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	<title>Eventos ediciones archivos - ANIFF - Active Nonviolence International Film Festival</title>
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	<description>FICNOVA - ANIFF; International Film Festival of Active Nonviolence; Humanist space of encounter in the culture of nonviolence. A festival that works to overcome violence and discrimination. A biennial, voluntary and free film festival.</description>
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	<title>Eventos ediciones archivos - ANIFF - Active Nonviolence International Film Festival</title>
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		<title>Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</title>
		<link>https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Wed, 22 Jul 2026 20:48:44 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
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					<description><![CDATA[<p>List of works in the Official Competition Selection of the 8th FICNOVA 2026</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/">Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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									<h4 class="p1">We acknowledge the theme of this edition, “NON-VIOLENCE: FROM ME TO US”, as reflected in 818 films from 95 countries.</h4><p class="p1">In accordance with the rules of participation for the 8th International Festival of Active Non-Violence 2026, FICNOVA, today, 15 July 2026, we are publishing the Official Selection for this year’s competition.</p><p class="p1">The international organizing team has selected a total of 818 entries from 95 countries from among the 2,565 films received.</p><p class="p1">The Official Selection, broken down by sections, includes in the General Section: 620 short films, 34 medium-length films and 118 feature-length films. In the Educational Institutions section, we have selected 46 short films.</p><p class="p1">The international organizing team would like to remind you that our work is entirely voluntary, but we strive to be as rigorous as possible with the requirements for this edition to ensure that films adhere to the proposed theme and that works in their original languages provide the option of subtitles in Spanish and English. (Those that do not provide these subtitles will not be eligible for the subsequent stages of selection for finalists and award winners.)</p><p class="p1">We would like to thank all the filmmakers and producers for taking part in the 8th FICNOVA 2026, helping to promote the cause of non-violence through exemplary imagery.</p><p class="p1">On 2 September, we will announce the finalist films, and on 2 October, the award-winning films,</p><p class="p1">FICNOVA Organising Team</p><p>This is the full list of films in the Official Selection:</p>								</div>
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<tbody>
<tr>
<td bgcolor="#eeeeee"><strong>Título</strong></td>
<td bgcolor="#eeeeee"><strong>Dirección</strong></td>
<td bgcolor="#eeeeee"><strong>Minutos</strong></td>
<td bgcolor="#eeeeee"><strong>País de origen</strong></td>
<td bgcolor="#eeeeee"><strong>Lenguaje</strong></td>
<td bgcolor="#eeeeee"><strong>Categoria</strong></td>
</tr>
<tr>
<td><strong>ABURRAQUE</strong></td>
<td>Asha Villafane</td>
<td>5</td>
<td>Argentina, Panama</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Asystole</strong></td>
<td>Labros Dimitrelos</td>
<td>10</td>
<td>Greece</td>
<td>Modern Greek (1453-)</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Bepuwaveh</strong></td>
<td>Pojoaque Middle School Students</td>
<td>8</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Bhulyun Ghaar &#8211; A Forgotten Home</strong></td>
<td>Ashish Bisht</td>
<td>7</td>
<td>India</td>
<td>Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>BLAVA TERRA</strong></td>
<td>Marine&nbsp; Auclair March</td>
<td>19</td>
<td>España</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Boys can cry</strong></td>
<td>Cherly Dayanne Ramos Cedres</td>
<td>8</td>
<td>Puerto Rico</td>
<td>English, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Camino a Casa</strong></td>
<td>Emilia Alen Villanueva</td>
<td>3</td>
<td>Chile</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Campeones de la vida &#8211; CHAMPIONS OF LIFE</strong></td>
<td>STEPHANIE BATES, Andres posse</td>
<td>29</td>
<td>Colombia</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Cariz</strong></td>
<td>Jara Rodilla RojoValeria Zapata Cardoso</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>CINECLUB</strong></td>
<td>10 and 11-year-old students from &#8220;C.E.I.P. Serrería&#8221; Public School in València (Spain)</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Climate Solutions! Will Moffett</strong></td>
<td>Will Moffett</td>
<td>4</td>
<td>United States, United States</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>CLOWNS</strong></td>
<td>Salva Rodriguez Morales</td>
<td>7</td>
<td>Spain</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Como el caracol &#8211; Like the Snail</strong></td>
<td>Katalin Egely</td>
<td>5</td>
<td>Hungary</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>DESCENSO / DECLINE</strong></td>
<td>MAURO VINYAS</td>
<td>7</td>
<td>Spain</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>El guardián del Lago. Cuentos Nanay</strong></td>
<td>Elisa Eliash</td>
<td>6</td>
<td>Chile</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Evolution_Evolución</strong></td>
<td>Vittorio Caratozzolo &amp; Class 3 A (2023-24)</td>
<td>4</td>
<td>Italy</td>
<td>English, Italian, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Fishbones</strong></td>
<td>Amandine COPIN, Amandine ROLAND, Camille CHEUTIN, Gaëlle JARRIGE, Mona PANNECOCKE, Natacha JACKOWSKI</td>
<td>6</td>
<td>France</td>
<td>French</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Foreigners___sp</strong></td>
<td>Vittorio Caratozzolo &amp; Class 2 A (2022-23)</td>
<td>7</td>
<td>Italy</td>
<td>Italian, Spanish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Había una vez una guerra</strong></td>
<td>Emma Míguez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Haz</strong></td>
<td>Marcelino Díaz Acebal</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>I’m Here, Stay with Me!</strong></td>
<td>Balan Maria Brîndușa</td>
<td>10</td>
<td>Romania</td>
<td>English, Romanian</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>If Freedom Ever…</strong></td>
<td>Students aged between 17 and 19 E.B.</td>
<td>16</td>
<td>Portugal</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>KEMAL</strong></td>
<td>Esra DEMİR</td>
<td>7</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Kuppai muniswami</strong></td>
<td>Manooj Chanakya</td>
<td>4</td>
<td>India</td>
<td>Tamil</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La hora de Laura &#8211; Laura&#8217;s hour</strong></td>
<td>Pablo García Soria</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La isla de la basura &#8211; “THE GARBAGE ISLAND”</strong></td>
<td>Carolina Mariana Feity, Laura Fernandez, Hernan Pablo Suarez, Guillermo Palermo</td>
<td>2</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>La silla &#8211; The wheelchair</strong></td>
<td>Clara García, Mariano Reinaldos</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Las Piedras</strong></td>
<td>María Sofía Borsini</td>
<td>20</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Línea de flotación</strong></td>
<td>Lucila De OtoGastón Bonalve</td>
<td>12</td>
<td>Argentina</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Little Woman</strong></td>
<td>Héctor Osmar Alvarenga</td>
<td>20</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>LOLO</strong></td>
<td>Ana Gabriela Gutiérrez Salgado</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Mamour</strong></td>
<td>Christelle JEANNE</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Mosquito life</strong></td>
<td>Malik Al-Zuhairi</td>
<td>7</td>
<td>Iraq</td>
<td>&nbsp;</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>NORMALESS</strong></td>
<td>Javier Celay</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>On Far-Off Places</strong></td>
<td>Leonardo Gabriel Chagas Saad</td>
<td>19</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Rejection Monster</strong></td>
<td>Antônio Carreira Alvim Macedo Soares</td>
<td>5</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>SIETECONSEIS</strong></td>
<td>Helena Ruiz Gómez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Straight and in a Circle</strong></td>
<td>Palina Ramashka</td>
<td>4</td>
<td>Belarus</td>
<td>English</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>THE FACE OF INDIA</strong></td>
<td>SAMAR JAIN</td>
<td>3</td>
<td>India</td>
<td>English, Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The Mirror &#8211; O Espelho</strong></td>
<td>Luiza Dalmás</td>
<td>4</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The Rise Of The Buddha!</strong></td>
<td>Makarand Prakash Purohit</td>
<td>1</td>
<td>India</td>
<td>English</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>The World Needs You</strong></td>
<td>4.ºB Class Colégio do Marítimo</td>
<td>3</td>
<td>Portugal</td>
<td>Portuguese</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Toilet Ghost</strong></td>
<td>Asif Shaikh</td>
<td>8</td>
<td>India</td>
<td>Hindi</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Un germà</strong></td>
<td>Biel Morales Parra</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Vergüenzalandia</strong></td>
<td>Daniela Morales Guijarro</td>
<td>11</td>
<td>Spain</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>Volber a la Tierra &#8211; Back to the Easrth</strong></td>
<td>Laura Hernández Barbosa</td>
<td>10</td>
<td>Colombia</td>
<td>Español</td>
<td>Centros de Enseñanza: Cortos</td>
</tr>
<tr>
<td><strong>50</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>7</td>
<td>Bulgaria</td>
<td>Bulgarian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>2401</strong></td>
<td>Javad Anizadeh</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian, Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>5/3/0</strong></td>
<td>Danilo Stanimirović</td>
<td>15</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>+ Alba</strong></td>
<td>Sebastian Huergo</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>#NoConsiento</strong></td>
<td>CONRADO&nbsp; ESCUDERO DONATE</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>&#8230;Esperanza</strong></td>
<td>Mayra Veliz</td>
<td>20</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>’’ TURGUT ONBASI ’’ 52 AÑOS DE ANHELO</strong></td>
<td>ONUR KOK</td>
<td>25</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>1 VIDA</strong></td>
<td>Virginia Rodriguez</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>123 Semillas de Nim</strong></td>
<td>Adrián&nbsp; Buenaventura</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>203O New World Order &#8211; Brain Voltage</strong></td>
<td>Rodrigo Torrijos</td>
<td>4</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>2054 Seele</strong></td>
<td>Edoardo Maione, Alice Gnech</td>
<td>12</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>29 DE FEBRERO</strong></td>
<td>Diego Fandos</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>36TH JULY</strong></td>
<td>Md Shahadat Hossain</td>
<td>1</td>
<td>Bangladesh, Poland</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>40 GRADOS</strong></td>
<td>Ignacio Clarà Planas</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>500 bucks</strong></td>
<td>Jorge Pablo Quiroz</td>
<td>14</td>
<td>Peru</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>60 anos depois</strong></td>
<td>Flávio&nbsp; Ferreira</td>
<td>20</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>60 años después</strong></td>
<td>Flávio Ferreira</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>79 Tombstones</strong></td>
<td>Rastko Šejić</td>
<td>17</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Death for Life</strong></td>
<td>Mohammadreza Setarehshenas</td>
<td>1</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A dress for Yaqui (Un vestido para Yaqui)</strong></td>
<td>Olivia Manrufo</td>
<td>21</td>
<td>Peru</td>
<td>Quechua</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Father’s Instinct</strong></td>
<td>ouazene fatima</td>
<td>12</td>
<td>Algeria</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A house to share</strong></td>
<td>pascale Hecquet</td>
<td>5</td>
<td>Belgium</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A local, born and bred</strong></td>
<td>Frederic Salvà</td>
<td>6</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Manuela</strong></td>
<td>Pia Bonilla</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A NAME</strong></td>
<td>Indraneel Nighojkar</td>
<td>14</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A New Macondo in the Valle del Cauca</strong></td>
<td>JAVIER ALONSO SANCHEZ</td>
<td>30</td>
<td>Colombia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A NOA</strong></td>
<td>Dani Fortuny</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A side to exit</strong></td>
<td>Ehsan Hemmati</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A solas con Farid</strong></td>
<td>Alberto&nbsp; Ortega</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A TAREA</strong></td>
<td>Alfonso O&#8217;Donnell</td>
<td>28</td>
<td>España</td>
<td>Gallego</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aban</strong></td>
<td>Mohammad Mahdi Mola Parast</td>
<td>5</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Abraham</strong></td>
<td>Francisco Saia</td>
<td>9</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ADIÓS.</strong></td>
<td>Álvaro G. CompanyMario Hernández</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Adriano</strong></td>
<td>Massimiliano Tedeschi</td>
<td>11</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Against the Impossible</strong></td>
<td>Julián Acosta Vera</td>
<td>5</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Agua &#8211; Antioquia</strong></td>
<td>Diego Morabello</td>
<td>16</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Agua que no limpia</strong></td>
<td>Natalia Marcela Lima</td>
<td>6</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Al pasar la barca</strong></td>
<td>Julia ReinaArturo&nbsp; Mombiedro</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Al Wadiaa</strong></td>
<td>Hedy Krissane</td>
<td>11</td>
<td>Italy, Tunisia</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Allegory</strong></td>
<td>Timothé AUVRAY</td>
<td>7</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ALOO AUNTY</strong></td>
<td>Asif Shaikh</td>
<td>28</td>
<td>India</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amida</strong></td>
<td>Majid Mirhashemi</td>
<td>25</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amiga, yo te escucho</strong></td>
<td>Angeles Carrasco</td>
<td>4</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aminata</strong></td>
<td>MARTA&nbsp; LÓPEZ PLAZA</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>AMOR CHIQUITO</strong></td>
<td>GORETTI LIPKIES, IVÁN LIPKIES</td>
<td>23</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Amore Mortale (short movie)</strong></td>
<td>massimiliano Tedeschi</td>
<td>18</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>AMRA</strong></td>
<td>Vasil Hristov</td>
<td>9</td>
<td>North Macedonia</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANGIE</strong></td>
<td>Josep Varo</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Another Day</strong></td>
<td>Ivan Tsupka, Lera Fokina, Elena Sydorenko</td>
<td>4</td>
<td>Ukraine</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANOTHER WORLD</strong></td>
<td>sajjad rafiei</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>Azerbaijani</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Anteroom</strong></td>
<td>Enrique Daniel Fraquelli</td>
<td>14</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ANTIM ARANYA</strong></td>
<td>AKASH SHIVAJI DARADE</td>
<td>20</td>
<td>India</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Antón</strong></td>
<td>Mikel&nbsp; González Beorlegui</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Apagada</strong></td>
<td>Guillermo&nbsp; Rojo</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Aprendiz de xamã Mukunã</strong></td>
<td>Rodrigo Sena Sena</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Arabesque</strong></td>
<td>Armin Baharlooei</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ARCA</strong></td>
<td>Antonina Obrador</td>
<td>19</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Architecture of Hope &#8211; for the ruins of the present.</strong></td>
<td>Jan Lewandowski</td>
<td>10</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Arderéis en el infierno</strong></td>
<td>Iván López</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ARGOR</strong></td>
<td>GERARDO CASTAÑEDA</td>
<td>7</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Art is for everyone!</strong></td>
<td>Sergio Osvaldo Valdés</td>
<td>12</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>As I feel</strong></td>
<td>Mathieu Brassier</td>
<td>29</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>As Much As A Sky</strong></td>
<td>Ömer İnan</td>
<td>10</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ascent</strong></td>
<td>Milad Bahramipour</td>
<td>6</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Autopsía</strong></td>
<td>Philipp Kowalski</td>
<td>5</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Axe</strong></td>
<td>Esmail Jabbari</td>
<td>6</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ayni</strong></td>
<td>Tomás Ariel Marco</td>
<td>3</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bajau Laut &#8211; the sea is our home</strong></td>
<td>Joo Peter</td>
<td>5</td>
<td>Indonesia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Be one</strong></td>
<td>Ritwik Deepa, Ashwin Beena Sanjeev, Anandhu Rajaji</td>
<td>2</td>
<td>Canada, France, India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bebés Robados</strong></td>
<td>Mau&nbsp;&nbsp; Cardoso</td>
<td>21</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Before I, there&#8217;s us</strong></td>
<td>Marília de Medeiros Deliberador Diogo, Raquel de Medeiros Deliberador</td>
<td>8</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Behind The Wall</strong></td>
<td>Martín Guevara</td>
<td>15</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bellum</strong></td>
<td>Pablo&nbsp; Ferrando</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Benzô</strong></td>
<td>Letícia Andra</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Between Windows</strong></td>
<td>Guilherme Reis</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Beula</strong></td>
<td>B Suresh Kumar</td>
<td>3</td>
<td>India</td>
<td>Tamil</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Beyond the Gray</strong></td>
<td>Carolina Abreu</td>
<td>9</td>
<td>Brasil</td>
<td>Sin diálogos</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BHAGYA : The Road to Destiny</strong></td>
<td>Parag Pomal</td>
<td>13</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BHOOMI &#8211; MOTHER EARTH</strong></td>
<td>Khushnoor Shaikh</td>
<td>3</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BIAS</strong></td>
<td>Odysseas Johannes Hlepas</td>
<td>2</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bird Day</strong></td>
<td>Davood Haseli, Mohammad Naseri</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bird Drone</strong></td>
<td>Radheya Jegatheva</td>
<td>9</td>
<td>Australia</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Birthing Hands</strong></td>
<td>Juan Sebastian Arias Carvajal</td>
<td>15</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Black People&#8217;s Thing</strong></td>
<td>Pâmela Peregrino</td>
<td>7</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Black Scarf</strong></td>
<td>Ali Reza Shah Hosseini</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Blame it on Evren!</strong></td>
<td>Hıdır Murat Doğan</td>
<td>7</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BONITA</strong></td>
<td>Eva SantanaAlbert Carbó</td>
<td>15</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Border</strong></td>
<td>SAID MOHSEN HOSSAINI</td>
<td>6</td>
<td>Afghanistan</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Borromean A shot of Electra</strong></td>
<td>Masoud Salehi</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bounce</strong></td>
<td>Tristan Cloete</td>
<td>4</td>
<td>South Africa</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Breaking Language &#8211; Romper el Español</strong></td>
<td>Sofia Castro</td>
<td>17</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Breaking the Celluloid</strong></td>
<td>Mariana Isabel Huerta</td>
<td>25</td>
<td>Panama</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BREATHLESS</strong></td>
<td>Alejandro Giorlando</td>
<td>12</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bruise</strong></td>
<td>Arash Babaki</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Brujas</strong></td>
<td>Cesare Maglioni</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Bruno</strong></td>
<td>Isotta Tomassini</td>
<td>6</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Búhos</strong></td>
<td>Xavi Cano</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>BUMO, BUMA Y YO</strong></td>
<td>María González Peña</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Buried Memory</strong></td>
<td>Amanda Santos Silva</td>
<td>22</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>But the snowfall continued</strong></td>
<td>Ahura Najjar, Amirhossein Nazerian</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CABLES</strong></td>
<td>Ángela Obón</td>
<td>14</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Calcetines</strong></td>
<td>Miguel Ángel OlivaresAna BeyronAlejandra Beyron</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Calla</strong></td>
<td>Clara&nbsp; López Cantos Almudena&nbsp; Sánchez-Rey López</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Capacity</strong></td>
<td>Mohamad Vahabi</td>
<td>3</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CAPITANES</strong></td>
<td>Kevin CastellanoEdu Hirschfeld</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARILLÓN</strong></td>
<td>Diego Pérez González</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARMELA</strong></td>
<td>Vicente Mallols</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CARMEN Y LA CUCHARA DE PALO</strong></td>
<td>Carlos Gómez-Mira Sagrado</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cartas à Tia Marcelina</strong></td>
<td>João Macena</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>cast away</strong></td>
<td>Ali Momeni</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Casting</strong></td>
<td>Víctor Devesa</td>
<td>7</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cautivas</strong></td>
<td>Itxaso&nbsp; Díaz</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CENIZAS</strong></td>
<td>Gabriela Alejandra Orlandi</td>
<td>5</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Chalk. Nature. Will. &#8211; A Story from the Duars</strong></td>
<td>Dipto Roy</td>
<td>26</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cheeni</strong></td>
<td>Amitabh Anil Bhawar</td>
<td>6</td>
<td>India</td>
<td>Marathi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cinthia Rched</strong></td>
<td>Rosa Lia Albistur</td>
<td>30</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CITY OF PIGS</strong></td>
<td>Juan Ángel Hernández</td>
<td>24</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CLOWN</strong></td>
<td>Shanshan Jiang</td>
<td>4</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CÓLERA</strong></td>
<td>Jose Luís Lázaro</td>
<td>9</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Collaterals</strong></td>
<td>José Brocco</td>
<td>17</td>
<td>Puerto Rico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Collectives in Feminine</strong></td>
<td>Mariana Barreto del Rello</td>
<td>11</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>COMO ANTES</strong></td>
<td>Alberto Gross Molo</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>conspiracy</strong></td>
<td>elia chapar</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Continuous Line</strong></td>
<td>Amin Mohammad rezaei</td>
<td>27</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Coração de Mar</strong></td>
<td>Neto BorgesLarissa Malty</td>
<td>14</td>
<td>Portugal</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Crops of solidarity</strong></td>
<td>Ferdoushi Akter Tenni, Mohammad Faisal, Samiur Rahman</td>
<td>11</td>
<td>Bangladesh</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CROSSING WOMEN -THE INVISIBLE SUPPORT OF THE BORDER</strong></td>
<td>Pablo Mardones Charlone, Javier Astudillo</td>
<td>30</td>
<td>Argentina, Chile, Germany</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Crumb Men</strong></td>
<td>Karim Carvallo</td>
<td>14</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Cultivated by women</strong></td>
<td>Angie Osorio Cadena</td>
<td>4</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>CURMÁN</strong></td>
<td>Alejandro Jato</td>
<td>24</td>
<td>España</td>
<td>Gallego</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>D’aquí, de tota la vida</strong></td>
<td>Frederic Salva</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Day by day</strong></td>
<td>Camilo Pérez Orozco</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Day by day</strong></td>
<td>Camilo Pérez Orozco</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DE BEGGAR &#8211; the rare one</strong></td>
<td>SARAVANA TR</td>
<td>10</td>
<td>India</td>
<td>Kannada</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>De plus belle</strong></td>
<td>Djoser NDAO, Alina TMENOVA</td>
<td>10</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dear Manuel</strong></td>
<td>David Escobar</td>
<td>24</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Death between life</strong></td>
<td>Rekar Barzan</td>
<td>24</td>
<td>Iraq</td>
<td>German, Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>debt</strong></td>
<td>Ali momeni</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dependent</strong></td>
<td>Odysseas Johannes Hlepas, CO-Director &#8211; Rabeah Rahimi</td>
<td>8</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Des mots sur des maux (The words on evils)</strong></td>
<td>MACHE LELE JESSICA MARIE TENOS</td>
<td>14</td>
<td>Cameroon</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DESOVA: a prayer to the sun</strong></td>
<td>Beatriz Nauali</td>
<td>27</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Después de Cristo 2024</strong></td>
<td>Irwin Lacröà (Lorenzo Carbonell Zaragozá)</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Después del reflejo</strong></td>
<td>Walter Monzón</td>
<td>13</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Digital Memories for weary hearts</strong></td>
<td>Luca Di Paolo</td>
<td>15</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DISONANCIA</strong></td>
<td>Raquel Larrosa</td>
<td>25</td>
<td>España</td>
<td>Arabe</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dombra Scream</strong></td>
<td>Ghiyam karami Shirazi</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Dominus Videt</strong></td>
<td>Jose Vega</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DON BENJAMIN</strong></td>
<td>Iván Zahinos</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Don Pacho</strong></td>
<td>Óscar Gilberto Vesga Pérez</td>
<td>11</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DONDE SE QUEJAN LOS PINOS</strong></td>
<td>Ed Antoja</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Donkey</strong></td>
<td>Laura Yanela Fernández</td>
<td>18</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español, Wayuu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Don&#8217;t see, don&#8217;t hear, don&#8217;t speak. Faces of capitalism</strong></td>
<td>Stefano Pelleriti</td>
<td>5</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Doomsday radio</strong></td>
<td>Antanas Skučas, Julius Zubavičius</td>
<td>3</td>
<td>Lithuania, United Kingdom</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>DUST TO DISCLOSURE</strong></td>
<td>Aakankshya GC Bhujel</td>
<td>14</td>
<td>Nepal</td>
<td>Nepali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El arte de gravitar</strong></td>
<td>Camila Estupiñan</td>
<td>5</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El café siempre en taza</strong></td>
<td>ANTONIO JOSE&nbsp; LOPEZ GOMEZ</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El gigante de los pies de barro</strong></td>
<td>Emilio Ortiz</td>
<td>7</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El goteo</strong></td>
<td>Nacho Baturone</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL LADO MÁS BESTIA DE LA VIDA</strong></td>
<td>José Antonio Campos Aguilera</td>
<td>14</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Lamento de los Girasoles</strong></td>
<td>Oscar Vega</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL MAL DONAT</strong></td>
<td>Alfons CasalHector Mas</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL NUEVO BARRIO</strong></td>
<td>Víctor Izquierdo Alcaraz</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL OTRO</strong></td>
<td>Eduard Fernández Serrano</td>
<td>18</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL POZO</strong></td>
<td>TATIANA BK OSBORNE</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Primer Día</strong></td>
<td>César Ríos Aguilar</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El puto amo</strong></td>
<td>Sergio&nbsp; Sánchez-PalenciaBruno Sánchez-Palencia</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL QUE NO VE</strong></td>
<td>Natxo Leuza</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SHOW</strong></td>
<td>Javier Balaguer Blasco</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SILENCI DE LA LLAR</strong></td>
<td>Adrià Llauró</td>
<td>13</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EL SUEÑO DE JUANITO</strong></td>
<td>MARIANA WENGER</td>
<td>14</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>El Tunel</strong></td>
<td>Laura Aranda Peña</td>
<td>0</td>
<td>Spain</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Elaroz</strong></td>
<td>Amir Shayan Ghazanfari, Mobin Ghazanfari</td>
<td>23</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Elegy of Blood؛ Mahmoud Darwish</strong></td>
<td>Ali Mohammadi Kharghani</td>
<td>19</td>
<td>Iran, Islamic Republic of, Palestine, State of</td>
<td>Arabic, Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Emilia</strong></td>
<td>Rafa Arroyo</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Empty Paper</strong></td>
<td>Matin &#8211; kafash</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>En la misma calle</strong></td>
<td>Francisco Javier Molina IbáñezMariano Rezzonico</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>EN LÍNEA</strong></td>
<td>Ceres Machado</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Enough</strong></td>
<td>Daniel Jasiri Levergénois MAKASI MAHAMBA</td>
<td>15</td>
<td>Congo, the Democratic Republic of the</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Enraizados (Our Roots Remain)</strong></td>
<td>Ivonne Serna, Sélim Benzeghia</td>
<td>18</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Entre a Fé e a Tradição: Tenda de Senhor ogum</strong></td>
<td>Claudia&nbsp; Marreiros</td>
<td>17</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ES LA VIDA</strong></td>
<td>Alfonso O Donnell Gonzalez de CastejonAlfonso&nbsp; O&#8217;Donnell</td>
<td>28</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escaping the hustle and bustle</strong></td>
<td>Nina Zharova</td>
<td>11</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escribiendo&#8230;</strong></td>
<td>Pablo Olewski</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Escrita ABC: Fasts</strong></td>
<td>Raoni F Moura</td>
<td>9</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ESTIGMA</strong></td>
<td>Pilar García Elegido</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ESTIMADA ÁNGELA</strong></td>
<td>José Luis QuirósPaco Sáez</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Euphorbia</strong></td>
<td>Karim Elsayed Gaafar</td>
<td>17</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fairytale</strong></td>
<td>Marcel Estellés</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fare free &#8211; City in Dispute</strong></td>
<td>Caroline Oliveira, Marcelo Cruz</td>
<td>29</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>FAUSTINO</strong></td>
<td>German Mairen</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Featherheads</strong></td>
<td>Dení Martha López</td>
<td>24</td>
<td>Mexico</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fermín</strong></td>
<td>Óscar Gilberto Vesga Pérez</td>
<td>14</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fighting HIV, changing minds</strong></td>
<td>Jan-Willem Bult</td>
<td>5</td>
<td>Netherlands</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fire and Infinity</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>5</td>
<td>Bulgaria</td>
<td>Bulgarian, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fleurs de Peau</strong></td>
<td>&nbsp;Lisa ChabbertPauline Lebellenger</td>
<td>19</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Float</strong></td>
<td>Farzaneh Salahshoor</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Flores</strong></td>
<td>José Cardoso</td>
<td>27</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Follow the Lemming</strong></td>
<td>&nbsp;<p><span>Sean Stroud</span></p></td>
<td>5</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Football Stuff</strong></td>
<td>Yuu Cortés, Alejandro Ara, Carla Muñoz, Layla Díaz, Marta Iglesias, Sara García, Matilde Chicharro</td>
<td>3</td>
<td>Not Specified</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>FOR SHEYDA</strong></td>
<td>meysam &#8230;.. shamsi</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Fortunata (Eng2152)</strong></td>
<td>massimiliano oliva bartolozzi</td>
<td>21</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>From the closet to street; marching through history and the future.</strong></td>
<td>Diego Esteban Garcia Shoreque</td>
<td>8</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Furtiva</strong></td>
<td>Silvania C. Suárez</td>
<td>2</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GAZE.DE</strong></td>
<td>Saad Shahriar</td>
<td>20</td>
<td>Germany</td>
<td>English, German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Get Connected</strong></td>
<td>Sandheep Paravalappil</td>
<td>3</td>
<td>Canada</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ghost In The Silence</strong></td>
<td>Ahmad Arjmandi</td>
<td>12</td>
<td>Iran, Islamic Republic of, Turkey</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Gift</strong></td>
<td>Yuichiro Nakada</td>
<td>25</td>
<td>Japan</td>
<td>Arabic, English, Japanese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GIOJA22</strong></td>
<td>Stefano De Felici</td>
<td>10</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Gonika &#8211; tale of a whore</strong></td>
<td>Tanvir Ahmed</td>
<td>9</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GOODBYE KABUL</strong></td>
<td>Latifa Sakhizada, Alfredo Lobo</td>
<td>25</td>
<td>Spain</td>
<td>English, French, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Goodbye My Dove</strong></td>
<td>Félix (Hoang Phong) BACH</td>
<td>25</td>
<td>Belgium, Viet Nam</td>
<td>Vietnamese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Grey Slips Through</strong></td>
<td>Rhea Girish Gadiyar</td>
<td>5</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>GUARDIAN ANGEL</strong></td>
<td>Vasilisa Belokon</td>
<td>5</td>
<td>Estados Unidos</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Guardians of Nature: Stories of a Resistance.</strong></td>
<td>Antonella Cardozo Casares</td>
<td>26</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hand of Wind</strong></td>
<td>Heydar Hojat</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HannaH</strong></td>
<td>Daniel Martins</td>
<td>27</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hariaren amaieran</strong></td>
<td>Aitor Molina</td>
<td>6</td>
<td>España</td>
<td>Vasco</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HASTA LA FUTURA</strong></td>
<td>Rodrigo Rodríguez</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>He didn&#8217;t do anything to me</strong></td>
<td>Ainhoa Alarcón García</td>
<td>6</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HE ROBADO TUS CENIZAS</strong></td>
<td>Felipe Olaya Meza</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HENRI SOLEIL</strong></td>
<td>VALERIE PIOLA CASELLI</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Historias Positivas</strong></td>
<td>Francisco Javier Jorquera Espinoza</td>
<td>27</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Homework</strong></td>
<td>Maruf Sharker Munna</td>
<td>9</td>
<td>Bangladesh, United Kingdom, United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HORDES</strong></td>
<td>Jourden Fenner</td>
<td>11</td>
<td>Germany</td>
<td>English, French, German, Swedish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Horizon</strong></td>
<td>Mateusz Tomczak</td>
<td>15</td>
<td>Poland</td>
<td>Polish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Horizonte En Llamas</strong></td>
<td>Rafael&nbsp; de Diego Arenas</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>House (Casa)</strong></td>
<td>Pablo Padovani</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hoy es diferente</strong></td>
<td>Abel Jurado</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>HUGo</strong></td>
<td>Chico Cardoso, Carla Henze</td>
<td>9</td>
<td>Brasil</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Huma</strong></td>
<td>Valentina Essus GodoyMaëla Sanmartín RodríguezSofía RamisSanti Teijelo</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Human and human+1</strong></td>
<td>Zahra Shafiei dehaghani</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Hymn to destroyed cities</strong></td>
<td>Stéphane Martineau</td>
<td>6</td>
<td>Germany</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I give you my voice</strong></td>
<td>Maria Karla Recio</td>
<td>5</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Have Been Here Before</strong></td>
<td>Luke Conroy</td>
<td>4</td>
<td>Australia, Malta, Netherlands</td>
<td>Maltese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I love you in 7 day war</strong></td>
<td>Surapong wetsuwanmanee</td>
<td>10</td>
<td>Thailand</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Remember My Mom</strong></td>
<td>Leandro Afonso</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese, Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Walked Alone</strong></td>
<td>Simon Matthew Valentine, Shokat Harjo</td>
<td>12</td>
<td>Greece, Norway</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I Was Young</strong></td>
<td>Robert Bowen</td>
<td>14</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>If they see me crying.</strong></td>
<td>María Luz Zamora Abanades</td>
<td>23</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>If you had spoken</strong></td>
<td>Costanza Bigot</td>
<td>30</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Il Tonfa è Nostro Alleato</strong></td>
<td>Federico Ruggieri</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>I&#8217;m Sorry</strong></td>
<td>Sesshy</td>
<td>7</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IMADE</strong></td>
<td>Ignacio Acconcia González</td>
<td>29</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Imagine Peace</strong></td>
<td>Chih Hao Shen</td>
<td>1</td>
<td>Taiwan</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Imagine Peace 1945</strong></td>
<td>Chih Hao Shen</td>
<td>4</td>
<td>Taiwan</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In captivity of a finger+2</strong></td>
<td>Zahra Shafiei dehaghani, Mohammadali Taheri, Ali akbar Ardeshir, Ismail Mokhtarian</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In front of your silence</strong></td>
<td>Martin Rodolphe Villeneuve</td>
<td>16</td>
<td>Canada</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In Our Hands</strong></td>
<td>Camillo Sancisi</td>
<td>5</td>
<td>Italy</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>In un bel giorno di primavera</strong></td>
<td>Giorgia Biagioni, Salvatore D&#8217;Arco</td>
<td>5</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inappropriated</strong></td>
<td>Zlatko Cosic</td>
<td>6</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inconsequential plan</strong></td>
<td>Melquior Brito Morais</td>
<td>18</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>INFECTED</strong></td>
<td>Chih Hao Shen</td>
<td>3</td>
<td>Taiwan</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Injustice Anywhere</strong></td>
<td>Steven James Riddle</td>
<td>13</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Innocent until proven guilty: Prempal v. Commisioner of Police</strong></td>
<td>Arun Sripadam</td>
<td>4</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Inshallah: Afganistán, el país donde Alá abandonó a las mujeres</strong></td>
<td>Luis AlmodóvarCarol&nbsp; Mundi</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>INSIDIA</strong></td>
<td>Sergio Parrón de la LlanaÁLVARO MADINA GONZÁLEZFÁTIMA FAOUZI LUDEÑA</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>insustentável: a realidade do petróleo na Amazônia</strong></td>
<td>Andrés BorgesFer Ligabue</td>
<td>17</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Interchange</strong></td>
<td>José&nbsp; Camargo</td>
<td>29</td>
<td>Austria</td>
<td>Alemán</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Invisible Roots</strong></td>
<td>Yesica Hernández Escobar, Julián Carreño</td>
<td>12</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IPSO FACTO</strong></td>
<td>Djoser Ndao</td>
<td>5</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IRRELEVANTE</strong></td>
<td>Joel Munu</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Isolated and Deprived</strong></td>
<td>Estela Imigo, Víctor Gutiérrez</td>
<td>27</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>It Happens</strong></td>
<td>Amirmahdi Nematzadeh</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>It&#8217;s not water under the bridge (ENG)</strong></td>
<td>Viviane Rodrigues Araujo</td>
<td>19</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>IUS del tiempo</strong></td>
<td>Roberto F. CanutoXiaoxi Xu</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ixoq</strong></td>
<td>Sergio Ortiz Borbolla</td>
<td>9</td>
<td>United States, United States</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jai Singh</strong></td>
<td>Shrikant Patel</td>
<td>15</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jeanne</strong></td>
<td>Léo Holderbaum</td>
<td>30</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>JKR against everything</strong></td>
<td>Hamza Amro</td>
<td>5</td>
<td>Palestine, State of</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Josefina, the resentful snake</strong></td>
<td>Pablo Martin Latorre</td>
<td>6</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Journey to Senegal</strong></td>
<td>Shaina Danziger</td>
<td>8</td>
<td>United States, United States</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Juani</strong></td>
<td>Javier Pérez Hermoso</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jueves de Marzo</strong></td>
<td>Luis Murillo Arias</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Jump for Victory</strong></td>
<td>Jovana Terzić, Irina Novaković, Ksenija Kusovac</td>
<td>13</td>
<td>Montenegro</td>
<td>Montenegrin</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Kandurwaan(The baker&#8217;s shop)</strong></td>
<td>Rakhshaan Shamoodah</td>
<td>16</td>
<td>India</td>
<td>English, Kashmiri</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Keep Laughing</strong></td>
<td>Hamza Amro</td>
<td>3</td>
<td>Palestine, State of</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Kim? / Who?</strong></td>
<td>Merve Yıldıran</td>
<td>5</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>KOKUHAKU</strong></td>
<td>Adrià Guxens</td>
<td>15</td>
<td>España</td>
<td>Japonés (日本語)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA BANDA</strong></td>
<td>Leonor JiménezDelia Márquez Sánchez</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Carcova</strong></td>
<td>Ludmila Ayelen López Pérez</td>
<td>19</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Carta de Irina</strong></td>
<td>ADRIANA DAVIDOVA</td>
<td>28</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA CASA DE ANA</strong></td>
<td>IKER&nbsp; OIZ ELGORRIAGA</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA COMPAÑÍA</strong></td>
<td>José María Flores</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La culpable</strong></td>
<td>María&nbsp; Guerra</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Espera</strong></td>
<td>Luis Garcia</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA FUERZA</strong></td>
<td>Cristina Martin BarcelonaMaria José Martin Barcelona</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La fuerza del silencio</strong></td>
<td>Samuel&nbsp; Vela Pérez</td>
<td>19</td>
<td>España</td>
<td>Tigrinia</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA HISTORIA DE TILO</strong></td>
<td>Roberto Villafane</td>
<td>4</td>
<td>Panama</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Lata ( the can)</strong></td>
<td>Maria Karla Recio</td>
<td>7</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA LUZ QUE NOS GUIA</strong></td>
<td>CRISTINA RODRIGUEZ PAZ</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA PELL MÉS SUAU</strong></td>
<td>Maite Guilera</td>
<td>20</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Pepa</strong></td>
<td>Claudio Cordero</td>
<td>20</td>
<td>Peru</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La Persistencia de la Escena</strong></td>
<td>Gon Busquets</td>
<td>10</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA PISCINA</strong></td>
<td>Santiago Cardelús Ruiz-AlberdiPablo Manchado Cascón</td>
<td>22</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La poupée 9831</strong></td>
<td>Ali ZARE GHANATNOWI</td>
<td>11</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>La ragazza col cerotto</strong></td>
<td>mena solipano</td>
<td>6</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LA ROBA ESTESA</strong></td>
<td>Àlex Martín Fuste</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lagun</strong></td>
<td>Juan Larrañaga</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LAS CENIZAS ESTÁN QUEMANDO</strong></td>
<td>Lucas Leônidas</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LAS QUE FUERON A SERVIR</strong></td>
<td>Patricia Hernandez Guerrero</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Las que sobrevivimos</strong></td>
<td>Itxaso Díaz</td>
<td>25</td>
<td>España</td>
<td>Suahili</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Last Shooting</strong></td>
<td>Vyacheslav (Slavik) Bihun</td>
<td>10</td>
<td>Ukraine</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Law N°824</strong></td>
<td>Kamil Touil</td>
<td>15</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Le Jeune Sofiane</strong></td>
<td>Fabien Ara</td>
<td>29</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Le marchand de plutonium</strong></td>
<td>Stéphane Martineau</td>
<td>5</td>
<td>Germany</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Les Héritiers</strong></td>
<td>Zuhair Mousavi</td>
<td>16</td>
<td>Afghanistan, France, Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LES IMATGES ARRIBAREN A TEMPS</strong></td>
<td>Jaume Carrió</td>
<td>6</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Letter to Karen: Welcome to the Mercadita!</strong></td>
<td>juliette Henry</td>
<td>6</td>
<td>France</td>
<td>French, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Life after freedom</strong></td>
<td>Shamal Husen</td>
<td>21</td>
<td>Iraq</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Life happens still</strong></td>
<td>Aárar .Productions</td>
<td>10</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LILA</strong></td>
<td>Luisa Urbina</td>
<td>16</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Listen to me</strong></td>
<td>Mayar Abdelsattar Mohamed, Malak Ahmed Anwar</td>
<td>11</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Livid Mortis</strong></td>
<td>David Mzolo</td>
<td>5</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ljudski &#8211; Zbogom</strong></td>
<td>Rastko Šejić, Žaklina Crnobrnja</td>
<td>4</td>
<td>Serbia</td>
<td>Serbian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LLEVÁMELO</strong></td>
<td>CARLOS VIDAURRE CARDOZO</td>
<td>20</td>
<td>Bolivia, Plurinational State of</td>
<td>Other, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LLUERNES</strong></td>
<td>Ferran Ureña</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>LO QUE TE FALTA</strong></td>
<td>Sara Bermejo</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lo siento (cortometraje 2025)</strong></td>
<td>maida filippini</td>
<td>8</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Locked</strong></td>
<td>Aurora Guzmán</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>L&#8217;OLANDESA</strong></td>
<td>Juri Ferri</td>
<td>17</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Longarms (Uzunkol)</strong></td>
<td>Cemal Karaaslan</td>
<td>15</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los Cayucos de Kayar</strong></td>
<td>Alvaro Hernández Blanco</td>
<td>29</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los perdedores</strong></td>
<td>Jesús Melgares</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Los Sueños &#8211; Videodanza &#8211;</strong></td>
<td>María Fernanda Vallejos</td>
<td>7</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lost &#8220;the third man&#8221;</strong></td>
<td>Erick Guadiana</td>
<td>13</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Lost Happiness</strong></td>
<td>Andrii Shvydkyi</td>
<td>17</td>
<td>Ukraine</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Love Don&#8217;t Bully (Spanish and English subtitles)</strong></td>
<td>&nbsp;</td>
<td>7</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Love Like Ours</strong></td>
<td>Yan Paing Htun</td>
<td>18</td>
<td>Myanmar</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Luli</strong></td>
<td>Fede&nbsp; Jara</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MAIO</strong></td>
<td>Claudio Carbone</td>
<td>12</td>
<td>Italia</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mala Hierba</strong></td>
<td>Eduardo Delac</td>
<td>13</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Malevolent</strong></td>
<td>German L Ramos Briñez</td>
<td>13</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mama Bunga</strong></td>
<td>Ismail Pang, Kaling Ismail (Tokyo)</td>
<td>8</td>
<td>Kenya</td>
<td>Swahili</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mamíferas: El Hilo de Ariadna</strong></td>
<td>Sandra&nbsp; Díaz Siachoque</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Manadas Alfa</strong></td>
<td>Concha Alonso Valdivieso</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mandili</strong></td>
<td>Lile Gvinjilia</td>
<td>12</td>
<td>Georgia</td>
<td>Georgian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marcia Antonelli: Writing Against Erasure</strong></td>
<td>Mariellen Kuma</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marcus y Leonard</strong></td>
<td>Ángel Rodríguez Fernández</td>
<td>4</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mariem</strong></td>
<td>Javier Corcuera</td>
<td>15</td>
<td>Spain</td>
<td>Other</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Marrano</strong></td>
<td>Sara SálamoAnna Saura</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Martha and Mary</strong></td>
<td>Verónica Ramírez</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Maten a las Ratas</strong></td>
<td>Natalia Cabello Stellino</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MEDUSAS</strong></td>
<td>Iñaki Sánchez Arrieta</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Meeting again</strong></td>
<td>Romy Quiroz</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MELCHOR (LA HISTORIA DE UNA BARBA)</strong></td>
<td>Ignacio Estaregui</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memoria Colectiva</strong></td>
<td>Cristina&nbsp; Colmenares</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memorias del Olvido</strong></td>
<td>Joaquín Nicolás Pérez Salvo, Diego Quintanilla</td>
<td>29</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MEMORİES</strong></td>
<td>Nephan Baykal</td>
<td>4</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Memories, Forgotten</strong></td>
<td>Yuanting Tina Luo</td>
<td>7</td>
<td>United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Meyeti the girl</strong></td>
<td>Sreyan Sarkar</td>
<td>16</td>
<td>India</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mil vidas</strong></td>
<td>Antonio Blanca</td>
<td>15</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Milky Way</strong></td>
<td>Thomas CAPART, Eloise HEDOUX, Perrine HUGUENOT, Valentine LEVEUGLE, Dorothée CHERDOT</td>
<td>7</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mina&#8217;s Date</strong></td>
<td>Zahra Rezaei</td>
<td>12</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MINCRANIA</strong></td>
<td>Delia Postigo</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Misión Secreta</strong></td>
<td>Pedro Verdún</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mona Lisa’s Smile</strong></td>
<td>ALIREZA MONFARED ZAREI</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Monster*</strong></td>
<td>Asier Elgars</td>
<td>4</td>
<td>Spain</td>
<td>Catalan, English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Morî</strong></td>
<td>YAKUP TEKİNTANGAC</td>
<td>18</td>
<td>Turkey</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MOSHPIT</strong></td>
<td>Rafa Arroyo</td>
<td>17</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Mother and Daughter</strong></td>
<td>Raito Nishizaka</td>
<td>11</td>
<td>Japan</td>
<td>Japanese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MOUNTAIN OF SILENCE Santa</strong></td>
<td>Sami Ali Kaka</td>
<td>3</td>
<td>Iraq</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>MULHERES (EM) TRANS/E</strong></td>
<td>Milla Paz .</td>
<td>20</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>muñecas de porcelana (porcelain dolls)</strong></td>
<td>Antonio José López Gómez</td>
<td>8</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My girl</strong></td>
<td>Daniela Cortés Almonte</td>
<td>16</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Little Sentry</strong></td>
<td>Lucas Marques</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My love lives on the field</strong></td>
<td>&nbsp;</td>
<td>7</td>
<td>Kyrgyzstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Ray of Sunshine</strong></td>
<td>Laís Andrade</td>
<td>8</td>
<td>Brazil, Portugal</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>My Toy</strong></td>
<td>Mazen Haj Kassem</td>
<td>9</td>
<td>Denmark</td>
<td>Arabic, Danish, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nabi</strong></td>
<td>Hamed Golshahi</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nana</strong></td>
<td>Katia Crivellari</td>
<td>20</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Naranjas</strong></td>
<td>Gorka Martín-Curto</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NAZARA</strong></td>
<td>Cheyenne Oliveira Alencar, Alisson Pereira Flor</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NEGLECTED HOMELAND</strong></td>
<td>Hiva Naserian</td>
<td>20</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni Siempre</strong></td>
<td>Leandro Olimpio, Telmo Martins</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni un dia més</strong></td>
<td>Carlos Puig Mundó</td>
<td>25</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ni una Carmen más!</strong></td>
<td>M. Gabriela&nbsp; Estrada</td>
<td>14</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nidelan</strong></td>
<td>Sara Mallan</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Night Rainbow</strong></td>
<td>Varvara Humenchuk</td>
<td>3</td>
<td>Ukraine</td>
<td>Ukrainian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nika, the pilot whale</strong></td>
<td>Jose Hernandez</td>
<td>29</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NINO</strong></td>
<td>Lilih Curi</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nino&#8217;</strong></td>
<td>Michele li volsi</td>
<td>11</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NO !</strong></td>
<td>Franck Llopis</td>
<td>2</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No a la guerra</strong></td>
<td>Jimmy Alejandro Castro Zambrano</td>
<td>1</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No es lo mismo</strong></td>
<td>Agustín Mollor Sánchez</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No Me Mires</strong></td>
<td>Miriam&nbsp; García Montero</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>No More Carmens!</strong></td>
<td>Maria Gabriela Estrada</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nobody</strong></td>
<td>Msallam Hdaib</td>
<td>7</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nomad Girl</strong></td>
<td>Rouhollah Akbari</td>
<td>22</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nosotras</strong></td>
<td>Nacho V. Carrión Isabel Vega Zarzuela</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nosso panfleto seria assim</strong></td>
<td>Leandro Olimpio</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Not another day</strong></td>
<td>Carlos Puig Mundó</td>
<td>26</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Not even a 100 hadsfuls of Gold</strong></td>
<td>Diego Rodriguez Guzman</td>
<td>24</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>NOTES FROM THE WEST</strong></td>
<td>Kazem Kehinde Balogun</td>
<td>3</td>
<td>United Kingdom</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Notification</strong></td>
<td>Tamer Akeil</td>
<td>11</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nuestro folleto se vería así</strong></td>
<td>Leandro Olimpio</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Nutissimo</strong></td>
<td>Nicolas Bianco-Levrin, Julie Rembauville, Maxence Camelin</td>
<td>3</td>
<td>France</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>O Pranto de Poinkarah ou O Carom da Aldeia Ngojamroti</strong></td>
<td>Sandoval Amparo</td>
<td>20</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>On The Way to immigration</strong></td>
<td>hossein gholami</td>
<td>23</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>One shot of life</strong></td>
<td>Seyed Karim Ghasem Zadeh</td>
<td>16</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>one two there</strong></td>
<td>Amir Hossein keshmiri</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ophelia</strong></td>
<td>Moa Jara</td>
<td>4</td>
<td>Ecuador</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Orain zer?</strong></td>
<td>Ainhoa Urgoitia Santamaría</td>
<td>14</td>
<td>España</td>
<td>Euskera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Other World</strong></td>
<td>majid farzolahi</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ottawa</strong></td>
<td>Afshin Mansouri</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out</strong></td>
<td>Güliz Mutlu</td>
<td>5</td>
<td>Turkey</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out of the cocoon</strong></td>
<td>Maya Johanna Köbli</td>
<td>7</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Out there</strong></td>
<td>Evgeniy Golovin, Alexander Afonasyev</td>
<td>14</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>O&#8217;yin Game</strong></td>
<td>Oyatillo Raxmatillo Axmadillayev</td>
<td>3</td>
<td>Uzbekistan</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pactos de silencio 3 “La realidad en la dependencia“</strong></td>
<td>Robert Martinez</td>
<td>24</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pactos de Silencio 3 La realidad en la Dependencia</strong></td>
<td>Robert Martinez</td>
<td>24</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paint Without Limits</strong></td>
<td>Vanessa Samper Díaz</td>
<td>9</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Painting Territories: Indigenous Voices in Dialogue.</strong></td>
<td>&nbsp;</td>
<td>13</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Papa said</strong></td>
<td>YUN-SYUAN LEE</td>
<td>9</td>
<td>Taiwan</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paper White noise</strong></td>
<td>Hamidreza Kord sichani</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PARA CUANDO DUELE</strong></td>
<td>Oriol Franco</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Paradox</strong></td>
<td>Nardin Bashar AL-nazer</td>
<td>7</td>
<td>Jordan</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PENCIL</strong></td>
<td>Nephan Baykal</td>
<td>3</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pending Status</strong></td>
<td>Reza Heidari</td>
<td>21</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Perfectos perversos</strong></td>
<td>María José Caballero Alonso</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Perfectos Perversos</strong></td>
<td>Cuchi Caballero</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pesadumbre // Sorrowful Memory</strong></td>
<td>Jorge Enrique González Venegas</td>
<td>29</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PHARMAKON</strong></td>
<td>Kissel Hiram Bravo</td>
<td>8</td>
<td>Mexico</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Piel de terciopelo (velvet skin)</strong></td>
<td>ANTONIO JOSE LOPEZ GOMEZ</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PIETRA</strong></td>
<td>Cynthia Levitan</td>
<td>12</td>
<td>España</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>PIPA or for me profane Arraia.</strong></td>
<td>Wally D. Menezes</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Planeta Fome</strong></td>
<td>Édier&nbsp; William</td>
<td>15</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Playmate</strong></td>
<td>Fuad Lotfi</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Plug Me In</strong></td>
<td>Peter Van Lengen</td>
<td>17</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POLITUNES</strong></td>
<td>Sergey Khismatov</td>
<td>21</td>
<td>Germany</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POR NOSOTROS</strong></td>
<td>Alberto Zorrilla</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>por que volvias cada verano</strong></td>
<td>Juli Suàrez</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>POST MORTEM</strong></td>
<td>Jean-Philippe Henin-Tranvouez, Olivier Chevillard</td>
<td>10</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Prayer On The Border</strong></td>
<td>Young Man Kang</td>
<td>11</td>
<td>United States, United States</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Prescription For Life</strong></td>
<td>Chenxi Zhu</td>
<td>20</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Pufferfish</strong></td>
<td>Mohammad Kamal Alavi</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Puzzleak</strong></td>
<td>Kote Camacho</td>
<td>15</td>
<td>España</td>
<td>Euskera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Puzzleak, The Rape Palace</strong></td>
<td>Kote Camacho, Anonymous</td>
<td>15</td>
<td>Spain</td>
<td>Eusquera</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Quando as ondas do mar desligam (ES)</strong></td>
<td>Assaggi Piá, Yasoda Nanda</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>QUERIDO DIARIO</strong></td>
<td>Fátima Luzardo</td>
<td>2</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Refugiadas en escena. Exilio, memoria, paz</strong></td>
<td>Sergi Tarín Galán</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Regret</strong></td>
<td>Mostafa Shokouhi</td>
<td>10</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Relapse</strong></td>
<td>Avanti Pappu</td>
<td>7</td>
<td>India</td>
<td>Hindi, Marathi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>REMNANT</strong></td>
<td>KISSOR MEETEI</td>
<td>4</td>
<td>India</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Renacimiento</strong></td>
<td>Karel BarraAna Turbay</td>
<td>29</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>RESILIENCE</strong></td>
<td>Ramon Carpio Garcia</td>
<td>10</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Resorting to sleep</strong></td>
<td>Tawfiq Rashad al absee</td>
<td>3</td>
<td>Yemen</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rhapsody in Blue</strong></td>
<td>Marina Barancelli</td>
<td>15</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>RIHLA. EL VIAJE</strong></td>
<td>MIGUEL ÁNGEL MARTÍNEZ POZOISMAEL RODRIGO AGUILAR</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rock Shanty</strong></td>
<td>Ofentse MakhazaFlynn Bunyan</td>
<td>4</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rolly: A Story of My Father</strong></td>
<td>Kalfein Maikel Wuisan</td>
<td>15</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rulos</strong></td>
<td>Adrián Echedey Terán Rodríguez</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Rupali Aansh</strong></td>
<td>Shopno Samudra</td>
<td>15</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Safe Space</strong></td>
<td>Nurcan Çoban</td>
<td>13</td>
<td>Turkey</td>
<td>English, Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Salud Mutante</strong></td>
<td>Daniel Rodríguez Gaitán</td>
<td>18</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sand Forest</strong></td>
<td>Nathalia Rangel, Keila Mora</td>
<td>4</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Saudade</strong></td>
<td>Richard Zubelzu, Magda Calabrese</td>
<td>15</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SAVE THE HIMALAYAS</strong></td>
<td>&nbsp;</td>
<td>2</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>scacco matto</strong></td>
<td>VALERIO FERRARI</td>
<td>10</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scan</strong></td>
<td>Ali Rezapour</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Pashto (Pushto)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Schizophrenia</strong></td>
<td>Yeganeh Sabzevari</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SCREAM</strong></td>
<td>SELMA MEÇO</td>
<td>17</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scrolling after Gaza is barbaric</strong></td>
<td>Martín Emiliano Díaz</td>
<td>4</td>
<td>Argentina</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Scusa</strong></td>
<td>Ignacio H Cuenca</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SEA OF HOPE</strong></td>
<td>JUBRAIL ABUBAKER RAHMAN</td>
<td>4</td>
<td>Iraq</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Secretos de familia</strong></td>
<td>Álvaro&nbsp; LassoJorge de la Cruz</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SEEING BEYOND SIGHT &#8211; The Journey of Ednilson Sacramento</strong></td>
<td>Nêio Mustafa</td>
<td>30</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Self</strong></td>
<td>Laura Mariana Sanchez, Perla Lizbeth Anaya</td>
<td>6</td>
<td>Mexico</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sezenler Olsun (Let There be Sezens)</strong></td>
<td>Adem Giliz</td>
<td>12</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SHEEPS CAN&#8217;T SWIM</strong></td>
<td>Matthieu Allart-Grzygierzek</td>
<td>22</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shelveh</strong></td>
<td>Sara Mallan</td>
<td>0</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shinzo</strong></td>
<td>José Fernández Ark</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shirin’s Bitter Tears</strong></td>
<td>Amin Fallah</td>
<td>7</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shooting Masks</strong></td>
<td>Sepas Mehrain</td>
<td>13</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Shrapnel</strong></td>
<td>Víctor Rodolfo Jiménez</td>
<td>6</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Si me ven llorando</strong></td>
<td>María Luz Zamora Abanades</td>
<td>23</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SI NO FUERA POR MÍ</strong></td>
<td>Sergi&nbsp; González FernándezDiego Pérez González</td>
<td>9</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Signs that hurt</strong></td>
<td>Enzo SERRIPIERRI</td>
<td>23</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SILENCIOS</strong></td>
<td>Yago Casariego</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Silver Punch</strong></td>
<td>Isidora Valdés, Maurizio La Rocca</td>
<td>2</td>
<td>Chile</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SIREN</strong></td>
<td>Nephan Baykal</td>
<td>3</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sísifa</strong></td>
<td>Paco Alarcón Rojas</td>
<td>15</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sísifo (Sisyphus)</strong></td>
<td>Antonio L. Gómez, Ashton Blue</td>
<td>10</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Skin Color</strong></td>
<td>Fidel Alfonso Barboza Gómez, Sebastián Castaño</td>
<td>9</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Smoke or Family</strong></td>
<td>Jaswant Mintu</td>
<td>14</td>
<td>India</td>
<td>Panjabi</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOBREVIVIENDO</strong></td>
<td>David Pintos</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLEDAD</strong></td>
<td>Ika de Mo</td>
<td>12</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLO KIM</strong></td>
<td>Javier Prieto de PaulaDiego Herrero</td>
<td>20</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>SOLOMON&#8217;S HEGIRA</strong></td>
<td>Ehsan Soltani</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>somos, estamos</strong></td>
<td>Pablo Montes SánchezÁlvaro Montes Sánchez</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Son</strong></td>
<td>Saman Hosseinpuor</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish, Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Souls That Never Left</strong></td>
<td>Ghaith Eyad Alosh</td>
<td>8</td>
<td>Syrian Arab Republic</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>STAIR</strong></td>
<td>Herish Abdulwahab Haji</td>
<td>4</td>
<td>Iraq</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Stitches of Dreams</strong></td>
<td>Arish Akmal</td>
<td>7</td>
<td>Pakistan</td>
<td>English, Urdu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Stolen Babies</strong></td>
<td>Mau Cardoso</td>
<td>21</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Such a pretty face</strong></td>
<td>Ana Squilanti</td>
<td>18</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Sunny-Man</strong></td>
<td>Sandeep Reddy Sama</td>
<td>7</td>
<td>India</td>
<td>Telugu</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Super.</strong></td>
<td>Daniel Romero</td>
<td>3</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Supersensitive</strong></td>
<td>Samuel Zbynovsky</td>
<td>5</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survival Instinct</strong></td>
<td>Alex Rogger</td>
<td>30</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survivors</strong></td>
<td>Oliver Stiller</td>
<td>18</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Survivors</strong></td>
<td>Oliver Stiller</td>
<td>20</td>
<td>Alemania</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Switched off</strong></td>
<td>Guillermo Rojo Diez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>symbolic action</strong></td>
<td>German Bartolomey</td>
<td>18</td>
<td>Georgia</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Taif</strong></td>
<td>Maytham Hashem</td>
<td>6</td>
<td>Iraq</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tapestries of Light, Life, and Community in Guatemala</strong></td>
<td>Paula Recinos</td>
<td>23</td>
<td>Guatemala</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Temps mort</strong></td>
<td>Albert Muns, Alex Pérez, David Piñol</td>
<td>5</td>
<td>Spain</td>
<td>Catalan</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ten Girls</strong></td>
<td>Zoe Valentini</td>
<td>14</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>tener un hijo, sembrar un Árbol y escribir un libro. V.E</strong></td>
<td>ANA PALOMA MOLINA</td>
<td>3</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TENÍAMOS UN PLAN</strong></td>
<td>Jorge Pastor</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Testimony</strong></td>
<td>Leonardo Amaral, Roberto Cotta</td>
<td>14</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The adult life of ephemerals</strong></td>
<td>Rafael Arévalo</td>
<td>1</td>
<td>Peru</td>
<td>English, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Amendment</strong></td>
<td>Vyacheslav Mokin</td>
<td>22</td>
<td>Kazakhstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Black Bread of Çukurova</strong></td>
<td>Onur Sürek</td>
<td>15</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Closet</strong></td>
<td>Davood Rahmani, Reza Arabshahi</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The DOT</strong></td>
<td>Andrey Volkov</td>
<td>15</td>
<td>Kazakhstan</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Dream of Kamal / El sueño de Kamal</strong></td>
<td>Miguel J. Crespo</td>
<td>25</td>
<td>Mexico</td>
<td>Arabic, Spanish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Edge of Death</strong></td>
<td>Fahrettin Eren Dinler</td>
<td>10</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Ellipsis Figure</strong></td>
<td>saeed heshmati</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Embrace</strong></td>
<td>Zeinab Nejati</td>
<td>2</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Evolution of Utopia</strong></td>
<td>Zirui Wang</td>
<td>18</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Fear Monster</strong></td>
<td>Andrew Gledson, Eduardo Padrão</td>
<td>10</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Final Take</strong></td>
<td>Fatemeh Shams (Karimian)</td>
<td>18</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Hidden People Rise &#8211; Marching for Peace</strong></td>
<td>Ed Fitzgerald</td>
<td>3</td>
<td>Ireland</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The hostage</strong></td>
<td>Sarah. Nagazi. Nagazi.</td>
<td>15</td>
<td>France, Tunisia</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The key</strong></td>
<td>Hussam Sharwany</td>
<td>9</td>
<td>Austria</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The last carousel of La Pampa</strong></td>
<td>Federico Bardini</td>
<td>13</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Last Day</strong></td>
<td>Farzad Samimi</td>
<td>12</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The last note</strong></td>
<td>Henrique Fiuza da Silva Oliveira Lopes</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Liberation Generation</strong></td>
<td>Emad Ghraybeh</td>
<td>12</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Little Stranger</strong></td>
<td>Shakila Moezi</td>
<td>9</td>
<td>Iran, Islamic Republic of</td>
<td>Kurdish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Loneliness Of The Moon</strong></td>
<td>pezhan ziaian</td>
<td>14</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Lucid Dream</strong></td>
<td>Arzhang Niavarani</td>
<td>4</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE MASK</strong></td>
<td>FAYSSAL KADA</td>
<td>5</td>
<td>Algeria</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Pale Shadow</strong></td>
<td>Omar Maged</td>
<td>30</td>
<td>Egypt</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Picture</strong></td>
<td>Enrique Corrales Rodríguez</td>
<td>5</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The plains, the indomitable spirit of the plains.</strong></td>
<td>Hector Puche</td>
<td>30</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Plastic Cup Metaphor</strong></td>
<td>Anthony Légal, Michael Marie</td>
<td>6</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE RISE</strong></td>
<td>Arnould Christophe</td>
<td>19</td>
<td>Suiza</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>THE SHELL</strong></td>
<td>Sema Güler</td>
<td>17</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Silence of Iron</strong></td>
<td>Mariana de Melo</td>
<td>15</td>
<td>Brasil</td>
<td>English, Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Stair to sky</strong></td>
<td>abdulkalk Jodt Omar</td>
<td>4</td>
<td>Not Specified</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Storm</strong></td>
<td>Angela Conigliaro</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Strange Case Of The Human Cannonball</strong></td>
<td>Roberto Valencia</td>
<td>10</td>
<td>Ecuador</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Sunset of Green Snails</strong></td>
<td>Mohammad Hasani</td>
<td>9</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Tide Grumbling</strong></td>
<td>Jesus F. Cruz</td>
<td>22</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Time permeates on the street</strong></td>
<td>soo min&nbsp; park</td>
<td>28</td>
<td>Corea del Sur</td>
<td>Coreano (한국어)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The tip of the iceberg</strong></td>
<td>Luca Costale</td>
<td>20</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Trauma</strong></td>
<td>Gabriel Andres Cid</td>
<td>7</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Truth: 2014</strong></td>
<td>Giancarlo Garcia Salazar, Cecilia Santiago</td>
<td>6</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Unsaid</strong></td>
<td>Kejdi Demneri</td>
<td>8</td>
<td>Albania, Kosovo</td>
<td>Albanian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>the waves to come</strong></td>
<td>Agustín Berro Madero</td>
<td>18</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Winners</strong></td>
<td>Mostafa BENKHLAFA</td>
<td>10</td>
<td>Morocco</td>
<td>Arabic, French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Woman Pastor</strong></td>
<td>Julien Kobersy</td>
<td>9</td>
<td>Lebanon</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Women of Two Cities</strong></td>
<td>Chee Yong LimYu Jia Chong</td>
<td>25</td>
<td>Singapur</td>
<td>Chino</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>The Yellow Wallpaper</strong></td>
<td>Alicja Pahl</td>
<td>8</td>
<td>Switzerland</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>they&#8217;re not just songs</strong></td>
<td>Hamza Amro</td>
<td>5</td>
<td>Palestine, State of</td>
<td>Arabic, English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>those</strong></td>
<td>Marco Migliozzi</td>
<td>15</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Through What&#8217;s Left</strong></td>
<td>Fazashan Hesafa Putra</td>
<td>11</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tienes sitio?</strong></td>
<td>ESTEFANIA SERRANO</td>
<td>16</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tilo´s story</strong></td>
<td>Roberto Villafane</td>
<td>4</td>
<td>Panama</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Time to Feed the Pigeons</strong></td>
<td>Sergey Shilykovsky</td>
<td>11</td>
<td>Russian Federation</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Timeless Wisdow</strong></td>
<td>Gustavo Zinder</td>
<td>15</td>
<td>Brasil</td>
<td>Gujarati</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To Hawa</strong></td>
<td>Andi Imam Prakasa</td>
<td>9</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To Heal</strong></td>
<td>Kevin Lucero Less</td>
<td>1</td>
<td>United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>To land defenders (2023)</strong></td>
<td>Rubén Marin Ramos</td>
<td>5</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TODAY IS THE DAY</strong></td>
<td>Anil Cirakoglu</td>
<td>12</td>
<td>United Kingdom</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Top Floor</strong></td>
<td>Chih Yu Liu</td>
<td>9</td>
<td>Taiwan</td>
<td>Chinese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Torn stockings</strong></td>
<td>Oliver Medina</td>
<td>6</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TOUR subt inglés, portugués, alemán, francés,más</strong></td>
<td>Fátima Luzardo</td>
<td>2</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TOYS</strong></td>
<td>Accursio Graffeo</td>
<td>2</td>
<td>Italy</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Traje y Tupper</strong></td>
<td>José Ocaña</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Transaction Official Short film</strong></td>
<td>CONSTANTINOS KIPRIANIDIS</td>
<td>8</td>
<td>Cyprus</td>
<td>Greek (Modern)</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Transient</strong></td>
<td>Sharon Ordoñez</td>
<td>9</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TREIZE ANS</strong></td>
<td>Claire Salomé</td>
<td>3</td>
<td>Francia</td>
<td>Francés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Tristes Tigres</strong></td>
<td>Adán Pichardo</td>
<td>15</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>TU NO.</strong></td>
<td>Marta Albert González</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Two Tickets</strong></td>
<td>mazen haj kassem</td>
<td>18</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ufo bandari</strong></td>
<td>karim forozan</td>
<td>8</td>
<td>Iran, Islamic Republic of</td>
<td>No Dialogue</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>UN DÍA PERFECTO</strong></td>
<td>Mariela Artiles Merino</td>
<td>18</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Una silla llamada Maura</strong></td>
<td>Valeria Azul</td>
<td>10</td>
<td>Honduras</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Under Occupation</strong></td>
<td>Anas Yahya</td>
<td>2</td>
<td>Jordan</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Under the last breath</strong></td>
<td>Pedro Valencia</td>
<td>5</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Unfading</strong></td>
<td>David De Luca</td>
<td>11</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>UNWATCHED</strong></td>
<td>Cornelius Pitts</td>
<td>7</td>
<td>United States, United States</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>URTAJO</strong></td>
<td>Miguel Ángel Marqués Bordoy</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VELIYEEDU</strong></td>
<td>Anthujan Selvaratnam</td>
<td>15</td>
<td>United Kingdom</td>
<td>Tamil</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Ventura</strong></td>
<td>Juan Andrés Cermeño Salas</td>
<td>10</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VIBRATIONS FROM GAZA</strong></td>
<td>Rehab Nazzal</td>
<td>16</td>
<td>Canada, Palestine, State of</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Victim</strong></td>
<td>Mohammad Javad Belghadr</td>
<td>15</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Viola</strong></td>
<td>Marco Lorenzo Masante</td>
<td>12</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>VIRGEN DE GUADALUPE</strong></td>
<td>Viridiana Moreno García</td>
<td>19</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>war</strong></td>
<td>Ali Momeni</td>
<td>3</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Waters of litigation</strong></td>
<td>Val Carbone, Paulo Gabriel</td>
<td>20</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>We, women</strong></td>
<td>Laura Gabay</td>
<td>11</td>
<td>Spain</td>
<td>Italian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>We. Children of war</strong></td>
<td>Edward Nigmatullin</td>
<td>16</td>
<td>Russian Federation</td>
<td>Russian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whakapapa</strong></td>
<td>Matias Fabro</td>
<td>19</td>
<td>Argentina, Uruguay</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whakapapa</strong></td>
<td>Matias&nbsp; Fabro</td>
<td>19</td>
<td>Uruguay</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What Eyes Cannot See</strong></td>
<td>Camila Cohen</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What If They Bomb Here Tonight ?</strong></td>
<td>Samir Syriani</td>
<td>16</td>
<td>Lebanon</td>
<td>Arabic</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What If We Were Happy?</strong></td>
<td>Julie-Yara Atz</td>
<td>30</td>
<td>Lebanon, Switzerland</td>
<td>Arabic, English, French</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>What is Sold, What is Eaten</strong></td>
<td>Rafael Mellim</td>
<td>28</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When Every Refuge Turns Hostile</strong></td>
<td>Cielo Iturralde Carrera</td>
<td>8</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When night falls</strong></td>
<td>Juan Antonio Martínez</td>
<td>16</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>When The Guitar Falls Silent</strong></td>
<td>Roberto Janacua B.</td>
<td>8</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Where The Stars Rest</strong></td>
<td>VEDANGA NAG</td>
<td>5</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Whisper Of The Ink</strong></td>
<td>Ishtiyak Ahmad Zihad</td>
<td>12</td>
<td>Bangladesh</td>
<td>Bengali</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>White Christmas (+only)</strong></td>
<td>Junghwi(중휘) Souk(석)</td>
<td>3</td>
<td>Korea, Republic of</td>
<td>Korean</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Why me?</strong></td>
<td>Polina Dimitrova Dincheva</td>
<td>7</td>
<td>Bulgaria</td>
<td>Bulgarian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Will Today Be A Happy Day ?</strong></td>
<td>M Kanz Daffa</td>
<td>15</td>
<td>Indonesia</td>
<td>Indonesian</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Wind</strong></td>
<td>Mayra Martínez</td>
<td>20</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Women Who Left to Serve</strong></td>
<td>Patricia Hernández Guerrero</td>
<td>30</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Xarpi</strong></td>
<td>&nbsp;</td>
<td>25</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Xarpi</strong></td>
<td>Rafael Lobo</td>
<td>25</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>y Rosa</strong></td>
<td>Alberto Alber</td>
<td>11</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>You are perfection</strong></td>
<td>Viktoriia Saifutdinova</td>
<td>2</td>
<td>Russian Federation</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>You Got Mail</strong></td>
<td>Saamridh Ramkelawan</td>
<td>4</td>
<td>South Africa</td>
<td>English</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>YOU GOT TO SING</strong></td>
<td>María José Caballero Alonso</td>
<td>6</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>Your Gaze</strong></td>
<td>Gustavo Stella</td>
<td>23</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>YOUR OWN BOSS</strong></td>
<td>Álvaro Guzmán Bastida</td>
<td>18</td>
<td>España</td>
<td>Inglés</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>ZONA WAO</strong></td>
<td>Nagore Eceiza Mujika</td>
<td>25</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Cortos</td>
</tr>
<tr>
<td><strong>A Luta das Auras</strong></td>
<td>Marina Araújo</td>
<td>41</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>An Extraordinary Surgeon</strong></td>
<td>Orhan Tekeoglu</td>
<td>59</td>
<td>Turkey</td>
<td>Turkish</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>AR YEZH</strong></td>
<td>Philipp Bückle, Aurélie Scouarnec</td>
<td>43</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>BARÇA BARSAK &#8211; The Atlantic Route</strong></td>
<td>Leon Scheffold</td>
<td>31</td>
<td>Germany</td>
<td>English, French, Spanish, Wolof</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Beautiful</strong></td>
<td>Fariza Tanay</td>
<td>38</td>
<td>Kazakhstan</td>
<td>Kazakh, Russian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>CESSEFIRE</strong></td>
<td>ELHAM ADELI</td>
<td>45</td>
<td>Iran, Islamic Republic of</td>
<td>Arabic, Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Dheemi Aanch (The Weight of Silence)</strong></td>
<td>Baylon Fonseca</td>
<td>38</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Dust and Clay</strong></td>
<td>mfer7653 Adam Lee</td>
<td>39</td>
<td>Korea, Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>ECHOES OF YOU</strong></td>
<td>Roy Amabo Ntinwa</td>
<td>33</td>
<td>Cameroon</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>El arte de los analfabetos</strong></td>
<td>Kevin&nbsp; Castellano CastañoEduardo&nbsp; Hirshcfeld León</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>El Silenci d’un pati</strong></td>
<td>Mari&nbsp; Carmen Blanco</td>
<td>58</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Empower U</strong></td>
<td>Carly Isselmann</td>
<td>39</td>
<td>United States</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>encontres d’exili III</strong></td>
<td>Jose&nbsp; Gaya</td>
<td>35</td>
<td>España</td>
<td>Catalan</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Exile</strong></td>
<td>Yesmine Fersi, Lina Hamouda, Minyar Mrabti</td>
<td>45</td>
<td>Tunisia</td>
<td>Arabic, English, French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Guatapé is (not) dead</strong></td>
<td>Laurence Paciarelli</td>
<td>52</td>
<td>Belgium, Colombia</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Hulajpole</strong></td>
<td>Alex Libertad</td>
<td>43</td>
<td>Poland</td>
<td>Polish</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Joe Kardos, el último cowboy</strong></td>
<td>Kiko Prada</td>
<td>50</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Lo que esconden las palabras</strong></td>
<td>Daria ShubinaMariana Dueñas</td>
<td>41</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Manuel</strong></td>
<td>Marcelo Adrián Echaniz</td>
<td>43</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Montesacro</strong></td>
<td>Juan Pablo Vargas</td>
<td>40</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Mum &amp; Mohammed: Forces of Nature</strong></td>
<td>Ingrid Pernet Duparc</td>
<td>44</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>No Goodbye</strong></td>
<td>Sajad Rajab Boloukat</td>
<td>42</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Pactos de silencio 3 la realidad en la dependencia</strong></td>
<td>Robert Martinez</td>
<td>59</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Pirinha</strong></td>
<td>Natasha Craveiro</td>
<td>53</td>
<td>Cape Verde</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Save Gota de Leche</strong></td>
<td>ÁNGEL FREGOSI</td>
<td>50</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Shimmering Odyssey</strong></td>
<td>Prasun Goswami, Raunak Shivhare</td>
<td>42</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Adventures of Angosat</strong></td>
<td>Resem Verkron, Marc Serena</td>
<td>32</td>
<td>Angola, Spain</td>
<td>Other, Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Streets Know My Name</strong></td>
<td>Eghoghon Sarah Ifidon</td>
<td>40</td>
<td>United Kingdom</td>
<td>English, French</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>The Undocumented</strong></td>
<td>Sampsa Huttunen, Ann-Mari Leinonen</td>
<td>50</td>
<td>Finland</td>
<td>Arabic, English, Finnish, Somali</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Village of Bastards</strong></td>
<td>Amritansh Shukla, Uday Thakur</td>
<td>51</td>
<td>India</td>
<td>Hindi</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Warp and woof of suffering</strong></td>
<td>Farid Rahnama</td>
<td>38</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Women of Resilience</strong></td>
<td>Andreas Rochholl, Sebastian Leitner</td>
<td>54</td>
<td>Germany</td>
<td>English</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Your Adventure Yard ( YAY )</strong></td>
<td>Jale İncekol</td>
<td>46</td>
<td>Turkey</td>
<td>&nbsp;</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>Zaratustra &#8211; A Film Made From Within</strong></td>
<td>Luiz Fernando F. Machado</td>
<td>51</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Mediometrajes</td>
</tr>
<tr>
<td><strong>@love</strong></td>
<td>Annabelle Mullen Pacheco</td>
<td>98</td>
<td>Puerto Rico</td>
<td>English, Galician, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>¿QUÉ PASA CON NOSOTRAS?</strong></td>
<td>David&nbsp; Pascual</td>
<td>89</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>《Where is the Pure Land》</strong></td>
<td>WEITAO WANG</td>
<td>80</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A Beginning For The End Songs Of The A River</strong></td>
<td>Meysam Oghbaei</td>
<td>70</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A mi padre</strong></td>
<td>Pablo DiconcaLeon Diconca</td>
<td>84</td>
<td>Canada</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>A Shaman&#8217;s Tale</strong></td>
<td>Beata Bashkirova, Mikhail Bashkirov</td>
<td>76</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Alí Primera</strong></td>
<td>Daniel Yegres Richard</td>
<td>126</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Amanecer La Palabra</strong></td>
<td>Nestor Martinez</td>
<td>80</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Argumosa 11, Living in Emptiness</strong></td>
<td>Hugo Carmona, Sergio García Locatelli, Mauricio Franco</td>
<td>90</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>AYAHUASCA NOW, voices of a silent war</strong></td>
<td>Carlos Bruno Cejas</td>
<td>90</td>
<td>Argentina</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>BIRTHING WITHOUT FEAR</strong></td>
<td>Alba Pifarré</td>
<td>75</td>
<td>Spain</td>
<td>Catalán, Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Bread for tomorrow</strong></td>
<td>Carmelo Puglisi</td>
<td>88</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>BURNOUT</strong></td>
<td>Ander Duque</td>
<td>61</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Cages taking flight</strong></td>
<td>Sujith Kumar KV</td>
<td>74</td>
<td>India</td>
<td>English, Hindi, Telugu, Urdu</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>CONCHA ROBLES. EL PRECIO DE LA LIBERTAD.</strong></td>
<td>DAVID MIRALLES QUESADA</td>
<td>80</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>CONCHA ROBLES. EL PRECIO DE LA LIBERTAD.</strong></td>
<td>DAVID MIRALLES QUESADA</td>
<td>80</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Così x Caso-Dogma 95 (Director&#8217;s Cut – Dogma 95 Anniversary)</strong></td>
<td>Cristiano Ceriello</td>
<td>123</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Crime of the night: Brazilian Purge</strong></td>
<td>Marcelo N. Reis</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Dear Mother,</strong></td>
<td>Sk Shuvo Shadique</td>
<td>67</td>
<td>Bangladesh</td>
<td>Bengali, Other</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>desde fuera y tan adentro</strong></td>
<td>Fab llanos</td>
<td>94</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DESTINY</strong></td>
<td>yaser talebi</td>
<td>72</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Diario de un viaje</strong></td>
<td>Antonio&nbsp; Martin Alonso</td>
<td>69</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DIS concept (DES conceito)</strong></td>
<td>Ibere Pereira</td>
<td>103</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Disitango, a feminist embrace</strong></td>
<td>Valérie Loewensberg, Agustin Brun</td>
<td>82</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>D&#8217;Land am Schiet / The Land in the Shadows</strong></td>
<td>Lukas Grevis</td>
<td>73</td>
<td>Luxembourg</td>
<td>German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DULCE AMARGO</strong></td>
<td>John Agudelo</td>
<td>79</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>DUVA</strong></td>
<td>Jonathan Álvarez Peña</td>
<td>80</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>El Mundialito (small world cup)</strong></td>
<td>Marcel Czombos</td>
<td>76</td>
<td>Argentina</td>
<td>English, Portuguese, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EMNA</strong></td>
<td>bouslama chamakh</td>
<td>71</td>
<td>Switzerland, Tunisia</td>
<td>Arabic, German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EMPODERÍO</strong></td>
<td>Lara Izagirre</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Enciso, las huellas de la memoria</strong></td>
<td>Jesús Hermida</td>
<td>95</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Entre Fronteras</strong></td>
<td>Jose FucaJuan José Cea Escobar</td>
<td>90</td>
<td>Canada</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Escenas dun consenso</strong></td>
<td>Carmen P.G. Granxeiro</td>
<td>74</td>
<td>España</td>
<td>French, Galician, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Eskawata Kayawai &#8211; The Spirit of Transformation</strong></td>
<td>Lara Jacoski, Patrick Dequech Belem</td>
<td>70</td>
<td>Brasil</td>
<td>English, Portuguese, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Espacio menguante</strong></td>
<td>Norma Nebot</td>
<td>79</td>
<td>Spain</td>
<td>Arabic, English, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Este fue nuestro castigo</strong></td>
<td>Luis Cintora</td>
<td>89</td>
<td>Peru</td>
<td>Quechua, Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>EVROS- Α BLURRED LANDSCAPE</strong></td>
<td>GEORGIOS KERAMIDIOTIS</td>
<td>81</td>
<td>Greece</td>
<td>Modern Greek (1453-)</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Explotando el Edén, Île-à-Vache</strong></td>
<td>Raquel Gómez-Rosado</td>
<td>92</td>
<td>Spain</td>
<td>French, Haitian, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Extraordinary Common People</strong></td>
<td>Elena Bursztein, Axel Rosito</td>
<td>63</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Faltan vuestros nombres</strong></td>
<td>Pablo Gabaldón</td>
<td>85</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Father Mugica, the hour of light</strong></td>
<td>nicolas martin cuiñas, walter omar peña</td>
<td>69</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Fish without a wing</strong></td>
<td>Esperanza Jorge, Inmaculada Antolínez</td>
<td>72</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>FOOD FOR THOSE IN NEED</strong></td>
<td>Leonardo Brant</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Fragmentos</strong></td>
<td>Alejandro Rangel</td>
<td>110</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>GREEN LINE</strong></td>
<td>Sylvie Ballyot</td>
<td>90</td>
<td>France</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Havana Stories [La operación Payret]</strong></td>
<td>Eliecer Jimenez Almeida</td>
<td>80</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Hear O, Mahatma</strong></td>
<td>Ramchandra PN</td>
<td>101</td>
<td>India</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Impure</strong></td>
<td>Rico Herre</td>
<td>84</td>
<td>Germany, Kenya</td>
<td>Swahili</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Inche Machi</strong></td>
<td>Alison Ninoska</td>
<td>60</td>
<td>Chile</td>
<td>Other</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Intersex / The Violet Circle</strong></td>
<td>Teresa María María Martino</td>
<td>90</td>
<td>Argentina</td>
<td>English, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>JINETES DE ROCA</strong></td>
<td>Sebastian Diaz</td>
<td>71</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Jornaleros</strong></td>
<td>Sergio Rodrigo</td>
<td>88</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Juanito</strong></td>
<td>Renato Dennis</td>
<td>60</td>
<td>Chile</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Keys: A Palestine Film</strong></td>
<td>Ed Fitzgerald</td>
<td>88</td>
<td>Ireland</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lachatao</strong></td>
<td>Natalia Bruschtein Erenberg</td>
<td>87</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lago Escondido, soberanía en juego</strong></td>
<td>Camilo Gómez Montero</td>
<td>77</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Lagoa do Nado &#8211; A festa de um parque</strong></td>
<td>Arthur B. Senra</td>
<td>77</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Life is beautiful</strong></td>
<td>Daler Said-Jafarovich Rahmatov, Gulandom Salohovna Muhabbatova</td>
<td>76</td>
<td>Tajikistan</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Los Ojos del Futuro</strong></td>
<td>José María Borrell Balsells</td>
<td>67</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Los que Enfrentan el Después</strong></td>
<td>RUSSEL ÁLVAREZ</td>
<td>66</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>MAAYO WONAA KEEROL -The River Is Not a Border</strong></td>
<td>Alassane Diago</td>
<td>100</td>
<td>France, Germany, Senegal</td>
<td>Afrikaans, English, French</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mahoor</strong></td>
<td>majid niamorad</td>
<td>84</td>
<td>Ukraine</td>
<td>Persian, Ukrainian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mátria Amada Kalunga</strong></td>
<td>Lak ShamraThassio Freire</td>
<td>70</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Maudite Aphrodite</strong></td>
<td>Karim Souaki</td>
<td>86</td>
<td>Tunisia</td>
<td>Arabic</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Migrants</strong></td>
<td>Masoud Ahmadi</td>
<td>85</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mohanas. Resistencias, memoria, paz</strong></td>
<td>Sergi Tarín</td>
<td>60</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Mom&#8217;s dolls</strong></td>
<td>German L Ramos Briñez</td>
<td>70</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Moribund</strong></td>
<td>Hojat Taheri</td>
<td>62</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>NEYEN MAPU. The Call of Lanín</strong></td>
<td>Mara Rocío Collinao</td>
<td>60</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Night and Fog in Kurdistan</strong></td>
<td>Shilan Saadi</td>
<td>85</td>
<td>Belgium, Canada, Georgia, Iran, Islamic Republic of, Turkey</td>
<td>Kurdish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>No somos marionetas</strong></td>
<td>Julio Espinosa</td>
<td>70</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Nonkonform</strong></td>
<td>Arne Körner</td>
<td>117</td>
<td>Germany</td>
<td>German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Nos hace falta Sinar</strong></td>
<td>Andrés Alarcón Nandayapa</td>
<td>65</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>ON REMEMBERING</strong></td>
<td>Laura Gabay</td>
<td>60</td>
<td>Switzerland</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Pirinha</strong></td>
<td>Natasha Craveiro</td>
<td>60</td>
<td>Brasil</td>
<td>Portugués</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Pizza Fritta</strong></td>
<td>Domingo De Luis</td>
<td>66</td>
<td>Italy, Spain</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>PRESENT PAST</strong></td>
<td>N. Salma Bynes</td>
<td>96</td>
<td>Uganda</td>
<td>English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Qazhymuqan</strong></td>
<td>Kanagat Mustafin</td>
<td>86</td>
<td>Kazakhstan</td>
<td>Kazakh</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>RUNNING ON CANDLELIGHT</strong></td>
<td>AGUSTÍN TORANZO</td>
<td>61</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>SEBASTIAN MORO, THE WALKER</strong></td>
<td>María Laura Cali</td>
<td>90</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Senegal. Un sueño de ida y vuelta</strong></td>
<td>Marcos Gualda</td>
<td>88</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Shot the Voice of Freedom</strong></td>
<td>Zainab Entezar</td>
<td>71</td>
<td>Afghanistan, Germany</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Sinahal, Mayan Midwife</strong></td>
<td>Glenny Torres</td>
<td>77</td>
<td>Mexico</td>
<td>Other, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Sniper Alley &#8211; To My Brother</strong></td>
<td>Cristiana Lucia Grilli, Francesco Toscani</td>
<td>84</td>
<td>Italy</td>
<td>Bosnian, English, Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Spain is not different</strong></td>
<td>Samuel Sebastian</td>
<td>77</td>
<td>Spain, United Kingdom</td>
<td>Other, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Tal vez nos volvamos a encontrar</strong></td>
<td>Pablo Banchero</td>
<td>72</td>
<td>Uruguay</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Te protegerán mis alas</strong></td>
<td>Antonio Cuadri</td>
<td>107</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>TEAM TIBET</strong></td>
<td>Alison Pinkney</td>
<td>111</td>
<td>United Kingdom</td>
<td>English, Tibetan</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The agronomist</strong></td>
<td>Martín Turnes</td>
<td>72</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Architect</strong></td>
<td>weiping zhang</td>
<td>92</td>
<td>China</td>
<td>Chinese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Beetle´s Cave</strong></td>
<td>Wojciech Ganczarek</td>
<td>67</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Closures</strong></td>
<td>Lucia Arellano</td>
<td>73</td>
<td>Belgium, Chile, France, Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The color smile of death</strong></td>
<td>inaz javan</td>
<td>157</td>
<td>Iran, Islamic Republic of</td>
<td>&nbsp;</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Invisible</strong></td>
<td>Andrea Oliva Marcial</td>
<td>92</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THE OTHER MAN</strong></td>
<td>Edgar Rocca Marquez</td>
<td>108</td>
<td>Venezuela, Bolivarian Republic of</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Painters of the Future</strong></td>
<td>Kurt Poeschl</td>
<td>87</td>
<td>Germany</td>
<td>English, German</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Quantum Leap of The Termites</strong></td>
<td>Paula Otero</td>
<td>62</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Recent Unrest</strong></td>
<td>Ali Hadadi</td>
<td>89</td>
<td>Iran, Islamic Republic of</td>
<td>Persian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The stigma of silence</strong></td>
<td>Sergio Hernández Sanz</td>
<td>77</td>
<td>Spain</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Strong Man of Bureng</strong></td>
<td>Mauro Bucci</td>
<td>76</td>
<td>Italy</td>
<td>Afrikaans, English, Finnish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THE TALE OF A SAILOR</strong></td>
<td>José David Apel</td>
<td>70</td>
<td>Cuba</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Values On The Way</strong></td>
<td>Raquel Freiría</td>
<td>88</td>
<td>España</td>
<td>English, Galician, German, Italian, Spanish</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>The Volunteers &#8211; Las Brigadistas</strong></td>
<td>Juan Pablo Lepore</td>
<td>63</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>THIS JUNGO LIFE</strong></td>
<td>David Fedele</td>
<td>78</td>
<td>Morocco</td>
<td>Arabic, English</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Todos lo sabían</strong></td>
<td>Iratxe Pérez Barandalla</td>
<td>98</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Transformando Realidades</strong></td>
<td>Vanessa Gisell Pintos BideauMario Ayala Cabello</td>
<td>63</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Un Rincón sin Cielo</strong></td>
<td>Lisset Bohe</td>
<td>74</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>UNA FAMILIA OLIMPICA</strong></td>
<td>Carlos Conti</td>
<td>78</td>
<td>Uruguay</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Una Risata ci Salverà &#8211; A laugh will save us</strong></td>
<td>Michelangelo Gregori</td>
<td>60</td>
<td>Italy</td>
<td>Italian</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>UNDER MY SKIN</strong></td>
<td>Pascal Tessaud</td>
<td>99</td>
<td>France</td>
<td>French</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Unknown Worlds</strong></td>
<td>THU MONG DUONG</td>
<td>97</td>
<td>Viet Nam</td>
<td>Vietnamese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Vibrar: El Arte de Sentir</strong></td>
<td>Nathalia Montealegre Triana</td>
<td>71</td>
<td>Colombia</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Vieques: A Living Archive</strong></td>
<td>Juan Carlos Rodríguez</td>
<td>89</td>
<td>United States</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Waiting List</strong></td>
<td>Victoria De Michele, Mariela Di Naro</td>
<td>76</td>
<td>Argentina</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>We’re Not the Same</strong></td>
<td>Sergio Nolasco Infante</td>
<td>76</td>
<td>Mexico</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>What&#8217;s wrong with us?</strong></td>
<td>DAVID PASCUAL</td>
<td>90</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Where to go</strong></td>
<td>Nacho Sánchez Sánchez BRAVO</td>
<td>64</td>
<td>España</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>WHO IS SHE</strong></td>
<td>Mariana Jaspe</td>
<td>70</td>
<td>Brasil</td>
<td>Portuguese</td>
<td>Sec. General: Largometrajes</td>
</tr>
<tr>
<td><strong>Yo Soy el Bosque &#8211; I am the Forrest</strong></td>
<td>Ines Ruiz, Gonzalo Alvarado</td>
<td>80</td>
<td>Perú</td>
<td>Español</td>
<td>Sec. General: Largometrajes</td>
</tr>
</tbody>
</table>								</div>
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		</section>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/announcement-of-the-official-selection-for-the-8th-ficnova-2026-competition/">Announcement of the Official Selection for the 8th FICNOVA 2026 Competition</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Deadline for film submissions to FICNOVA 8 has closed</title>
		<link>https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Sat, 02 Aug 2025 12:03:01 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[FICNOVA Inscripción películas]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=11931</guid>

					<description><![CDATA[<p>The theme of this edition, ‘NONVIOLENCE: FROM ME TO US,’ resonates around the world As published in the rules for</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/">Deadline for film submissions to FICNOVA 8 has closed</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img decoding="async" width="800" height="483" src="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/inscripciones8FICNOVA2026.jpg" class="attachment-large size-large wp-image-11903" alt="Mapa de inscripciones 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/inscripciones8FICNOVA2026.jpg 894w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/inscripciones8FICNOVA2026-300x181.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/inscripciones8FICNOVA2026-768x464.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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															<img loading="lazy" decoding="async" width="800" height="800" src="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243.png" class="attachment-large size-large wp-image-11902" alt="Cerrado plazo 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243.png 1024w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-300x300.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-150x150.png 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-768x768.png 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/08/Copilot_20250731_164243-500x500.png 500w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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									<h4>The theme of this edition, ‘NONVIOLENCE: FROM ME TO US,’ resonates around the world</h4><p>As published in the rules for participation in the 8th International Film Festival of Active Nonviolence 2026, FICNOVA, on 1 August 2025 we closed the registration period for films competing in this edition.</p><p>A total of 2,565 films were submitted across the four categories: 99 medium-length films and 340 feature films in the 2023 General Section for Short Films, and 103 short films in the Educational Institutions section.</p><p>The films came to us from 121 countries, through the three festival platforms we use at FICNOVA (FilmFreeway, Festhome and Clickforfestival), thanks to which the proposal circulates across all continents.</p><p>The international organising team, bearing in mind that our work is entirely voluntary, despite being more demanding with the requirements for this edition so that the films comply with the theme proposed by the festival and with the requirement that the original languages offer the possibility of subtitles in Spanish and English, we see that we maintain a very high participation of works to be evaluated. For all these reasons, we are organising the festival on a biennial basis in 2026 and will not have the official selection for the competition until 15 July 2026, when we will publish the accepted works.</p><p>We would like to thank all the authors and producers for their participation in the 8th FICNOVA 2026, helping to spread the message of non-violence with their examples.</p><p>FICNOVA Organising Team</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/deadline-for-film-submissions-to-ficnova-8-has-closed/">Deadline for film submissions to FICNOVA 8 has closed</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Film registration for FICNOVA 8 is now open</title>
		<link>https://festivalcinenoviolencia.org/en/film-registration-for-ficnova-8-is-now-open/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sun, 04 May 2025 10:34:00 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[Film registration for FICNOVA 8]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=11850</guid>

					<description><![CDATA[<p>NONVIOLENCE: FROM ME TO US With this motto we start the preparation of the 8th International Film Festival of Active</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/film-registration-for-ficnova-8-is-now-open/">Film registration for FICNOVA 8 is now open</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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															<img loading="lazy" decoding="async" width="800" height="445" src="https://festivalcinenoviolencia.org/wp-content/uploads/2023/03/INSCRIPCION-FESTIVAL.jpg" class="attachment-large size-large wp-image-3915" alt="Inscripción al 8 FICNOVA 2026" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2023/03/INSCRIPCION-FESTIVAL.jpg 800w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/03/INSCRIPCION-FESTIVAL-300x167.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2023/03/INSCRIPCION-FESTIVAL-768x427.jpg 768w" sizes="(max-width: 800px) 100vw, 800px" />															</div>
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															<img loading="lazy" decoding="async" width="728" height="1024" src="https://festivalcinenoviolencia.org/wp-content/uploads/2025/05/Poster-FICNOVA8-v-728x1024.jpg" class="attachment-large size-large wp-image-11852" alt="Poster-FICNOVA8-ENG" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2025/05/Poster-FICNOVA8-v-728x1024.jpg 728w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/05/Poster-FICNOVA8-v-213x300.jpg 213w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/05/Poster-FICNOVA8-v-768x1081.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2025/05/Poster-FICNOVA8-v.jpg 1002w" sizes="(max-width: 728px) 100vw, 728px" />															</div>
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									<h3><span style="color: #ff6600;"><strong>NONVIOLENCE: FROM ME TO US</strong></span></h3><p>With this motto we start the preparation of the 8th International Film Festival of Active Nonviolence 2026, FICNOVA.</p><p>We see two opposing directions in the world and in ourselves:</p><p>On the one hand, on a finally connected planet a sensibility of a ‘universal we’ is beginning to emerge in many people, a leap of consciousness that opens up a possible and hopeful future.</p><p>But on the other hand, the individual ‘I ’s and the ‘I ’s of the factions are fighting fiercely to impose themselves on each other by means of all kinds of violence.</p><p>One direction leads us to humanise, to recognise and acknowledge each other and to care for the world, while the other direction divides, disconnects and dehumanises us by focusing our interest only on personal desires.</p><p>In each new edition of this festival, we recognise valuable examples around the world of human beings who are mobilising to overcome pain and suffering in themselves and in others.</p><p>From all FICNOVA venues, we invite you to join us in this transformative sensibility.</p><p>Film registrations are open from 4 May to 1 August 2025.</p><p>You can find the rules and all the information <a href="https://festivalcinenoviolencia.org/en/registration-and-submission-of-films-8-ficnova-2026/">on this link.</a></p>								</div>
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		</section>
				</div>
		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/film-registration-for-ficnova-8-is-now-open/">Film registration for FICNOVA 8 is now open</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>NONVIOLENCE: FROM ME TO US</title>
		<link>https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/</link>
		
		<dc:creator><![CDATA[Pablo M]]></dc:creator>
		<pubDate>Sat, 01 Mar 2025 22:39:50 +0000</pubDate>
				<category><![CDATA[2026]]></category>
		<category><![CDATA[NEWS]]></category>
		<category><![CDATA[Noticias 2026]]></category>
		<category><![CDATA[Novedades]]></category>
		<category><![CDATA[THE FESTIVAL]]></category>
		<category><![CDATA[8 FICNOVA 2026]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=12273</guid>

					<description><![CDATA[<p>With this motto we start the preparation of the 8th International Film Festival of Active Nonviolence 2026, FICNOVA.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/">NONVIOLENCE: FROM ME TO US</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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									<h5><span style="color: #000000;"><strong>NONVIOLENCE: FROM ME TO US</strong></span></h5><p><strong>With this motto, we are beginning preparations for the 8th International Active Nonviolence Film Festival (FICNOVA), which we will hold during the week of October 2, 2026.</strong></p><p>As in previous editions, we are sending out a signal of active nonviolence to seek out examples of this transformative sensibility around the world.</p><p>We are experiencing constant changes everywhere that create great instability in our lives. The loss of reference points can confuse us and lead us to move in an unintended direction, or it can prompt us to seek deeper internal points of reference that strengthen us. Perhaps, in that search, we arrive at nonviolence as a steadfast anchor to hold onto, preventing us from being swept away by the trends of the moment.</p><p>We find ourselves at a crossroads, observing two opposing directions—both in the world and within ourselves. On one hand, across a finally interconnected planet, a sense of a &#8220;universal &#8216;us'&#8221; is beginning to emerge in many people—a shift in consciousness that opens up a hopeful future. On the other hand, however, individual &#8220;selves&#8221; and group &#8220;selves&#8221; (factions) are engaged in a ruthless struggle to dominate one another through every form of violence. One path leads us toward humanization—recognizing ourselves and others, and caring for the world—while the other divides, disconnects, and dehumanizes us as we become blinded by personal desires.</p><p>In each new edition of FICNOVA, we recognize valuable examples from around the world of human beings mobilizing to overcome pain and suffering—both in themselves and in others—driven by a heartfelt, quiet emotional connection that extends from their immediate circles to the furthest reach of their capacity for transformation.</p><p>We also denounce the poor examples set by individuals and groups possessing economic power—indifferent to the suffering of others, disconnected, and callous—caught in a growing process of dehumanization and internal disintegration; people capable of viewing murder, blackmail, misappropriation, and the destruction of others&#8217; lives and possessions merely as &#8220;collateral damage&#8221; in the pursuit of their own &#8220;grand objectives.&#8221;</p><p>We sense an internal alarm—a warning of danger—regarding that dehumanizing trend, signaling that something vital is being lost when we cannot feel the pain and suffering of others.</p><p>From this small film festival dedicated to active nonviolence—inspired by Universalist Humanism—we call for a moment of silence. A moment to open ourselves to discovering new inner spaces that connect us with others.</p><p>Through the works gathered for this edition, we will once again invite an exchange of enriching experiences—one that enables us to build bridges and foster reconciliation among siblings who were separated by circumstances beyond their control, yet who are now reconnecting through a gentle affection and quiet joy.</p><p>Indeed, we believe that the human future lies in moving toward a sense of &#8220;us&#8221; through cooperation, as so many people are already working in that direction. Consequently, this new edition will surely keep us busy recognizing the many fine examples that will reach us from across the globe.</p><p>The film submission period for the 8th FICNOVA (2026) opens on May 4 and closes on August 1, 2025.</p><p>Full information and participation guidelines will be available at: <br /><a href="https://festivalcinenoviolencia.org">https://festivalcinenoviolencia.org</a></p><p>FICNOVA Organizing Team</p><p> </p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/noviolence-from-me-to-us/">NONVIOLENCE: FROM ME TO US</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Awarded Films in the 7th FICNOVA 2024</title>
		<link>https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:12:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Noticias 2024]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9855</guid>

					<description><![CDATA[<p>These are the films AWARDED by the international selection team of the 7th International Film Festival of Active Nonviolence 2024 with the "Stelae" of this edition, in its five different sections.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/">Awarded Films in the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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									<p><strong>Today, 2 October, amidst the noise of the bombs that continue to widen the disaster of violence between governments and destroy peoples, we send out a signal of NONVIOLENCE. A signal that can reach the hearts of simple people and help to create an outcry against barbarism.</strong></p><p><strong>These are the films AWARDED by the international selection team of the 7th International Film Festival of Active Nonviolence 2024, awarding them the &#8220;Stelae&#8221; of this edition, in its five different sections.</strong></p><p>The international organising team, from different cities and countries, following the criteria from a humanist approach of rescuing the best examples that fit the theme of the festival: &#8220;nonviolence transforming the world&#8221;, have made the following selection of award-winning films in its five competition sections (Short, Medium and Feature Films in the General Section and Short Films in the Primary and Secondary Schools and Higher Education Centres Section).</p><p>Our most sincere thanks to all the participants of the 2724 films registered from 126 countries and to the 921 films admitted as official selection in competition. It was very difficult to make such a small selection of finalists.</p><p>We recognise in this edition <strong>5 films awarded with the &#8220;Stela&#8221; of FICNOVA</strong>, among the <strong>41 finalist films from 13 countries</strong> as some good examples of the strength of nonviolence that is growing and transforming the world.</p><p><strong>Thank you very much to all and congratulations to the winners.</strong></p>								</div>
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															<img loading="lazy" decoding="async" width="396" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024.png" class="attachment-large size-large wp-image-9759" alt="Laurel Galardón 7 FICNOVA 2024 Centros Enseñanza Primaria Secundaria" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024.png 396w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-CEPS-7FICNOVA2024-300x146.png 300w" sizes="(max-width: 396px) 100vw, 396px" />															</div>
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									<h3 class="elementor-heading-title elementor-size-default">EDUCATIONAL CENTRES SECTION</h3>								</div>
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									<h3><a href="https://festivalcinenoviolencia.org/en/friends/"><strong>FRIENDS</strong></a></h3><p>5 min. Spain. 2022</p><p>Dir: <b>Diana Gimeno </b><br />(IES Ramón Arcas. Murcia)</p><p><strong>SYNOPSIS:</strong></p><p>You never know where you will find a true friend.</p><p><b>FICNOVA RECOGNISES THIS FILM FOR:<br /></b>To bring from the classrooms of the youngest children the importance of not losing our centre of gravity in empathy, which prevents us from being indifferent to the suffering of others, despite all the group pressures..</p><p><span style="color: #ff6600;"><b>NONVIOLENCE</b></span><b> AGAINST VIOLENCE:<br /><span style="color: #993300;">PSYCHOLOGICAL, MORAL, RACIAL</span></b></p>								</div>
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									<h2>EDUCATIONAL CENTRES SECTION<br />Higher Education</h2>								</div>
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									<h4><a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/"><strong>THE UNVEILED WOMAN</strong></a></h4><p>3 min. Italiy. 2022</p><p>Dir: <b>Gaia Pulliero </b><br />(Universidad de Padua)</p><p><strong>SYNOPSIS:</strong></p><p>During an interview, a young woman tells her interlocutor about the meanings she attributes to the concept of &#8220;freedom&#8221;. But what at first appear to be simple statements will turn out to be a desperate cry for help by the end of the film.</p><p><b>FICNOVA RECOGNISES THIS FILM FOR:<br /></b>To contribute from a close look, with a simple example, an imperative need of more than half of the human beings on the planet: to stop being discriminated against for being women. An unstoppable process that seeks to free itself from its bonds in any part of the world.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span> AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL</strong></span></p>								</div>
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									<h2>GENERAL SECTION SHORT FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg" class="attachment-large size-large wp-image-10726" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><b><a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">HAHATAY. Gandiol´s Smiles</a><br /></b></h4><p>28 min. Spain-Senegal. 2021</p><p>Dir: <b>Irene Segalés Aguilar </b></p><p><strong>SYNOPSIS:</strong></p><p>&#8220;Hahatay, Sonrisas de Gandiol&#8221; is a non-profit association that works in development cooperation between Senegal and Spain.<br />From Hahatay they work every day to develop educational, health and cultural spaces that provide the necessary opportunities so that everyone in Gandiol has the ability to make decisions about their lives.</p><p><strong>FICNOVA RECOGNISES THIS FILM FOR :</strong><br />Providing a humanising view of global confluence, recognising the need for diversity in the face of established patterns. A look at the essence of the human being that cannot be stopped by any border and any barrier.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span> AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>MORAL, RACIAL, ECONOMICAL, PSYCHOLOGICAL<br /></strong></span></p>								</div>
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															<img loading="lazy" decoding="async" width="395" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9835" alt="Laurel Galardón 7 FICNOVA 2024 Mediometrajes" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024.png 395w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024-300x147.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-MEDIOMETRAJES-7FICNOVA2024-392x193.png 392w" sizes="(max-width: 395px) 100vw, 395px" />															</div>
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									<h2>GENERAL SECTION MEDIUM-LENGTH FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/state-homophobia/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg" class="attachment-large size-large wp-image-10754" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><a href="https://festivalcinenoviolencia.org/en/state-homophobia/"><strong>STATE HOMOPHOBIA</strong></a></h4><p>51 min. Spain-Guinea E. 2022<br />Dir: <strong>Richard Zubelzu</strong></p><p><strong>SYNOPSIS:</strong></p><p>In this documentary we give voice to the Guinean LGTBI activists Án-gel and Gonzalo, who give testimony of the persecution suffered by women and LGTBI people in their country and the difficulty of &#8220;coming out of the closet&#8221; as it is a taboo within families. A violation of human rights by the country&#8217;s current regime, with police abuse, torture, discrimination, sexual violence, forced pregnancies, child sexual exploitation of minors and a high mortality rate.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE</span></strong> <strong>AGAINST VIOLENCE</strong><strong>:</strong><br /><span style="color: #993300;"><strong>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL<br /></strong></span></p>								</div>
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															<img loading="lazy" decoding="async" width="395" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024.png" class="attachment-large size-large wp-image-9836" alt="Laurel Galardón 7 FICNOVA 2024 Largometrajes" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024.png 395w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024-300x147.png 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Galardones-LARGOMETRAJES-7FICNOVA2024-392x193.png 392w" sizes="(max-width: 395px) 100vw, 395px" />															</div>
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									<h2>GENERAL SECTION FEATURE FILMS</h2>								</div>
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											<a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/">
							<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg" class="attachment-large size-large wp-image-10762" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />								</a>
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									<h4><a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/"><strong>A JOURNEY TO OURSELVES</strong></a></h4><p>65 min. Spain. 2021<br />Dir: <strong>Luis Cintora</strong></p><p><strong>SYNOPSIS:</strong></p><p>Spanish comedian Pepe Viyuela guides us on a journey where past and present merge as one: a time and circumstances shared by the victims of each armed conflict. Un viaje hacia nosotros narrates a journey that begins with the family memory of actor Pepe Viyuela, as he undertakes an investigation following the trail of his grandfather Gervasio, a member of the Republican army during the Spanish Civil War. A journey that takes him back to his past, and a new perspective from which to re-evaluate his relationship with the present.</p><p><strong>FICNOVA RECOGNISES THIS FILM FOR:<br /></strong>Bringing us closer to the reality of refugees, showing the essential need to protect the life of every human being in the face of a threat. But at the same time it points to a hopeful global future that is beginning to be expressed among the youngest.</p><p><strong><span style="color: #ff6600;">NONVIOLENCE </span>AGAINST VIOLENCE:</strong><br /><span style="color: #993300;"><strong>MORAL, PHYSICAL, RACIAL, ECONOMICAL</strong></span></p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/awarded-films-in-the-7th-ficnova-2024/">Awarded Films in the 7th FICNOVA 2024</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Friends</title>
		<link>https://festivalcinenoviolencia.org/en/friends/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:09:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Award-winning]]></category>
		<category><![CDATA[FICNOVA Education Centers Section]]></category>
		<category><![CDATA[VIDEO LIBRARY]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9535</guid>

					<description><![CDATA[<p>Stela to the Short Film of Educational Centers in the 7 FICNOVA 2024<br />
FICNOVA recognizes the film for bringing from the classrooms of the youngest the importance of not losing our center of gravity in empathy, which prevents us from being indifferent to the suffering of others, despite all the group pressures.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/friends/">Friends</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="9535" class="elementor elementor-9535">
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															<img loading="lazy" decoding="async" width="783" height="440" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/fotograma-amigas-1.jpg" class="attachment-colormag-featured-image size-colormag-featured-image wp-image-10596" alt="Fotograma Amigas 1" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/fotograma-amigas-1.jpg 783w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/fotograma-amigas-1-300x169.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/fotograma-amigas-1-768x432.jpg 768w" sizes="(max-width: 783px) 100vw, 783px" />															</div>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK.jpg" class="attachment-tileview size-tileview wp-image-10751" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Amigas_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<table class="movie-info" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td> </td><td>2022. España (IES Ramón Arcas. Murcia) 5 min.</td></tr><tr><td><i>Dirección:</i></td><td>Diana Gimeno</td></tr><tr><td><i>Productor:</i></td><td><span class="text-bold">Jesús Martínez</span></td></tr><tr><td><i>Guion:</i></td><td>Irene Segalés</td></tr><tr><td><i>Dirección fotografía:</i></td><td><span class="text-bold">Jorge Serrano</span></td></tr><tr><td><i>Dirección artística:</i></td><td>Diana Gimeno</td></tr><tr><td><i>Montaje:</i></td><td>Diana Gimeno</td></tr><tr><td><i>Sonido:</i></td><td><span class="text-bold">Adrián Martínez</span></td></tr><tr><td><i>Música:</i></td><td><span class="text-bold">Fete Clemente</span></td></tr></tbody></table>								</div>
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									<p>You never know where you will find a true friend.</p>								</div>
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										<img loading="lazy" decoding="async" width="150" height="150" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/Amigas-150x150.jpg" class="attachment-thumbnail size-thumbnail wp-image-8944" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/Amigas-150x150.jpg 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/Amigas-300x300.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/Amigas-500x500.jpg 500w" sizes="(max-width: 150px) 100vw, 150px" />											<figcaption class="widget-image-caption wp-caption-text">Director Diana Gimeno</figcaption>
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									<h3>NonViolence themes: </h3><p>PSYCHOLOGICAL, MORAL, RACIAL</p>								</div>
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									<h3>Acknowledgement:</h3>								</div>
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															<img loading="lazy" decoding="async" width="363" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png" class="attachment-large size-large wp-image-8708" alt="laurel FINALISTA 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024-300x160.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p><strong>FICNOVA</strong> acknowledges this film for bringing from the classrooms of the youngest children the importance of not losing our centre of gravity in empathy, which prevents us from being indifferent to the suffering of others, despite all the group pressures.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/friends/">Friends</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Hahatay, Gandiol&#8217;s smiles</title>
		<link>https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:09:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Award-winning]]></category>
		<category><![CDATA[#galardonadas FICNOVA]]></category>
		<category><![CDATA[No-violencia económica]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9553</guid>

					<description><![CDATA[<p>Stela to the award-winning Short Film 7th FICNOVA 2024<br />
FICNOVA recognizes in the film the effort to provide a humanizing look of global confluence, recognizing the need for diversity in the face of established schemes. A look at the essence of the human being that cannot be stopped by any border.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">Hahatay, Gandiol&#8217;s smiles</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="9553" class="elementor elementor-9553">
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															<img loading="lazy" decoding="async" width="783" height="440" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_dest.jpeg" class="attachment-colormag-featured-image size-colormag-featured-image wp-image-10688" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_dest.jpeg 783w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_dest-300x169.jpeg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_dest-768x432.jpeg 768w" sizes="(max-width: 783px) 100vw, 783px" />															</div>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg" class="attachment-tileview size-tileview wp-image-10726" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Hahatay_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<table class="movie-info" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td> </td><td>2021. Spain-Senegal 28 min.</td></tr><tr><td><i>Dirección:</i></td><td>Irene Segalés</td></tr><tr><td><i>Productor:</i></td><td>Irene Segalés</td></tr><tr><td><i>Guion:</i></td><td>Irene Segalés</td></tr><tr><td><i>Dirección fotografía:</i></td><td> </td></tr><tr><td><i>Dirección artística:</i></td><td> </td></tr><tr><td><i>Montaje:</i></td><td>Irene Segalés</td></tr><tr><td><i>Sonido:</i></td><td> </td></tr><tr><td><i>Música:</i></td><td> </td></tr></tbody></table>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Synopsis</h3>				</div>
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									<p>Hahatay, Gandiol´s Smiles&#8217; is a non-profit association that works in development cooperation between Senegal and Spain.<br />From Hahatay they work every day to develop educational, health and cultural spaces that provide the necessary opportunities for everyone in Gandiol to have the ability to make decisions about their lives. Hahatay provides the tools to build the future of the community with their own resources.<br />In September 2019 I visited the NGO and this report came out of that experience where it is the community members who tell us about the aims and achievements of a project that is as essential as it is exciting.</p>								</div>
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										<img loading="lazy" decoding="async" width="300" height="198" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/hahatay-300x198.jpg" class="attachment-medium size-medium wp-image-8932" alt="Hahatay" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/hahatay-300x198.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/hahatay-768x507.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/hahatay-391x260.jpg 391w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/hahatay.jpg 800w" sizes="(max-width: 300px) 100vw, 300px" />											<figcaption class="widget-image-caption wp-caption-text">Director Irene Segales</figcaption>
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									<h3>NonViolence themes:</h3>
<p>MORAL, RACIAL, ECONOMIC, PSYCHOLOGICAL</p>								</div>
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									<h3>Película</h3>								</div>
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									<h3>Acknowledment</h3>								</div>
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															<img loading="lazy" decoding="async" width="363" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png" class="attachment-large size-large wp-image-8708" alt="laurel FINALISTA 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024-300x160.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p><strong>FICNOVA</strong> recognises in the film the effort to provide a humanising view of global convergence, recognising the need for diversity in the face of established patterns. A look at the essence of the human being that cannot be stopped by any frontier.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/hahatay-gandiols-smiles/">Hahatay, Gandiol&#8217;s smiles</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>The Unveiled Woman</title>
		<link>https://festivalcinenoviolencia.org/en/the-unveiled-woman/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:08:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Award-winning]]></category>
		<category><![CDATA[VIDEO LIBRARY]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9548</guid>

					<description><![CDATA[<p>Stela to the Short Film of Higher Education Centers in the 7th FICNOVA 2024.<br />
FICNOVA recognizes in the film the effort to contribute from a close look, with a simple example, an imperative need of more than half of the human beings on the planet: to stop being discriminated against for being women. An unstoppable process that seeks to break free from its bonds anywhere in the world.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/">The Unveiled Woman</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK.jpg" class="attachment-tileview size-tileview wp-image-10750" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/LA-mujer-desvelada_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<table class="movie-info" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td> </td><td>2022. Italy 3 min.</td></tr><tr><td><i>Dirección:</i></td><td>Gaia Pulliero (Universidad de Padua)</td></tr><tr><td><i>Productor:</i></td><td>Gaia Pulliero</td></tr><tr><td><i>Guion:</i></td><td>Gaia Pulliero</td></tr><tr><td><i>Dirección fotografía:</i></td><td><span class="text-bold">Manuel Barutta</span></td></tr><tr><td><i>Dirección artística:</i></td><td>Gaia Pulliero</td></tr><tr><td><i>Montaje:</i></td><td>Gaia Pulliero</td></tr><tr><td><i>Sonido:</i></td><td> </td></tr><tr><td><i>Música:</i></td><td> </td></tr></tbody></table>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Synopsis</h3>				</div>
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									<p>During an interview, a young woman tells her interlocutor about the meanings she attributes to the concept of &#8220;freedom&#8221;. But what at first appear to be simple statements will turn out to be a desperate cry for help by the end of the film.</p>								</div>
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										<img loading="lazy" decoding="async" width="150" height="150" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/directora_mujerdesvelada-150x150.jpg" class="attachment-thumbnail size-thumbnail wp-image-10806" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/directora_mujerdesvelada-150x150.jpg 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/directora_mujerdesvelada-300x300.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/directora_mujerdesvelada-500x500.jpg 500w" sizes="(max-width: 150px) 100vw, 150px" />											<figcaption class="widget-image-caption wp-caption-text">Director 	Gaia Pulliero</figcaption>
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									<h3>NonViolence Themes: </h3><p>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL</p>								</div>
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									<h3>Acknowledgment:</h3>								</div>
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															<img loading="lazy" decoding="async" width="363" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png" class="attachment-large size-large wp-image-8708" alt="laurel FINALISTA 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024-300x160.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p><strong>FICNOVA</strong> recognises in the film the effort to provide a close-up view, with a simple example, of an imperative need of more than half of the human beings on the planet: to stop being discriminated against for being women. An unstoppable process that seeks to free itself from its bonds in any part of the world.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/the-unveiled-woman/">The Unveiled Woman</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></content:encoded>
					
		
		
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		<title>State Homophobia</title>
		<link>https://festivalcinenoviolencia.org/en/state-homophobia/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:06:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Award-winning]]></category>
		<category><![CDATA[VIDEO LIBRARY]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9540</guid>

					<description><![CDATA[<p>Stela to the Medium-length awarded in the 7 FICNOVA 2024<br />
FICNOVA recognizes in the film the effort to shed light on how societies live trapped by our culturally ingrained epochal beliefs, and how these are precipitated as new generations and individuals are able to rebel against them.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/state-homophobia/">State Homophobia</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="9540" class="elementor elementor-9540">
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															<img loading="lazy" decoding="async" width="783" height="440" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Homofobia-de-estado_dest.jpg" class="attachment-colormag-featured-image size-colormag-featured-image wp-image-10699" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Homofobia-de-estado_dest.jpg 783w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Homofobia-de-estado_dest-300x169.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Homofobia-de-estado_dest-768x432.jpg 768w" sizes="(max-width: 783px) 100vw, 783px" />															</div>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg" class="attachment-tileview size-tileview wp-image-10754" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/HomofobiadeEstado_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<table class="movie-info" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td> </td><td>2023. Spain 51min.</td></tr><tr><td><i>Director:</i></td><td>Richard Zubelzu</td></tr><tr><td><i>Productor:</i></td><td>Magda Calabrese</td></tr><tr><td><i>Script:</i></td><td>Richard Zubelzu</td></tr><tr><td>Director of photography:</td><td>Richard Zubelzu</td></tr><tr><td>Art direction:</td><td>Richard Zubelzu</td></tr><tr><td><i>Editing:</i></td><td> </td></tr><tr><td><i>Sound:</i></td><td> </td></tr><tr><td><i>Music:</i></td><td> </td></tr></tbody></table>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Synopsis</h3>				</div>
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									<p>n this documentary we give voice to the Guinean LGTBI activists Angel and Gonzalo, who give testimony of the persecution suffered by women and LGTBI people in their country and the difficulty of &#8220;coming out of the wardrobe&#8221; as it is a taboo within the families.<br />A violation of human rights by the country&#8217;s current regime, with police abuse, torture, discrimination, sexual violence, forced pregnancies, child sexual exploitation of minors, a high mortality rate of transsexual people due to causes that the state cannot solve, family and social repudiation, or the terrible text of a draft bill in progress, aimed at overthrowing the legal personality of homosexual people.</p>								</div>
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										<img loading="lazy" decoding="async" width="300" height="300" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/158-director_Homofobia-de-estado-300x300.jpg" class="attachment-medium size-medium wp-image-8964" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/158-director_Homofobia-de-estado-300x300.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/158-director_Homofobia-de-estado-150x150.jpg 150w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/158-director_Homofobia-de-estado-500x500.jpg 500w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/158-director_Homofobia-de-estado.jpg 750w" sizes="(max-width: 300px) 100vw, 300px" />											<figcaption class="widget-image-caption wp-caption-text">Director Richard Zubelzu</figcaption>
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									<h3>NonViolence Themes: </h3><p>SEXUAL, PSYCHOLOGICAL, MORAL, PHYSICAL</p>								</div>
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									<h3>Trailer:</h3>								</div>
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									<h3>Acknowledgement:</h3>								</div>
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															<img loading="lazy" decoding="async" width="363" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png" class="attachment-large size-large wp-image-8708" alt="laurel FINALISTA 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024-300x160.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p><strong>FICNOVA </strong>recognises in the film the effort to shed light on how societies live trapped by our culturally ingrained epochal beliefs, and how these are precipitated as new generations and individuals are able to rebel against them.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/state-homophobia/">State Homophobia</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>A journey to ourselves</title>
		<link>https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:06:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[Award-winning]]></category>
		<category><![CDATA[VIDEO LIBRARY]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9561</guid>

					<description><![CDATA[<p>Stela Award Winning Feature Film 7th FICNOVA 2024<br />
FICNOVA recognizes in the film the effort to bring us closer to the reality of refugees, showing the essential need to protect the life of every human being in the face of a threat. But at the same time point to a hopeful future that begins to be expressed in the youngest.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/">A journey to ourselves</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
										<content:encoded><![CDATA[		<div data-elementor-type="wp-post" data-elementor-id="9561" class="elementor elementor-9561">
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															<img loading="lazy" decoding="async" width="783" height="440" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/un-viaje-hacia-nosotros_dest.jpg" class="attachment-colormag-featured-image size-colormag-featured-image wp-image-10683" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/un-viaje-hacia-nosotros_dest.jpg 783w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/un-viaje-hacia-nosotros_dest-300x169.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/un-viaje-hacia-nosotros_dest-768x432.jpg 768w" sizes="(max-width: 783px) 100vw, 783px" />															</div>
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															<img loading="lazy" decoding="async" width="235" height="332" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg" class="attachment-tileview size-tileview wp-image-10762" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK.jpg 235w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/10/Un-vuajehacianosotors_OK-212x300.jpg 212w" sizes="(max-width: 235px) 100vw, 235px" />															</div>
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									<table class="movie-info" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td> </td><td>2021. Spain 65 min.</td></tr><tr><td><i>Director:</i></td><td>Luis Cintora</td></tr><tr><td><i>Productor:</i></td><td><span class="text-bold">AV2MEDIA FILMS</span></td></tr><tr><td><i>Script:</i></td><td>Luis Cintora</td></tr><tr><td><i>Direction of photography:</i></td><td>Luis Cintora</td></tr><tr><td><i>Art Direction:</i></td><td>Luis Cintora</td></tr><tr><td><p><i>Editi</i><i>ng:</i></p></td><td> </td></tr><tr><td><i>Sound:</i></td><td> </td></tr><tr><td><i>Music:</i></td><td> </td></tr></tbody></table>								</div>
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					<h3 class="elementor-heading-title elementor-size-default">Synopsis</h3>				</div>
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									<p>Spanish comedian Pepe Viyuela guides us on a journey where past and present merge as one: a time and circumstances shared by the victims of each armed conflict.<br />Un viaje hacia nosotros narrates a journey that begins with the family memory of actor Pepe Viyuela, as he undertakes an investigation following the trail of his grandfather Gervasio, a member of the Republican army during the Spanish Civil War. A journey that takes him back to his past, and a new perspective from which to re-evaluate his relationship with the present.</p>								</div>
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										<img loading="lazy" decoding="async" width="800" height="533" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/luis-cintora.jpg" class="attachment-large size-large wp-image-8980" alt="" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/luis-cintora.jpg 800w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/luis-cintora-300x200.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/luis-cintora-768x512.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/luis-cintora-391x260.jpg 391w" sizes="(max-width: 800px) 100vw, 800px" />											<figcaption class="widget-image-caption wp-caption-text">Director Luis Cintora</figcaption>
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									<h3>NonViolence Themes: </h3>
<p>MORAL, PHYSICAL, RACIAL, ECONOMIC</p>								</div>
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									<h3>Trailer:</h3>								</div>
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									<h3>Acknowledgement:</h3>								</div>
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															<img loading="lazy" decoding="async" width="363" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png" class="attachment-large size-large wp-image-8708" alt="laurel FINALISTA 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024-300x160.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p><strong>FICNOVA</strong> recognises in the film the effort to bring us closer to the reality of refugees, showing the essential need to protect the life of every human being in the face of a threat, providing a transversal view in time and space, which makes us go deeper into ourselves. And despite the tremendous situation of confinement, it points to a hopeful global future that is beginning to be expressed among the youngest.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/a-journey-to-ourselves/">A journey to ourselves</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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		<title>Sarura. The future is an unknown place</title>
		<link>https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/</link>
		
		<dc:creator><![CDATA[Pepa BO]]></dc:creator>
		<pubDate>Tue, 01 Oct 2024 22:05:00 +0000</pubDate>
				<category><![CDATA[2024]]></category>
		<category><![CDATA[FINALISTAS]]></category>
		<category><![CDATA[Películas 2024]]></category>
		<category><![CDATA[VIDEO LIBRARY]]></category>
		<category><![CDATA[#finalistas FICNOVA]]></category>
		<category><![CDATA[NO-VIOLENCIA ECONOMICA]]></category>
		<category><![CDATA[NOVIOLENCIA FISICA]]></category>
		<category><![CDATA[NOVIOLENCIA MORAL]]></category>
		<category><![CDATA[NOVIOLENCIA RACIAL]]></category>
		<guid isPermaLink="false">https://festivalcinenoviolencia.org/?p=9941</guid>

					<description><![CDATA[<p>Feature film FINALIST 7 FICNOVA 2024<br />
FICNOVA recognizes to bring a demonstration effect of nonviolent resistance to violence, whose example crosses borders. A young population confronts, from its human dignity as an unbreakable inner center, the greatest unreason and discrimination of those who consider themselves “superior”.</p>
<p>La entrada <a href="https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/">Sarura. The future is an unknown place</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
]]></description>
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									<table class="movie-info" border="0" cellspacing="0" cellpadding="0"><tbody><tr><td> </td><td>2021. Italy  80 min.</td></tr><tr><td><i>Dirección:</i></td><td><p><span class="text-bold"><span class="dashboard-card-title">Nicola Zambelli</span></span></p></td></tr><tr><td><i>Productor:</i></td><td><div class="page" title="Page 3"><div class="layoutArea"><div class="column"><p><span class="text-bold">Andrea Paco Mariani / Silvia Veronesi<br /></span></p></div></div></div></td></tr><tr><td><i>Guion:</i></td><td><span class="text-bold"> Nicola Zambelli / Roberto Zinzi<br /></span></td></tr><tr><td><i>Dirección fotografía:</i></td><td> </td></tr><tr><td><i>Dirección artística:</i></td><td> </td></tr><tr><td><i>Montaje:</i></td><td><div class="page" title="Page 3"><div class="layoutArea"><div class="column"><p><span class="yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap" dir="auto" role="text"><span class="yt-core-attributed-string--link-inherit-color" dir="auto"><span class="text-bold"> Armando Duccio / Nicola Zambelli <br /></span></span></span></p></div></div></div></td></tr><tr><td><em>Sonido:</em></td><td><div class="page" title="Page 3"><div class="layoutArea"><div class="column">Claudio Cadei</div></div></div></td></tr><tr><td><i>Música:</i></td><td>Pippi Dimonte &#8211; doublebass</td></tr></tbody></table>								</div>
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									<p>At the gates of the Negev desert, a group of young Palestinians fight against the Israeli military occupation. &#8220;Youth of Sumud &#8211; the youth of steadfast perseverance &#8211; seek to return to their people the land that was taken away from their families by restructuring the ancient cave village of Sarura.<br />They meet aggression with non-violent action, fending off rifles with their video cameras; they oppose desolation and death with hope and life.<br />Ten years after their first documentary about the nonviolent struggle in the West Bank, the filmmakers return to the village of At-Tuwani and, using archival footage from over 15 years, tell how the children have grown up</p>								</div>
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										<img loading="lazy" decoding="async" width="300" height="200" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/sarura-director-300x200.jpg" class="attachment-medium size-medium wp-image-9386" alt="Director de SArura" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/sarura-director-300x200.jpg 300w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/sarura-director-768x513.jpg 768w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/sarura-director-391x260.jpg 391w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/sarura-director.jpg 800w" sizes="(max-width: 300px) 100vw, 300px" />											<figcaption class="widget-image-caption wp-caption-text">Director: Nicola Zambelli</figcaption>
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									<h3 class="temas-peli">NonViolence themes:   </h3><p>MORAL, PHYSICAL, RACIAL, ECONOMICAL</p>								</div>
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									<h3>Trailer</h3>								</div>
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									<h3>Acknowledgment:</h3>								</div>
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															<img loading="lazy" decoding="async" width="363" height="193" src="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png" class="attachment-large size-large wp-image-8708" alt="laurel FINALISTA 7 FICNOVA 2024" srcset="https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024.png 363w, https://festivalcinenoviolencia.org/wp-content/uploads/2024/09/FINALISTA-7FICNOVA-2024-300x160.png 300w" sizes="(max-width: 363px) 100vw, 363px" />															</div>
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									<p><strong>FICNOVA </strong>recognises that it provides a demonstration effect of nonviolent resistance to violence, whose example crosses borders. A young population confronts, from its human dignity as an unshakeable inner core, the greatest unreason and discrimination of those who consider themselves &#8220;superior&#8221;.</p>								</div>
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		<p>La entrada <a href="https://festivalcinenoviolencia.org/en/sarura-the-future-is-an-unknown-place/">Sarura. The future is an unknown place</a> se publicó primero en <a href="https://festivalcinenoviolencia.org/en/">ANIFF - Active Nonviolence International Film Festival</a>.</p>
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