the other hand, in Senegal, the mothers and families of migrants are still hoping for news of their loved ones. Meanwhile, on one side of the Mediterranean as on the other, initiatives are emerging that promote encounters between diverse people and seek to create well-being for the human community.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/the-dawsonians/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Las-Dawsonianas_OK.jpg" class="attachment-tileview size-tileview wp-image-10755" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Las-Dawsonianas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Las-Dawsonianas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/the-dawsonians/"><strong>The Dawsonians</strong></a></h5><p><strong>Roberto Riveros Jiménez</strong><br />63min. Chile. 2022</p><p>During the first days after the 1973 coup d&#8217;état, the political leadership of the Popular Unity government was arrested and taken to Dawson Island, the Magallanes region, at the southern tip of Chile and the mainland. The wives of the then political prisoners began a relentless effort to find out the whereabouts of their husbands and then try to return them alive. In these circumstances, they spontaneously got together and organised themselves into what they called the &#8220;Dawsonianas&#8221; group.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/tenderness-the-call-of-the-nuke-mapu/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/La-Ternura_OK.jpg" class="attachment-tileview size-tileview wp-image-10759" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/La-Ternura_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/La-Ternura_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/tenderness-the-call-of-the-nuke-mapu/"><strong>Tenderness the call of the Ñuke Mapu</strong></a></h5><p><strong>Ricardo Von Mühlenbrock</strong><br />120min. Chile. 2023</p><p>The story begins with volunteer work carried out in the winter of 1999 in the Mapuche community Choin Lafkenche in the southern part of Chile. Here we met Julio Huentekura Llancaleo, a young Mapuche from Santiago de Chile, and together we travelled through different communities of Malleko recording the voices of the moment. After 20 years we returned to Chile after the Social Outbreak and the COVID 19 pandemic to learn more about Julio who was treacherously murdered in a capital city prison. We travelled through the Wallmapu meeting and sharing with new Mapuche communities their struggle and their current demands in the process of territorial recovery.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Sarura_OK.jpg" class="attachment-tileview size-tileview wp-image-10761" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Sarura_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Sarura_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/"><strong>Sarura. The future is an unknown place</strong></a></h5><p><strong>Nicola Zambelli</strong><br />80 min. Italiy- Palestine. 2021</p><p>At the gates of the Negev desert, a group of young Palestinians fight against the Israeli military occupation. &#8220;Youth of Sumud &#8211; the youth of steadfast perseverance &#8211; seek to return to their people the land that was taken away from their families by restructuring the ancient cave village of Sarura.<br />They meet aggression with non-violent action, fending off rifles with their video cameras; they oppose desolation and death with hope and life.<br />Ten years after their first documentary about the non-violent struggle in the West Bank, the filmmakers return to the village of At-Tuwani and, using archival footage from over 15 years, tell how the children have grown up.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/a-refuge-in-the-stars/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/REfugioEstrellas_OK.jpg" class="attachment-tileview size-tileview wp-image-10760" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/REfugioEstrellas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/REfugioEstrellas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/a-refuge-in-the-stars/"><strong>A refuge in the stars</strong></a></h5><p><strong>Felipe Carrelli, Demetrio Rodrigues</strong><br />69min. Brasil. 2023</p><p>The Sahara desert occupies one third of the African continent and is one of the most inhospitable regions on the planet. The region is dry enough to mummify corpses and kill bacteria. For centuries, the Saharawis lived in these extreme desert conditions.</p>								</div>
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																<a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg" class="attachment-tileview size-tileview wp-image-10762" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h5><a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/"><strong>A journey to ourselves</strong></a></h5><p><strong>Luis Cintora</strong><br />65min. Spain. 2021</p><p>Spanish comedian Pepe Viyuela guides us on a journey where past and present merge as one: a time and circumstances shared by the victims of each armed conflict.<br />Un viaje hacia nosotros narrates a journey that begins with the family memory of actor Pepe Viyuela, as he undertakes an investigation following the trail of his grandfather Gervasio, a member of the Republican army during the Spanish Civil War. A journey that takes him back to his past, and a new perspective from which to re-evaluate his relationship with the present.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/finalist-films-of-the-7th-ficnova/">FINALIST films of the 7th FICNOVA</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Announcement of the Official Competition Selection of the 7th FICNOVA 2024</title>
		<link>https://festivalcinenoviolencia.org/en/announcement-of-the-official-competition-selection-of-the-7th-ficnova-2024/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Mon, 15 Jul 2024 00:01:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=8475</guid>

					<description><![CDATA[<p>El equipo internacional organizador del Festival Internacional de Cine de la Noviolencia Activa (FICNOVA), de acuerdo con las bases del festival, hoy 15 de julio de 2024 comunica la Selección Oficial a Concurso para su Séptima Edición 2024.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-competition-selection-of-the-7th-ficnova-2024/">Announcement of the Official Competition Selection of the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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									<p>Monday 15th July 2024</p>								</div>
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															<img loading="lazy" decoding="async" width="618" height="377" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Mapa-envios-7FICNOVA2024-FFW.jpg" class="attachment-large size-large wp-image-8444" alt="Mapa de recepción de obras 7 FICNOVA 2024 - FilmFreeWay" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Mapa-envios-7FICNOVA2024-FFW.jpg 618w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Mapa-envios-7FICNOVA2024-FFW-300x183.jpg 300w" sizes="(max-width: 618px) 100vw, 618px" />															</div>
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									<p>The international organising team of the International Film Festival of Active Nonviolence (FICNOVA), in accordance with the festival&#8217;s rules and regulations, announces today 15th July 2024 the Official Competition Selection for its Seventh Edition 2024</p>								</div>
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									<p>Once again, thousands of filmmakers and collectives have turned their attention to this festival themed around nonviolence, presenting a multitude of films with their diverse proposals, from different cultures.</p><p>Of the 2,724 works received from 126 countries, 921 films from 93 countries will be officially selected for competition.</p><p>By sections of the festival, we recognise:</p>								</div>
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									<table><tbody><tr><td width="203"><p><strong>Section</strong></p></td><td width="130"><p><strong>Films received</strong></p></td><td width="156"><p><strong>Selected Works</strong></p></td></tr><tr><td width="203"><p>Educational Institutions (Short Films)</p></td><td width="130"><p>364</p></td><td width="156"><p>120</p></td></tr><tr><td width="203"><table><tbody><tr><td width="168"><p>General Section Short Films</p></td></tr></tbody></table></td><td width="130"><p>1889</p></td><td width="156"><p>629</p></td></tr><tr><td width="203"><p>General Section Medium-length films</p></td><td width="130"><p>109</p></td><td width="156"><p>41</p></td></tr><tr><td width="203"><table><tbody><tr><td width="168"><p>General Section Feature Films</p></td></tr></tbody></table></td><td width="130"><p>362</p></td><td width="156"><p>131</p></td></tr><tr><td width="203"><p>TOTAL</p></td><td width="130"><p>2724</p></td><td width="156"><p>921</p></td></tr></tbody></table>								</div>
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															<img loading="lazy" decoding="async" width="576" height="1024" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-576x1024.jpg" class="attachment-large size-large wp-image-8448" alt="Cartel 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-576x1024.jpg 576w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-169x300.jpg 169w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-768x1365.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA-864x1536.jpg 864w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/Post-Vertical_7o-FICNOVA.jpg 1080w" sizes="(max-width: 576px) 100vw, 576px" />															</div>
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									<p>The list of the 921 selected films <a href="https://festivalcinenoviolencia.org/Ficnova-2024/Seleccion-oficial-7-FICNOVA-2024-eng.html" target="_blank" rel="noopener">can be viewed from this link</a>.</p><p>All the films are admitted as they recognise significant elements of active nonviolence, such as the denunciation of some form of violence (physical, economic, racial, sexual, religious, psychological or moral) or discrimination.</p><p>But in many of them we can see a greater impulse than a simple denunciation, an effort to overcome the pain and suffering of people, looking for the roots of conflicts and proposing ways out to transfer and solve situations.</p><p>The films selected as finalists in each category will be announced on 2 September.</p><p>Until then, we urge you not to lose sight of this sign of nonviolence, which connects with the best aspirations of human beings.</p><p style="text-align: right;"><strong>FICNOVA organising team </strong></p>								</div>
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															<img loading="lazy" decoding="async" width="363" height="192" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/LaurelOfficialSelection-7FICNOVA2024.png" class="attachment-large size-large wp-image-8478" alt="Official Selection 7 FICNOVA 2024 Laurel" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/LaurelOfficialSelection-7FICNOVA2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/07/LaurelOfficialSelection-7FICNOVA2024-300x159.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p>Download &#8220;Laurel&#8221; image <br />Official Competition Selection 7 FICNOVA 2024</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-competition-selection-of-the-7th-ficnova-2024/">Announcement of the Official Competition Selection of the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>FICNOVA closes the deadline for film submissions for the 7th edition 2024</title>
		<link>https://festivalcinenoviolencia.org/en/ficnova-closes-the-deadline-for-film-submissions-for-the-7th-edition-2024/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sun, 06 Aug 2023 23:32:00 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=8206</guid>

					<description><![CDATA[<p>Today, August 6, 2023, we close the deadline for entries for the 7th edition of the International Film Festival of Active Nonviolence (FICNOVA).</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/ficnova-closes-the-deadline-for-film-submissions-for-the-7th-edition-2024/">FICNOVA closes the deadline for film submissions for the 7th edition 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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															<img loading="lazy" decoding="async" width="334" height="416" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/08/cierreAdmisionFICNOVA7.jpg" class="attachment-full size-full wp-image-8193" alt="cierre admisión de películas 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/08/cierreAdmisionFICNOVA7.jpg 334w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/08/cierreAdmisionFICNOVA7-241x300.jpg 241w" sizes="(max-width: 334px) 100vw, 334px" />															</div>
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										<img loading="lazy" decoding="async" width="300" height="359" src="https://festivalcinenoviolencia.org/wp-content/uploads/2012/09/Soldado_RafaE_para_MSGw.jpg" class="attachment-full size-full wp-image-16" alt="Soldado, por Rafael Edwuars" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2012/09/Soldado_RafaE_para_MSGw.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2012/09/Soldado_RafaE_para_MSGw-251x300.jpg 251w" sizes="(max-width: 300px) 100vw, 300px" />											<figcaption class="widget-image-caption wp-caption-text">Imagen: Rafael Edwards</figcaption>
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									<h6>Today, August 6, 2023, we close the deadline for entries for the 7th edition of the International Film Festival of Active Nonviolence (FICNOVA).</h6><p>78 years after the U.S. Army dropped an atomic bomb on Hiroshima (Japan) on August 6, 1945 killing 166,000 people and, on August 8, a second bomb on Nagasaki killing another 80,000 people, as a significant gesture of remembrance of this atrocity, we want to highlight the desolate disaster produced by wars and the need to awaken in hearts more strongly than ever the nonviolence capable of overcoming them.<br /><br />If the violence of wars continues to live in the heads of &#8220;powerful insensitive lords&#8221; anchored in prehistory, from this festival we recognize that in spite of everything nonviolence is present in the hearts and heads of millions of people around the world. We hope to make this evident with the films we have received (more than two thousand seven hundred) from 124 countries.<br /><br />We are now beginning the selection period for the films admitted to the competition, which we will announce on July 15, 2024.<br />Thanks to all the authors for their participation.<br /><br />FICNOVA Organizing Team<br /><br /></p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/ficnova-closes-the-deadline-for-film-submissions-for-the-7th-edition-2024/">FICNOVA closes the deadline for film submissions for the 7th edition 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Spaces for nonviolence FICNOVA Madrid</title>
		<link>https://festivalcinenoviolencia.org/en/spaces-for-nonviolence-ficnova-madrid/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sat, 29 Apr 2023 17:41:00 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=6369</guid>

					<description><![CDATA[<p>FICNOVA Madrid is programming two cycles of active nonviolence screenings to help "dismantle forms of violence" in a personal and social way.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/spaces-for-nonviolence-ficnova-madrid/">Spaces for nonviolence FICNOVA Madrid</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Proyeccion-Biblioteca-Galapagar-Sede-FICNOVA-Madrid.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="Proyección Biblioteca Galapagar - Sede FICNOVA Madrid" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NTI5OSwidXJsIjoiaHR0cHM6XC9cL2Zlc3RpdmFsY2luZW5vdmlvbGVuY2lhLm9yZ1wvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyM1wvMDRcL1Byb3llY2Npb24tQmlibGlvdGVjYS1HYWxhcGFnYXItU2VkZS1GSUNOT1ZBLU1hZHJpZC5qcGcifQ%3D%3D">
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																<a href="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02.jpg" data-elementor-open-lightbox="yes" data-elementor-lightbox-title="Cinefórum Alcalá 02" data-elementor-lightbox-description="Intercambio participantes Cine-fórum FICNOVA Alcalá de Henares" data-e-action-hash="#elementor-action%3Aaction%3Dlightbox%26settings%3DeyJpZCI6NjM0OSwidXJsIjoiaHR0cHM6XC9cL2Zlc3RpdmFsY2luZW5vdmlvbGVuY2lhLm9yZ1wvd3AtY29udGVudFwvdXBsb2Fkc1wvMjAyM1wvMDRcL0NpbmVmb3J1bS1BbGNhbGEtMDIuanBnIn0%3D">
							<img loading="lazy" decoding="async" width="2048" height="1536" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02.jpg" class="attachment-full size-full wp-image-6349" alt="Participantes Cine-fórum Alcalá de Henares" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02.jpg 2048w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02-300x225.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02-1024x768.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02-768x576.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/Cineforum-Alcala-02-1536x1152.jpg 1536w" sizes="(max-width: 2048px) 100vw, 2048px" />								</a>
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									<p><strong>FICNOVA Madrid is programming two cycles of active nonviolence screenings to help &#8220;dismantle forms of violence&#8221; in a personal and social way.</strong></p>								</div>
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									<p>We began the year with the opening of two spaces for nonviolence in two localities in the outskirts of Madrid, thanks to the help of the Municipal Libraries C. Cisneros in Alcalá de Henares and Ricardo León in Galapagar and the Centro Social Autogestionado ÍTACA, also in the latter municipality.</p><p>In Alcalá de Henares the meetings are held fortnightly. The participants have been able to benefit from the diversity of approaches contributed by each film and gain in new awareness through the rich exchanges of experience.</p><p>In Galapagar, after a first presentation of the festival in the municipal library, the meetings are scheduled on a monthly basis in the space offered by the CSA ÍTACA. The exchanges are also extremely enriching for all the participants and the next meeting is eagerly awaited.</p><p>From this atmosphere of mutual recognition and warm affection, we believe that we are sharing a useful tool that can help us gain freedom and open up new possibilities.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/spaces-for-nonviolence-ficnova-madrid/">Spaces for nonviolence FICNOVA Madrid</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>FICNOVA Santiago at the Liceo de Aplicación</title>
		<link>https://festivalcinenoviolencia.org/en/ficnova-santiago-at-the-liceo-de-aplicacion/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Wed, 26 Apr 2023 17:31:00 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Novedades]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=6362</guid>

					<description><![CDATA[<p>Organisers from FICNOVA Santiago held a screening and a discussion with teachers and students from the Liceo de Aplicación.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/ficnova-santiago-at-the-liceo-de-aplicacion/">FICNOVA Santiago at the Liceo de Aplicación</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img loading="lazy" decoding="async" width="800" height="450" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/LiceoApliccion-00-1024x576.jpg" class="attachment-large size-large wp-image-6311" alt="FICNOVA Santiago en el Liceo de Aplicación" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/LiceoApliccion-00-1024x576.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/LiceoApliccion-00-e1682695372343-300x169.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/LiceoApliccion-00-e1682695372343-768x432.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/LiceoApliccion-00-1536x864.jpg 1536w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/LiceoApliccion-00-e1682695372343.jpg 800w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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															<img loading="lazy" decoding="async" width="800" height="800" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/1682024352410-1024x1024.jpg" class="attachment-large size-large wp-image-6167" alt="cartel Liceo Aplicación Santiago" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/1682024352410-1024x1024.jpg 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/1682024352410-e1682270765928-300x300.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/1682024352410-e1682270765928-150x150.jpg 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/1682024352410-e1682270765928-768x768.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/1682024352410-e1682270765928.jpg 800w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<p><strong>Organisers from FICNOVA Santiago held a screening and a discussion with teachers and students from the Liceo de Aplicación.</strong></p><p>26 April 2023. Santiago de Chile.</p><p>On Tuesday 25 April FICNOVA returned to the classroom, opening a space for reflection and the exchange of experiences, after the screening of the short film &#8220;Monkey Business&#8221;, official selection of the 6th FICNOVA 2022.</p><p>&#8220;We watched a short film and talked about active nonviolence. The young people are extraordinary! Professor Roberto Rojas is a great example of dedication, enthusiasm and love for the students. We are very grateful to him for opening the doors of the school to make a small contribution&#8221;. &#8211; the protagonists tell us.</p><p>We are sure that the experience will be repeated soon with new examples. Until then!</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/ficnova-santiago-at-the-liceo-de-aplicacion/">FICNOVA Santiago at the Liceo de Aplicación</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Pride, in the name of love</title>
		<link>https://festivalcinenoviolencia.org/en/pride-in-the-name-of-love/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Fri, 21 Apr 2023 13:19:40 +0000</pubDate>
				<category><![CDATA[NEWS]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=6185</guid>

					<description><![CDATA[<p>Con la música transformamos el mundo: Orgullo, en el nombre del amor</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/pride-in-the-name-of-love/">Pride, in the name of love</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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									<h2>With music we transform the world: Pride, in the name of love</h2>								</div>
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									<p>Between February and April 2023 friends, collaborators and family members participated in this musical project, with the aim of disseminating and presenting the seventh <strong>FICNOVA</strong>, an initiative that is celebrated around October 2nd every two years, commemorating the International Day of Nonviolence declared by the United Nations.<br />On this occasion, collaborators from Madrid, Spain, and Montevideo, Uruguay, came together to transmit our feelings and to make our participation known through our interpretation of a musical theme that inspires us. We also counted on the collaboration of people from different parts of the world for the elaboration of this audiovisual. Quite a challenge in terms of time and distance.</p><p>We chose this song by the band U2 &#8220;Pride, in the name of love&#8221;.</p>								</div>
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										<img loading="lazy" decoding="async" width="800" height="600" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/MLK.png" class="attachment-large size-large wp-image-6175" alt="Martin Luther King" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/MLK.png 800w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/MLK-300x225.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/MLK-768x576.png 768w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Leaders of the March on Washington for Jobs and Freedom on 28 August 1963. From right to left: Rabbi Joachim Prinz, Eugene Carson Blake, Dr. Martin Luther King, Floyd McKissick, Matthew Ahmann and John Lewis.</figcaption>
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									<p>This song is about a transcendental event in the history of humanity: the assassination of Martin Luther King, a historical figure who dedicated his life to the peaceful struggle for the rights of African-Americans, at a very difficult time for this population, which was struggling at that time between slavery and freedom. This struggle didn´t end, as the song says on 4 April 1968, when &#8220;<em>a shot rings out in the Memphis sky, free at last, they took your life, they could not take your pride</em>&#8220;.</p>								</div>
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									<h2>Through nonviolence we transform the world</h2><p>This phrase, which with the help of several participants we translated into several languages, is intrinsically linked to this episode, which like so many others throughout history, represents the pride of trying to be better every day, from ourselves and towards the world around us. Always working in the name of love, creating links, to bring us closer together and get this message across, in all possible manifestations of human language, but also from our actions, as beings who proudly share this world, in the name of love, working from nonviolence, transforming the world.</p>								</div>
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										<img loading="lazy" decoding="async" width="800" height="600" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/vocesenoff.png" class="attachment-large size-large wp-image-6176" alt="voces en off" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/vocesenoff.png 800w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/vocesenoff-300x225.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/04/vocesenoff-768x576.png 768w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Colaborators´voices from different countries </figcaption>
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									<h4><a href="https://youtu.be/hV-tdIWCe30">Click here to see the video of this beautiful experience</a></h4>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/pride-in-the-name-of-love/">Pride, in the name of love</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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